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Salvage the Bones: A Novel

Winner of the National Book Award

Jesmyn Ward, two-time National Book Award winner and author of Sing, Unburied, Sing, delivers a gritty but tender novel about family and poverty in the days leading up to Hurricane Katrina.

A hurricane is building over the Gulf of Mexico, threatening the coastal town of Bois Sauvage, Mississippi, and Esch's father is growing concerned. A hard drinker, largely absent, he doesn't show concern for much else. Esch and her three brothers are stocking food, but there isn't much to save. Lately, Esch can't keep down what food she gets; she's fourteen and pregnant. Her brother Skeetah is sneaking scraps for his prized pitbull's new litter, dying one by one in the dirt. Meanwhile, brothers Randall and Junior try to stake their claim in a family long on child's play and short on parenting.

As the twelve days that make up the novel's framework yield to their dramatic conclusion, this unforgettable family--motherless children sacrificing for one another as they can, protecting and nurturing where love is scarce--pulls itself up to face another day. A big-hearted novel about familial love and community against all odds, and a wrenching look at the lonesome, brutal, and restrictive realities of rural poverty, Salvage the Bones is muscled with poetry, revelatory, and real.

Men We Reaped: A Memoir

Named one of the Best Books of the Century by New York Magazine

Two-time National Book Award winner Jesmyn Ward (Salvage the Bones, Sing, Unburied, Sing) contends with the deaths of five young men dear to her, and the risk of being a black man in the rural South.

“We saw the lightning and that was the guns; and then we heard the thunder and that was the big guns; and then we heard the rain falling and that was the blood falling; and when we came to get in the crops, it was dead men that we reaped.” -Harriet Tubman

In five years, Jesmyn Ward lost five young men in her life-to drugs, accidents, suicide, and the bad luck that can follow people who live in poverty, particularly black men. Dealing with these losses, one after another, made Jesmyn ask the question: Why? And as she began to write about the experience of living through all the dying, she realized the truth-and it took her breath away. Her brother and her friends all died because of who they were and where they were from, because they lived with a history of racism and economic struggle that fostered drug addiction and the dissolution of family and relationships. Jesmyn says the answer was so obvious she felt stupid for not seeing it. But it nagged at her until she knew she had to write about her community, to write their stories and her own.

Jesmyn grew up in poverty in rural Mississippi. She writes powerfully about the pressures this brings, on the men who can do no right and the women who stand in for family in a society where the men are often absent. She bravely tells her story, revisiting the agonizing losses of her only brother and her friends. As the sole member of her family to leave home and pursue higher education, she writes about this parallel American universe with the objectivity distance provides and the intimacy of utter familiarity. A brutal world rendered beautifully, Jesmyn Ward's memoir will sit comfortably alongside Edwidge Danticat's Brother, I'm Dying, Tobias Wolff's This Boy's Life, and Maya Angelou's I Know Why the Caged Bird Sings.

Sing, Unburied, Sing: A Novel

WINNER of the NATIONAL BOOK AWARD and A NEW YORK TIMES TOP 10 BEST BOOK OF THE YEAR

A finalist for the Kirkus Prize, Andrew Carnegie Medal, Aspen Words Literary Prize, and a New York Times bestseller, this majestic, stirring, and widely praised novel from two-time National Book Award winner Jesmyn Ward, the story of a family on a journey through rural Mississippi, is a “tour de force” (O, the Oprah Magazine) and a timeless work of fiction that is destined to become a classic.

Jesmyn Ward’s historic second National Book Award–winner is “perfectly poised for the moment” (The New York Times), an intimate portrait of three generations of a family and an epic tale of hope and struggle. “Ward’s writing throbs with life, grief, and love… this book is the kind that makes you ache to return to it” (Buzzfeed).

Jojo is thirteen years old and trying to understand what it means to be a man. He doesn’t lack in fathers to study, chief among them his Black grandfather, Pop. But there are other men who complicate his understanding: his absent White father, Michael, who is being released from prison; his absent White grandfather, Big Joseph, who won’t acknowledge his existence; and the memories of his dead uncle, Given, who died as a teenager.

