The shocking true story of greed, murder, and a family torn apart.

At thirty-nine, Nancy Kissel had it all: glamour, gusto, garishly flaunted wealth, and the royal lifestyle of the expatriate wife. Not to mention three young children and what a friend described as "the best marriage in the universe." That marriage—to Merrill Lynch and former Goldman Sachs investment banker Robert Kissel—ended abruptly one November night in 2003 in the bedroom of their luxury apartment high above Hong Kong's glittering Victoria Harbour. Why?

Hong Kong prosecutors, who charged Nancy with murder, said she wanted to inherit Rob's millions and start a new life with a blue-collar lover who lived in a New Hampshire trailer park.

She said she'd killed in self-defense while fighting for her life against an abusive, cocaine-addicted husband who had forced her for years to submit to his brutal sexual demands.

Her 2005 trial, lasting for months and rich in lurid detail, captivated Hong Kong's expatriate community and attracted attention worldwide. Less than a year after the jury of seven Chinese citizens returned its unexpected verdict, Rob's brother, Andrew, a Connecticut real estate tycoon facing prison for fraud and embezzlement, was also found dead: stabbed in the back in the basement of his multimillion-dollar Greenwich mansion by person or persons unknown.

Never Enough is the harrowing true story of these two brothers, Robert and Andrew Kissel, who grew up wanting to own the world but instead wound up murdered half a world apart; and of Nancy Kissel, a riddle wrapped inside an enigma, a modern American woman for whom having it all might not have been enough.

In this singularly compelling narrative, Joe McGinniss—past master at exposing the dark heart of the American family in the bestsellers Fatal Vision, Blind Faith, and Cruel Doubt—explores his darkest and most disturbing subject yet: a smart and beautiful family so corroded by greed that it destroys itself from within.

Here is a family saga almost biblical in its tragic proportion but dazzlingly modern in flavor—and utterly unstoppable in its pulsating narrative drive. From the shimmering skyscrapers and greed-drenched bustle of Hong Kong to the moneyed hush and hauteur of backcountry Greenwich, McGinniss lures readers irresistibly forward, as this twisted tale of ambition gone mad and love gone bad rushes to its terrible, inexorable conclusion.
rogue (r¯og), n: An elephant that has separated from a herd and roams about alone,in which state it is very savage.—Webster’s Revised Unabridged Dictionary
 
After three years of research, bestselling journalist Joe McGinniss presents his already controversial and much anticipated investigative chronicle of Sarah Palin as an individual, politician, and cultural phenomenon.
 
In his critically acclaimed book about Alaska, Going to Extremes, the fledgling state itself was Joe McGinniss’s subject. Although he didn’t hesitate to reveal the many flaws and contradictions behind its “last frontier” image, McGinniss fell in love with the land and its people. More than three decades later, he returned to Alaska in search of its most famous resident, Sarah Palin.

On Election Day 2008, McGinniss began his on-the-ground reporting that culminated, famously, in his moving next door to Sarah Palin in spring 2010. THE ROGUE is the eagerly awaited result of his research and writing: a startling study of the illusion and reality of Sarah Palin—and a probing look at the Alaska and the America that produced her. Sometimes funny, sometimes frightening, always provocative and illuminating, THE ROGUE answers the questions “Who is she, really?,” “How did she happen?,” and “Will she ever go away?”

In all of his books, McGinniss has scrutinized the mysterious space between image and reality—how that space is created, negotiated, and/or manipulated. Now, with The Rogue, McGinniss combines his deep appreciation of the place Sarah Palin comes from with his uncanny ability to penetrate the façades of people in public life. The result is an extraordinary double narrative that alternately traces Palin’s curious rise to political prominence and worldwide celebrity status and recounts the author’s day-to-day experiences as he uncovers the messy reality beneath the glossy Palin myth.

Readers will find THE ROGUE at once bitingly insightful, hilarious, and profoundly ominous in what it reveals—not just about the dark underpinnings of a potential presidential nominee but also in regard to the huge numbers of Americans who passionately support her.
"The big horse," in racing vernacular, is the animal that brings fame and fortune to a stable. He's the heavyweight champion, the All-American quarterback, the four-legged Michael Jordan of the barn. Seabiscuit was once Tom Smith's "big horse." A generation ago, Secretariat was Lucien Lauren's. In 2003, Funny Cide was Barclay Tagg's. In sixty years as a trainer, P. G. Johnson had never had one -- until Volponi.

P. G. Johnson was a blue-collar wizard, a hardscrabble tough guy who had come east from Chicago, determined to make his mark on New York. And he did. He became leading trainer at all three New York tracks -- Saratoga, Belmont, and Aqueduct -- as well as at Florida's Tropical Park. And he did it without ever winning a Triple Crown or Breeders' Cup event, or having "the big horse."

