The Means of Escape: Stories

· Houghton Mifflin Harcourt
Ebook
160
Pages

About this ebook

The Booker Prize-winning author’s final short story collection “shows her at the top of her form…exquisite”—with an introduction by A.S. Byatt (The Guardian, UK).

Penelope Fitzgerald was one of the United Kingdom’s most highly-regarded contemporary authors. Her last novel, ‘The Blue Flower’, was the book of its year, garnering extraordinary acclaim around the world. This posthumous collection of her short stories, originally published in anthologies and newspapers, shows Penelope Fitzgerald at her very best.

From the tale of a young boy in 17th-century England who loses a precious keepsake and finds it frozen in a puddle of ice, to that of a group of buffoonish amateur Victorian painters on a trip to Brittany, these stories are characteristically wide ranging, enigmatic—and very funny. Each one is a miniature study of human behavior’s endless absurdity.

About the author

PENELOPE FITZGERALD wrote many books small in size but enormous in popular and critical acclaim over the past two decades. Over 300,000 copies of her novels are in print, and profiles of her life appeared in both The New Yorker and The New York Times Magazine. In 1979, her novel Offshore won Britain's Booker Prize, and in 1998 she won the National Book Critics Circle Prize for The Blue Flower. Though Fitzgerald embarked on her literary career when she was in her 60's, her career was praised as "the best argument ... for a publishing debut made late in life" (New York Times Book Review). She told the New York Times Magazine, "In all that time, I could have written books and I didn’t. I think you can write at any time of your life." Dinitia Smith, in her New York Times Obituary of May 3, 2000, quoted Penelope Fitzgerald from 1998 as saying, "I have remained true to my deepest convictions, I mean to the courage of those who are born to be defeated, the weaknesses of the strong, and the tragedy of misunderstandings and missed opportunities, which I have done my best to treat as comedy, for otherwise how can we manage to bear it?"

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