From the author compared to Nora Ephron and Nancy Mitford, not to mention Jane Austen, comes a new novel celebrating the beauty, mischief, and occasional treachery of language.
The Grammarians are Laurel and Daphne Wolfe, identical, inseparable redheaded twins who share an obsession with words. They speak a secret “twin” tongue of their own as toddlers; as adults making their way in 1980s Manhattan, their verbal infatuation continues, but this love, which has always bound them together, begins instead to push them apart. Daphne, copy editor and grammar columnist, devotes herself to preserving the dignity and elegance of Standard English. Laurel, who gives up teaching kindergarten to write poetry, is drawn, instead, to the polymorphous, chameleon nature of the written and spoken word. Their fraying twinship finally shreds completely when the sisters go to war, absurdly but passionately, over custody of their most prized family heirloom: Merriam Webster’s New International Dictionary, Second Edition.
Cathleen Schine has written a playful and joyful celebration of the interplay of language and life. A dazzling comedy of sisterly and linguistic manners, a revelation of the delights and stresses of intimacy, The Grammarians is the work of one of our great comic novelists at her very best.
The Bergman clan has always stuck together, growing as it incorporated in-laws, ex-in-laws, and same-sex spouses. But families don’t just grow, they grow old, and the clan’s matriarch, Joy, is not slipping into old age with the quiet grace her children, Molly and Daniel, would have wished. When Joy’s beloved husband dies, Molly and Daniel have no shortage of solutions for their mother’s loneliness and despair, but there is one challenge they did not count on: the reappearance of an ardent suitor from Joy’s college days. And they didn’t count on Joy herself, a mother suddenly as willful and rebellious as their own kids.
The New York Times–bestselling author Cathleen Schine has been called “full of invention, wit, and wisdom that can bear comparison to [ Jane] Austen’s own” (The New York Review of Books), and she is at her best in this intensely human, profound, and honest novel about the intrusion of old age into the relationships of one loving but complicated family. They May Not Mean To, But They Do is a radiantly compassionate look at three generations, all coming of age together.
Betty Weissmann has just been dumped by her husband of forty-eight years. Exiled from her elegant New York apartment by her husband's mistress, she and her two middle-aged daughters, Miranda and Annie, regroup in a run-down Westport, Connecticut, beach cottage. In Schine's playful and devoted homage to Jane Austen's Sense and Sensibility, the impulsive sister is Miranda, a literary agent entangled in a series of scandals, and the more pragmatic sister is Annie, a library director, who feels compelled to move in and watch over her capricious mother and sister. Schine's witty, wonderful novel The Three Weissmanns of Westport "is simply full of pleasure: the pleasure of reading, the pleasure of Austen, and the pleasure that the characters so rightly and humorously pursue....An absolute triumph" (The Cleveland Plain Dealer).
Inspired by her account in The New Yorker of adopting a profoundly troubled dog named Buster, acclaimed author Cathleen Schine's The New Yorkers is a brilliantly funny story of love, longing, and overcoming the shyness that leashes us. On a quiet little block near Central Park, five lonely New Yorkers find one another, compelled to meet by their canine companions. Over the course of four seasons, they emerge from their apartments, in snow, rain, or glorious sunshine to make friends and sometimes fall in love. A love letter to a city full of surprises, The New Yorkers is an enchanting comedy of manners (with dogs!) from one of our most treasured writers.
Joy Bergman is not slipping into old age with the quiet grace her children, Molly and Daniel, would prefer. She won't take their advice, and she won't take an antidepressant. Her marriage to their father, Aaron, has lasted through health and dementia, as well as some phenomenally lousy business decisions. The Bergman clan has always stuck together, growing as it incorporated in-laws, ex-in-laws, and same-sex spouses. But families don't just grow, they grow old. Cathleen Schine's They May Not Mean To, but They Do is a tender, sometimes hilarious intergenerational story about searching for where you belong as your family changes with age.
When Aaron dies, Molly and Daniel have no shortage of solutions for their mother's loneliness and despair, but there is one challenge they did not count on: the reappearance of an ardent suitor from Joy's college days. They didn't count on Joy suddenly becoming as willful and rebellious as their own kids.
With sympathy, humor, and truth, Schine explores the intrusion of old age into a large and loving family. They May Not Mean To, but They Do is a radiantly compassionate look at three generations, all coming of age together.
From the author of The Three Weissmanns of Westport, a wise, clever story of New York in the '60s
It's 1964. Eleven-year-old Fin and his glamorous, worldly, older half sister, Lady, have just been orphaned, and Lady, whom Fin hasn't seen in six years, is now his legal guardian and his only hope. That means Fin is uprooted from a small dairy farm in rural Connecticut to Greenwich Village, smack in the middle of the swinging '60s. He soon learns that Lady-giddy, careless, urgent, and obsessed with being free-is as much his responsibility as he is hers.
So begins Fin & Lady, the lively, spirited new novel by Cathleen Schine, the author of the bestselling The Three Weissmanns of Westport. Fin and Lady lead their lives against the background of the '60s, the civil rights movement, and the Vietnam War-Lady pursued by ardent, dogged suitors, Fin determined to protect his impulsive sister from them and from herself.
From a writer The New York Times has praised as "sparkling, crisp, clever, deft, hilarious, and deeply affecting," Fin & Lady is a comic, romantic love story: the story of a brother and sister who must form their own unconventional family in increasingly unconventional times.