Written In Mr. Atkinson's own clear,vigorous style, intensely practical, and In the language of a personal friend.
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The Law of Attraction in the Thought World
Thought Waves and their Process of Reproduction
A Talk about the Mind
The Secret of the Will
How to become immune to injurious Thought Attraction
The Transmutation of Negative Thought
The Law of Mental Control
Asserting the Life-Force
Training the Habit-Mind
The Psychology of Emotion
Developing new Brain Cells
The Attractive Power - Desire Force
The Great Dynamic Forces
Claiming your Own
Law, not Chance
The sinking of the Titanicand Great Sea Disasters is an exciting collection of first-hand stories describing the catastrophe of Titanic's maiden voyage as told by its survivors shortly after the ship sank. Origonally written and published in 1912, Logan Marshall's book was the first attempt to solve the mystery of the accident and relieve the heartache which it stirred internationally. Marshall narrates the personal stories of Titanic's passangers before, during and after the sinking of the ill-fated ship.
"In the following pages, I shall demonstrate that there is a psychological technique which makes it possible to interpret dreams, and that on the application of this technique, every dream will reveal itself as a psychological structure, full of significance, and one which may be assigned to a specific place in the psychic activities of the waking state. Further, I shall endeavour to elucidate the processes which underlie the strangeness and obscurity of dreams, and to deduce from these processes the nature of the psychic forces whose conflict or co-operation is responsible for our dreams."
The novel opens with a controversial prologue in which Gaston Leroux claims that Erik, the Phantom of the Opera, was a real person. We are then introduced to Christine Daaé, whose mother died when she was very young. She and her father, a famous violinist, traveled all over Sweden playing folk and religious music. Her father was known to be the best wedding fiddler in the land.
All people are striving and seeking Success. Their idea of Success may differ, but they have all agreed upon the desirability of Attainment. "Attainment" - that is the word, which embodies the essence of that which we call Success. It is the "Getting-There" idea - the idea of Attainment - of Reaching the Goal for which we set out. That is the story - Attainment.
In the measure that we express and unfold the powers of that "I", so are we great, strong and successful. We all "have it in us" – it depends upon us to get it out into Expression. And, this Individual Expression lies at the heart of the "Secret of Success". And that is why we use the term – and that is what we shall tell you about in this little book. It will pay for you to learn this "Secret."
If it is uncertain that external objects exist, how can we then have knowledge of them but by probability. There is no reason to doubt the existence of external objects simply because of sense data.
Russell guides the reader through his famous 1910 distinction between "knowledge by acquaintance and knowledge by description" and introduces important theories of Plato, Aristotle, Ren? Descartes, David Hume, John Locke, Immanuel Kant, Georg Hegel and others to lay the foundation for philosophical inquiry by general readers and scholars alike.
In Moby-Dick, Melville employs stylized language, symbolism, and metaphor to explore numerous complex themes. Through the main character's journey, the concepts of class and social status, good and evil, and the existence of gods are all examined as Ishmael speculates upon his personal beliefs and his place in the universe. The narrator's reflections, along with his descriptions of a sailor's life aboard a whaling ship, are woven into the narrative along with Shakespearean literary devices such as stage directions, extended soliloquies and asides.
Moby-Dick has been classified as American Romanticism. It was first published by Richard Bentley in London on October 18, 1851 in an expurgated three-volume edition titled The Whale, and weeks later as a single volume, by New York City publisher Harper and Brothers as Moby-Dick; or, The Whale on November 14, 1851. Although the book initially received mixed reviews, Moby-Dick is now considered one of the greatest novels in the English language.
"Call me Ishmael," Moby-Dick begins, in one of the most recognizable opening lines in English-language literature. The narrator, an observant young man setting out from Manhattan, has experience in the merchant marine but has recently decided his next voyage will be on a whaling ship. On a cold, gloomy night in December, he arrives at the Spouter-Inn in New Bedford, Massachusetts, and agrees to share a bed with a then-absent stranger. When his bunk mate, a heavily tattooed Polynesian harpooner named Queequeg, returns very late and discovers Ishmael beneath his covers, both men are alarmed, but the two quickly become close friends and decide to sail together from Nantucket, Massachusetts on a whaling voyage.
About the Author:
Herman Melville (August 1, 1819 – September 28, 1891) was an American novelist, short story writer, essayist, and poet, whose work is often classified as part of the genre of dark romanticism. He is best known for his novel Moby-Dick and the posthumous novella Billy Budd. His first three books gained much attention, the first becoming a bestseller, but after a fast-blooming literary success in the late 1840s, his popularity declined precipitously in the mid-1850s and never recovered during his lifetime. When he died in 1891, he was almost completely forgotten. It was not until the "Melville Revival" in the early 20th century that his work won recognition, especially Moby-Dick which was hailed as one of the literary masterpieces of both American and world literature.
There is something so natural, and at the same time so unnatural, in seeing a door open when we know that there is no one on the other side of it, or in hearing the sound of footsteps, and feeling that it cannot be attributed to the feet of a mortal. These simple yet compelling narratives provide amazing descriptions of poltergeists and banshees, spirit-filled houses, deathbed scenes, and uncanny fore warnings of death.
That houses are haunted and apparitions frequently seen therein are pretty well established facts. The preceding chapters have dealt with this aspect of the subject, and, in view of the weight of evidence to prove the truth of the stories told in them, it would be hard for anyone to doubt that there is such a thing as a haunted house, whatever explanation maybe given of "haunting." We now turn to another division of the subject—the outdoor ghost who haunts the roadways, country lanes, and other places. Sceptics on ghostly phenomena are generally pretty full of explanations when they are told of a ghost having been seen in a particular spot, and the teller may be put down as hyper-imaginative, or as having been deluded by moonlight playing through the trees; while cases are not wanting where a reputation for temperance has been lost by a man telling his experiences of a ghost he happens to have met along some country lane; and the fact that there are cases where an imaginative and nervous person has mistaken for a ghost a white goat or a sheet hanging on a bush only strengthens the sceptic's disbelief and makes him blind to the very large weight of evidence that can be arrayed against him. Some day, no doubt, psychologists and scientists will be able to give us a complete and satisfactory explanation of these abnormal apparitions, but at present we are very much in the dark, and any explanation that may be put forward is necessarily of a tentative nature.
"The Raven" is a narrative poem by the American writer and poet Edgar Allan Poe. It was published for the first time on January 29, 1845, in the New York Evening Mirror. Noted for its musicality, stylized language and supernatural atmosphere, it tells of the mysterious visit of a talking raven to a distraught lover, tracing his slow descent into madness.
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