This App contains 74 public domain novels as the followings from his works.
2:At the Mountains of Madness
4:The Beast in the Cave
5:Beyond the Wall of Sleep
7:The Call of Cthulhu
8:The Case of Charles Dexter Ward
9:The Cats of Ulthar
11:The Colour Out of Space
15:The Doom That Came to Sarnath
16:The Dream-Quest of Unknown Kadath
17:The Dreams in the Witch House
18:The Dunwich Horror
19:The Evil Clergyman
21:Facts Concerning the Late Arthur Jermyn and His Family
24:The Haunter of the Dark
26:Herbert West – Reanimator
27:History of the Necronomicon
28:The Horror at Red Hook
32:In the Vault
33:Life and Death
34:The Little Glass Bottle
35:The Lurking Fear
38:The Music of Erich Zann
39:The Mysterious Ship
40:The Mystery of the Grave-Yard
41:The Nameless City
44:The Other Gods
47:The Picture in the House
49:The Quest of Iranon
50:The Rats in the Walls
51:A Reminiscence of Dr. Samuel Johnson
52:The Secret Cave or John Lees Adventure
53:The Shadow Out of Time
54:The Shadow Over Innsmouth
55:Discarded Draft of The Shadow Over Innsmouth
56:The Shunned House
57:The Silver Key
58:The Statement of Randolph Carter
59:The Strange High House in the Mist
63:The Terrible Old Man
64:The Thing in the Moonlight
65:The Thing on the Doorstep
67:The Transition of Juan Romero
70:The Very Old Folk
71:What the Moon Brings
72:The Whisperer in Darkness
73:The White Ship
The story describes a young man's discovery of a strange hybrid race, half-human and half an unknown creature that resembles a cross between a fish and a frog, that dwell in Innsmouth - a coastal town that had seen better days, and the waters offshore. The townspeople worship Dagon, a Philistine deity incorporated into the Cthulhu Mythos.
Hypnos is a first-person narrative written from the perspective of an unnamed character living in Kent, England. The narrator writes that he fears sleep, and is resolved to write his story down lest it drive him further mad, regardless of what people think after reading it.
The narrator, a sculptor, recounts meeting a mysterious man in a railway station. The moment the man opened his "immense, sunken and widely luminous eyes", the narrator knew that the stranger would become his friend-–"the only friend of one who had never possessed a friend before". In the eyes of the stranger he saw the knowledge of the mysteries he always sought to learn.
From this point on, the man and the narrator begin living together, the one sculpting the other during the day, and at night, exploring worlds beyond human comprehension. Over time, the narrator's teacher begins speaking of using their ability to transcend into the unknown to rule the universe, via a set of drugs, a thought that scares the narrator (who disavows to the reader any such hubris).
Soon the narrator is off on a foray with his friend, travelling through a void that he explains is beyond human sensation. Passing through several barriers, eventually the narrator comes to one he cannot cross, though his friend does. Opening his "physical eyes", the narrator wakes up and awaits the return of his friend, who awakes severely shaken and reticent, warning only that they must avoid sleep at all cost.
From then on, with the aid of drugs, the two avoid sleep, as each time they succumb, they both seem to rapidly age and are plagued by nightmares that the narrator refuses to explain. The story ends with the narrator explaining that one night, his friend fell into a "deep-breathing sleep" and was impossible to arouse. The narrator shrieks and faints, and awakes surrounded by police and neighbours, who inform him he has never had a friend -- all there is in the room is a statue of his friend, engraved with the Greek word 'ΥΠΝΟΣ (Hypnos).
The story is told from the first person perspective of an unnamed narrator and details his experiences with a scientist named Crawford Tillinghast. Tillinghast creates an electronic device that emits a resonance wave, which stimulates an affected person’s pineal gland, thereby allowing them to perceive planes of existence outside the scope of accepted reality.
Sharing the experience with Tillinghast, the narrator becomes cognizant of a translucent, alien environment that overlaps our own recognized reality. From this perspective, he witnesses hordes of strange and horrific creatures that defy description. Tillinghast reveals that he has used his machine to transport two of his house servants into the overlapping plane of reality. He also reveals that the effect works both ways, and allows the denizens of the alternate dimension to perceive humans. Tillinghast's house servants were attacked and killed by one such entity, and Tillinghast informs the narrator that it is right behind him. Terrified beyond measure, the narrator picks up a gun and shoots it at the machine, destroying it. Tillinghast dies immediately thereafter as a result of apoplexy. The police investigate the scene and it is placed on record that Tillinghast murdered the two house servants.
The tale opens with the unnamed narrator arriving at the house of his boyhood friend, Roderick Usher, having received a letter from him in a distant part of the country complaining of an illness and asking for his help. Although Poe wrote this short story before the invention of modern psychological science, Roderick's symptoms can be described according to its terminology. They include hyperesthesia (hypersensitivity to light, sounds, smells, and tastes), hypochondria (an excessive preoccupation or worry about having a serious illness), and acute anxiety. It is revealed that Roderick's twin sister, Madeline, is also ill and falls into cataleptic, death-like trances. The narrator is impressed with Roderick's paintings, and attempts to cheer him by reading with him and listening to his improvised musical compositions on the guitar. Roderick sings "The Haunted Palace", then tells the narrator that he believes the house he lives in to be sentient, and that this sentience arises from the arrangement of the masonry and vegetation surrounding it.
Roderick later informs the narrator that his sister has died and insists that she be entombed for two weeks in a vault (family tomb) in the house before being permanently buried. The narrator helps Roderick put the body in the tomb, and he notes that Madeline has rosy cheeks, as some do after death. They inter her, but over the next week both Roderick and the narrator find themselves becoming increasingly agitated for no apparent reason. A storm begins. Roderick comes to the narrator's bedroom, which is situated directly above the vault, and throws open his window to the storm. He notices that the tarn surrounding the house seems to glow in the dark, as it glowed in Roderick Usher's paintings, although there is no lightning.
The narrator attempts to calm Roderick by reading aloud The Mad Trist, a novel involving a knight named Ethelred who breaks into a hermit's dwelling in an attempt to escape an approaching storm, only to find a palace of gold guarded by a dragon. He also finds hanging on the wall a shield of shining brass of which is written a legend: that the one who slays the dragon wins the shield. With a stroke of his mace, Ethelred kills the dragon, who dies with a piercing shriek, and proceeds to take the shield, which falls to the floor with an unnerving clatter.
As the narrator reads of the knight's forcible entry into the dwelling, cracking and ripping sounds are heard somewhere in the house. When the dragon is described as shrieking as it dies, a shriek is heard, again within the house. As he relates the shield falling from off the wall, a reverberation, metallic and hollow, can be heard. Roderick becomes increasingly hysterical, and eventually exclaims that these sounds are being made by his sister, who was in fact alive when she was entombed and that Roderick knew that she was alive. The bedroom door is then blown open to reveal Madeline standing there. She falls on her brother, and both land on the floor as corpses. The narrator then flees the house, and, as he does so, notices a flash of light causing him to look back upon the House of Usher, in time to watch it break in two, the fragments sinking into the tarn.