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Of all the promises Gretchen Montgomery was asked to keep after her friend's death, this one posed a problem. Gretchen was not wild or crazy. She didn't even know any eligible men—except her tenant, Dr. Marco Garibaldi. A look from him made her toes curl. Could she have an affair with him? Well, she had promised....
Marco had made a promise, too. Never marry. A physician's life was too demanding. But as his attraction to Gretchen grew, he couldn't resist her sweet seduction. Their wild, crazy affair had begun. But it was suddenly interrupted when Gretchen announced she was pregnant. And Marco amazed himself when he considered doing something he'd promised never to do—propose!
“The staggering purity of this show will touch all open hearts…In its refined, imaginative simplicity, it daringly reverses all the conventional rules by returning the American musical to an original state of innocence.”—John Heilpern, The New York Observer
“An unexpected jolt of sudden genius, edgy in its brutally honest, unromanticized depiction of human sexuality.”—New York Post
Spring Awakening is an extraordinary new rock musical with book and lyrics by Steven Sater and music by Grammy Award-nominated recording artist Duncan Sheik. Inspired by Frank Wedekind’s controversial 1891 play about teenage sexuality and society’s efforts to control it, the piece seamlessly merges past and present, underscoring the timelessness of adolescent angst and the universality of human passion.
Steven Sater’s plays include the long-running Carbondale Dreams, Perfect for You, Doll (Rosenthal Prize/Cincinnati Playhouse), Umbrage (Steppenwolf New Play Prize), and a reconceived version of Shakespeare’s Tempest, which played in London.
Duncan Sheik is a singer/songwriter who also collaborated with Sater on the musical The Nightingale. He has composed original music for The Gold Rooms of Nero and for The Public Theater’s Twelfth Night in Central Park.
“Mr. Margulies is a skilled practitioner of fluid dialogue that is naturally funny and sensibly smart.” –The New York Times
In his “absorbing intelligent” (Los Angeles Times) and timely new play, Donald Margulies uncovers the layers of a relationship between a photojournalist and foreign correspondent—once addicted to the adrenaline of documenting the atrocities of war, and now grounded in the couple’s Brooklyn loft. Photographer Sarah was seriously injured while covering the war in Iraq; her reporter partner James had left weeks earlier, when the stress and horrors became too much for him. Now James writes online movie reviews while Sarah recovers, mourning for her Iraqi driver (and former lover) killed in the explosion, and itching to get back behind the camera. With this play—coming to Broadway this winter—Margulies revisits themes of being an artist, as characters ask: What does it mean to capture suffering on film, rather than stopping to intervene?
Donald Margulies received the 2000 Pulitzer Prize for Drama for Dinner with Friends, which has been produced throughout the world. Other plays include Sight Unseen (OBIE Award), Brooklyn Boy, and Collected Stories, among many others.
Into the Woods brings well-known fairytale characters to musical life, interwoven with the story of a baker and his wife, whose longing for a child is thwarted by a mischievous witch. Stephen Sondheim's songs, seamlessly melded to James Lapine's text, are perfect expressions of the complications of living in modern society and the difficult choices we encounter on the paths of our lives. Into the Woods premiered on Broadway in 1987, winning three Tony Awards. It has been a beloved favorite on stages throughout the United States and around the world for almost thirty years.
On December 25, 2014, Into the Woods was released as a major motion picture, produced by Walt Disney Pictures. The film, directed by Rob Marshall, stars Meryl Streep, Johnny Depp, Emily Blunt, Anna Kendrick, James Corden, and Chris Pine. This book includes an eight-page insert with color photographs from the film.
Stephen Sondheim wrote the lyrics for West Side Story and Gypsy, and the complete scores (music and lyrics) for A Funny Thing Happened on the Way to the Forum, Into the Woods, Company, A Little Night Music, Follies, Sunday in the Park with George, Assassins, Passion, Pacific Overtures, and Sweeney Todd, among others. He has won seven Tony Awards, eight Grammy Awards, an Academy Award, and the Pulitzer Prize for Drama, and many other honors.
James Lapine wrote the book for and directed the musicals Into the Woods, Passion, and Sunday in the Park with George (all with scores by Stephen Sondheim) and Falsettos, A New Brain, Muscles, and Little Miss Sunshine (all with scores by William Finn). He has written and directed numerous plays, and has received three Tony Awards, five Drama Desk awards, and the Pulitzer Prize.
