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#1 New York Times Bestseller

From the bestselling author and master of narrative nonfiction comes the enthralling story of the sinking of the Lusitania

On May 1, 1915, with WWI entering its tenth month, a luxury ocean liner as richly appointed as an English country house sailed out of New York, bound for Liverpool, carrying a record number of children and infants. The passengers were surprisingly at ease, even though Germany had declared the seas around Britain to be a war zone. For months, German U-boats had brought terror to the North Atlantic. But the Lusitania was one of the era’s great transatlantic “Greyhounds”—the fastest liner then in service—and her captain, William Thomas Turner, placed tremendous faith in the gentlemanly strictures of warfare that for a century had kept civilian ships safe from attack. 

Germany, however, was determined to change the rules of the game, and Walther Schwieger, the captain of Unterseeboot-20, was happy to oblige. Meanwhile, an ultra-secret British intelligence unit tracked Schwieger’s U-boat, but told no one. As U-20 and the Lusitania made their way toward Liverpool, an array of forces both grand and achingly small—hubris, a chance fog, a closely guarded secret, and more—all converged to produce one of the great disasters of history.

It is a story that many of us think we know but don’t, and Erik Larson tells it thrillingly, switching between hunter and hunted while painting a larger portrait of America at the height of the Progressive Era. Full of glamour and suspense, Dead Wake brings to life a cast of evocative characters, from famed Boston bookseller Charles Lauriat to pioneering female architect Theodate Pope to President Woodrow Wilson, a man lost to grief, dreading the widening war but also captivated by the prospect of new love. 

Gripping and important, Dead Wake captures the sheer drama and emotional power of a disaster whose intimate details and true meaning have long been obscured by history.
Erik Larson, New York Times bestselling author of Devil in the White City, delivers a remarkable story set during Hitler’s rise to power.

The time is 1933, the place, Berlin, when William E. Dodd becomes America’s first ambassador to Hitler’s Nazi Germany in a year that proved to be a turning point in history.
    A mild-mannered professor from Chicago, Dodd brings along his wife, son, and flamboyant daughter, Martha. At first Martha is entranced by the parties and pomp, and the handsome young men of the Third Reich with their infectious enthusiasm for restoring Germany to a position of world prominence. Enamored of the “New Germany,” she has one affair after another, including with the suprisingly honorable first chief of the Gestapo, Rudolf Diels. But as evidence of Jewish persecution mounts, confirmed by chilling first-person testimony, her father telegraphs his concerns to a largely indifferent State Department back home. Dodd watches with alarm as Jews are attacked, the press is censored, and drafts of frightening new laws begin to circulate. As that first year unfolds and the shadows deepen, the Dodds experience days full of excitement, intrigue, romance—and ultimately, horror, when a climactic spasm of violence and murder reveals Hitler’s true character and ruthless ambition.
    Suffused with the tense atmosphere of the period, and with unforgettable portraits of the bizarre Göring and the expectedly charming--yet wholly sinister--Goebbels, In the Garden of Beasts lends a stunning, eyewitness perspective on events as they unfold in real time, revealing an era of surprising nuance and complexity. The result is a dazzling, addictively readable work that speaks volumes about why the world did not recognize the grave threat posed by Hitler until Berlin, and Europe, were awash in blood and terror.
In The Devil in the White City, the smoke, romance, and mystery of the Gilded Age come alive as never before.

Two men, each handsome and unusually adept at his chosen work, embodied an element of the great dynamic that characterized America’s rush toward the twentieth century. The architect was Daniel Hudson Burnham, the fair’s brilliant director of works and the builder of many of the country’s most important structures, including the Flatiron Building in New York and Union Station in Washington, D.C. The murderer was Henry H. Holmes, a young doctor who, in a malign parody of the White City, built his “World’s Fair Hotel” just west of the fairgrounds—a torture palace complete with dissection table, gas chamber, and 3,000-degree crematorium.

Burnham overcame tremendous obstacles and tragedies as he organized the talents of Frederick Law Olmsted, Charles McKim, Louis Sullivan, and others to transform swampy Jackson Park into the White City, while Holmes used the attraction of the great fair and his own satanic charms to lure scores of young women to their deaths. What makes the story all the more chilling is that Holmes really lived, walking the grounds of that dream city by the lake.

