“Gemma is real—it’s as simple as that. And through her eyes we see step by step what it means . . . to take possession of one’s own life.” —David Wroblewski, author of The Story of Edgar Sawtelle
Matthew, the oldest, becomes obsessed with tracking down the assailant, secretly searching the local town with the victim’s brother. Zoe wanders the streets of Oxford, looking at men, and one of them, a visiting American graduate student, looks back. Duncan, the youngest, who has seldom thought about being adopted, suddenly decides he wants to find his birth mother. Overshadowing all three is the awareness that something is amiss in their parents’ marriage. Over the course of the autumn, as each of the siblings confronts the complications and contradictions of their approaching adulthood, they find themselves at once drawn together and driven apart.
Written with the deceptive simplicity and power of a fable, The Boy in the Field showcases Margot Livesey’s unmatched ability to “tell her tale masterfully, with intelligence, tenderness, and a shrewd understanding of all our mercurial human impulses” (Lily King, author of Euphoria).
Told through four ingeniously interlocking narratives, Margot Livesey's The House on Fortune Street is a provocative tale of lives shaped equally by chance and choice.
Mercury’s owner, Hilary, is a newcomer to town who has enrolled her daughter in riding lessons. When she brings Mercury to board at Windy Hill, everyone is struck by his beauty and prowess, particularly Viv. As she rides him, Viv begins to dream of competing again, embracing the ambitions that she had harbored, and relinquished, as a young woman. Her daydreams soon morph into consuming desire, and her infatuation with the thoroughbred escalates to obsession.
Donald may have 20/20 vision but he is slow to notice how profoundly Viv has changed and how these changes threaten their quiet, secure world. By the time he does, it is too late to stop the catastrophic collision of Viv’s ambitions and his own myopia.
At once a tense psychological drama and a taut emotional thriller exploring love, obsession, and the deceits that pull a family apart, Mercury is a riveting tour de force that showcases this “searingly intelligent writer at the height of her powers” (Jennifer Egan).
On the morning of Eva McEwen's birth, six magpies congregate in the apple tree outside the window-a bad omen, according to Scottish legend. That night Eva's mother dies, leaving her to be raised by her aunt and heartsick father in the small town of Troon, Scotland.
As a child, Eva is often visited by two companions: a woman and a girl. Invisible to everyone else,
they seem benevolent at first, helping her to tidy her room and collect the hens' eggs. But as she grows older, their intentions become increasingly unclear: Do they wish to protect or harm her? Is their meddling in her best interest or prompted by darker motivations?
In the shadow of World War II, Eva studies nursing in Glasgow, tending to the wounded soldiers. But when she falls in love with a young plastic surgeon, the companions seem to have a very different idea as to her fate, and once again she finds herself unable to resist their pull.
A magical novel about loneliness, love, and the profound connection between mother and daughter, Eva Moves the Furniture fuses the simplicity of a fairy tale with the complexity of adult passions.
Zeke is twenty-nine, a man who looks like a Raphael angel and who earns his living as a painter and carpenter in London. He reads the world a little differently from most people and has trouble with such ordinary activities as lying, deciphering expressions, recognizing faces. Verona is thirty-seven, confident, hot-tempered, a modestly successful radio show host, unmarried, and seven months pregnant. When the two meet in a house that Zeke is renovating, they fall in love, only to be separated less than twenty-four hours later when Verona leaves abruptly, without explanation, for Boston.
Both Zeke and Verona, it turns out, have complications in their lives, though not of a romantic kind. Verona's involve her brother, Henry, who is tied up in shady financial dealings. Zeke's father has had a heart attack and his mother is threatening to run away with her lover, all of which puts pressure on Zeke to take over the family grocery business. And yet he finds himself following Verona to Boston. As he pursues her, and she pursues Henry, both are forced to ask the perplexing question: Can we ever know another person?
Deftly plotted and filled with unexpected twists, Livesey's Banishing Verona marks the arrival of another lyrical and wise novel from a writer whose work "radiates with compassion and intelligence and always, deliciously, mystery" (Alice Sebold).
A compelling historical novel of two families wrestling with questions of honor, class, loyalty, democracy, and independence during the American Revolution, now available in a Harper Perennial Modern Classics Legacy Edition.
In The Linwoods, Catharine Maria Sedgwick illuminates the American character and explores issues of civic virtue and national identity in the early republic, through the lives of two families: the Linwoods, dutiful loyalists, and the Lees, passionate revolutionaries. At the novel’s heart is Isabella Linwood, a bright and independent young woman who will transform from a proud Tory to ardent Rebel, challenging not only British rule but its accepted social, economic, and political institutions, including the aristocracy, slavery, and patriarchal authority.
This Legacy Edition features a lush design and French flaps.
“Read everything that is good for the good of your soul. Then learn to read as a writer, to search out that hidden machinery, which it is the business of art to conceal and the business of the apprentice to comprehend.”
In The Hidden Machinery, critically acclaimed and New York Times bestselling author Margot Livesey offers a masterclass for those who love reading literature and for those who aspire to write it. Through close readings, arguments about craft, and personal essay, Livesey delves into the inner workings of fiction and considers how our stories and novels benefit from paying close attention to both great works of literature and to our own individual experiences. Her essays range in subject matter from navigating the shoals of research to creating characters that walk off the page, from how Flaubert came to write his first novel to how Jane Austen subverted romance in her last one. As much at home on your nightstand as it is in the classroom, The Hidden Machinery will become a book readers and writers return to over and over again.