Winnie-the-Pooh and his friends have enthralled generations of children and have become some of the world’s most beloved characters.
But before their adventures were captured in many millions of books published in nearly fifty languages, they started life in the 1920s as the product of a unique collaboration between author A. A. Milne and illustrator E. H. Shepard. They wove images and text together in a way that was utterly original for the time. It was a process that Shepard relished; he continued to create artwork for new editions until his death in 1976 at the age of ninety-six.
This lovingly designed, full-color volume, which includes a foreword from Shepard’s granddaughter, tells the story behind this remarkable partnership, and traces the evolution of Shepard’s work, from his first tentative sketches to the illustrations we know and love, including the characters’ later incarnations by the artists at Walt Disney Studios.
A stunning and rare collection, filled with some never-before-published sketches and the first illustration of Pooh, The Art of Winnie-the-Pooh is a treasure trove of early art and an exclusive behind-the-scenes peek at the creation of Pooh bear and Hundred Acre Wood—direct from the artist’s estate—that is sure to become a cherished keepsake for devoted fans and readers who grew up with these timeless characters.
Journeying into and unlocking different national and international penal archives, and drawing on diverse analytical approaches, the chapters forge new connections between historical and contemporary issues in crime, prisons, policing and penal cultures, and challenge traditional Western democratic historiographies of crime and punishment and categorisations of offenders, police and ex-offenders.
The individual chapters provide new perspectives on race, gender, class, urban space, surveillance, policing, prisonisation and defiance, and will be essential reading for academics and students engaged in the study of criminal justice, law, police, transportation, slavery, offenders and desistance from crime.
Commentators typically address only pieces of James’s thought or aspects of his vision, often in an attempt to make the task of understanding James seem easier than it is or else to dismiss him as a philosophically unprepared if well-meaning amateur. The isolated nature of these examinations, too often divorced from the original contexts, badly hinders and even distorts their conclusions. Focusing on James’s own ideas rather than his critiques of others, and drawing from a wealth of scholarship that includes the completed editions of his writings and correspondence, Experiencing William James provides an invaluable, comprehensive view of James as he participates in and advances the pragmatic spirit that is at the core of American philosophy. Taking the whole of the man’s thinking into account, this book offers the richest perspective so far on this great but not fully comprehended intellectual.