His mother, Leonie, is an inconsistent presence in his and his toddler sister’s lives. She is an imperfect mother in constant conflict with herself and those around her. She is Black and her children’s father is White. She wants to be a better mother but can’t put her children above her own needs, especially her drug use. Simultaneously tormented and comforted by visions of her dead brother, which only come to her when she’s high, Leonie is embattled in ways that reflect the brutal reality of her circumstances.

When the children’s father is released from prison, Leonie packs her kids and a friend into her car and drives north to the heart of Mississippi and Parchman Farm, the State Penitentiary. At Parchman, there is another thirteen-year-old boy, the ghost of a dead inmate who carries all of the ugly history of the South with him in his wandering. He too has something to teach Jojo about fathers and sons, about legacies, about violence, about love.

Rich with Ward’s distinctive, lyrical language, Sing, Unburied, Sing is a majestic and unforgettable family story and “an odyssey through rural Mississippi’s past and present” (The Philadelphia Inquirer).

The Fire This Time: A New Generation Speaks about Race

A surprise New York Times bestseller, these groundbreaking essays and poems about race—collected by National Book Award-winner Jesmyn Ward and written by the most important voices of her generation—are “thoughtful, searing, and at times, hopeful. The Fire This Time is vivid proof that words are important, because of their power to both cleanse and to clarify” (USA TODAY).

In this bestselling, widely lauded collection, Jesmyn Ward gathers our most original thinkers and writers to speak on contemporary racism and race, including Carol Anderson, Jericho Brown, Edwidge Danticat, Kevin Young, Claudia Rankine, and Honoree Jeffers. “An absolutely indispensable anthology” (Booklist, starred review), The Fire This Time shines a light on the darkest corners of our history, wrestles with our current predicament, and imagines a better future.

Envisioned as a response to The Fire Next Time, James Baldwin’s groundbreaking 1963 essay collection, these contemporary writers reflect on the past, present, and future of race in America. We’ve made significant progress in the fifty-odd years since Baldwin’s essays were published, but America is a long and painful distance away from a “post-racial society”—a truth we must confront if we are to continue to work towards change. Baldwin’s “fire next time” is now upon us, and it needs to be talked about; The Fire This Time “seeks to place the shock of our own times into historical context and, most importantly, to move these times forward” (Vogue).

Where the Line Bleeds: A Novel

The first novel from National Book Award winner and author of Sing, Unburied, Sing Jesmyn Ward, a timeless Southern fable of brotherly love and familial conflict—“a lyrical yet clear-eyed portrait of a rural South and an African-American reality that are rarely depicted” (The Boston Globe).

Where the Line Bleeds is Jesmyn Ward’s gorgeous first novel and the first of three novels set in Bois Sauvage—followed by Salvage the Bones and Sing, Unburied, Sing—comprising a loose trilogy about small town sourthern family life. Described as “starkly beautiful” (Publishers Weekly, starred review), “fearless” (Essence), and “emotionally honest” (The Dallas Morning News), it was a finalist for the Hurston/Wright Legacy Award and the Virginia Commonwealth University Cabell First Novelist Award.

Joshua and Christophe are twins, raised by a blind grandmother and a large extended family in rural Bois Sauvage, on Mississippi’s Gulf Coast. They’ve just finished high school and need to find jobs, but after Katrina, it’s not easy. Joshua gets work on the docks, but Christophe’s not so lucky and starts to sell drugs. Christophe’s downward spiral is accelerated first by crack, then by the reappearance of the twins’ parents: Cille, who left for a better job, and Sandman, a dangerous addict. Sandman taunts Christophe, eventually provoking a shocking confrontation that will ultimately damn or save both twins.

Where the Line Bleeds takes place over the course of a single, life-changing summer. It is a delicate and closely observed portrait of fraternal love and strife, of the relentless grind of poverty, of the toll of addiction on a family, and of the bonds that can sustain or torment us. Bois Sauvage, based on Ward’s own hometown, is a character in its own right, as stiflingly hot and as rich with history as it is bereft of opportunity. Ward’s “lushly descriptive prose…and her prodigious talent and fearless portrayal of a world too often overlooked” (Essence) make this novel an essential addition to her incredible body of work.

