This is a fixed-format ebook, which preserves the design and layout of the original print book.
Born in Fort Scott, Kansas, on November 30, 1912, he left home at age fifteen when his mother passed away. For the next twelve years, he lived in Minneapolis, Minnesota, working as a piano player, bus boy, Civilian Conservation Corpsman, and professional basketball player before taking up photography in the late 1930s and moving to Chicago. He was awarded the first Julius Rosenwald Fellowship in photography in 1942 and chose to work with Roy Stryker at the Farm Security Administration (FSA) in Washington, D.C. During World War II, he was an Office of War Information (OWI) correspondent.
He photographed fashion for Vogue and Glamour before joining the staff of Life in 1949 and remained a photojournalist for the magazine until 1969. He also became famous in the late 1960s for his stories on Black revolutionaries, later incorporated into his book Born Black. He was a founder and editorial director of Essence magazine from 1970 to 1973.
His film career began in 1961 when he wrote and directed a documentary, Flavio. He received an Emmy Award for another documentary, Diary of a Harlem Family, in 1968. He produced and directed Hollywood films including The Learning Tree, Shaft, Shaft's Big Score, The Super Cops, and Leadbelly.
He is first and foremost a celebrated photojournalist and fine art photographer whose work, collected and exhibited worldwide, is emblematic of American culture. In A Hungry Heart, he reaches into the corridors of his memory and recounts the people and events that shaped him: from growing up poor on the Kansas prairie to withstanding the unbearably cold winters of Minnesota to living on the edge of starvation in Harlem during the Depression. He more than survived the challenges and crises of his life; he thrived and has become one of the most celebrated and diversely talented figures in American culture.
He has done it all. Gordon Parks's life is an astonishing litany of firsts: in the 1940s he was the first African-American photographer to work for the Farm Security Administration and for Vogue and Life magazines; in the 1960s he would become the first African-American director of a major motion picture. A dominating figure in contemporary American culture, he is an artist of uncompromising vision and creativity.
In 2002 Parks received the Jackie Robinson Foundation Lifetime Achievement Award and was inducted into the International Photography Hall of Fame, just the latest in a series of honors that began when he received a prestigious Julius Rosenwald Fellowship in 1941 and which now includes an Emmy, a National Medal of the Arts, and over fifty honorary doctorates. Now in his nineties, he could easily rest on his laurels, but the luminous photographs on display in Eyes with Winged Thoughts and the poems -- some meditative and lyrical, some raw with emotion about the war in Iraq and the tragedy of the tsunami -- show that he is still a true American Renaissance man.
Huguette attended the coronation of King George V. And at twenty-two with a personal fortune of $50 million to her name, she married a Princeton man and childhood friend William MacDonald Gower. Two-years later the couple divorced. After a series of failed romances, Huguette began to withdraw from society--first living with her mother in a kind of Grey Gardens isolation then as a modern-day Miss Havisham, spending her days in a vast apartment overlooking Central Park, eating crackers and watching The Flintstones with only servants for company.
All her money and all her real estate could not protect her in her later life from being manipulated by shady hangers-on and hospitals that were only too happy to admit (and bill) a healthy woman. But what happened to Huguette that turned a vivacious, young socialite into a recluse? And what was her life like inside that gilded, copper cage?
Bringing together more than thirty candid conversations with filmmakers and producers such as Spike Lee, Gordon Parks, Julie Dash, Charles Burnett, and Robert Townsend, Why We Make Movies delivers a cultural celebration with the tips of a film-school master class.
With journalist George Alexander, these revolutionary men and women discuss not only how they got their big breaks, but more importantly, they explore the creative process and what making movies means to them. Why We Make Movies also addresses the business of Hollywood and its turning tide, in a nation where African Americans comprise a sizable portion of the film-going public and go to the movies more frequently than whites. In addition, Alexander’s cast of directors and producers considers the lead roles they now play in everything from documentaries and films for television to broad-based blockbusters (in fact, the highest-grossing film in Miramax history was Scary Movie, directed by Keenen Ivory Wayans). For film buffs and aspiring filmmakers alike, Why We Make Movies puts a long-overdue spotlight on one of the most exciting and cutting-edge segments of today’s silver screen.