The Devil in the White City draws the reader into a time of magic and majesty, made all the more appealing by a supporting cast of real-life characters, including Buffalo Bill, Theodore Dreiser, Susan B. Anthony, Thomas Edison, Archduke Francis Ferdinand, and others. Erik Larson’s gifts as a storyteller are magnificently displayed in this rich narrative of the master builder, the killer, and the great fair that obsessed them both.

To find out more about this book, go to http://www.DevilInTheWhiteCity.com.
At the dawn of the twentieth century, a great confidence suffused America. Isaac Cline was one of the era's new men, a scientist who believed he knew all there was to know about the motion of clouds and the behavior of storms. The idea that a hurricane could damage the city of Galveston, Texas, where he was based, was to him preposterous, "an absurd delusion." It was 1900, a year when America felt bigger and stronger than ever before. Nothing in nature could hobble the gleaming city of Galveston, then a magical place that seemed destined to become the New York of the Gulf.

That August, a strange, prolonged heat wave gripped the nation and killed scores of people in New York and Chicago. Odd things seemed to happen everywhere: A plague of crickets engulfed Waco. The Bering Glacier began to shrink. Rain fell on Galveston with greater intensity than anyone could remember. Far away, in Africa, immense thunderstorms blossomed over the city of Dakar, and great currents of wind converged. A wave of atmospheric turbulence slipped from the coast of western Africa. Most such waves faded quickly. This one did not.

In Cuba, America's overconfidence was made all too obvious by the Weather Bureau's obsession with controlling hurricane forecasts, even though Cuba's indigenous weathermen had pioneered hurricane science. As the bureau's forecasters assured the nation that all was calm in the Caribbean, Cuba's own weathermen fretted about ominous signs in the sky. A curious stillness gripped Antigua. Only a few unlucky sea captains discovered that the storm had achieved an intensity no man alive had ever experienced.

In Galveston, reassured by Cline's belief that no hurricane could seriously damage the city, there was celebration. Children played in the rising water. Hundreds of people gathered at the beach to marvel at the fantastically tall waves and gorgeous pink sky, until the surf began ripping the city's beloved beachfront apart. Within the next few hours Galveston would endure a hurricane that to this day remains the nation's deadliest natural disaster. In Galveston alone at least 6,000 people, possibly as many as 10,000, would lose their lives, a number far greater than the combined death toll of the Johnstown Flood and 1906 San Francisco Earthquake.

And Isaac Cline would experience his own unbearable loss.

Meticulously researched and vividly written, Isaac's Storm is based on Cline's own letters, telegrams, and reports, the testimony of scores of survivors, and our latest understanding of the hows and whys of great storms. Ultimately, however, it is the story of what can happen when human arrogance meets nature's last great uncontrollable force. As such, Isaac's Storm carries a warning for our time.
#1 NEW YORK TIMES BESTSELLER • The author of The Devil in the White City and Dead Wake delivers an intimate chronicle of Winston Churchill and London during the Blitz—an inspiring portrait of courage and leadership in a time of unprecedented crisis

One of Chicago Tribune’s Best Books of the Year So Far • “A bravura performance by one of America’s greatest storytellers.”—NPR

“Churchill’s lessons of resilience and his style of steady-handed leadership are essential to the state of mind of American readers.”—Vanity Fair

On Winston Churchill’s first day as prime minister, Adolf Hitler invaded Holland and Belgium. Poland and Czechoslovakia had already fallen, and the Dunkirk evacuation was just two weeks away. For the next twelve months, Hitler would wage a relentless bombing campaign, killing 45,000 Britons. It was up to Churchill to hold his country together and persuade President Franklin Roosevelt that Britain was a worthy ally—and willing to fight to the end.

In The Splendid and the Vile, Erik Larson shows, in cinematic detail, how Churchill taught the British people “the art of being fearless.” It is a story of political brinkmanship, but it’s also an intimate domestic drama, set against the backdrop of Churchill’s prime-ministerial country home, Chequers; his wartime retreat, Ditchley, where he and his entourage go when the moon is brightest and the bombing threat is highest; and of course 10 Downing Street in London. Drawing on diaries, original archival documents, and once-secret intelligence reports—some released only recently—Larson provides a new lens on London’s darkest year through the day-to-day experience of Churchill and his family: his wife, Clementine; their youngest daughter, Mary, who chafes against her parents’ wartime protectiveness; their son, Randolph, and his beautiful, unhappy wife, Pamela; Pamela’s illicit lover, a dashing American emissary; and the advisers in Churchill’s “Secret Circle,” to whom he turns in the hardest moments.
 
