Assuming the voices of flailing politicians, the dying, their survivors, and the voice of the hurricane itself, Smith follows the woefully inadequate relief effort and stands witness to families held captive on rooftops and in the Superdome. She gives voice to the thirty-four nursing home residents who drowned in St. Bernard Parish and recalls the day after their deaths when George W. Bush accompanied country singer Mark Willis on guitar:
The cowboy grins through the terrible din,
And in the Ninth, a choking woman wails
Look like this country done left us for dead.
An unforgettable reminder that poetry can still be “news that stays news,” Blood Dazzler is a necessary step toward national healing.
Patricia Smith is the author of four previous collections of poetry, including Teahouse of the Almighty, winner of the Hurston/Wright Legacy Award and the Paterson Poetry Prize. A record-setting, national poetry slam champion, she was featured in the film Slamnation, on the HBO series Def Poetry Jam, and is a frequent contributor to Harriet, the Poetry Foundation’s blog. Visit her website at www.wordwoman.ws.
Finalist for 2013 William Carlos Williams Award
"Patricia Smith is writing some of the best poetry in America today. Ms Smith’s new book, Shoulda Been Jimi Savannah, is just beautiful—and like the America she embodies and represents—dangerously beautiful. Shoulda Been Jimi Savannah is a stunning and transcendent work of art, despite, and perhaps because of, its pain. This book shines." —Sapphire
"One of the best poets around and has been for a long time." —Terrance Hayes
"Smith's work is direct, colloquial, inclusive, adventuresome." —Gwendolyn Brooks
In her newest collection, Patricia Smith explores the second wave of the Great Migration. Shifting from spoken word to free verse to traditional forms, she reveals "that soul beneath the vinyl."
Patricia Smith is the author of five volumes of poetry, including Blood Dazzler, a finalist for the 2008 National Book Award, and Teahouse of the Almighty, a National Poetry Series selection. She lives in New Jersey.
A National Poetry Series winner, chosen by Edward Sanders.
“What power. Smith’s poetry is all poetry. And visceral. Her poems get under the skin of their subjects. Their passion and empathy, their real worldliness, are blockbuster.”—Marvin Bell
“I was weeping for the beauty of poetry when I reached the end of the final poem.”—Edward Sanders, National Poetry Series judge
From Lollapalooza to Carnegie Hall, Patricia Smith has taken the stage as this nation’s premier performance poet. Featured in the film Slamnation and on the HBO series Def Poetry Jam, Smith is back with her first book in over a decade—a National Poetry Series winner weaving passionate, bluesy narratives into an empowering, finely tuned cele-bration of poetry’s liberating power.
Winner, 2018 Kingsley Tufts Poetry Award
Winner, 2018 BCALA Best Poetry Award
Finalist, Neustadt International Prize for Literature
Winner, 2017 Los Angeles Times Book Prize
Winner, Abel Meeropol Award for Social Justice
Finalist, 2018 Pulitzer Prize for Poetry
One of the most magnetic and esteemed poets in today’s literary landscape, Patricia Smith fearlessly confronts the tyranny against the black male body and the tenacious grief of mothers in her compelling new collection, Incendiary Art. She writes an exhaustive lament for mothers of the "dark magicians," and revisits the devastating murder of Emmett Till. These dynamic sequences serve as a backdrop for present-day racial calamities and calls for resistance. Smith embraces elaborate and eloquent language— "her gorgeous fallen son a horrid hidden / rot. Her tiny hand starts crushing roses—one by one / by one she wrecks the casket’s spray. It’s how she / mourns—a mother, still, despite the roar of thorns"— as she sharpens her unerring focus on incidents of national mayhem and mourning. Smith envisions, reenvisions, and ultimately reinvents the role of witness with an incendiary fusion of forms, including prose poems, ghazals, sestinas, and sonnets. With poems impossible to turn away from, one of America’s most electrifying writers reveals what is frightening, and what is revelatory, about history.
Brand-new stories by: Bill Loehfelm, S.J. Rozan, Ted Anthony, Todd Craig, Ashley Dawson, Bruce DeSilva, Louisa Ermelino, Binnie Kirshenbaum, Michael Largo, Mike Penncavage, Linda Nieves-Powell, Patricia Smith, Shay Youngblood, and Edward Joyce.
"Staten Island, the last of New York City's five boroughs to enter Akashic's noir series, severs as the setting for this exceptionally strong anthology."
--Publishers Weekly (starred review)
"Smith’s introduction is a revelation. She knows the Island I have in my head. It was like finding a literary sibling, separated since birth."
"It’s not enough for noir to be dark. It’s got to be bad-ass. Its words, its decaying and horrible beauty have got to hit you like a spiked heel dragged from your guts to your gullet. It’s got to twist the hot knife of passion in that soft space right below your belly while pumping bullets into your heart. It’s got to make you bleed. Akashic Books’ latest in their noir series, Staten Island Noir features some dusky and drop-dead gorgeous gems (emphasis on the dead) that do just that."
--Grub Street Daily
"Staten Island is the forgotten borough, lacking a subway system, left out of Jay-Z's songs, known for organized crime, bad accents, fake tans, and garbage--which makes it a rich setting for Akashic's noir series...In a thrilling tilt-a-whirl of crime and drama, editor Patricia Smith has carefully chosen writers concerned with the true nature of the small suburban borough."
--Electric Literature's "The Outlet"
"Each story in this enjoyable collection has its own charms, if the words 'enjoyable' or 'charms' can be used with these dark tales, and each can stand-alone. However, if, like me, you had always looked at Staten Island as banal and benign, by the book's end your ideas will be forever changed."
Patricia Smith, editor of Staten Island Noir, has won the Robert L. Fish Memorial Award for her short story included in the anthology, “When They Are Done with Us.”
When the Dunniff family arrives in New York City, they are forced to move into the tenements, where Jeremiah soon recognizes that the streets in America are not paved with gold. As he becomes angry and turns to the bottle for comfort, Matilda discovers she is pregnant with another child, whom she later names Rose. Unfortunately, Jeremiah is on a path of self-destruction; after Rose enters sixth grade, he dies from alcoholism. Rose, forced to grow up much sooner than normal, falls in love with the theater and begins acting. As Rose begins her own journey through life, it soon becomes evident that each generation born will turn to the previous one for guidancean act that strengthens the Dunniff family bond forever.
Generations of Love is a compelling tale that follows three generations through love, loss, pain, sorrow, and joy as each family attempts to survive all of lifes challenges.