INTERVIEWS INCLUDE: MELVIN VAN PEEBLES • MICHAEL SCHULTZ • CHARLES BURNETT • SPIKE LEE • ROBERT TOWNSEND • FRED WILLIAMSON • ERNEST DICKERSON • KEENEN IVORY WAYANS • ANTOINE FUQUA • BILL DUKE • FORREST WHITAKER • JULIE DASH • KASI LEMMONS • GINA PRINC-BLYTHEWOOD • JOHN SINGLETON • GEORGE TILLMAN Jr. • REGINALD HUDLIN • WARRINGTON HUDLIN • MALCOLM LEE • EUZHAN PALCY • DOUG McHENRY • DEBRA MARTIN CHASE • St. CLAIR BOURNE • STANLEY NELSON • WILLIAM GREAVES • KATHE SANDLER • CAMILLE BILLOPS • HAILE GERIMA • GORDON PARKS
From the Trade Paperback edition.
Belinda Gordon thought she had it all-a great job, wonderful friends, a home of her own. She's even come to love her voluptuous body. But she still can't shake the feeling that something is missing. And then Carter Lancaster, aka Her Biggest Mistake, shows up in town, as irresistible as ever, and shakes up her entire world.
WHEN IT COMES TO LOVE
Carter never expected to find Belinda in town, looking as delicious as the day he married her five years ago-before she walked out on him after six weeks and a painful misunderstanding that included his baby daughter, Ruby. A quick divorce is the sensible option-but Carter can't let Belinda go now, not when he can see the family they could be. Love may be a curveball, but this time he's going to prove to Belinda that he can hit it out of the park... Gentlemen Prefer Curves is the third book in the Perfect Fit series
Praise for Sugar Jamison's Dangerous Curves Ahead
"Dangerous Curves Ahead is laugh out loud funny and super sexy, with unique characters you can't help but love!"-New York Times bestselling author Lori Foster
Now, in an all-new special edition, LIFE celebrates the legendary athlete and cultural icon in Ali: A Life in Pictures, featuring dozens of photographs from acclaimed photographers including Gordon Parks, Harry Benson, Marvin Lichtner, James Drake, The Bettman Archive and many more. Many of these images have come to be as synonymous with Ali as his best quotes, and many of these images have not been seen for years.
All of the photos are accompanied by essays and commentary that take readers through four distinct stages of Ali's life _ ÐClay,Ó ÐAli,Ó ÐLegend,Ó and ÐThe Greatest,Ó and all together, Ali: A Life in Pictures is the ultimate commemorative keepsake that celebrates an icon in both words and photographs.
Television director Brooke Gordon thinks that baseball player Parks Jones is an insufferable cad with an inflated ego. Unfortunately, he's also brilliant and her client's spokesman. Brooke is determined to ignore the intense attraction she feels while directing Parks in a commercial. But Parks is willing to break a few rules to convince Brooke that love isn't just a game to him. It means forever...
A NORA ROBTERS CLASSIC AVAILABLE DIGITALLY FOR THE FIRST TIME
In this ambitious and unusual work, evolutionary biologist Gordon H. Orians explores the role of evolution in human responses to the environment, beginning with why we have emotions and ending with evolutionary approaches to aesthetics. Orians reveals how our emotional lives today are shaped by decisions our ancestors made centuries ago on African savannas as they selected places to live, sought food and safety, and socialized in small hunter-gatherer groups. During this time our likes and dislikes became wired in our brains, as the appropriate responses to the environment meant the difference between survival or death. His rich analysis explains why we mimic the tropical savannas of our ancestors in our parks and gardens, why we are simultaneously attracted to danger and approach it cautiously, and how paying close attention to nature’s sounds has resulted in us being an unusually musical species. We also learn why we have developed discriminating palates for wine, and why we have strong reactions to some odors, and why we enjoy classifying almost everything.