The Splendid and the Vile takes readers out of today’s political dysfunction and back to a time of true leadership, when, in the face of unrelenting horror, Churchill’s eloquence, courage, and perseverance bound a country, and a family, together.
 Mrożąca krew w żyłach historia zbrodni i wynalazku, która przeniesie czytelnika do epoki, w której wierzono, że seanse spirytystyczne są gwarantem wspólnoty duchowej ze zmarłymi

Prawdziwa historia dwóch mężczyzn: Guglielmo Marconiego,włoskiego fizyka, konstruktora i laureata Nagrody Nobla za wkład w rozwój telegrafii bezprzewodowej, oraz Hawley’a Crippena, angielskiego lekarza i zbrodniarza, których losy połączył jeden z największych w historii pościgów policyjnych.

Marconi, opanowany bez reszty obsesją stworzenia sposobu łączności, który w owych czasach wydawał się nadprzyrodzonym, z zapałem walczy z falą sceptycyzmu, by wbrew wszelkim przewidywaniom przejść ze swym wynalazkiem do historii.

W tym samym czasie Hawley Crippen, ceniony lekarz, popełnia zbrodnię niemal doskonałą. Najpierw truje swoją żonę, potem jej poćwiartowane zwłoki chowa w piwnicy, a następnie rozpowiada wśród znajomych, że małżonka wróciła do Stanów. Kiedy Scotland Yard odkrywa podczas przeszukania domu zwłoki kobiety, Crippen, by uniknąć aresztowania, zmuszony jest uciekać do Kanady.

Grom z jasnego nieba to prawdziwa historia wielkiej pogoni przez ocean, którą śledziły miliony czytelników gazet na całym świecie. To opowieść o jednym z największych w historii pościgów policyjnych, który zakończył się sukcesem tylko dzięki wynalezionej przez Guglielmo Marconiego telegrafii bezprzewodowej.

Dwie fascynujące postacie: wynalazca i morderca Ich losy połączyła zbrodnia, a ich historię opisał mistrz tej formy.

Pe 1 mai 1915, când Primul Război Mondial intra în cea de a zecea sa lună, un transoceanic de linie luxos, la fel de bogat decorat ca un conac englezesc de țară, pleca din New York cu destinația Liverpool, având la bord un număr record de copii. În rândurile pasagerilor domnea o surprinzătoare stare de bună dispoziție, deși Germania declarase că apele din jurul Marii Britanii constituiau o zonă de război. Luni de zile, submarinele germane semănaseră teroarea în Atlanticul de Nord. Dar Lusitania era unul dintre marile transatlantice ale epocii, cel mai rapid vapor de linie aflat în serviciu, iar căpitanul ei, William Thomas Turner, avea o încredere de nestrămutat în regulile stricte ale războiului purtat de gentlemani, care feriseră, vreme de un secol, vasele civile de orice atac. Este o poveste pe care mulți dintre noi cred că o cunosc, fără a o ști cu adevărat, iar Erik Larson ne-o readuce în atenţie plină de suspans, schimbând rolurile între vânător și vânat, în timp ce descrie un tablou mai general al Americii la apogeul Erei Progresului. Plină de strălucire și de emoție, Siajul morții aduce la viață o distribuție de personaje evocatoare, de la faimosul librar din Boston Charles Lauriat, la pioniera din domeniul arhitecturii Theodate Pope și la președintele Woodrow Wilson, un om sufocat de suferință și îngrozit de perspectiva unui război mondial. Siajul morții surprinde drama pură și puterea emoțională a unui dezastru ale cărui detalii intime și înțeles real riscau să rămână pierdute în negurile istoriei.
 No final do século XIX os Estados Unidos eram uma nação jovem e orgulhosa, ávida por afirmar seu lugar entre as maiores potências mundiais. Nesse contexto, a Feira de Chicago de 1893 teve papel fundamental: com o objetivo de apresentar a maior e mais impressionante exposição de inovações científicas e tecnológicas já idealizada, coube ao arquiteto Daniel Burnham, famoso por projetar alguns dos edifícios mais conhecidos do mundo, a difícil tarefa de transformar uma área desolada em um lugar de magnífica beleza: a Cidade Branca. Reunindo as mais importantes mentes da época, Burnham enfrentou o mau clima, tragédias e o tempo escasso para construir a enorme estrutura da feira.

