The impact of the Internet and other technological advances are constantly referred to at most junctures of today's Communication research agendas. The area of Political Communication is not immune to this trend. The effects of the Internet and digital media on today's political landscape, with a particular emphasis on enhancing individuals’ civic duties and engagement levels, are theme of concern at many of the most renowned journals in Communication and Political Science disciplines.
First, this book pays attention to the overall impact of the Internet and people's use of digital media and new technologies to analyze civic life at large, reconceptualizing what citizenship is today. Secondly, and more specifically, participants shed light over the intersection of a number of current new agendas of research in regards to some of the most rapidly growing technological advances (i.e., new publics and citizenship), and the emergence of sprouting structures of citizenship. The volume shows the implications that new technological advances carry with respect the possibilities, patterns and mechanisms for citizen communication, citizen deliberation, public sphere and civic engagement.
Digital Health: Scaling Healthcare to the World addresses the emerging trends and enabling technologies contributing to technological advances in healthcare practice in the 21st Century. These areas include generic topics such as mobile health and telemedicine, as well as specific concepts such as social media for health, wearables and quantified-self trends. Also covered are the psychological models leveraged in design of solutions to persuade us to follow some recommended actions, then the design and educational facets of the proposed innovations, as well as ethics, privacy, security, and liability aspects influencing its acceptance. Furthermore, sections on economic aspects of the proposed innovations are included, analyzing the potential business models and entrepreneurship opportunities in the domain.
Villa opens with a historical overview that shows how Chicano communities and culture have grown in response to conflicts over space ever since the United States' annexation of Mexican territory in the 1840s. Then, turning to the work of contemporary members of the Chicano intelligentsia such as Helena Maria Viramontes, Ron Arias, and Lorna Dee Cervantes, Villa demonstrates how their expressive practices re-imagine and re-create the dominant urban space as a community enabling place. In doing so, he illuminates the endless interplay in which cultural texts and practices are shaped by and act upon their social and political contexts.
This long-awaited new edition of Lattimore's Iliad is designed to bring the book into the twenty-first century—while leaving the poem as firmly rooted in ancient Greece as ever. Lattimore's elegant, fluent verses—with their memorably phrased heroic epithets and remarkable fidelity to the Greek—remain unchanged, but classicist Richard Martin has added a wealth of supplementary materials designed to aid new generations of readers. A new introduction sets the poem in the wider context of Greek life, warfare, society, and poetry, while line-by-line notes at the back of the volume offer explanations of unfamiliar terms, information about the Greek gods and heroes, and literary appreciation. A glossary and maps round out the book.
The result is a volume that actively invites readers into Homer's poem, helping them to understand fully the worlds in which he and his heroes lived—and thus enabling them to marvel, as so many have for centuries, at Hektor and Ajax, Paris and Helen, and the devastating rage of Achilleus.
The Odyssey is literature's grandest evocation of every man's journey through life. In the myths and legends that are retold here, renowned translator Robert Fagles has captured the energy and poetry of Homer's original in a bold, contemporary idiom and given us an edition of The Odyssey to read aloud, to savor, and to treasure for its sheer lyrical mastery. This is an edition to delight both the classicist and the general reader, and to captivate a new generation of Homer's students.
From the Hardcover edition.
The hardcover publication of the Odyssey received glowing reviews: The New York Times praised “Mitchell’s fresh, elegant diction and the care he lavishes on meter, [which] brought me closer to the transfigurative experience Keats describes on reading Chapman’s Homer”; Booklist, in a starred review, said that “Mitchell retells the first, still greatest adventure story in Western literature with clarity, sweep, and force”; and John Banville, author of The Sea, called this translation “a masterpiece.”
The Odyssey is the original hero’s journey, an epic voyage into the unknown, and has inspired other creative work for millennia. With its consummately modern hero, full of guile and wit, always prepared to reinvent himself in order to realize his heart’s desire—to return to his home and family after ten years of war—the Odyssey now speaks to us again across 2,600 years.
In words of great poetic power, this translation brings Odysseus and his adventures to life as never before. Stephen Mitchell’s language keeps the diction close to spoken English, yet its rhythms recreate the oceanic surge of the ancient Greek. Full of imagination and light, beauty and humor, this Odyssey carries you along in a fast stream of action and imagery. Just as Mitchell “re-energised the Iliad for a new generation” (The Sunday Telegraph), his Odyssey is the noblest, clearest, and most captivating rendition of one of the defining masterpieces of Western literature.
É, em parte, uma sequência da Ilíada, outro obra creditada ao autor, e é um poema fundamental ao cânone ocidental moderno, e, historicamente, é a segunda - a primeira sendo a própria Ilíada - obra existente da literatura ocidental, tendo sido escrita provavelmente no fim do século VIII a.C., em algum lugar da Jônia, região da costa da Ásia Menor então controlada pelos gregos, e atualmente parte da Turquia.
O poema está centrado principalmente no herói grego Odisseu (ou Ulisses, com o era conhecido na mitologia romana) e sua longa viagem para casa depois da queda de Tróia. Odisseu leva dez anos para chegar à sua terra natal, Ítaca, depois da Guerra de Troia, que também havia durado dez anos.