Syng, levende og døde, syng

Jojo og hans lillesøster Kayla bor hos deres bedsteforældre Mam og Pop ved kysten i Mississippi. De ser til tider deres mor Leonie, som kæmper med sit stofmisbrug. Leonie trøstes og hjemsøges på én gang af forestillinger om sin døde bror, som kun kommer til hende, når hun er påvirket, og hun forsvinder gang på gang ind i rusen, væk fra sine børn. Mam er syg af kræft, og Pop forsøger stille at styre husholdningen og vise Jojo, hvordan man er en mand. Da børnenes hvide far bliver løsladt fra fængslet, pakker Leonie sine børn og en ven sammen og sætter af sted i bil på tværs af staten på en både farefuld og løfterig færd. Syng, levende og døde, syng tager livtag med de uskønne sandheder, der hjemsøger den amerikanske drøm i det 21 århundrede. Ward iscenesætter en klassisk roadmovie i Sydstaterne med sit udsøgte sprog, der bringer mindelser om Toni Morrisson og William Faulkner. Et intimt portræt af en familie og en episk fortælling om håb og modgang, på én gang klassisk og indtrængende aktuel.

De dödas sång

Jojo är tretton år och växer upp i en trasig familj i ett fattigt Mississippi. Mamman Leonie orkar inte med ansvaret för Jojo och hans lillasyster utan flyr in i knarkets dimmor. Pappan är vit och hans familj har aldrig accepterat vare sig den afroamerikanska Leonie eller barnen, så sedan han hamnade i fängelse har de bott på morföräldrarnas lilla bondgård. Men när barnens pappa ska släppas fri väcks hoppet om en bättre framtid till liv. Leonie tar med barnen på en dramatisk bilresa som är nära att sluta i katastrof.Det blir en sorts litterär roadmovie där Jesmyn Ward har inspirerats av såväl William Faulkner och Toni Morrison som Odysséen och Gamla testamentet. På ett intensivt, poetiskt språk skildrar hon en del av dagens USA som präglas av rasism, hopplöshet och såren från historiens orättvisor. Men framför allt är det en oförglömlig och drabbande berättelse om en familj som kämpar för sin överlevnad och binds samman av en kärlek som är starkare än allt annat.

Översättare: Joakim Sundström,
Omslagsformgivare: Sara R. Acedo

Rädda varje spillra

Fjortonåriga Esch Batiste är en iakttagare. I den kvävande hettan vid Mississippis kust ser hon sin alkoholiserade pappa försöka rusta familjens ruckel. Hon ser Randall, sin äldste bror, envist träna basket i hopp om att få ett stipendium så att han kan fly från Bois Sauvage; hon ser Skeetah, sin yngre bror, stjäla mat till sin älskade kamphund, som nyligen blivit mamma till en första kull valpar; hon ser Junior, minstingen, på jakt efter ömhet och uppmärksamhet; hon ser deras mor, som dog i barnsäng men som trots allt vakar över dem. Slutligen ser hon sin egen kropp förändras, en hemlighet som hon inte kan avslöja för någon. Om tio dagar kommer orkanen Katrina att nå deras hem. En våldsam storm som inte liknar någon annan. Hon är alla orkaners moder. Och likt Medea, vars historia Esch läser om och om igen, har hon kommit för att förgöra. På en lyriskt kraftfull prosa skildrar Rädda varje spillra en familj som okuvlig håller samman när katastrofen drabbar den. En oförglömlig roman som på många sätt liknar den uppmärksammade filmen Beasts of the Southern Wild. Den utspelar sig i samma trakter och är lika vacker, brutal och gripande.