By applying biological perspectives ranging from Darwin to current neuroscience to analyses of our aesthetic preferences for landscapes, sounds, smells, plants, and animals, Snakes, Sunrises, and Shakespeare transforms how we view our experience of the natural world and how we relate to each other.
My heart had just been splintered by the man I thought I was in love with. Betrayed by one, mislead by another. My twisted, triangle of a nightmare was over. It should be a walk in the park now…right? That’s what I thought when the clock struck twelve. I was in the arms of the man I knew I should be with, and I was ready for a new year, a new me, and a new love. But this wasn’t the fairy tale I thought it was going to be. I’d stepped into a completely new field, and it wasn’t full of daisies. It was a field of landmines, secrets, lies, and more heartbreak. Is any of this worth saving?
I love her. That’s never going to stop, and I don’t want it to. I’ll make her see…
African American heritage is rich with stories of family, community, faith, love, adaptation and adjustment, grief, and suffering, all captured in a variety of media by artists intimately familiar with them. From traditional media of painting and artists such as Horace Pippin and Faith Ringgold, to photography of Gordon Parks, and new media of Sam Gilliam and Martin Puryear (installation art), the African American experience is reflected across generations and works. Eight pages of color plates and black and white images throughout the book introduce both favorite and new artists to students and adult readers alike.
A sampling of the artists included: Romare Bearden, Elizabeth Catlett, Achamyele Debela, and Melvin Edwards.
Taking a practice-oriented approach, the book examines the role of planning and development agencies in implementing urban waterfront redevelopment. It focuses upon the experience of the central actor - the Battery Park City Authority (BPCA) - and includes personal interviews with executives of the BPCA, former New York mayors John Lindsay and Ed Koch, key public officials, planners, and developers. Describing the political, financial, planning, and implementation issues faced by public agencies and private developers from 1962 to 1993, it is both a case study and history of one of the most ambitious examples of urban waterfront redevelopment.
A Short Course in Photography: Film and Darkroom, 9/e introduces students to the fundamentals of photography and suggests ways in which they might create photographs that have meaning. With a special focus on black and white photography, the book also explores digital techniques and web photography resources, equipment, cameras and camera accessories, the exposure and development of film, and the making and finishing of prints. All aspects of the process are explained and clearly illustrated for students to access. Every pair of pages covers a complete topic along with the accompanying illustrations, diagrams, and photos. Students will be exposed to photographs by some of the greatest artists, including Deborah Willis, Roe Ethridge, Gordon Parks, Rebecca Cummins, Javier Manzano, and Gueorgui Pinkhassov.
MyArtsLab is an integral part of the London / Stone program. Engaging activities and assessment are part of a teaching and learning system that helps students gain a broader understanding of photography. With MyArtsLab, students can explore in-depth analyses of relevant artwork, architecture, artistic techniques, and more.
0133810356 / 9780133810356 A Short Course in Photography Plus NEW MyArtsLab with Pearson eText -- Access Card Package
Package consists of:
0205206565 / 9780205206568 NEW MyArtsLab with Pearson eText -- Valuepack Access Card
0205982433 / 9780205982431 Short Course in Photography, A
ALERT: Before you purchase, check with your instructor or review your course syllabus to ensure that you select the correct ISBN. Several versions of Pearson's MyLab & Mastering products exist for each title, including customized versions for individual schools, and registrations are not transferable. In addition, you may need a CourseID, provided by your instructor, to register for and use Pearson's MyLab & Mastering products.
Access codes for Pearson's MyLab & Mastering products may not be included when purchasing or renting from companies other than Pearson; check with the seller before completing your purchase.
Used or rental books
If you rent or purchase a used book with an access code, the access code may have been redeemed previously and you may have to purchase a new access code.
Access codes that are purchased from sellers other than Pearson carry a higher risk of being either the wrong ISBN or a previously redeemed code. Check with the seller prior to purchase.
You think you're safe. What a joke.
You don't think about the places you pass every day.
The side streets. The alleys.
