Lene is a beautiful, orphaned young seamstress, and Botho is a handsome, aristocratic cavalry officer. They are in love, yet know they have only a short time together as society deems their relationship impossible and refuses to acknowledge the seriousness of their feelings. But while Botho appears to have a glittering life ahead of him, the love he feels may yet be his undoing. Published in 1887, On Tangled Paths caused a scandal on publication with its portrayal of a sexual affair across the classes, and is a taut, flawless masterpiece.
Theodor Fontane was born in the Prussian province of Brandenburg in 1819. After qualifying as a pharmacist, he made his living as a writer. From 1855 to 1859, he lived in London and worked as a freelance journalist and press agent for the Prussian embassy. While working as a war correspondent during the Franco-Prussian war of 1870-1 he was taken prisoner, but released after two months. His first novel, Before the Storm, was published when he was fifty-eight and was followed by sixteen further novels, of which Effi Briest, No Way Back and On Tangled Paths are all published in Penguin Classics. He died in 1898.
Peter James Bowman completed a PhD on Fontane at Cambridge University, and now works as a writer and translator.
'On Tangled Paths has the flawless logic and beautiful design of the novella at its best' - Paul Binding, The Spectator
'There is an undertow of sadness to this novel, yet to read it is a joy, for its humanity, subtlety and visual immediacy' - Ruth Pavey, The Independent
'Theodor Fontane's first true masterpiece; it has a perfect beginning, a perfect ending, and no superfluous sentence in between' - Henry Garland
When Jacob and Wilhelm Grimm published their Children's and Household Tales in 1812, followed by a second volume in 1815, they had no idea that such stories as "Rapunzel," "Hansel and Gretel," and "Cinderella" would become the most celebrated in the world. Yet few people today are familiar with the majority of tales from the two early volumes, since in the next four decades the Grimms would publish six other editions, each extensively revised in content and style. For the very first time, The Original Folk and Fairy Tales of the Brothers Grimm makes available in English all 156 stories from the 1812 and 1815 editions. These narrative gems, newly translated and brought together in one beautiful book, are accompanied by sumptuous new illustrations from award-winning artist Andrea Dezsö.
From "The Frog King" to "The Golden Key," wondrous worlds unfold—heroes and heroines are rewarded, weaker animals triumph over the strong, and simple bumpkins prove themselves not so simple after all. Esteemed fairy tale scholar Jack Zipes offers accessible translations that retain the spare description and engaging storytelling style of the originals. Indeed, this is what makes the tales from the 1812 and 1815 editions unique—they reflect diverse voices, rooted in oral traditions, that are absent from the Grimms' later, more embellished collections of tales. Zipes's introduction gives important historical context, and the book includes the Grimms' prefaces and notes.
A delight to read, The Original Folk and Fairy Tales of the Brothers Grimm presents these peerless stories to a whole new generation of readers.
First published in 1919 under the pseudonyn Emil Sinclair, Demian follows the life of a troubled German youth as he navigates the duality of a world filled with illusions and spiritual truth. When Sinclair first meets childhood classmate Max Demian, his eyes are opened to the contradictions of his existing Christian knowledge. As Sinclair continues to question his worldview, the two friends are separated and reunited throughout their lives, with each encounter being a vantage for Sinclair to reconcile a world at discord. He ascends on his path to freedom and a realization of self as the friendship evolves in surprising and explosive ways.
Demian is a classic coming-of-age story that continues to inspire generations of readers in its exploration of good and evil, morality, and self-discovery.
This edition features a Foreword by Theodore Ziolkowski that places the book in the full context of Hesse's thought.
The Tin Drum, one of the great novels of the twentieth century, was published in Ralph Manheim's outstanding translation in 1959. It became a runaway bestseller and catapulted its young author to the forefront of world literature.To mark the fiftieth anniversary of the original publication, Houghton Mifflin Harcourt, along with Grass’s publishers all over the world, is bringing out a new translation of this classic novel. Breon Mitchell, acclaimed translator and scholar, has drawn from many sources: from a wealth of detailed scholarship; from a wide range of newly-available reference works; and from the author himself. The result is a translation that is more faithful to Grass’s style and rhythm, restores omissions, and reflects more fully the complexity of the original work. After fifty years, THE TIN DRUM has, if anything, gained in power and relevance. All of Grass’s amazing evocations are still there, and still amazing: Oskar Matzerath, the indomitable drummer; his grandmother, Anna Koljaiczek; his mother, Agnes; Alfred Matzerath and Jan Bronski, his presumptive fathers; Oskar’s midget friends—Bebra, the great circus master and Roswitha Raguna, the famous somnambulist; Sister Scholastica and Sister Agatha, the Right Reverend Father Wiehnke; the Greffs, the Schefflers, Herr Fajngold, all Kashubians, Poles, Germans, and Jews—waiting to be discovered and re-discovered.
Knulp is an amiable vagabond who wanders from town to town, staying with friends who feed and shelter him. Consistently refusing to tie himself down to any trade, place, or person, he even deserts the companion who might be considered Hermann Hesse himself the summer they go tramping together.
Knulp's exile is blissful, gentle, self-absorbed. But hidden beneath the light surface of these "Tales from the Life of Knulp" is the conscience of an artist who suspects that his liberation is worthless, even immoral. As he lies dying in a snowstorm, Knulp has an interview with God in which he reproaches himself for his wasted life. But it is revealed to Knulp that the whole purpose of his life has been to bring "a little homseickness for freedom" into the lives of ordinary men.
Berlin Blues is a richly entertaining evocation of life in the city and a classic of modern-day decadence.
A Child's Heart, written in January 1919, in Basel, concerns the transmutation of a boy's innocence into knowledge of good and evil, and the painful guilt that accompanies this process.
Both Klein and Wagner (written in May-June 1919, immediately after the arrival in Montagnola) and Klingsor's Last Summer (written shortly after) are set in a southern landscape that reflects Hesse's life that summer; both novellas have heroes who are more or less Hesse's age at the time; and in both the hero's death is preceded by a grand vision of unity in which the polarities of life are resoluved. Hesse exposes himself mercilessly in Klein and Wagner, a story of escape, wrenching loose, letting go. But the expressionist painter Klingsor is a more direct self-portrait of the Hesse of 1919.
"Handke's eminence, displayed in a substantial oeuvre of plays, novels and poems, is reaffirmed brilliantly by [Repetition]." - Publishers Weekly