Översättare: Moa-Lisa Björk

Singt, ihr Lebenden und ihr Toten, singt

Jojo und seine kleine Schwester Kayla leben bei ihren Großeltern Mam and Pop an der Golfküste von Mississippi. Leonie, ihre Mutter, kümmert sich kaum um sie. Sie nimmt Drogen und arbeitet in einer Bar. Wenn sie high ist, wird Leonie von Visionen ihres toten Bruders heimgesucht, die sie quälen, aber auch trösten. Mam ist unheilbar an Krebs erkrankt, und der stille und verlässliche Pop versucht, den Haushalt aufrecht zu erhalten und Jojo beizubringen, wie man erwachsen wird. Als der weiße Vater von Leonies Kindern aus dem Gefängnis entlassen wird, packt sie ihre Kinder und eine Freundin ins Auto und fährt zur »Parchment Farm«, dem staatlichen Zuchthaus, um ihn abzuholen. Eine Reise voller Gefahr und Hoffnung. Jesmyn Ward erzählt so berührend wie unsentimental von einer schwarzen Familie in einer von Armut und tief verwurzeltem Rassismus geprägten Gesellschaft. Was bedeuten familiäre Bindungen, wo sind ihre Grenzen? Wie bewahrt man Würde, Liebe und Achtung, wenn man sie nicht erfährt? Singt, ihr Lebenden und ihr Toten, singt ist ein großer Roman, getragen von Wards so besonderer melodischer Sprache, ein zärtliches Familienporträt, eine Geschichte von Hoffnungen und Kämpfen, voller Anspielungen auf das Alte Testament und die Odyssee.

Hvad reddes kan

Esch bor med sine tre brødre og sin far i det sydøstlige hjørne af USA ud til Den Mexikanske Golf. De er sorte og fattige og må stå sammen i kampen for et tåleligt liv og det daglige brød. Sex er det eneste, der falder Esch let. Når fyrene tager hende med ned til floden, kan hun for en kort stund forestille sig, at hun er Eurydike eller Medea, de ombejlede kvinder fra den græske mytologi, som hun elsker så højt. Men bagefter vil fyrene ikke se hende i øjnene, og det bliver stadig vanskeligere at lægge sig ned og forestille sig, at hun er en anden eller et helt andet sted. Hun sidder godt og grundigt fast i Bois Sauvage, Mississippi, og en orkan, de har døbt Katrina, har direkte kurs mod dem. Jesmyn Ward fik i 2011 USAÌs mest prestigefyldte skønlitterære pris, 'National Book Award', for denne stramt komponerede og smukt fortalte roman, der i tilgift rummer et meget stærkt og mindeværdigt portræt af en ung kvinde.

Ein Hurrikan braut sich über dem Mississippi-Delta zusammen, aber Esch und ihre drei Brüder, die mit dem Vater in einer zusammengezimmerten Hütte am Rande des Waldes inmitten von Hühnern und alten Autowracks leben, haben noch andere Sorgen. Mit kleinen Diebstählen und viel Liebe versucht Skeetah, die neugeborenen Welpen seiner Pitbull-Hündin China durchzubringen. Randall will Basketballprofi werden, aber zugleich müssen er und Esch sich um Junior, den Jüngsten, kümmern, dem wie allen die Mutter fehlt, die bei seiner Geburt gestorben ist. Da merkt die Fünfzehnjährige, dass sie schwanger ist – von Randalls bestem Freund, der mit einer anderen zusammenlebt. Wem kann man sich anvertrauen, wenn kaum einer für sich selbst sorgen kann? Und doch stehen die Geschwister, wortlos und mit kleinen Gesten, unverbrüchlich füreinander ein. Versuchen, ohne Geld Vorräte anzulegen, mit Treibholz das Haus sturmfest zu machen. Als die zwölf Tage, die den Rahmen für den Roman bilden, zu einem dramatischen Abschluss kommen, sammelt die Familie ihre Kräfte, um einem neuen Tag ins Gesicht zu sehen. Vor dem Sturm ist ein bewegender, großherziger Roman über Familienbande in einer Welt, in der es nur wenig Liebe gibt, über Hilfe und Gemeinschaft unter widrigsten Umständen. Lebensnah und voller Poesie, wirft die unvergessliche Geschichte einer bedrohten Familie angesichts eines Jahrhundertorkans ein Schlaglicht auf die Wirklichkeit eines anderen, bitterarmen Amerika.

