Gustave Doré (1832–83) was perhaps the most successful illustrator of the nineteenth century. His Doré Bible was a treasured possession in countless homes, and his best-received works continued to appear through the years in edition after edition. His illustrations for Dante's Divine Comedy constitute one of his most highly regarded efforts and were Doré's personal favorites.
The present volume reproduces with excellent clarity all 135 plates that Doré produced for The Inferno, Purgatory, and Paradise. From the depths of hell onto the mountain of purgatory and up to the empyrean realms of paradise, Doré's illustrations depict the passion and grandeur of Dante's masterpiece in such famous scenes as the embarkation of the souls for hell, Paolo and Francesca (four plates), the forest of suicides, Thaïs the harlot, Bertram de Born holding his severed head aloft, Ugolino (four plates), the emergence of Dante and Virgil from hell, the ascent up the mountain, the flight of the eagle, Arachne, the lustful sinners being purged in the seventh circle, the appearance of Beatrice, the planet Mercury, and the first splendors of paradise, Christ on the cross, the stairway of Saturn, the final vision of the Queen of Heaven, and many more.
Each plate is accompanied by appropriate lines from the Henry Wadsworth Longfellow translation of Dante's work.

Nowhere but in the Bible were dramatic textual material and the artistry of Gustave Doré more perfectly matched. The Book of Books seemed to unleash a new power of creation in Doré not apparent in his previous work. In the Creation scenes, the horrifying visions of the Flood, the battle sequences with their monumental crowds, the plates depicting the life of Jesus — many of which have now become the standard iconography — and finally the vision of the New Jerusalem, Doré reached the fullest expressions of his extraordinary talent.
This book collects all 241 plates — long out of print — that Doré executed for the Bible. In these plates, reproduced from outstanding early editions, the artist not only captures the dramatic intensity of the Scriptures, but sustains it longer than any other single artist was able to do. In addition, Doré reimagined all the scenes, so that what he produced was not a mere reworking of what centuries of other artists had already done, but a new and fresh visual interpretation of the Bible.
Each plate is accompanied by the verses from the Authorized (King James) Version of the Bible that the scene depicts, and an Introduction by Millicent Rose covers Doré's life and art in general. This is a sumptuous book that everyone, from those interested in Scripture to lovers of great art, will be proud to possess.

Gustave Doré's Romantic style of illustration, supremely imaginative and richly detailed, was ideally suited to literary subjects. His wood-engraved illustrations for John Milton's monumental epic poem Paradise Lost, recounting mankind's fall from the grace of God through the work of Satan, were among his finest and most dramatic works. This volume presents superb reproductions of all 50 plates drawn by Doré and engraved in his studios for the original edition of Paradise Lost.
Artists and art lovers will find in these pages supreme examples of the illustrator's art. Among the events depicted: the expulsion of Satan from heaven, Adam and Eve in Paradise, the nine-day fall of Lucifer's legions to Hell, the Creation, the temptation of Eve, the Flood, Moses holding up the Ten Commandments, and the fearsome creatures Milton referred to as "Gorgons, and Hydras, and Chimeras dire."
The dreamlike, otherworldly quality Doré often brought to his work seems especially appropriate for Paradise Lost with its lofty spirit and epic events. Indeed, Doré's grand conception seems to realize perfectly Milton's own poetic version. Appropriate quotes from the text of Paradise Lost are printed alongside each illustration. A plot summary of the entire poem is also included.

Gustave Dore's magnificent engravings for The Rime of the Ancient Mariner are among the later works of the great French illustrator. The intensely evocative poem provided Doré with the long-awaited opportunity to convey limitless space on a gigantic scale, and he exploited the poem's fantastic range of atmosphere to the limits of its possibilities. The terrifying space of the open sea, the storms and whirlpools of an unknown ocean, the vast icy caverns of Antarctica, the hot equatorial sea swarming with monsters, all of the amazing visual elements that make Coleridge's masterpiece one of the most exciting and most memorable poems in the English language are unforgettably engraved in Doré's plates.
This edition reproduces all of the plates to perfection, in their original size. The illustrations and the text of the poem appear on facing pages, so that the imaginative kinship of Doré and Coleridge is delightfully evident on every page: the illustrations capture all the moods of the poem in their full intensity, bringing the images evoked by the words into clear visual focus.
Unabridged and slightly rearranged republication of the 1878 American edition. Text slightly amended to conform to the authoritative 1834 edition of the poem.

