A “gorgeous novel” of two upper-class Pakistani families and the complicated love that develops between their children, by the author of Home Fire (Los Angeles Times).

Raheen and her best friend, Karim, share an idyllic childhood in upper-class Karachi. Their parents were even once engaged to one another’s partners, until they rematched in what they call “the fiancée swap.” But as adolescence distances the friends, Karim takes refuge in maps while Raheen searches for the secret behind her parents’ exchange. What she uncovers reveals not just a family’s turbulent history, but also a country’s—and now a grown-up Raheen and Karim are caught between strained friendship and fated love.
A love story with a family mystery at its heart, from an author named as one of the Orange Prize’s “21 Writers for the 21st Century,” Kartography transports readers to a world not often seen in fiction: vibrant, dangerous, sensuous Pakistan.
“[Shamsie] has been described as a young Anita Desai, and her third book, about childhood, love, life and high society in Karachi during the turbulent 1990s, is worth all the prepublication fuss.” —Harper’s Bazaar
“[Shamsie] packs her story with the playful evidence of her high-flying intelligence.” —San Francisco Chronicle
“E. M. Forster’s famous plea—‘only connect’—reverberates passionately throughout this forceful tale of childhood, love and the power of story-telling.” —The Independent (UK)
“Deftly woven, provocative . . . Shamsie’s blistering humor and ear for dialogue scorches through [a] whirl of whiskey and witticisms.” —The Observer (UK)
“A shimmering, quick-witted lament and love story . . . Rich in emotional coloratura and wordplay.” —Publishers Weekly, starred review
“Its artful uncovering of how people hide from themselves and one another . . . echoes Arundhati Roy’s The God of Small Things.” —Kirkus Reviews
Writers from Alice Walker to Michael Ondaatje to Claire Messud share their thoughts on one of the most vital gatherings of writers and readers in the world.

The Palestine Festival of Literature was established in 2008 by authors Ahdaf Soueif, Brigid Keenan, Victoria Brittain and Omar Robert Hamilton. Bringing writers to Palestine from all corners of the globe, it aimed to break the cultural siege imposed by the Israeli military occupation, to strengthen artistic links with the rest of the world, and to reaffirm, in the words of Edward Said, "the power of culture over the culture of power."

Celebrating the tenth anniversary of PalFest, This Is Not a Border is a collection of essays, poems, and sketches from some of the world's most distinguished artists, responding to their experiences at this unique festival. Both heartbreaking and hopeful, their gathered work is a testament to the power of literature to promote solidarity and hope in the most desperate of situations.

Contributing authors include J. M. Coetzee, China Miéville, Alice Walker, Geoff Dyer, Claire Messud, Henning Mankell, Michael Ondaatje, Kamila Shamsie, Michael Palin, Deborah Moggach, Mohammed Hanif, Gillian Slovo, Adam Foulds, Susan Abulhawa, Ahdaf Soueif, Jeremy Harding, Brigid Keenan, Rachel Holmes, Suad Amiry, Gary Younge, Jamal Mahjoub, Molly Crabapple, Najwan Darwish, Nathalie Handal, Omar Robert Hamilton, Pankaj Mishra, Raja Shehadeh, Selma Dabbagh, William Sutcliffe, Atef Abu Saif, Yasmin El-Rifae, Sabrina Mahfouz, Alaa Abd El Fattah, Mercedes Kemp, Ru Freeman.

दि. 9 ऑगस्ट 1945, नागासाकी. हिरोको तानाका आपल्या घराच्या ओसरीवर उभी राहून समोरचं निसर्गसौंदर्य न्याहाळण्यात गुंतलेली असते.पाठीवर तीन काळ्या बगळ्यांची नक्षी असलेला किमोनो ल्यायलेली हिरोको 21 वर्षांची आहे आणि लवकरच तिचा प्रियकर कोनरॅड वेईससोबत लग्न करणार आहे. क्षणार्धात सगळं विश्‍व शुभ्र पडद्याखाली झाकलं जातं. पुढच्या क्षणात त्यात अग्नीचा रोष उफाळून येतो घडल्या गोष्टीची कल्पना येऊ लागते. बॉम्बहल्ल्यामध्ये हिरोको तिचं सर्वस्व गमावते- उरतात फक्त तिच्या पाठीवर त्या तीन काळ्या बगळ्यांच्या भाजक्या खुणा...जणू तिला तिच्या जुन्या आयुष्याचं स्मरण करून देत राहण्यासाठी...

August 9th, 1945, Nagasaki. Hiroko Tanaka steps out onto her veranda, taking in the view of the terraced slopes leading up to the sky. Wrapped in a kimono with three black cranes swooping across the back, she is twenty-one , in love with the man she is to marry, Konrad Weiss. In a split second, the world turns white. In the next, it explodes with the sound of fire and the horror of realisation. In the numbing aftermath of a bomb that obliterates everything she has known, all that remains are the bird-shaped burns on her back, an indelible reminder of the world she has lost. In search of new beginnings, she travels to Delhi two years later. There she walks into the lives of Konrad's half-sister, Elizabeth, her husband James Burton, and their employee Sajjad Ashraf, from whom she starts to learn Urdu. As the years unravel, new homes replace those left behind and old wars are seamlessly usurped by new conflicts. But the shadows of history - personal, political - are cast over the entwined worlds of the Burtons, Ashraf’s and the Tanakas as they are transported from Pakistan to New York, and in the novel's astonishing climax, to Afghanistan in the immediate wake of 9/11. The ties that have bound them together over decades and generations are tested to the extreme, with unforeseeable consequences. Sweeping in its scope and mesmerising in its evocation of time and place, Burnt Shadows is an epic narrative of disasters evaded and confronted, loyalties offered and repaid, and loves rewarded and betrayed.

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