Only You

· Sold by Steeple Hill
Ebook
336
Pages
Eligible

About this ebook

Climbing the corporate ladder had been Emily Lattrell's way to forget her troubled childhood. Her alcoholic mother's rejection of her had made Emily determined to protect her heart. But after meeting Philip Manning, she did the unthinkable--she quit her job to care for his brother's children while their mother lay in a coma.

Pouring herself into the children's lives energized Emily in a way that corporate America couldn't. And spending time with Philip made her long to take the greatest chance of all--risking her heart by revealing secrets she'd fought to conceal.

About the author



Deborah Bedford was born in Texas and earned her degree in journalism and marketing from Texas A&M University. Immediately after graduation, she accepted editorship of Evergreen Today, a weekly newspaper based in the small mountain town of Evergreen, Colorado. While serving as editor there, Deborah worked 70 or 80 hours each week, writing stories and cut-lines, sports and features, chasing fire trucks and checking police reports, taking pictures, editing, laying out pages, opaquing the negatives, stacking papers into vending machines and taking out the quarters.

It was long before Deborah began to dream of returning to her first love, fiction writing. For her birthday in the summer of 1984, her husband, Jack, bought her a copy of the 1984 Writers' Market, and she began to meticulously send letters to every publisher listed in the book. Rejection letters flowed back by the handfuls. She has a large folder where, for posterity's sake, she has kept these to this day. She has also kept the letter from Harlequin Books she received, which invited her to submit a complete manuscript but warned her that Harlequin did not want books about cowboys, airline pilots, guest ranches or Texans.

Deborah laughs now when she tells the story. Her manuscript was the story of "a woman who marries an airline pilot in Texas. Then, when he dies in a plane crash, she runs away to a guest ranch and falls in love with a cowboy." When she showed her husband, Jack, the letter, he said, "Honey, you've managed to write a manuscript that has everything in it they don't want." Harlequin bought the manuscript five short weeks after Deborah submitted it.

When Deborah's first book, Touch the Sky, was released by the Harlequin Superromance line, its sales topped every Harlequin record for a first-time author. It earned rave reviews and a Romantic Times Reviewer's Choice award. At that time, Deborah's editor told her, "This book isn't a romance, but we're going to publish it, anyway."

During the next seven years, Deborah published six more books for the Harlequin Superromance series and a historical novel, Blessing, before signing a contract with HarperCollins Publishers. This paved the way for her to move on to write mass-market mainstream women's fiction, where her work garnered numerous awards and appeared on the USA TODAY bestseller list.

The word Deborah uses to describe her career is "beguiling." Whenever she wrote words about Jesus or God in her stories, those spiritual overtones were never touched, edited or omitted. But, along with those words, Deborah admits that she was writing steamy scenes. "I wanted all the reward that the world would give me," she says. "I wanted all the fame, and all the status. But I realized that I was giving away lentils in the Lord's battlefield. That's when I became convicted. The time had come for a change."

What surprises Bedford the most, she says, is the freedom she now finds in writing for her Heavenly Father. "It feels like gloriously falling forward and wondrously coming home, all at the same time," she says.

The Story Jar (March 2001) written with Angela Elwell Hunt and Robin Lee Hatcher and including pieces from Left Behind author Jerry B. Jenkins, Francine Rivers, Debbie Macomber and Lori Copeland, marked Deborah's writing debut for the inspirational market. It held a spot on the CBA Bestseller list for three consecutive months.

While still shopping for the right publisher for her novel-length fiction, Deborah had the opportunity to stand up at the Jackson Hole Writers' Conference, read an excerpt from The Story Jar, and explain to conference attendees about the call she felt to leave mass-market fiction and follow the Lord. In the audience that evening was Jamie Raab, publisher of Warner Books. The rest, as everyone says, felt like stars moving into place.

Since joining Warner as an author, her books have included A Rose by the Door, A Morning Like This and When You Believe. When You Believe was named a finalist in the Romance Writers of America's RITA Award for Best Inspirational Romance. That same book has also been named a finalist for best fiction of the year by Christianity Today magazine. A Rose by the Door was a finalist in the National Readers' Choice Awards.

If I Had You, was released in August 2004, followed by Just Between Us in December 2004, Blessing in August 2005 (both of these titles from Steeple Hill Books) and Remember Me from Warner in November 2005. A Morning Like This was released in mass-market paperback outlets in October 2004. Both Steeple Hill books, Just Between Us and Blessing are "revised and redeemed" versions of books she wrote earlier for the secular market.

"This has been a beautiful example of the Father showing me that even the work of my prideful hands, when turned over to Him, can be revisited and retouched and rededicated," Deborah says. "The process of editing this book was so joyous! This process has come with an overwhelming sense of humility, that He would use the work of my hands for His good when I had intended it for a different purpose. Everything fell into place like pieces of a puzzle. Every time a sex scene came out, a story of the Lord's goodness fit in perfectly instead." Two more Steeple Hill books will be released these next two years.

"I am writing with the joy of a new love," Deborah says. "My journey to writing for the Lord has been not so much a decision but a beautiful process of being picked up and carried over. This is only the beginning. Where I thought constraints would box me in as a writer, where I thought I might have to make my stories smaller to fit into a Christian mold, the opposite has proven true. I am seeing, in my writing, that these stories must be written big, in the same transparent way that our lives must be lived as Christians. To gloss over problems we have, to make things seem easier than they are, is to gloss over the power of what our loving Heavenly Father can do."

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