Quedan los huesos

Tierna, humana y rebosante de crudeza y esperanza, Jesmyn Ward nos regala esta magnífica novela premiada con el National Book Award 2011. Es temporada de huracanes en el golfo de México. Una gran tormenta se aproxima peligrosamente al pueblo costero de Bois Sauvage, Misisipi. Esch y sus tres hermanos malviven en una casa a la que llaman el Hoyo, en el bosque entre coches abandonados y gallinas, y tienen otras preocupaciones que prepararse para la llegada del primer huracán. Skeetah lucha por conseguir, con pequeños hurtos, que los cachorros de su premiada pitbull, China, sobrevivan para venderlos y llevar dinero a casa. Randall no para de entrenar para su próximo partido de baloncesto, si lo hace bien conseguirá una beca deportiva. Junior, el más pequeño, tan solo quiere que alguien le preste atención. Esch, de quince años y a cargo de la casa desde que su madre murió en el parto de Junior, acaba de descubrir que está embarazada. ¿A quién contárselo? El único adulto del hogar, su padre, se ha refugiado en la bebida. A medida que los doce días en los que transcurre la novela van avanzando en una dramática cuenta atrás hacia su conclusión fatal, que no es otra que la llegada del huracán Katrina, esta familia de niños sin madre saca fuerzas de donde no las hay para afrontar un día más. «La trepidante aventura de una familia que lucha por escapar de la crecida de las aguas. Las páginas pasan con una intensidad sobrecogedora; El relato de Jesmyn Ward es como un sueño: agitado, vívido, profundo como el mar.» The Times

Audiobooks

Sing, Unburied, Sing: A Novel

*WINNER of the NATIONAL BOOK AWARD for FICTION
*A TIME MAGAZINE BEST NOVEL OF THE YEAR and A NEW YORK TIMES TOP 10 OF 2017
*Finalist for the Kirkus Prize
*Finalist for the Andrew Carnegie Medal
*Publishers Weekly Top 10 of 2017

“The heart of Jesmyn Ward’s Sing, Unburied, Sing is story—the yearning for a narrative to help us understand ourselves, the pain of the gaps we’ll never fill, the truths that are failed by words and must be translated through ritual and song...Ward’s writing throbs with life, grief, and love, and this book is the kind that makes you ache to return to it.” —Buzzfeed

In Jesmyn Ward’s first novel since her National Book Award–winning Salvage the Bones, this singular American writer brings the archetypal road novel into rural twenty-first-century America. An intimate portrait of a family and an epic tale of hope and struggle, Sing, Unburied, Sing journeys through Mississippi’s past and present, examining the ugly truths at the heart of the American story and the power—and limitations—of family bonds.

Jojo is thirteen years old and trying to understand what it means to be a man. He doesn’t lack in fathers to study, chief among them his Black grandfather, Pop. But there are other men who complicate his understanding: his absent White father, Michael, who is being released from prison; his absent White grandfather, Big Joseph, who won’t acknowledge his existence; and the memories of his dead uncle, Given, who died as a teenager.

His mother, Leonie, is an inconsistent presence in his and his toddler sister’s lives. She is an imperfect mother in constant conflict with herself and those around her. She is Black and her children’s father is White. She wants to be a better mother but can’t put her children above her own needs, especially her drug use. Simultaneously tormented and comforted by visions of her dead brother, which only come to her when she’s high, Leonie is embattled in ways that reflect the brutal reality of her circumstances.

When the children’s father is released from prison, Leonie packs her kids and a friend into her car and drives north to the heart of Mississippi and Parchman Farm, the State Penitentiary. At Parchman, there is another thirteen-year-old boy, the ghost of a dead inmate who carries all of the ugly history of the South with him in his wandering. He too has something to teach Jojo about fathers and sons, about legacies, about violence, about love.

Rich with Ward’s distinctive, lyrical language, Sing, Unburied, Sing is a majestic new work and an unforgettable family story.

