The book's first part, dealing with the National Socialist campaign of oppression, restores the voices of Jews who were engulfed in an increasingly horrifying reality following the Nazi accession to power. Friedländer also provides the accounts of the persecutors themselves—and, perhaps most telling of all, the testimonies of ordinary German citizens who, in general, stood silent and unmoved by the increasing waves of segregation, humiliation, impoverishment, and violence.
The second part covers the German extermination policies that resulted in the murder of six million European Jews—an official program that depended upon the cooperation of local authorities and police departments, the passivity of the populations, and the willingness of the victims to submit in desperate hope of surviving long enough to escape the German vise.
A monumental, multifaceted study now contained in a single volume, Saul Friedländer's Nazi Germany and the Jews, 1933-1945 is an essential study of a dark and complex history.
Giving considerable emphasis to a wealth of new archival findings, Saul Friedlander restores the voices of Jews who, after the 1933 Nazi accession to power, were engulfed in an increasingly horrifying reality. We hear from the persecutors themselves: the leaders of the Nazi party, the members of the Protestant and Catholic hierarchies, the university elites, and the heads of the business community. Most telling of all, perhaps, are the testimonies of ordinary German citizens, who in the main acquiesced to increasing waves of dismissals, segregation, humiliation, impoverishment, expulsion, and violence.
Franz Kafka was the poet of his own disorder. Throughout his life he struggled with a pervasive sense of shame and guilt that left traces in his daily existenceâ€”in his many letters, in his extensive diaries, and especially in his fiction. This stimulating book investigates some of the sources of Kafkaâ€™s personal anguish and its complex reflections in his imaginary world.
In his query, Saul FriedlÃ¤nder probes major aspects of Kafkaâ€™s life (family, Judaism, love and sex, writing, illness, and despair) that until now have been skewed by posthumous censorship. Contrary to Kafkaâ€™s dying request that all his papers be burned, Max Brod, Kafkaâ€™s closest friend and literary executor, edited and published the authorâ€™s novels and other works soon after his death in 1924. FriedlÃ¤nder shows that, when reinserted in Kafkaâ€™s letters and diaries, deleted segments lift the mask of â€œsainthoodâ€? frequently attached to the writer and thus restore previously hidden aspects of his individuality./div