A poucas quadras dali, outro homem igualmente determinado, H. H. Holmes, estava às voltas com mais uma obra grandiosa, um prédio estranho e complexo. Nomeado Hotel da Feira Mundial, o lugar era na verdade um palácio de tortura, para o qual Holmes atraiu dezenas, talvez centenas de pessoas. Autor de crimes inimagináveis, ele ficou conhecido como possivelmente o primeiro serial killer da história americana.

Separados, os feitos de Burnham e Holmes são fascinantes por si só. Examinadas juntas, porém, suas histórias se tornam ainda mais impressionantes e oferecem uma poderosa metáfora das forças opostas que fizeram do século XX ao mesmo tempo um período de avanços monumentais e de crueldades imensuráveis. Combinando uma pesquisa meticulosa com a narrativa envolvente que lhe é característica, Erik Larson escreveu um suspense arrebatador, que se torna ainda mais assustador por retratar acontecimentos reais.

◆紐約時報暢銷書排行榜第一名◆

美國亞馬遜網路書店4.5顆星好評,高達6500則讀者書評

 

將歷史化為暢銷書的敘事大師──拉森

以好萊塢鉅片的敘事手法,重現史上最大船難

人性的傲慢、霧海變化、嚴守的情報、英國政府的密謀

造就一連串的偶然巧合與錯誤估算

1198個無辜的靈魂,淒慘地葬身愛爾蘭外海

 

 

★張國立(作家)、臥斧(文字工作者)、陳栢青(作家)、NeKo嗚喵(人氣書評youtuber)

──強力推薦

★《冰與火之歌》作者喬治・馬汀:

好看極了,從頭到尾引人入勝!

★《紐約雜誌》:

我們已經等不及看詹姆斯・卡麥隆拍出艾瑞克・拉森的《死亡航跡》!

★《舊金山紀事報》:

這本書會讓李奧納多・狄卡皮歐搶著買下電影版權。

 

◎一位訂好船票的旅客在旅館度過了輾轉難眠的一夜,

一整晚她都聽到一個聲音說:

「如果你進到你的臥艙,你就再也出不來。」

◎稍早,邱吉爾發信給英國貿易部主管:

「最重要的是吸引中立船隻到我們的海岸,尤其是希望將美國捲入對德國的衝突。」

 

◎啟航前,報社記者訪問了乘客范德比爾特:

「這次是否會跟你上次選擇不搭鐵達尼號一樣幸運?」

這位美國鐵路大亨面露微笑,未發一語。

 

◎在鐵達尼號沉沒時倖存的時尚設計師,這次選擇取消露西塔尼亞號的船票;

上回恰好取消搭乘鐵達尼號的美國花花公子,這次卻自信滿滿,

搭上了號稱沒有德國潛艇能追上的露西塔尼亞號……

 

 

露西塔尼亞號,與「鐵達尼號」齊名的史上最快郵輪

同樣大得像座山、同樣有「永不沉沒」的美譽

卻像約好了似的,先後沉入海底

人為的疏失、被忽略的警訊、一戰的陰謀棋局

歷史的偶然與巧合,隱隱交纏的宿命,竟如此殘酷的相似……

 

 

死亡航跡【航海術語】:船隻或魚雷在海面上留下的跡線

一九一五年五月一日,豪華海上郵輪露西塔尼亞號從紐約出發,航速高達25節,載著千餘名乘客(其中有123位美國人)與數量可觀的兒童和嬰孩,前往英國利物浦。

北方不遠處就是白星郵輪的碼頭,三年前,接近五月時,鐵達尼號原定要在這裡入港。如今,冠達船運的露西塔尼亞號是真正的世界第一。

當天一早,紐約市的報紙上才剛刊登了德國大使館的警告。不久前,德國宣布英國周遭海域為作戰區:就算是商用或中立國船隻,只要往英國方向行駛,都可能遭到德國U型潛艇攻擊。

然而,露西塔尼亞號的船長卻認為,這號稱「海上灰狗」的世界第一快郵輪,必能躲過德國潛艇的魚雷威脅,殊不知最料想不到的災難,正等在前方……

擅長將歷史寫得像小說般精采的拉森,將船上旅客的證詞、U型潛艇指揮官的戰爭日誌、祕密攔截和解碼的無線電訊息、被愛沖昏頭的美國總統情書,交織出一個融合真實事件的海上驚悚故事。