"I never knew how to kiss rich people's asses, and I got too old to learn. If no owner was going to give me a big horse, I figured I'd have to find one myself," he said. He did that, in his seventies, buying a mare for $8,000, breeding her to a $20,000 stallion, and in 1998 producing Volponi, the horse that would change his life.

In October 2002, weakened by surgery and radiation treatment for cancer, P. G. watched Volponi -- the longest shot in the field at 43 to 1 -- bring home more than $2 million by winning the Breeders' Cup Classic, the richest race in America.

The following summer at Saratoga, McGinniss -- journalist, investigative reporter, and horse racing obsessive -- began showing up, more Tuesdays with Morrie than Guys and Dolls, at P. G.'s barn in the predawn hours to listen to the inside racing stories and lore P. G. had gathered. McGinniss came to appreciate that Johnson was not only a stellar horseman but an American original whose wit and wisdom carried far beyond the confines of the racetrack.

As for Volponi, the big horse had given P. G. the perfect Disney ending with the Breeders' Cup victory, and, indeed, Disney soon bought film rights to P. G.'s life story. "He'll be even better next year," P. G. had said, but by the time McGinniss got to Saratoga, Volponi had not won a race in nine months. His faith undiminished, P. G. continued to race Volponi against the best, at Saratoga and beyond, until in the end it came down to the 2003 Breeders' Cup Classic in Santa Anita, a race only one horse in history had ever won twice. As fires burned in the Southern California hills, Volponi -- with Funny Cide's jockey, Jose Santos, in the saddle -- ran the last race of his life.

This book is about what happened that day, about what came after, and about much of what had come before. It's the most exciting, rewarding, and heartwarming story about the world of horse racing that you'll ever read, by one of America's finest writers, at the top of his form.
Joe McGinniss Jr., who is “poised to become one of our sharpest observers of life in America at the start of the twenty-first century” (Kirkus Reviews, starred review), returns with one of the most engrossing, unnerving, and exhilarating novels in recent memory: a viscerally absorbing look at the seductive—and destructive—cutting edge of marriage.

Nick and Phoebe Maguire are a young couple who move cross-country to Southern California in search of a fresh start for themselves and their infant son following a trauma. But they arrive at the worst possible economic time, cemented into the dark heart of foreclosure alley and surrounded by neighbors swamped by debt who set fire to their belongings, flee in the dead of night, and eye one another with suspicion while keeping shotguns by their beds. Trapped, broke, and increasingly desperate, Nick and Phoebe each devise their own plan to claw their way back into the middle class and beyond. Hatched under one roof, their two separate, secret agendas will inevitably collide.

“A fearless novel about a family and a society on the brink…Harrowing but, against all odds, ultimately tender” (O, The Oprah Magazine), Carousel Court is an unforgettable vision of contemporary life. It has the ambition of our most serious literary work and the soul of a thriller, managing to be simultaneously sexy, scary, and powerfully moving. Most of all, it offers an unflinching portrait of modern marriage in a nation scarred by vanished jobs, psychotropic cure-alls, infidelity via iPhone, and ruthless choices. “Fast…Foreboding…Joe McGinniss spins an edgy tale, often laced with a reporter’s eye for the little details that make characters pop” (The Washington Post). He leaves you simultaneously gutted and grateful—and curious what your partner is up to on that electronic device across the room.
Joe McGinniss Jr., who is “poised to become one of our sharpest observers of life in America at the start of the twenty-first century” (Kirkus Reviews, starred review), returns with one of the most engrossing, unnerving, and exhilarating novels in recent memory: a viscerally absorbing look at the seductive—and destructive—cutting edge of marriage.

Nick and Phoebe Maguire are a young couple who move cross-country to Southern California in search of a fresh start for themselves and their infant son following a trauma. But they arrive at the worst possible economic time, cemented into the dark heart of foreclosure alley and surrounded by neighbors swamped by debt who set fire to their belongings, flee in the dead of night, and eye one another with suspicion while keeping shotguns by their beds. Trapped, broke, and increasingly desperate, Nick and Phoebe each devise their own plan to claw their way back into the middle class and beyond. Hatched under one roof, their two separate, secret agendas will inevitably collide.

“A fearless novel about a family and a society on the brink…Harrowing but, against all odds, ultimately tender” (O, The Oprah Magazine), Carousel Court is an unforgettable vision of contemporary life. It has the ambition of our most serious literary work and the soul of a thriller, managing to be simultaneously sexy, scary, and powerfully moving. Most of all, it offers an unflinching portrait of modern marriage in a nation scarred by vanished jobs, psychotropic cure-alls, infidelity via iPhone, and ruthless choices. “Fast…Foreboding…Joe McGinniss spins an edgy tale, often laced with a reporter’s eye for the little details that make characters pop” (The Washington Post). He leaves you simultaneously gutted and grateful—and curious what your partner is up to on that electronic device across the room.
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