Les liaisons dangereuses was premiered by Royal Shakespeare Company at The Other Place, Stratford-upon-Avon, on 24 September 1985, and won Christopher Hampton the Evening Standard Award for Best Play and the Laurence Olivier Award for Best New Play in 1986.
Embers premiered at the Duke of York's Theatre in London's West End in February 2006.
Friend to film stars, spies, models, government ministers and aristocrats, his rise and ultimate disgrace coincided with the increasingly permissive lifestyle of London's elite in the early 1960s.
Andrew Lloyd Webber's musical, with book and lyrics by Christopher Hampton and Don Black, centres on Ward's involvement with the young and beautiful Christine Keeler, which led to one of the biggest political scandals and most famous trials of the twentieth century.
Stephen Ward premiered at the Aldwych Theatre, London, in December 2013.
Molière's classic comedy, adapted by Christopher Hampton and directed by the former dramaturg of the French People's National Theatre, Gérald Garutti, premiered in May 2018, the West End's first dual language theatre production.
This is a bilingual edition of the text.
Since the acclaimed London première of his first play in 1966, Christopher Hampton has established himself as one of Britain's most prominent, and least predictable, dramatists.
From his best-known play, Les Liaisons Dangereuses, and its Oscar-winning film version, Dangerous Liaisons, to personal and critical favourites like Total Eclipse and Tales from Hollywood; from his films as writer-director (Carrington, Imagining Argentina) to his work as screenwriter-for-hire (Mary Reilly, The Quiet American); from translations (Art) to musicals (Sunset Boulevard), Hampton eloquently - and entertainingly - explores his varied career with interviewer Alistair Owen, and discusses its recurring theme: the clash of liberal and radical thought, exemplified by his most recent play, The Talking Cure, about the fathers of psychoanalysis, Jung and Freud.
4th March, 1965: In the White House, Lyndon Johnson, anxious to introduce a new Voting Rights Act, is briefed by his sinister and "unfirable" FBI director, J. Edgar Hoover, on the imminent Selma to Montgomery march, led by Dr. Martin Luther King, Jr.. It is a demonstration prompted by a state trooper's murder of the young activist Jimmie Lee Jackson, in Marion, Alabama, following a rally in support of voter registration in Perry County.
In his ambitious new play, commissioned by the Guthrie Theater, Minneapolis as the centrepiece of a retrospective of his plays and films, Christopher Hampton traces a line which runs from the last days of a brutal Civil War to the high-water mark of the Civil Rights movement and on, all the way to the present day; and considers the agonisingly slow healing of a wound, universal, but especially deep and painful in America: racism.
Appomattox premiered at the McGuire Proscenium Stage in the Guthrie Theater on 5 October, 2012.