 

大海上最醒目的大船,第一次世界大戰最頂級的戰利品

拉森以優雅而懸疑的手法,傳達了第一次世界大戰最悲劇性的事件,讓露西塔尼亞號遭德國潛艇擊沉的故事多線敘事同時進行,營造兩艘船逐漸逼近時的巨大恐懼氣氛……他對英國事先掌握情報且眾多旅客期待下仍未派出軍艦護衛的處置方式,提出了更多的洞見。綜合政治、經濟、科技、甚至天候狀況等多方因素,他為這場看似不可能、實則不可避免、最終震動了全世界的災難提供了全新的看法。

《死亡航跡》充滿魅力和懸念,描述了一系列令人回味的人物,從著名的波士頓書商小查爾斯・勞里亞特,到美國第一位女建築師希奧黛特・波普、美國總統威爾遜、露西塔尼亞號的船長透納、德國U型潛艇指揮官史威格……更捕捉了人們避談的陰謀、災難中強大的情緒與貼近深入的描述。更重要的是,它傳述了此事背後長久被蒙蔽的歷史事實。

 

【暢銷榜】

2015 Amazon三月最佳好書(Best Book of the Month)

2015年Goodreads Choice Awards歷史與傳記書籍第一名2015年華盛頓郵報(Washington Post)值得注目非小說類書籍2015年Kirkus最佳書籍2015年Indigo最佳書籍聖路易斯郵報(St. Louis Post-Dispatch)2015年最佳書籍2015年邁阿密先驅報最受喜愛書籍(Miami Herald Favorite Book)2015年BookTrib最佳敘事非小說類書籍(BookTrib's Best Narrative Nonfiction Book)圖書館閱讀2015年十大圖書(LibraryReads Top Ten Book)圖書館雜誌2015年十大圖書(Library Journal Top Ten Book)

華盛頓州圖書獎(the Washington State Book Award)歷史/一般非小說決選名單

 

【名家讚譽】

「隨著來自英國和美國逐一揭露的訊息,隨著以魚雷擊沉郵輪的德國U-20潛艇上每個緊張、密室恐懼的場景逐一鋪陳,隨著露西塔尼亞號上的每個小插曲,拉森巧妙安排的故事節奏營造出了懸疑性。他對充滿反諷的細節觀察入微,對時代感知掌握敏銳,拉森編織了一個宏大的故事,讓露西塔尼亞號的重要性得到應有的重視。這本書或許會讓李奧納多・狄卡皮歐搶著買下它的電影版權。」

《舊金山紀事報》

「拉森是一名記者,他寫的非虛構作品讀起來像小說,令人愛不釋卷。這本書亦不例外。我對鐵達尼號知之甚詳,但對露西塔尼亞號所知不多。它填補了這個缺漏……好看極了。從頭到尾引人入勝。」

喬治・馬汀,《冰與火之歌》作者

「〔拉森〕一再展現他揭露故事動人細節的卓越能力,透過他的敘事手法讓歷史時刻鮮活重現。不過在這本新書裡,拉森再次超越了自我 ……《死亡航跡》最令人歎服的是透過拉森驚人的研究,讓我們感受到露西塔尼亞號船上(旅客與船員們)強烈的個體性,當我們一路讀下來瞭解到我們認識的角色將隨船同沉大海時,拉高了我們的焦慮感受。一部充滿了反諷和『若非如此……』的書,《死亡航跡》是歷史敘事的巨作。」

《Book Page書評》,首選

「拉森在《死亡航跡》精彩演繹〔露西塔尼亞號的命運〕,對露西塔尼亞號最後旅程做了詳細鑑定和引人入勝的描述……沒錯,我們知道露西塔尼亞號故事的結局如何,但其中仍有很多令人指節發白的張力。在《死亡航跡》裡,它對郵輪最後一個星期的命運提供了令人讚歎的完整調查,基本上是好萊塢鉅片的處理方式。」