One of the most infamous scandals in financial history becomes a theatrical epic. At once a case study and an allegory, the play charts the notorious rise and fall of Enron and its founding partners Ken Lay and Jeffrey Skilling, who became 'the most vilified figure from the financial scandal of the century.'
Mixing classical tragedy with savage comedy, Enron follows a group of flawed men and women in a narrative of greed and loss which reviews the tumultuous 1990s and casts a new light on the financial turmoil in which the world finds itself in 2009.
The play is Lucy Prebble's first work for the stage since her debut work The Sugar Syndrome, winner of the George Devine and Critic's Circle Awards for Most Promising New Playwright. Produced by Headlong, Enron premiered at Chichester's Minerva Theatre on 11 July 2009 and opened at the Royal Court Theatre, London, in September, before transferring to London's West End Jan - May 2010 and to Broadway April 2010.
Set in the 1950s on the gritty Brooklyn waterfront, A View from the Bridge follows the cataclysmic downfall of Eddie Carbone, who spends his days as a hardworking longshoreman and his nights at home with his wife, Beatrice, and orphan niece, Catherine. But the routine of his life is interrupted when Beatrice's cousins, illegal immigrants from Italy, arrive in New York. As one of them embarks on a romance with Catherine, Eddie's envy and delusion plays out with devastating consequences. This edition includes a foreword by Philip Seymour Hoffman and an introduction by Arthur Miller.
For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
When an unexpected inheritance sends J.D. Carver to the Star Lake Lodge to claim his half, he's expecting trouble. Being greeted with open arms by the whole Lawrence gang—feisty Aunt Sophie and calm Uncle Ben, clearly off-limits Dru and her young son, Tate—just convinces him they're working an angle, and he's determined to uncover it. But a tiny part of him longs for the home-and-hearth life they have.
A Woman With a Reputation
Dru's finally beaten her bad-girl reputation, and though the Lodge may not be exciting, she's fiercely protective of her quiet home. Hard-eyed J.D.'s ability to push all her buttons just proves how wrong he is for her. So why does her son hero-worship the guy? And why does her heart clench when he gets that "nose pressed against the candy shop window" look on his face?
“[This] breathtakingly inventive addition to Ruhl’s singular body of work . . . has the potential to be a modern masterpiece.”–Los Angeles Times
Sarah Ruhl made her Broadway debut this fall with her latest effervescent comedy: a play about sex, intimacy, and equality, set in the 1880s, when enthusiasm for the electric light bulb gave rise to a handy new instrument to treat female hysteria. The story revolves around the medical office and home of Dr. Givings, who regularly induces “paroxysm” in his once high-strung patient Sabrina, allowing her to happily return to playing piano. Soon, Sabrina falls in love with the doctor’s assistant Annie, and also befriends his wife Catherine, who is dealing with her own neurotic misgivings about not being able to breast-feed her baby. With this new work, Ruhl once again uses playful symbolism and lyrical language as she makes seemingly effortless thematic leaps—crafting a play with tremendous critical and audience appeal, in her singular theatrical voice.
Sarah Ruhl’s plays include Dead Man’s Cell Phone, The Clean House (a Pulitzer Prize finalist), Passion Play, and Eurydice, all of which have been widely produced throughout the United States and internationally. She is a recipient of the MacArthur Fellowship.
The rise of smartphones and tablets has altered the industry of making computers. At the center of this change are Apple and Google, two companies whose philosophies, leaders, and commercial acumen have steamrolled the competition. In the age of Android and the iPad, these corporations are locked in a feud that will play out not just in the mobile marketplace but in the courts and on screens around the world.
Fred Vogelstein has reported on this rivalry for more than a decade and has rare access to its major players. In Dogfight, he takes us into the offices and board rooms where company dogma translates into ruthless business; behind outsize personalities like Steve Jobs, Apple's now-lionized CEO, and Eric Schmidt, Google's executive chairman; and inside the deals, lawsuits, and allegations that mold the way we communicate. Apple and Google are poaching each other's employees. They bid up the price of each other's acquisitions for spite, and they forge alliances with major players like Facebook and Microsoft in pursuit of market dominance.
Dogfight reads like a novel: vivid nonfiction with never-before-heard details. This is more than a story about what devices will replace our cell phones and laptops. It's about who will control the content on those devices and where that content will come from—about the future of media and the Internet in Silicon Valley, New York, and Hollywood.
