Voted America's Best-Loved Novel in PBS's The Great American Read
Harper Lee's Pulitzer Prize-winning masterwork of honor and injustice in the deep South—and the heroism of one man in the face of blind and violent hatred
One of the most cherished stories of all time, To Kill a Mockingbird has been translated into more than forty languages, sold more than forty million copies worldwide, served as the basis for an enormously popular motion picture, and was voted one of the best novels of the twentieth century by librarians across the country. A gripping, heart-wrenching, and wholly remarkable tale of coming-of-age in a South poisoned by virulent prejudice, it views a world of great beauty and savage inequities through the eyes of a young girl, as her father—a crusading local lawyer—risks everything to defend a black man unjustly accused of a terrible crime.
Of Mice and Men also represents an experiment in form, as Steinbeck described his work, “a kind of playable novel, written in novel form but so scened and set that it can be played as it stands.” A rarity in American letters, it achieved remarkable success as a novel, a Broadway play, and three acclaimed films.
George Bowling, an insurance salesman, hits middle age and feels impelled to "come up for air" from his life of quiet desperation. With seventeen pounds he has won at a race, he steals a vacation from his wife and his family and pays a visit to Lower Binfield, the village where he grew up, to fish for carp in a pool he remembers from thirty years before. But the pool is gone, Lower Binfield has changed beyond recognition, and the principal event of Bowling's holiday is an accidental bombing by the RAF.
Bowling's everyman life is also a sort of cavalcade of England from 1893 to 1938. Written when the clouds of World War II were already gathering, this story of Bowling's journey into his own and his country's past is told with humor, warmth, and nostalgia which will surprise and delight George Orwell's many readers.
Colonial politics in 1930 Kyauktada, India, come to a head when the European Club, previously for whites only, is ordered to elect one token native member. The deeply racist members do their best to manipulate the situation, resulting in the loss not only of reputations, but of lives.
Amidst this cynical setting, timber merchant James Flory stands as a bridge between the warring factions, a Brit with a genuine appreciation for the native people and culture. But he has trouble acting on his feelings, and the significance of his vote, both social and political, weighs on him. When Elizabeth Lackersteen arrives, blonde, eligible, and anti-intellectual, Flory finds himself the hapless suitor.
Orwell alternates between grand-scale political intrigue and nuanced social interaction, mining his own Colonial Indian heritage to create a monument of historical fiction.
Gordon Comstock is a poor young man who works by day in a grubby London bookstore and spends his evenings shivering in a rented room, trying to write. Gordon has published a slim volume of verse and is determined to keep free of the “money world” of safe, lucrative jobs, marriage, and family responsibilities. This world, to Gordon, spells the end of art and aspidistra, the homely, indestructible house plant that stands in every middle-class British window.
Gordon’s sweetheart, Rosemary, understands him: she is patient with his pride and lack of funds. But then, as it happens with all lovers, events overtake them.
Orwell’s picture of the “money world,” as Gordon sees it, is in his best satirical vein.
Dorothy Hare, the dutiful daughter of a rector in Suffolk, spends her days performing good works and cultivating good thoughts, pricking her arm with a pin when a bad thought arises. She does her best to reconcile her father's fanciful view of his position in the world with such realities as the butcher's bill. But even Dorothy's strength has its limits, and one night, as she works feverishly on costumes for the church-school play, she blacks out. When she comes to, she finds herself on a London street, clad in a sleazy dress and unaware of her identity. After a series of degrading adventures-picking hops in Kent, sleeping among the down-and-outers in Trafalgar Square, spending a night in jail, and teaching in a grubby day school for girls-she is rescued. But although she regains her life as a clergyman's daughter, she has lost her faith.
The Communist Manifesto was conceived as an outline of the basic beliefs of the Communist movement. The authors believed that the European powers were universally afraid of the nascent movement, and were condemning as "Communist" people or activities that did not actually conform to what the Communists believed. This manifesto, then, became a manual for their beliefs.
In it we find Marx and Engels' rehearsal of the idea that Capital has stolen away the work of the artisan and peasant by building up factories to produce goods cheaply. The efficiency of Capital depends, then, on the wage laborers who staff the factories and how little they will accept in order to have work. This concentrates power and money in a bourgeois class that profits from the disunity of workers (proletarians), who only receive a subsistence wage.
If workers unite in a class struggle against the bourgeois, using riot and strikes as weapons, they will eventually overthrow the bourgeois and replace them as a ruling class. Communists further believe in and lay out a system of reforms to transform into a classless, stateless society, thus distinguishing themselves from various flavors of socialism, which would be content to have workers remain the ruling class after the revolution.
The manifesto caused a huge amount of discussion for its support for a forcible overthrow of the existing politics and society...
An Author's Republic audio production.
Now an adult himself, the narrator has become a pilot, and, one day, his plane crashes in the Sahara, far from civilization. Here, the narrator is greeted by a young boy whom he refers to as "the little prince". Upon encountering the narrator, the little prince asks him to draw a sheep. The narrator first shows him his old picture of the elephant inside the snake, which, to the narrator's surprise, the prince interprets correctly. After three failed attempts at drawing a sheep, the frustrated narrator simply draws a box, claiming that there is a sheep inside the box. Again, to the narrator's surprise, the prince exclaims that this is exactly the drawing he wanted. The prince has a strange habit of avoiding directly answering any of the narrator's questions. The prince is described as wearing a scarf and having golden hair and a lovable laugh. Over the course of eight days stranded in the desert, while the narrator attempts to repair his plane, the little prince recounts the story of his life