Assuming the voices of flailing politicians, the dying, their survivors, and the voice of the hurricane itself, Smith follows the woefully inadequate relief effort and stands witness to families held captive on rooftops and in the Superdome. She gives voice to the thirty-four nursing home residents who drowned in St. Bernard Parish and recalls the day after their deaths when George W. Bush accompanied country singer Mark Willis on guitar:
The cowboy grins through the terrible din,
And in the Ninth, a choking woman wails
Look like this country done left us for dead.
An unforgettable reminder that poetry can still be “news that stays news,” Blood Dazzler is a necessary step toward national healing.
Patricia Smith is the author of four previous collections of poetry, including Teahouse of the Almighty, winner of the Hurston/Wright Legacy Award and the Paterson Poetry Prize. A record-setting, national poetry slam champion, she was featured in the film Slamnation, on the HBO series Def Poetry Jam, and is a frequent contributor to Harriet, the Poetry Foundation’s blog. Visit her website at www.wordwoman.ws.
Finalist for 2013 William Carlos Williams Award
"Patricia Smith is writing some of the best poetry in America today. Ms Smith’s new book, Shoulda Been Jimi Savannah, is just beautiful—and like the America she embodies and represents—dangerously beautiful. Shoulda Been Jimi Savannah is a stunning and transcendent work of art, despite, and perhaps because of, its pain. This book shines." —Sapphire
"One of the best poets around and has been for a long time." —Terrance Hayes
"Smith's work is direct, colloquial, inclusive, adventuresome." —Gwendolyn Brooks
In her newest collection, Patricia Smith explores the second wave of the Great Migration. Shifting from spoken word to free verse to traditional forms, she reveals "that soul beneath the vinyl."
Patricia Smith is the author of five volumes of poetry, including Blood Dazzler, a finalist for the 2008 National Book Award, and Teahouse of the Almighty, a National Poetry Series selection. She lives in New Jersey.
“What power. Smith’s poetry is all poetry. And visceral. Her poems get under the skin of their subjects. Their passion and empathy, their real worldliness, are blockbuster.”—Marvin Bell
“I was weeping for the beauty of poetry when I reached the end of the final poem.”—Edward Sanders, National Poetry Series judge
From Lollapalooza to Carnegie Hall, Patricia Smith has taken the stage as this nation’s premier performance poet. Featured in the film Slamnation and on the HBO series Def Poetry Jam, Smith is back with her first book in over a decade—a National Poetry Series winner weaving passionate, bluesy narratives into an empowering, finely tuned cele-bration of poetry’s liberating power.
“The editors, including tireless poetry advocate Kahn, of this unique, new addition to the Gwendolyn Brooks legacy put together a richly diverse set of poets working with the most unusual and fertile new poetic form created in recent years. National Book Award winner Terrance Hayes invented the Golden Shovel, which he illuminates in his stirring foreword, writing, “Because where do poems come from if not other poems?” In a Golden Shovel poem, the last words in each line are taken from a Brooks poem. A veritable who’s who of contemporary poets tried their hands at this encoded homage, including Billy Collins, Mark Doty, Rita Dove, Nikki Giovanni, Joy Harjo, Billy Lombardo, Sharon Olds, Alberto Ríos, Tracy K. Smith, and Timothy Yu. Beautifully introduced by Patricia Smith, this is a beguiling and mind-expanding anthology shaped by formal expertise and deep appreciation for the complexity and resonance of Brooks’ work and profoundly nurturing influence. In all, a substantial and dynamic contribution to American literature.”
—Booklist, May 2017
"Gwendolyn Brooks was the first black writer to receive the Pulitzer Prize for poetry back in 1950. A new book honors her work in using a form called the golden shovel, developed by poet Terrance Hayes. In The Golden Shovel Anthology, poets select a line from a poem of Brooks’s and use it as the closing line or lines in a poem of their own. The result is an expansive and extraordinary assemblage edited by poets Peter Kahn, Ravi Shankar, and Patricia Smith.”