All you'd have to do is take a step to the side.
Then you'd know.
The streets are filled with shadows.
Detective Carl Mørck of Department Q, Copenhagen's cold cases division, meets his toughest challenge yet when the dark, troubled past of one of his own team members collides with a sinister unsolved murder.
In a Copenhagen park the body of an elderly woman is discovered. The case bears a striking resemblance to another unsolved homicide investigation from over a decade ago, but the connection between the two victims confounds the police. Across town a group of young women are being hunted. The attacks seem random, but could these brutal acts of violence be related? Detective Carl Mørck of Department Q is charged with solving the mystery.
Back at headquarters, Carl and his team are under pressure to deliver results: failure to meet his superiors’ expectations will mean the end of Department Q. Solving the case, however, is not their only concern. After an earlier breakdown, their colleague Rose is still struggling to deal with the reemergence of her past—a past in which a terrible crime may have been committed. It is up to Carl, Assad, and Gordon to uncover the dark and violent truth at the heart of Rose’s childhood before it is too late.
* Covers the essentials of SCADA communication systems and other new developments in this area
* Covers a wide range of specialist networking topics and other topics ideal for practicing engineers and technicians looking to further and develop their knowledge of the subject
* Extremely timely subject as the industry has made a strong movement towards standard protocols in modern SCADA communications systems
This complete sourcebook combines a complete explanation of the physical aspects of the martial art with a full description of the philosophical elements of its training. More than seven hundred photographs illustrate practice routines, black belt forms, sparring strategies, and advanced self-defense techniques. Extensive appendixes include competition rules, weight and belt divisions, governing bodies of national and international organizations, and a glossary of Korean and English terms. Every serious student of Tae Kwon Do will want this manual, the only book of its kind endorsed by the World Tae Kwon Do Federation and the United States Tae Kwon Do Union.
This artfully grouped collection of photographs includes magnificent images by notable photographers Dorothea Lange, Walker Evans and Gordon Parks, among many others. Foulkes organizes this history of Americana into five themes: Intersection; Traffic; High Life and Low Life; The City in the Country; and Citizens to illuminate the changes in habits, landscapes, and aspirations that the march to cities encompassed.
As the rural past holds symbolic sway and the suburb presents demographic force, the urban portion of our history—why and how cities have been a destination for hope—recedes from view. To the City is a thoughtful, engaging reminder.
Critical Acclaim for the First Edition of Cultivating Leadership in Schools!
“Donaldson provides an insightful, powerful, three-stream, school-based leadership model for principals and teachers alike. This is an exceptional resource.”
“Offers many excellent suggestions for bringing together those in the school community who want to work more effectively to enhance and improve their school.”
—American School Board Journal
“I wish I had had Cultivating Leadership in Schools as my partner during my own turbulent days as a school principal!”
—Roland S. Barth, Founder, Harvard Principals' Center
“Offers practical solutions through a leadership model that more closely reflects a school organization.”
—Gayle Moller, Western Carolina University
“Wonderful, wise, and well-said.”
—Deborah Meier, Founder, Central Park East High School, New York City
“Sets a new standard. . . . A must read for school faculties who want to come together to work more effectively for kids.”
—Thomas J. Sergiovanni, Center for Educational Leadership, Trinity University, San Antonio
He weathered brutal temperatures in the wild to document the wolves and provided exceptional insights into wolf behavior. Haber’s writings and photographs reveal an astonishing degree of cooperation between wolf family members as they hunt, raise pups, and play, social behaviors and traditions previously unknown. With the wolves at risk of being destroyed by hunting and trapping, his studies advocated for a balanced approach to wolf management. His fieldwork registered as one of the longest studies in wildlife science and had a lasting impact on wolf policies.
Haber’s field notes, his extensive journals, and stories from friends all come together in Among Wolves to reveal much about both the wolves he studied and the researcher himself. Wolves continue to fascinate and polarize people, and Haber’s work continues to resonate.
