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A well crafted send up of Victorian courting and manners, this is the final play from Oscar Wilde. Two young men wish to impress the ladies whose attention they seek by pretending to be called Ernest. Apparently, the name is marvellous and the ladies concerned are attracted to any man with that name. A comical situation entails that was found so funny that it became know as the wittiest play in the English Language.
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Written In Mr. Atkinson's own clear,vigorous style, intensely practical, and In the language of a personal friend.
This book has been digitally revised and optimized for Kindle, including an interactive table-of-contents.
The Law of Attraction in the Thought World
Thought Waves and their Process of Reproduction
A Talk about the Mind
The Secret of the Will
How to become immune to injurious Thought Attraction
The Transmutation of Negative Thought
The Law of Mental Control
Asserting the Life-Force
Training the Habit-Mind
The Psychology of Emotion
Developing new Brain Cells
The Attractive Power - Desire Force
The Great Dynamic Forces
Claiming your Own
Law, not Chance
"In the following pages, I shall demonstrate that there is a psychological technique which makes it possible to interpret dreams, and that on the application of this technique, every dream will reveal itself as a psychological structure, full of significance, and one which may be assigned to a specific place in the psychic activities of the waking state. Further, I shall endeavour to elucidate the processes which underlie the strangeness and obscurity of dreams, and to deduce from these processes the nature of the psychic forces whose conflict or co-operation is responsible for our dreams."
All people are striving and seeking Success. Their idea of Success may differ, but they have all agreed upon the desirability of Attainment. "Attainment" - that is the word, which embodies the essence of that which we call Success. It is the "Getting-There" idea - the idea of Attainment - of Reaching the Goal for which we set out. That is the story - Attainment.
In the measure that we express and unfold the powers of that "I", so are we great, strong and successful. We all "have it in us" – it depends upon us to get it out into Expression. And, this Individual Expression lies at the heart of the "Secret of Success". And that is why we use the term – and that is what we shall tell you about in this little book. It will pay for you to learn this "Secret."
The sinking of the Titanicand Great Sea Disasters is an exciting collection of first-hand stories describing the catastrophe of Titanic's maiden voyage as told by its survivors shortly after the ship sank. Origonally written and published in 1912, Logan Marshall's book was the first attempt to solve the mystery of the accident and relieve the heartache which it stirred internationally. Marshall narrates the personal stories of Titanic's passangers before, during and after the sinking of the ill-fated ship.
The novel opens with a controversial prologue in which Gaston Leroux claims that Erik, the Phantom of the Opera, was a real person. We are then introduced to Christine Daaé, whose mother died when she was very young. She and her father, a famous violinist, traveled all over Sweden playing folk and religious music. Her father was known to be the best wedding fiddler in the land.
If it is uncertain that external objects exist, how can we then have knowledge of them but by probability. There is no reason to doubt the existence of external objects simply because of sense data.
Russell guides the reader through his famous 1910 distinction between "knowledge by acquaintance and knowledge by description" and introduces important theories of Plato, Aristotle, Ren? Descartes, David Hume, John Locke, Immanuel Kant, Georg Hegel and others to lay the foundation for philosophical inquiry by general readers and scholars alike.
by Thomas a Kempis
Translated by Rev. William Benham
The treatise "Of the Imitation of Christ" appears to have been originally written in Latin early in the fifteenth century. Its exact date and its authorship are still a matter of debate. Manuscripts of the Latin version survive in considerable numbers all over Western Europe, and they, with the vast list of translations and of printed editions, testify to its almost unparalleled popularity. One scribe attributes it to St. Bernard of Clairvaux; but the fact that it contains a quotation from St. Francis of Assisi, who was born thirty years after the death of St. Bernard, disposes of this theory. In England there exist many manuscripts of the first three books, called "Musica Ecclesiastica," frequently ascribed to the English mystic Walter Hilton. But Hilton seems to have died in 1395, and there is no evidence of the existence of the work before 1400. Many manuscripts scattered throughout Europe ascribe the book to Jean le Charlier de Gerson, the great Chancellor of the University of Paris, who was a leading figure in the Church in the earlier part of the fifteenth century. The most probable author, however, especially when the internal evidence is considered, is Thomas Haemmerlein, known also as Thomas a Kempis, from his native town of Kempen, near the Rhine, about forty miles north of Cologne. Haemmerlein, who was born in 1379 or 1380, was a member of the order of the Brothers of Common Life, and spent the last seventy years of his life at Mount St. Agnes, a monastery of Augustinian canons in the diocese of Utrecht. Here he died on July 26, 1471, after an uneventful life spent in copying manuscripts, reading, and composing, and in the peaceful routine of monastic piety.
With the exception of the Bible, no Christian writing has had so wide a vogue or so sustained a popularity as this. And yet, in one sense, it is hardly an original work at all. Its structure it owes largely to the writings of the medieval mystics, and its ideas and phrases are a mosaic from the Bible and the Fathers of the early Church. But these elements are interwoven with such delicate skill and a religious feeling at once so ardent and so sound, that it promises to remain, what it has been for five hundred years, the supreme call and guide to spiritual aspiration.
"The Raven" is a narrative poem by the American writer and poet Edgar Allan Poe. It was published for the first time on January 29, 1845, in the New York Evening Mirror. Noted for its musicality, stylized language and supernatural atmosphere, it tells of the mysterious visit of a talking raven to a distraught lover, tracing his slow descent into madness.