The Brothers Karamasov is a murder mystery, a courtroom drama, and an exploration of erotic rivalry in a series of triangular love affairs involving the “wicked and sentimental” Fyodor Pavlovich Karamazov and his three sons—the impulsive and sensual Dmitri; the coldly rational Ivan; and the healthy, red-cheeked young novice Alyosha. Through the gripping events of their story, Dostoevsky portrays the whole of Russian life, is social and spiritual striving, in what was both the golden age and a tragic turning point in Russian culture.
This award-winning translation by Richard Pevear and Larissa Volokhonsky remains true to the verbal
inventiveness of Dostoevsky’s prose, preserving the multiple voices, the humor, and the surprising modernity of the original. It is an achievement worthy of Dostoevsky’s last and greatest novel.
This acclaimed new translation of Dostoyevsky’s “psychological record of a crime” gives his dark masterpiece of murder and pursuit a renewed vitality, expressing its jagged, staccato urgency and fevered atmosphere as never before. Raskolnikov, a destitute and desperate former student, wanders alone through the slums of St. Petersburg, deliriously imagining himself above society’s laws. But when he commits a random murder, only suffering ensues. Embarking on a dangerous game of cat and mouse with a suspicious police investigator, Raskolnikov finds the noose of his own guilt tightening around his neck. Only Sonya, a downtrodden prostitute, can offer the chance of redemption.
For more than sixty-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,500 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Widely considered to be the first existential novella, Notes from Underground presents the diary of a bitter, misanthropic man. The unnamed narrator has, in an act of supreme defiance, withdrawn from society completely. Formerly a civil servant, this “sick” and “wicked” man suffers from incurable ennui and forsakes all interaction. Rallying against what he perceives as human evils, like war, love, and utopianism, he exiles himself from all humanity in favor of exalted loneliness and suffering. Readers bear witness to the friends, lovers, and crippling social pressures of nineteenth-century Russia that made him this way.
Notes from Underground, which preceded masterworks including Crime and Punishment and The Brothers Karamazov, is among Dostoevsky’s finest works, melding fiction and philosophy.
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