They have no sanction from the Commissioner, appear nowhere in any official publication, and are generally not posted on any clubhouse wall. They represent a set of time-honored customs, rituals, and good manners that show a respect for the game, one's teammates, and one's opponents. Sometimes they contradict the official rulebook. The fans generally only hear about them when one is bent or broken, and it becomes news for a few days.
Now, for the first time ever, Paul Dickson has put these unwritten rules down on paper, covering every situation, whether on the field or in the clubhouse, press box, or stands. Along with entertaining baseball axioms, quotations, and rules of thumb, this essential volume contains the collected wisdom of dozens of players, managers, and reporters on the secret rules that you break at your own risk, such as:
1.7.1. In a Fight, Everyone Must Leave the Bench and the Bullpen Has to Join In
1.13.3. In a Blowout Game, Never Swing as Hard as You Can at a 3-0 Pitch
5.1.0. In Areas That Have Two Baseball Teams, Any Given Fan Can Only Really Root For One of Them
Leo Durocher (1906–1991) was baseball's all-time leading cocky, flamboyant, and galvanizing character, casting a shadow across several eras, from the time of Babe Ruth to the Space Age Astrodome, from Prohibition through the Vietnam War. For more than forty years, he was at the forefront of the game, with a Zelig-like ability to be present as a player or manager for some of the greatest teams and defining baseball moments of the twentieth century. A rugged, combative shortstop and a three-time All-Star, he became a legendary manager, winning three pennants and a World Series in 1954.
Durocher performed on three main stages: New York, Chicago, and Hollywood. He entered from the wings, strode to where the lights were brightest, and then took a poke at anyone who tried to upstage him. On occasion he would share the limelight, but only with Hollywood friends such as actor Danny Kaye, tough-guy and sometime roommate George Raft, Frank Sinatra, and his third wife, movie star Laraine Day.
As he did with Bill Veeck, Dickson explores Durocher's life and times through primary source materials, interviews with those who knew him, and original newspaper files. A superb addition to baseball literature, Leo Durocher offers fascinating and fresh insights into the racial integration of baseball, Durocher's unprecedented suspension from the game, the two clubhouse revolts staged against him in Brooklyn and Chicago, and Durocher's vibrant life off the field.
They are all here—from Aaron (Estella, Hank's mother) to Zoldack ("Sad Sack" Sam), and everyone in between. From the players, sportswriters, and politicians, to noted personalities in other fields (a very diverse group), everyone has his or her say on our nation's pastime. Dickson skillfully selects and annotates each remark, presenting the good, the bad, and the ugly of baseball lore. Included are extended lessons in Stengelese, Reggiespeak, Earl Weaverisms, and famous announcers' home run calls (who can forget Mel Allen's classic "Going, going, gone!"?).
These and thousands of other cheerful, pithy, and memorable voices from the past through the present day are all captured in Baseball's Greatest Quotations.
"Paul Dickson is a national treasure who deserves a wide audience," declared Library Journal. The author of more than 50 books, Dickson has written extensively on language. This expanded edition of War Slang features new material by journalist Ben Lando, Iraq Bureau Chief for Iraq Oil Report and a regular contributor to The Wall Street Journal and Time. It serves language lovers and military historians alike by adding an eloquent new dimension to our understanding of war.
Aviators, fighter pilots, and test pilots coined the phrases "spam in a can" (how astronauts felt prelaunch as they sat in a tiny capsule atop a rocket booster); "tickety-boo" (things are fine), and "the Eagle has landed" (Neil Armstrong’s famous quote when Apollo 11 landed on the Moon).
This dictionary captures a broader foundation for language of the Space Age based on the historic principles employed by the Oxford English Dictionary and Webster’s New Third International Dictionary. Word histories for major terms are detailed in a conversational tone, and technical terms are deciphered for the interested student and lay reader.
This is a must-own reference for space history buffs.
William Shakespeare's written vocabulary consisted of 17,245 words, including hundreds that were coined or popularized by him. Some of the words never went further than their appearance in his plays, but others-like bedazzled, hurry, critical, and anchovy-are essential parts of our standard vocabulary today.
Many other famous and lesser-known writers have contributed to the popular lexicon. According to the Oxford English Dictionary, Sir Walter Scott ranks second to Shakespeare in first uses of words and giving a new and distinct meaning to already existing words (Free Lances for freelancers). John Milton minted such terms as earthshaking, lovelorn, by hook or crook, and all Hell broke loose, and was responsible for introducing some 630 words.
Gifted lexicographer Paul Dickson deftly sorts through neologisms by Chaucer (a ha), Jane Austen (base ball), Louisa May Alcott (co-ed), Mark Twain (hard-boiled), Kurt Vonnegut (granfalloon), John le Carrè (mole), William Gibson (cyberspace), and many others. Presenting stories behind each word and phrase, Dickson enriches our appreciation of the English language in a book as entertaining as it is enlightening.