The Jack Carter Trilogy
About this ebook series
Famously adapted into the iconic film starring Michael Caine, Get Carter—originally published as Jack’s Return Home—ranks among the most canonical of crime novels.
With a special Foreword by Mike Hodges, director of Get Carter
It’s a rainy night in the mill town of Scunthorpe when a London fixer named Jack Carter steps off a northbound train. He’s left the neon lights and mod lifestyle of Soho behind to come north to his hometown for a funeral—his brother Frank’s. Frank was very drunk when he drove his car off a cliff and that doesn’t sit well with Jack. Mild-mannered Frank never touched the stuff.
Jack and Frank didn’t exactly like one another. They hadn’t spoken in years and Jack is far from the sentimental type. So it takes more than a few people by surprise when Jack starts plying his trade in order to get to the bottom of his brother’s death. Then again, Frank’s last name was Carter, and that’s Jack’s name too. Sometimes that’s enough.
Set in the late 1960s amidst the smokestacks and hardcases of the industrial north of England, Get Carter redefined British crime fiction and cinema alike. Along with the other two novels in the Jack Carter Trilogy, it is one of the most important crime novels of all time.
With a special Foreword by Mike Hodges, director of Get Carter
It’s a rainy night in the mill town of Scunthorpe when a London fixer named Jack Carter steps off a northbound train. He’s left the neon lights and mod lifestyle of Soho behind to come north to his hometown for a funeral—his brother Frank’s. Frank was very drunk when he drove his car off a cliff and that doesn’t sit well with Jack. Mild-mannered Frank never touched the stuff.
Jack and Frank didn’t exactly like one another. They hadn’t spoken in years and Jack is far from the sentimental type. So it takes more than a few people by surprise when Jack starts plying his trade in order to get to the bottom of his brother’s death. Then again, Frank’s last name was Carter, and that’s Jack’s name too. Sometimes that’s enough.
Set in the late 1960s amidst the smokestacks and hardcases of the industrial north of England, Get Carter redefined British crime fiction and cinema alike. Along with the other two novels in the Jack Carter Trilogy, it is one of the most important crime novels of all time.
The author of Get Carter returns to his greatest invention, a smooth-operating hardcase named Jack Carter, who is about to burn a city down in order to silence an informant
London. The late 1960s. It's Christmastime and Jack Carter is the top man in a crime syndicate headed by two brothers, Gerald and Les Fletcher. He’s also a worried man. The fact that he’s sleeping with Gerald’s wife, Audrey, and that they plan on someday running away together with a lot of the brothers’ money, doesn’t have Jack concerned. Instead it’s an informant—one of his own men—that has him losing sleep. The grass has enough knowledge about the firm to not only bring down Gerald and Les but Jack as well. Jack doesn’t like his name in the mouth of that sort.
In Jack Carter’s Law Ted Lewis returned to the character that launched his career and once again delivered a hardboiled masterpiece. Jack Carter is the ideal tour guide to a bygone London underworld. In his quest to dismantle the opposition, he peels back the veneer of English society and offers a hard look at a gritty world of pool halls, strip clubs and the red lights of Soho nightlife.
Published in North America for the first time—the final novel featuring Jack Carter (Get Carter, Jack Carter’s Law) has London’s slickest operator journeying to a Spanish villa to protect a wise-cracking Italian-American mobster.
Jack Carter is not thrilled when his frustratingly unprofessional employers—London mob kingpins Gerald and Les Fletcher—force him to take a vacation. Jack doesn’t like leaving the business in other people’s hands, but the company villa in Spain promises sunshine and some time to plot his next move. Jack soon finds he is on anything but a vacation. The villa is already inhabited by a cowardly house steward and a knuckle-dragging American gangster. Jack has apparently been sent to protect the American, who has turned informant. There are few things that Jack Carter hates more than surprises. Informants being chief among them.