Salvage the Bones

Best-selling author Jesmyn Ward won the National Book Award for this poignant and poetic novel. Unfolding over 12 days, the story follows a poor family living on the Mississippi Gulf Coast. With Hurricane Katrina bearing down on them, the Batistes struggle to maintain their community and familial bonds amid the storm and the stark poverty surrounding them. "Masterful . Salvage the Bones has the aura of a classic about it."-Washington Post

Men We Reaped: A Memoir

"We saw the lightning and that was the guns; and then we heard the thunder and that was the big guns; and then we heard the rain falling and that was the blood falling; and when we came to get in the crops, it was dead men that we reaped." --Harriet Tubman"In five years, Jesmyn Ward lost five young men in her life--to drugs, accidents, suicide, and the bad luck that can follow people who live in poverty, particularly black men. Dealing with these losses, one after another, made Jesmyn ask the question: Why? And as she began to write about the experience of living through all the dying, she realized the truth--and it took her breath away. Her brother and her friends all died because of who they were and where they were from, because they lived with a history of racism and economic struggle that fostered drug addiction and the dissolution of family and relationships. Jesmyn says the answer was so obvious she felt stupid for not seeing it. But it nagged at her until she knew she had to write about her community, to write their stories and her own. Jesmyn grew up in poverty in rural Mississippi. She writes powerfully about the pressures this brings, on the men who can do no right and the women who stand in for family in a society where the men are often absent. She bravely tells her story, revisiting the agonizing losses of her only brother and her friends. As the sole member of her family to leave home and pursue higher education, she writes about this parallel American universe with the objectivity distance provides and the intimacy of utter familiarity. A brutal world rendered beautifully, Jesmyn Ward's memoir will sit comfortably alongside Edwidge Danticat's "Brother, I'm Dying," Tobias Wolff's "This Boy's Life," and Maya Angelou's" I Know Why the Caged Bird Sings." Biographical Note: Jesmyn Ward grew up in DeLisle, Mississippi. She received her MFA from the Univ. of Michigan and has been a Stegner Fellow at Stanford and a Grisham Visiting Writer in Residence at the Univ. of Mississippi. She is currently an assistant professor of creative writing at the Univ. of South Alabama. She is the author of the novels "Where the Line Bleeds" and" Salvage the Bones," for which she won the 2011 National Book Award, and was a finalist for the NYPL Young Lions Literary Award and the Dayton Literary Peace Prize, as well as a nominee for the IMPAC Dublin Literary Award.

The Fire This Time: A New Generation Speaks About Race

National Book Award winner Jesmyn Ward takes James Baldwin's 1963 examination of race in America, The Fire Next Time, as a jumping off point for this groundbreaking collection of essays and poems about race from the most important voices of her generation and our time. In light of recent tragedies and widespread protests across the nation, The Progressive magazine republished one of its most famous pieces: James Baldwin's 1962 "Letter to My Nephew," which was later published in his landmark book, The Fire Next Time. Addressing his fifteen-year-old namesake on the one hundredth anniversary of the Emancipation Proclamation, Baldwin wrote: "You know and I know, that the country is celebrating one hundred years of freedom one hundred years too soon." Award-winning author Jesmyn Ward knows that Baldwin's words ring as true as ever today. In response, she has gathered short essays, memoir, and a few essential poems to engage the question of race in the United States. And she has turned to some of her generation's most original thinkers and writers to give voice to their concerns. The Fire This Time is divided into three parts that shine a light on the darkest corners of our history, wrestle with our current predicament, and envision a better future. Of the eighteen pieces, ten were written specifically for this volume. In the fifty-odd years since Baldwin's essay was published, entire generations have dared everything and made significant progress. But the idea that we are living in the post-Civil Rights era, that we are a "post-racial" society is an inaccurate and harmful reflection of a truth the country must confront. Baldwin's "fire next time" is now upon us, and it needs to be talked about. Contributors include Carol Anderson, Jericho Brown, Garnette Cadogan, Edwidge Danticat, Rachel Kaadzi Ghansah, Mitchell S. Jackson, Honoree Jeffers, Kima Jones, Kiese Laymon, Daniel Jose Older, Emily Raboteau, Claudia Rankine, Clint Smith, Natasha Trethewey, Wendy S. Walters, Isabel Wilkerson, and Kevin Young.

Where the Line Bleeds

A stunning debut novel from Jesmyn Ward, Where the Line Bleeds is a rich tale of twins raised by their grandmother in a stiflingly poor rural community on the Gulf Coast of Mississippi. Upon graduating from high school, growing tensions between brothers Joshua and Christophe test their loyalties-and a violent altercation forever changes their lives.

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