Investiture of the Gods is a masterpiece of Ming dynasty mythological fiction, traditionally attributed to Xu Zhonglin (or, according to some sources, Lu Xixing). Completed during the Longqing and Wanli reigns of the Ming dynasty, the novel consists of one hundred chapters. It centers on King Wu's campaign against King Zhou and Jiang Ziya's enfeoffment of the gods, weaving together the Pinghua of King Wu's Campaign Against Zhou, Daoist beliefs in divine investiture, and folk legends to construct a vast narrative world where gods, humans, and demons coexist.
The novel depicts the debauchery and misrule of King Zhou of Shang, the calamities brought by Daji, and the uprising of King Wu of Zhou. It chronicles the magical battles among the three teachings—Chan, Jie, and the Way of Humanity—culminating in Jiang Ziya's use of the Investiture Scroll to appoint 365 orthodox deities. Iconic episodes such as Nezha's Havoc in the Sea, Yang Jian's magical duels, the Three Xia Ladies' deployment of the Yellow River Formation, the Ten Absolute Formations, and the Ten Thousand Immortals Formation showcase extraordinary imagination and have become a vital source for the Chinese mythological system.
In literary history, Investiture of the Gods is often compared with Journey to the West and has deeply influenced folk beliefs, traditional opera, and the storytelling tradition. Many characters—such as Nezha, Yang Jian, Lei Zhenzi, and Shen Gongbao—have become enduring figures repeatedly portrayed in later arts. The novel's "investiture" narrative has also profoundly shaped the Daoist pantheon and the worship in folk temples.
As a classic of mythological fiction, Investiture of the Gods fuses historical romance with religious imagination. Reading this book allows one to enter a uniquely Chinese world of gods and demons and to appreciate the literary expression of ancient concepts of justice, heavenly mandate, and supernatural power.