London in the middle of the 1800s was a subject sketched endlessly by artists, studied by social reformers, and discussed by writers. This comprehensive collection of drawings by Gustave Doré, France's most celebrated graphic artist of the period, presents all 180 drawings from the artist's 1872 classic presentation, London, A Pilgrimage.
A panoramic portrait of that engrossing city, the collection ranges from images of fashionable ladies riding in a sunlit park to ragged wretches in a shadowy side street. Here are remarkably perceptive sketches of workaday London, busy marketplaces, the Christy Minstrels, a waterman's family, thieves gambling, the Devils' Acre in Westminster, flower girls, waifs and strays, a wedding at the Abbey, provincials in search of lodgings, a garden party, prisoners in the Newgate exercise yard (a scene that so greatly impressed Vincent van Gogh that he copied it in a painting), stalls at Covent Garden Opera House, and many other scenes that capture London of bygone era.
Taken from a volume that is widely regarded as the illustrator's greatest single work, the drawings in this collection will delight Doré admirers and anyone fascinated by the many aspects of Victorian London.

One of the greatest book illustrators of all time, nineteenth-century artist Gustave Doré was particularly noted for his brilliantly imaginative scenes of fantasy and the fantastic.
Angels, among his most frequently portrayed characters, were inspired, visually stunning creations. This collection reproduces dozens of these celestial beings, all dramatically illustrated and originally drawn for such great works of literature as the Bible, Coleridge's The Rime of the Ancient Mariner, Michaud's History of the Crusades, Dante's Divine Comedy, and Milton's classic, Paradise Lost.
Imaginative and richly detailed, these remarkable illustrations are ideal for use by graphic artists and craftworkers, but will also be treasured by lovers of fine art.

This collection contains 208 of Dore's finest illustrations for Ariosto's magnificent epic poem, painstakingly reproduced from a beautifully printed 19th century German edition. The illustrations range from brilliant quick sketches to highly finished and shaded studies, many of which convey an incomparable feeling of metaphysical gloom. Against this stark backdrop, a panorama of jousting knights, damsels in distress, heroic deeds, romantic interludes, and mystical events comes to life under Doré's exuberant pen style.

Like his contemporary, the English poet laureate Alfred, Lord Tennyson, Gustave Doré (1832–83) was highly regarded for his mastery of technique. One of the most prolific and successful book illustrators of the late nineteenth century, he provided a wealth of hauntingly beautiful illustrations for the first four parts of Idylls of the King, Tennyson's classic poetic treatment of the Arthurian legends. This volume contains meticulous reproductions of all 36 plates from rare English editions published in 1867–69.
Like many of his other works, Doré's illustrations for the Idylls possess great drama, detail, and power, overlaid with a melancholy, otherworldly mood. His masterly technique is abundantly evident in splendid, idealized scenes illustrating the romantic involvements of four lovely ladies: "the fair Elaine," much enamored of Lancelot; Guinevere, Arthur's perfidious queen; Enid, the wife of Geraint, one of Arthur's knights; and the "wily Vivien," a scheming beauty who attempts to seduce the wizard Merlin.
Accompanied by synopses and appropriate quotations from Tennyson's poem, Doré's illustrations bring these marvelous legends to vivid life.

One of the great book illustrators of all time, Gustave Doré created richly detailed, brilliantly imaginative scenes of legendary worlds filled with fantastic creatures. This collection of more than ninety illustrations dramatically demonstrates the amazing inventiveness of this remarkable nineteenth-century artist.
His fanciful portrayals of sea serpents, fire-breathing dragons, lost souls suffering endless agonies, and scores of other grotesque images were originally drawn for The Bible, Paradise Lost, Don Quixote, The Divine Comedy, and other great works of literature. An excellent reference and an exceptional supply of royalty-free graphics for use by artists and craftspeople, these magnificent illustrations will delight lovers of fine art and anyone fascinated by creatures of myth and fantasy.

At the age of 16, Gustave Doré was the highest-paid illustrator in France. Twenty years later, in 1868, at the peak of his artistic genius, he produced magnificent illustrations for Jean de La Fontaine's witty and high polished Fables ― poems and timeless tales with charming images of country folk and animal life, as well as heroes from Greek mythology and creatures from fables by Aesop. This collection includes all 84 full-page plates plus 39 vignettes from a rare, early edition and includes, among others, scenes from "The Wolf and the Lamb," "The Lion and the Gnat," "The Hare and the Tortoise," and "Ulysses' Companions."