Airing on CBS for fourteen seasons (1979–93), Knots Landing was a spinoff of the popular drama Dallas, but ultimately ran longer and took a very different tone on domestic, social, and economic issues than its predecssor. In the first full-length scholarly study of Knots Landing, Nick Salvato situates the series in its economic and industrial contexts, addresses its surprisingly progressive relationship to the American politics of its period, offers close formal interpretations of noteworthy episodes, and unpacks the pleasures of the program’s sensuous surfaces. While it has been largely overlooked in studies of 1980s television, Knots Landing nonetheless beat more masculine fare like Hill Street Blues and L.A. Law in the ratings, introduced a novel focus on middle-class lives in melodrama, and launched or revived the careers of its major stars. In this study Salvato investigates the series’ place in widespread serialization of American primetime television in the early 1980s and the end of network dominance in the early 1990s, along with its unique relationship to Reaganism and glamour, on the one hand, and everydayness and suburbanization, on the other. Salvato also looks at the series in relation to key concepts such as memory, theatricality, identification, “quality” TV, and stardom. Fans of the series as well as readers interested in popular culture, television history, representations of gender, and constructions of celebrity will find much to enjoy in this volume. Can a bout of laziness or a digressive spell actually open up paths to creativity and unexpected insights? In Obstruction Nick Salvato suggests that for those engaged in scholarly pursuits laziness, digressiveness, and related experiences can be paradoxically generative. Rather than being dismissed as hindrances, these obstructions are to be embraced, clung to, and reoriented. Analyzing an eclectic range of texts and figures, from the Greek Cynics and Denis Diderot to Dean Martin and the Web series Drunk History, Salvato finds value in five obstructions: embarrassment, laziness, slowness, cynicism, and digressiveness. Whether listening to Tori Amos's music as a way to think about embarrassment, linking the MTV series Daria to using cynicism to negotiate higher education's corporatized climate, or examining the affect of slowness in Kelly Reichardt's films, Salvato expands our conceptions of each obstruction and shows ways to transform them into useful provocations. With a unique, literary, and self-reflexive voice, Salvato demonstrates the importance of these debased obstructions and shows how they may support alternative modes of intellectual activity. In doing so, he impels us to rethink the very meanings of thinking, work, and value.