The tale begins as an investigation into the strange stories of an “Opera ghost,” legendary for scaring performers as they sit alone in their dressing rooms or walk along the building’s labyrinthine corridors. Some even think they’ve seen the ghost in evening clothes moving in the shadows. But it isn’t until the triumphant performance of beautiful soprano Christine Daaé that the Phantom begins his attacks—striking terror in the hearts of everyone in the theater. A story that has captured the imagination for a century, The Phantom of the Opera continues to this day as an unparalleled work of sheer entertainment.
With an Introduction by Dr. John L. Flynn
and an Afterword by J.R. Ward
“Guettel’s music and lyrics take nothing from the razzle-dazzle bargain basement of feeling; they represent, instead, a genuine expense of spirit. . . . The Light in the Piazza doesn’t want to make theatre-goers feel good; it wants to make them feel deeply.”—The New Yorker
“With Adam Guettel’s gorgeous melodies, a compelling narrative hook from Craig Lucas, and moving themes about happiness and risk, there’s no question that The Light in the Piazza is Broadway worthy.”—Daily Variety
Composer Adam Guettel, best known for his Floyd Collins, has teamed with Prelude to a Kiss playwright Craig Lucas to create a passionate and soaring new musical based on Elizabeth Spencer’s 1960 novella, which was first published as an entire issue of The New Yorker. It is the story of an American ingénue abroad, whose chance meeting of a charming young Italian in a Florentine piazza sets off a whirlwind romance—with an unsettling revelation. The Light in the Piazza opens on Broadway at the Lincoln Center Theater this spring after major productions already in Seattle and Chicago.
Adam Guettel wrote music and lyrics for Floyd Collins, produced across the country and in London. His other works include Love’s Fire, a collaboration with John Guare, and Saturn Returns, a concert at The Public Theater/New York Shakespeare Festival that was recorded by Nonesuch Records under the title Myths and Hymns.
Craig Lucas won this year’s Obie Award for Best American Play for Small Tragedy and the New York Film Critics Award for Best Screenplay for The Secret Lives of Dentists. His other plays include Reckless, Blue Window, Prelude to a Kiss, God’s Heart, The Dying Gaul, Missing Persons, Stranger, and Singing Forest.
A dark duologue filled with sharp storytelling and biting repartee, A Steady Rain explores the complexities of a lifelong bond tainted by domestic affairs, violence, and the rough streets of Chicago.
Louisiana, 1963: A nation reeling from the burgeoning Civil Rights Movement and the Kennedy assassination. Caroline, a black maid, and Noah, the son of the Jewish family she works for, struggle to find an identity for their friendship. Through their intimate story, this beautiful new musical portrays the changing rhythms of a nation. Tony Kushner and composer Jeanine Tesori have created a story that addresses contemporary questions of culture, community, race and class through the lens and musical pulse of the 1960s.
Tony Kushner is best known for the two-part masterwork, Angels in America, recently produced by HBO as a six-hour television event, directed by Mike Nichols to universal acclaim. His other plays include Homebody/Kabul, A Bright Room Called Day and Slavs!; as well as adaptations of Corneille’s The Illusion, Ansky’s The Dybbuk, Brecht’s The Good Person of Szechuan and Goethe’s Stella. Current projects include: Henry Box Brown or The Mirror of Slavery and St. Cecilia or The Power of Music. He recently collaborated with Maurice Sendak on an American version of the children’s opera, Brundibar. He grew up in Lake Charles, Louisiana, and he lives in New York.
Jeanine Tesori wrote the score for Thoroughly Modern Millie, which won the 2002 Tony and Drama Desk Awards for Best Musical and the multiple-award-winning Violet.
ÒIlluminates the experience of an entire generation of women. . . . This small gem of a book is worthy of a Tiffany box.Ó Ñ The New York Times Book Review
ÒA memoir every reader will wish to copy in her own size.Ó ÑGlamour
ÒIlene Beckerman's sleek little memoir . . . strikes a startling chord. . . . Unsettling and oddly powerful.Ó ÑPeople
ÒSurprisingly poetic.Ó ÑEntertainment Weekly
Ò[A] poignant biography. . . . This little book will charm anyone with an interest in style.Ó ÑUSA Today
Ilene Beckerman's runaway bestseller articulates something all women know: that our memories are often tied to our favorite clothes. From her Brownie uniform to her Pucci knockoff to her black strapless Rita HayworthÐstyle dress from the Neiman Marcus outlet store, Ilene Beckerman tells us the story of her life.