《多倫多環球郵報》

「在文筆較平庸的作家手中,露西塔尼亞號最後橫渡大西洋的迷人故事有可能落入乏味的角色刻畫、對潛艇戰略大費手腳的技術分析、或是一次大戰前全球政治的縮影描繪。艾瑞克・拉森則非如此……拉森將這些各自分離的主軸融於一爐,彼此相連貫,創造出一個有關露西塔尼亞號的結局與美國投入戰局饒富興味的故事。」

《匹茲堡郵報》

「在你心中,豪華郵輪露西塔尼亞號的沉沒可能只是存放在小房間裡的一堆檔案……在讀完艾瑞克・拉森對露西塔尼亞號毀滅生動的重建之後,你會需要更大一點的房間……拉森的書是一個資料收集縝密的非虛構作品,並非事件的小說化,但它有動人的敘事和迷你影集般的節奏,同時兼具娛樂性和知性。」

《密爾瓦基前哨報》

「就如同書名的郵輪般順暢的敘事,拉森以緊湊的手法傳達了第一次世界大戰最具悲劇性的事件……直截了當提醒了我們,戰爭究其根本而言,是攸關生死的大事。」

《出版者週刊》

「拉森再一次將複雜的時間轉化成充滿人味的精采故事。書中懸疑的描述會讓熱愛軍事和航海史,以及喜歡一般通俗歷史的讀者都深深著迷。」

《圖書館期刊》

拉森是非虛構通俗敘事的現代大師之一……一位知識豐富的報導者和文思巧妙的風格家,深諳將各路情節發展巧妙裁剪成動人故事的訣竅……一部主題宏大具娛樂性的書,激發新一代的讀者對這改變歷史的重大事件的共鳴。」

《紐約時報書評》

「拉森是將非虛構文類處理成華麗大戲的老手……他知道如何挑選最有潛力的細節來製造效果,不斷醞釀直到它們發酵,他對縈繞人心但未曾細究的細節有獨到眼光。」

《紐約時報》

「在他對昔日全球最快客輪的最終時刻的全新檢視中,拉森鮮活地重現了過去……他透過電報、戰爭日誌、情書、旅客的陳述,提供扣人心弦的細節、我原本不知自己會熱切想知道的事……緊張刺激、具戲劇性,劇力萬鈞。」

美國公共廣播電台(NPR)

「這本書迷人而詳實的描述,展示了眾所周知的事件表面底下更加豐富的真相……拉森做出截至目前為止對〔露西塔尼亞號的沉沒〕最清晰也最具懸疑性的描述,同時他找出了在各種「宏大與令人心痛地細小」的各種不幸巧合,營造出這艘的充滿苦痛的最終時刻中真實的情感力量。」

《華盛頓郵報》

「既驚悚又引人入勝。當兩艘船艦在海上遭遇時,敘事的節奏彷如電影《大白鯊》──郵輪的沉沒同時既是絕無可能、又是不可避免。當然,你不會站在大白鯊這一邊,但拉森難以置信的細節鋪陳令你屏息難以釋卷。」

《娛樂週刊》

「艾瑞克・拉森的看家本事是把歷史化為暢銷書,讓人讀來緊繃如驚悚小說……一部無懈可擊的非虛構懸疑傑作。」

《美國今日報》

「讀者如期待看到對史上最大船難之一轉換快速、情緒飽滿的描述,會發現《死亡航跡》陰鬱又令人情緒沸騰。拉森是技巧非凡的說書人,他刻畫露西塔尼亞號與U-20潛艇之間,與其背後政治勢力的角力,敘事的懸疑手法臻於完美。」

《里奇蒙時代快訊報》

「由於拉森對故事的敏銳感知,當他進入到悲劇事件本身,整本書自動浮現鮮明的形式。你具體感覺到在一艘正在沉沒的船,以及當天消逝的生命的重量。這是出自於令人愛不釋卷的歷史書,所有人物和細節都反映細密準確的眼光和追根究底的調查,這正是拉森作品帶給人特有的閱讀樂趣。」

Flavorwire

「〔拉森〕娓娓道來郵輪的最後航程……他為故事主題找尋了豐富的資料——電報、無線電訊息、生還者的陳述、祕勤局的紀錄、潛艇指揮官的戰爭日誌、情書、英國海軍部與大學的檔案資料,甚至是露西塔尼亞號罹難者的停屍間照片……包含眾多揭露真相的政治、軍事、和社會訊息,拉森的《死亡航跡》,在其核心最深處,是為海上罹難的一一九八人致敬。」

《坦帕灣時報》

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