A sweeping, eerily resonant epic of race and violence in the Jim Crow South: a lyrical and emotionally devastating masterpiece from Charlie Smith, whom the New York Public Library has said “may be America’s most bewitching stylist alive.”

Delvin Walker is just a boy when his mother flees their home in the Red Row section of Chattanooga, accused of killing a white man. Taken in by Cornelius Oliver, proprietor of the town’s leading Negro funeral home, he discovers the art of caring for the aggrieved, the promise of transcendence in the written word, and a rare peace in a hostile world. Yet tragedy visits them near daily, and after a series of devastating events—a lynching, a church burning—Delvin fears being accused of murdering a local white boy and leaves town.

Haunted by his mother’s disappearance, Delvin rides the rails, meets fellow travelers, falls in love, and sees an America sliding into the Great Depression. But before his hopes for life and love can be realized, he and a group of other young men are falsely charged with the rape of two white women, and shackled to a system of enslavement masquerading as justice. As he is pushed deeper into the darkness of imprisonment, his resolve to escape burns only more brightly, until in a last spasm of flight, in a white heat of terror, he is called to choose his fate.

In language both intimate and lyrical, novelist and poet Charlie Smith conjures a fresh and complex portrait of the South of the 1920s and ’30s in all its brutal humanity—and the astonishing endurance of one battered young man, his consciousness “an accumulation of breached and disordered living . . . hopes packed hard into sprung joints,” who lives past and through it all.

A stunning collection from a poet who “writes with a scalding aortal brilliance that leaves the reader drunk on dream” (New York Times Book Review). Selecting from among Charlie Smith’s seven previous collections and including more than forty astonishing new poems, Jump Soul represents work from the career of a poet who “writes with a scalding aortal brilliance that leaves the reader drunk on dream” (New York Times Book Review). From the lush Southern landscapes of Red Roads (1987) and the haunted longing of Heroin (2000) to the bold eroticism of Women of America (2004) and, most recently, the fresh and exuberant Word Comix (2009), Smith reminds us “that we don’t really know what beauty is until we’ve looked hard at the horror that throws beauty into bright relief” (David Kirby, New York Times). Beauty in Smith’s poetry is mixed with harrowing darkness; it is “the rescued returned to the floods / and fruit pickers, those who catch beauty / aflight on the sweet-smelling breeze, authentic characters / messed up, dead on the floor / of western motels, crapped out jinxed, lost / to the boulevards.” Smith is a poet of “shimmering energy” (Mary Oliver). His work, brutal in its honesty and stunning in its lyricism, is represented in all of its extraordinary range in this new collection.

From “Collected First Lines”

I’m sure there is meaning,
and I know it’s sometimes more interesting
to stand in a road than to move along it,

though even this, said with such confidence
just a minute ago,
explains nothing.

A sweeping, eerily resonant epic of race and violence in the Jim Crow South: a lyrical and emotionally devastating masterpiece from Charlie Smith, whom the New York Public Library has said "may be America's most bewitching stylist alive"Delvin Walker is just a boy when his mother flees their home in the Red Row section of Chattanooga, accused of killing a white man. Taken in by Cornelius Oliver, proprietor of the town's leading Negro funeral home, he discovers the art of caring for the aggrieved, the promise of transcendence in the written word, and a rare peace in a hostile world. Yet tragedy visits them near-daily, and after a series of devastating events-a lynching, a church burning-Delvin fears being accused of murdering a local white boy and leaves town.Haunted by his mother's disappearance, Delvin rides the rails, meets fellow travelers, falls in love, and sees an America sliding into the Great Depression. But before his hopes for life and love can be realized, he and a group of other young men are falsely charged with the rape of two white women, and they're shackled to a system of enslavement masquerading as justice. As he is pushed deeper into the darkness of imprisonment, his resolve to escape burns only more brightly, until in a last spasm of flight, in a white heat of terror, he is called to choose his fate.In language both intimate and lyrical, novelist and poet Charlie Smith conjures a fresh and complex portrait of the South of the 1920s and 30s in all its brutal humanity-and the astonishing endurance of one battered young man, his consciousness "an accumulation of breached and disordered living ... hopes packed hard into sprung joints," who lives past and through it all.
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