—Nina MacLaughlin, Boston Globe, March 2017
The Golden Shovel Anthology celebrates the life and work of poet and civil rights icon Gwendolyn Brooks through a dynamic new poetic form, the Golden Shovel, created by National Book Award–winner Terrance Hayes.
The last words of each line in a Golden Shovel poem are, in order, words from a line or lines taken from a Brooks poem. The poems are, in a way, secretly encoded to enable both a horizontal reading of the new poem and vertical reading down the right-hand margin of Brooks’s original. An array of writers—including Pulitzer Prize winners, T. S. Eliot Prize winners, National Book Award winners, and National Poet Laureates—have written poems for this exciting new anthology: Rita Dove, Billy Collins, Nikki Giovani, Sharon Olds, Tracy K. Smith, Mark Doty, Sharon Draper, and Julia Glass are just a few of the contributing poets.
The poems found here will inspire a diversity of readers, teachers, and writers of poetry while at the same time providing remarkable access for newcomers, making it ideal for classrooms. The Golden Shovel Anthology will also honor Brooks with publication in 2017, the centenary of her birth.
"Imaginative biography . . . Of particular interest is the authors' ingenious research: they assembled Joshua's story from Margaret and Sam Houston's correspondence and from the family stories of Joshua's descendants."--Booklist
This is the story of the "other" Houston, Joshua, the slave of Margaret Lea until she married Sam Houston and moved to Texas in 1840. Joshua was unique among slaves: he was taught to read and write, and was allowed to keep money he earned. The story is set in a background of historical details about southern social history before, during, and after the Civil War.
Sources include slave autobiographies and biographies; Houston family letters; oral histories of descendants of both Houston families; birth, marriage and death records; land records and deeds; church and school records.
"Joshua Houston's story is absorbing and instructive by itself, but this book is more than the biography of one man . . . It provides nothing less than a detailed account of the emergence of a Black middle class . . . after the Civil War."--Texas Review
Feminism lacks both a constitutional theory as well as a clearly defined theory of political legitimacy within the framework of democracy. The scholars included here take significant and crucial steps toward these theories. In addition to constitutional issues such as federalism, gender discrimination, basic rights, privacy, and abortion, Women and the U.S. Constitution explores other issues of central concern to contemporary women—areas that, strictly speaking, are not yet considered a part of constitutional law. Women's traditional labor and its unique character, and women and the welfare state, are two examples of topics treated here from the perspective of their potentially transformative role in the future development of constitutional law.
Down to the River is a collection of twenty crimes stories that take place on or near American rivers from some of the strongest voices in crime fiction writing today. As these stories show, rivers are not only sources of life; they can also be scenes of murder and revenge.
All twenty stories have been generously donated by the writers to show their support for American Rivers, an organization that truly understands America would not be America were it not for our amazing rivers and waterways. The authors and American Rivers believe that rivers connect all of us as Americans and need to be protected and preserved for future generations.
Edited by Tim O’Mara with an introduction by Hank Phillippi Ryan and stories by Reed Farrel Coleman, Bruce DeSilva, Patricia Smith, and more.
When the Dunniff family arrives in New York City, they are forced to move into the tenements, where Jeremiah soon recognizes that the streets in America are not paved with gold. As he becomes angry and turns to the bottle for comfort, Matilda discovers she is pregnant with another child, whom she later names Rose. Unfortunately, Jeremiah is on a path of self-destruction; after Rose enters sixth grade, he dies from alcoholism. Rose, forced to grow up much sooner than normal, falls in love with the theater and begins acting. As Rose begins her own journey through life, it soon becomes evident that each generation born will turn to the previous one for guidancean act that strengthens the Dunniff family bond forever.
Generations of Love is a compelling tale that follows three generations through love, loss, pain, sorrow, and joy as each family attempts to survive all of lifes challenges.