It is the 1960s, and London’s West End theaters all rely on Freddie Wentworth, the formidable proprietress of the Temple Stage School, to supply them with child actors for their productions of everything from Shakespeare to musicals to Christmas pantomimes. Of unknown age and origin, Freddie is a skirt-swathed enigma—a woman who by sheer force of character has turned herself and her school into a national institution. But as the cultural revolution transforms London, not even Freddie can keep its influence at bay.
Basing this intimate novel on her experiences teaching at London’s Italia Conti stage school, Penelope Fitzgerald spins the story of Jonathan, a child actor of great promise, and his slick rival Mattie; Joey Blatt, who has wicked plans to rescue Freddie's from insolvency; and Freddie herself, who faces an increasingly urgent choice between her principles and the school’s survival.PENELOPE FITZGERALD wrote many books small in size but enormous in popular and critical acclaim over the past two decades. Over 300,000 copies of her novels are in print, and profiles of her life appeared in both The New Yorker and The New York Times Magazine. In 1979, her novel Offshore won Britain's Booker Prize, and in 1998 she won the National Book Critics Circle Prize for The Blue Flower. Though Fitzgerald embarked on her literary career when she was in her 60's, her career was praised as "the best argument ... for a publishing debut made late in life" (New York Times Book Review). She told the New York Times Magazine, "In all that time, I could have written books and I didn’t. I think you can write at any time of your life." Dinitia Smith, in her New York Times Obituary of May 3, 2000, quoted Penelope Fitzgerald from 1998 as saying, "I have remained true to my deepest convictions, I mean to the courage of those who are born to be defeated, the weaknesses of the strong, and the tragedy of misunderstandings and missed opportunities, which I have done my best to treat as comedy, for otherwise how can we manage to bear it?"