This book offers a first comprehensive look at the work of black directors in Hollywood, from pioneers such as Gordon Parks, Melvin Van Peebles, and Ossie Davis to current talents including Spike Lee, John Singleton, Kasi Lemmons, and Carl Franklin. Discussing 67 individuals and over 135 films, Melvin Donalson thoroughly explores how black directors' storytelling skills and film techniques have widened both the thematic focus and visual style of American cinema. Assessing the meanings and messages in their films, he convincingly demonstrates that black directors are balancing Hollywood's demand for box office success with artistic achievement and responsibility to ethnic, cultural, and gender issues.
The essays and interviews in this collection are enhanced by seven years of daily diary entries, which reflect on some of the country's most respected Black composers, recording artists, authors, and cultural icons. These include Ornette Coleman, Bobby McFerrin, Toni Morrison, Amiri Baraka, Gordon Parks, the Marsalis brothers, Spike Lee, Maya Angelou, Patrice Rushen, and many others. Though many of the individuals Banfield lauds are well-known to most readers, he also turns his attention to musicians and artists whose work, while perhaps unheralded by the world at large, are no less deserving of praise and respect for their contributions to the culture. In addition, this volume is filled with candid photographs of many of these fellow artists as they participate in expressive culture, whether on stage, on tour, in clubs, behind the scenes, in rehearsal, or even during meals and teaching class.
This unique book of essays, interviews, diary entries, and Banfield's personal photographs will be of interest to scholars and students, of course, but also to general readers interested in absorbing and appreciating the beauty of Black culture.
Hollywood Black opens in the silent film era, when white actors in blackface often played black characters and D. W. Griffith premiered his shocking, controversial The Birth of a Nation. Sound motion pictures were ushered in by Al Jolson in blackface in The Jazz Singer, but in this new era of filmmaking, black performers like Bill "Bojangles" Robinson, Louise Beavers, Paul Robeson, and Butterfly McQueen began finding a place in Hollywood. More often than not, they were saddled with rigidly stereotyped roles, but still, some gifted performers were able to turn in significant performances. Hollywood Black will spotlight such talents, notably Hattie McDaniel, the first African American to win an Academy Award, for her work in Gone With the Wind (1939).
In the coming decades, more black talents would light up the screen. Dorothy Dandridge became the first African American actress to earn a Best Actress Oscar nomination for Carmen Jones in 1954, and Sidney Poitier would be the first black actor to win a Best Actor Oscar in 1963's Lilies of the Field. Hollywood Black reveals the changes in images that came about with the evolving social and political atmosphere of the country, from the Civil Rights era to the Black Power movement.
Hollywood Black will follow through the Blaxploitation era with movies like Shaft and Super Fly and the arrival of such directors as Gordon Parks and Melvin Van Peebles; to the emergence in the late 1970s and '80s of such stars as Diana Ross, Whoopi Goldberg, Richard Pryor, and Eddie Murphy; and of directors Spike Lee, John Singleton, and the Hughes brothers. The book comes up to the present with filmmakers such as Steve McQueen (Twelve Years A Slave), Gina Prince Bythewood (The Secret Life of Bees), Lee Daniels (Precious), F. Gary Grant (Straight Outta Compton), Nate Parker (who directed his own version of The Birth of a Nation) -- and such megastars as Denzel Washington; Will Smith; Halle Berry; Viola Davis, Angela Bassett, and a glorious gallery of others.
With photographs and stories of stars and filmmakers on set and off, Hollywood Black tells an enthralling, underappreciated history.
Each chapter identifies a particular site as a point of contact for writers and artists—the supermarket for Don DeLillo and Andy Warhol; the dump for William Burroughs and Mierle Laderman Ukeles; the road for Jack Kerouac, Joan Didion, and John Chamberlain; the ruin for Thomas Pynchon and Robert Smithson; and the asylum for Ralph Ellison, Gordon Parks, and Jeff Wall—and shows how this site mediates complex interactions among humans and nonhumans. The result is an interdisciplinary study of American culture that brings together literature, visual art, and social theory to develop a new sociology of literature that emphasizes the sociology in literature.