“The sting, the speed and marksmanship of the gimcracks his characters fire at each other . . . drips the kind of soulful, energized sarcasm that has long characterized [Letts’] work as an actor and playwright.”–Time Out Chicago
Tracy Letts, who won the 2008 Pulitzer Prize for his epic, caustic Oklahoma family drama August: Osage County, has shifted gears with this entertaining comedy set in a donut shop. A love letter to the city where he has lived for more than twenty years, Letts describes his new work as “an exploration of the Chicago storefront experience.” The play takes place in the north side neighborhood of Uptown, where Arthur Przybyszewski runs the donut shop that has been in his family for sixty years. More content to spend the day smoking weed and reminiscing about his Polish immigrant father, Arthur hires a shop assistant, the young African American Franco Wicks, who has both an unpublished novel and unpaid gambling debt. Superior Donuts premiered at Steppenwolf Theatre Company and recently opened on Broadway—following the same path of success as Letts’ previous work.
Tracy Letts is the author of Killer Joe, Bug, Man from Nebraska (nominated for the 2004 Pulitzer Prize), and August: Osage County (awarded the 2008 Pulitzer Prize for Drama). He is a member of Chicago’s Steppenwolf Theatre Company.
Clybourne Park is the winner of the 2011 Pulitzer Prize for Drama, and the winner of the 2012 Tony Award for Best Play.
Between the pages of the Brighter Child(R) Keepsake Stories books are the classic tales of magic, imagination, and inspiration that will delight children again and again. From the hard-working Red Hen to the foolish Gingerbread Man, these stories will capture children's interest and spark their imagination page after page, inspiring a lifelong love of literature and reading. Each book includes 32 pages of fresh, captivating illustrations, and measures 8" x 8".
· How to make money
· How to make more money
· How to choose the right company (one big enough so that nobody knows exactly what anyone else is doing)
· How to cultivate the appearance of extreme busyness through strategic desk management
· How to delegate responsibility (have plenty of assistants!)
First published in 1952, this guide inspired the beloved Pulitzer Prize–winning musical, which returns to Broadway in 2011 in a production that stars Daniel Radcliffe and John Larroquette. Updated with a brilliant new introduction by the king of business satire, Stanley Bing, How to Succeed in Business Without Really Trying is essential reading for the ambitious and the lazy alike.
Noël Coward's Present Laughter premiered in the early years of the Second World War just as such privileged lives were threatened with fundamental social change. This edition of the play is published to coincide with the National Theatre's production running from September 2007. The text features an introduction that considers the directorial decisions and interpretation in the National's production.
"To me the most interesting aspect of the success of Man of La Mancha is the fact that it plows squarely upstream against the prevailing current of philosophy in the theater. That current is best identified by its catch-labels--Theater of the Absurd, Black Comedy, the Theater of Cruelty--which is to say the theater of alienation, of moral anarchy and despair. To the practitioners of those philosophies Man of La Mancha must seem hopelessly naive in its espousal of illusion as man's strongest spiritual need, the most meaningful function of his imagination. But I've no unhappiness about that. "Facts are the enemy of truth," says Cervantes-Don Quixote. And that is precisely what I felt and meant."--Dale Wasserman, from the Preface.
From the Trade Paperback edition.
From the Trade Paperback edition.
For Billy is determined to cross the sea and audition for the Yank. As news of his audacity ripples through his rumour-starved community, The Cripple of Inishmaan becomes a merciless portrayal of a world so comically cramped and mean-spirited that hope is an affront to its order.
With this bleak yet uproariously funny play, Martin McDonagh fulfilled the promise of his award-winning The Beauty Queen of Leenane while confirming his place in a tradition that extends from Synge to O'Casey and Brendan Behan.
Drawing on primary documentary sources, oral history—including interviews with members of the original creative team such as Stephen Sondheim and Arthur Laurents—and early sketch material, Wells explores the creation and dissemination of West Side Story to diverse audiences. After a short history of West Side Story's creation, each chapter investigates the musical from a different cultural perspective, examining its relationship to the classical canon and Leonard Bernstein's investment in that tradition, juvenile delinquency in the 1950s, feminism and the women of West Side Story, Latin-American and Hispanic influences, and its international reception and distribution. Richly illustrated with images and musical examples and complete with factual appendixes like a chronological timeline, discography, and cast and crew list, this fascinating account is exciting for specialists and non-specialists alike.
From the Hardcover edition.