**Neil Gaiman was the WINNER of the BBC Audio Drama Award 2015 for Outstanding Contribution to Radio Drama**
A full-cast BBC Radio 4 dramatisation of Terry Pratchett & Neil Gaiman’s celebrated apocalyptic comic novel, with bonus length episodes and outtakes.
According to the Nice and Accurate Prophecies of Agnes Nutter, Witch, the world will end on a Saturday. Next Saturday in fact. Just after Any Answers on Radio 4....
Events have been set in motion to bring about the End of Days. The armies of Good and Evil are gathering and making their way towards the sleepy English village of Lower Tadfield. The Four Horsepersons of the Apocalypse - War, Famine, Pollution and Death - are assembling.
Witchfinder Shadwell and his assistant Newton Pulsifier are also en route to Tadfield to investigate unusual phenomena in the area, while Anathema Device, descendent of prophetess Agnes Nutter, tries to decipher her ancestor’s cryptic predictions.
Atlantis is rising; fish are falling from the sky; everything seems to be going to the Divine Plan.
Everything, that is, but for an unlikely angel and demon duo, who have been living on Earth for several millennia and have become rather fond of the place. If they are to prevent Armageddon they’ve got to find and kill the one who will bring it about: the Antichrist himself. There’s just one small problem: someone seems to have mislaid him...
Adapted, sound designed and co-directed by Dirk Maggs (Neverwhere, The Hitchhiker’s Guide to the Galaxy) this first ever dramatisation of Terry Pratchett and Neil Gaiman’s novel features a large cast including Peter Serafinowicz, Mark Heap, Josie Lawrence and Paterson Joseph.
Discworld lives on in Unseen Academicals, the latest novel from Terry Pratchett. Delivering the trademark insight and humor readers the world over have come to expect from “the purely funniest English writer since Wodehouse” (Washington Post Book World), Unseen Academicals focuses on the wizards at Ankh-Morpork’s Unseen University, who are reknowned for many things—sagacity, magic, and their love of teatime—as they attempt to conquer athletics.
Postmaster general Moist von Lipwig, former arch-swindler and confidence man, has exceeded all expectations in running the Ankh-Morpork Post Office. So it's somewhat disconcerting when Lord Vetinari summons Moist to the palace and asks, "Tell me, Mr. Lipwig, would you like to make some real money?"
Vetinari isn't talking about wages. He's referring to the Royal Mint of Ankh-Morpork that has run on the hereditary employment of the Men of the Sheds, who do make money in their spare time. Unfortunately, it costs more than a penny to make a penny, so the whole process seems somewhat counter-intuitive.
But before Moist has time to fully consider Vetinari's question, fate answers it for him. Now he's not only making money, but enemies, too; he's got to spring a prisoner from jail, break into his own bank vault, stop the new manager from licking his face and, above all, find out where all the gold has gone—otherwise, his life in banking, while very exciting, is going to be really, really short . . .
Here is the novel that will be forever considered a triumph of the imagination. Set on the desert planet Arrakis, Dune is the story of the boy Paul Atreides, who would become the mysterious man known as Maud'dib. He would avenge the traitorous plot against his noble family—and would bring to fruition humankind's most ancient and unattainable dream.
A stunning blend of adventure and mysticism, environmentalism and politics, Dune won the first Nebula Award, shared the Hugo Award, and formed the basis of what is undoubtedly the grandest epic in science fiction. Frank Herbert's death in 1986 was a tragic loss, yet the astounding legacy of his visionary fiction will live forever.
Arch-swindler Moist von Lipwig never believed his crimes were hanging offenses -- until he found himself with a noose around his neck, dropping through a trap door, and falling into ... a government job? Getting the moribund Postal Service up and running again, however, may be an impossible task. Worse, the new Postmaster could swear the mail is talking to him. Worst of all, it means taking on the gargantuan, money-hungry Grand Trunk clacks communication monopoly and its bloodthirsty piratical head, Mr. Reacher Gilt.
But it says on the building NEITHER RAIN NOR SNOW NOR GLO M OF NI T ... Inspiring words (admittedly, some of the bronze letters have been stolen), and for once in his wretched life Moist is going to fight. And if the bold and impossible are what's called for, he'll do it -- to move the mail, continue breathing, get the girl, and deliver that invaluable commodity that everyone requires: hope.
Performed by Stephen Briggs
'Things have to come to an end, see. That's how it works when you turn the world into stories. You should never have done that. You shouldn't treat people like they was characters, like they was things. But if you do, then you've got to know where the story ends.'
That's the problem when you let real life get in the way of a good story. You shouldn't let it happen. Especially when a good story involves three witches, including a fairy godmother, travelling to a faraway land to make sure that a servant girl doesn't marry a prince. It looks as though a happy ending may be averted before catastrophe strikes. But unfortunately the forces of good are up against a Godmother who has made Destiny an offer it can't refuse...