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Growing up, Boosie was hardened by the many difficult experiences he was put through. His neighborhood, notorious for drugs and violence, was a place feared by the general population. To outsiders, it was a jungle, to residents, it was life. Boosie got very involved in basketball to stay off the streets, and was actually expected to move on to college level basketball.
At 14 years old, Boosie moved in to live with his grandmother after his father was murdered over drugs. Growing up with no father figure and without a strong guiding hand, Boosie turned to drugs and crime. After being expelled from school, Boosie picked up freestyling and began to get serious about his music. Living in the 225, Boosie had no contacts, no real means of exposure. Lil Boosie teamed up with Baton Rouge rapper C-Loc in the late 1990s and made his debut on C-Loc's 5th album, "It's a Gamble", which also featured Three Six Mafia, South Park Mexican, and the rest of the Concentration Camp. This album was a saving grace for C-Loc, as he was slowly losing popularity. Releasing this album put him back in the spotlight, as he had a new young tallented rapper at his side. Baton Rouge couldn't get enough. Shortly afterwards, Boosie released his debut CD, "Youngest of the Camp", which sold over 10,000 units and featured fellow up and coming Baton Rouge rapper Max Minelli, which was exactly what boosie needed to jump start his career. The album spread like wildfire, every hood in Baton Rouge had flyers up for it, everybody was playing it.
After the incarceration, Boosie once again turned back to the streets. Ultimately, his behavior led to him also being incarcerated. At this point, Boosie felt as though he was a failure. However, fate lent Boosie a hand, and Boosie had an opportunity to join an up and coming record label called Trill Entertainment aka Trill Ent which was backed by Pimp-C of UGK. Trill signed Boosie and assisted him in bring his legal issues to an end. Soon after, Boosie and Trill independently released the CD "For my Thugs" under TrillEnt. This release went on to sell over 15,000 copies. Later in the summer of 2003, Boosie co-starred with one of his label-mates, Webbie, on the album "Ghetto Stories" which also went on to sell well over 15,000 copies.
Again paired up with Webbie, Lil Boosie's 2004 release, "Gangsta Musik" is what really gained him popularity. This CD featured the ever popular songs "Swerve" (which later made an appearance in the movie "Hustle and Flow"), "Give Me That", and "Bad Bitch". This was Boosie's first really popular album, actually penetrating the borders of Louisiana and reaching far beyond.
Boosie's talent was now undeniable, and he caught the eye of some Universal Records representatives. In late January of 2005, Boosie signed a deal with Universal, and released the CD "Boosie Bad Azz". This album, backed and promoted by Universal Records, was his strongest yet. Boosie continues to gain popularity at an astonishing rate, and shows no sign of stopping soon. He's just getting started.
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No Shame is ready to make his big move in the music industry in 2009. He competed in and won the K104FM HOOD IDOL competition in Ft Worth in early 2009 hosted by K104 personality KiKi J He followed that victory up with an even bigger winning performance at the Go DJ’s ten thousand dollar ($10,000) promotional package competition in May of 2009, where he defeated over fifty (50) of the DFW areas hottest independent acts. As part of the prize for the Go DJ victory, No Shame’s JUMP JUDY club banger will be featured in all clubs that the Go DJ’s work, starting in June 2009. Look for No Shame to perform in a major independent tour that will run through the southern US in the summer of 2009 as well as other venues around the US. No Shame will be releasing his first project in late 2009 under his label THE FAT KIDS EAT FIRST Entertainment. No Shame will be the most versatile Dallas artist on the music scene in 2009.
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TAKTO has a unique blend of instrumental components, which brings up a well-refined sound: two flutes (alternating transversal in C, in G, bass flute, contrabass flute - the only one in Brazil - and piccolo), clarinet (and bass clarinet), 7-strings guitar, percussion (and drums), and some times vocal complements.
The essence of its repertoire goes through several musical styles. In our programmes, it is possible to listen since classicals, passing by regionals (samba, choro, frevo, baião), jazz, progressive rock, up to soundtracks and children’s songs. Our unique arrangements explore all possibilities offered by the instruments.
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