FROM THE #1 NEW YORK TIMES BESTSELLING AUTHOR OF GONE GIRL
Fresh from a brief stay at a psych hospital, reporter Camille Preaker faces a troubling assignment: she must return to her tiny hometown to cover the murders of two preteen girls. For years, Camille has hardly spoken to her neurotic, hypochondriac mother or to the half-sister she barely knows: a beautiful thirteen-year-old with an eerie grip on the town. Now, installed in her old bedroom in her family's Victorian mansion, Camille finds herself identifying with the young victims—a bit too strongly. Dogged by her own demons, she must unravel the psychological puzzle of her own past if she wants to get the story—and survive this homecoming.
Shirer's Berlin Diary, which is considered the first full record of what was happening in Germany during the rise of the Third Reich, first appeared in 1941. The book was an instant success. But how did Shirer get such a valuable firsthand account? He had anonymous sources willing to speak with him, provided their identity remained protected and disguised so as to avoid retaliation from the Gestapo. Shirer recorded his and others' eyewitness views to the horror that Hitler was inflicting on his people in his effort to conquer Europe. Shirer continued his job as a foreign correspondent and radio reporter for CBS until Nazi press censors made it virtually impossible for him to do his job with any real accuracy. He left Europe, taking with him the invaluable, unforgettable (and horrific) contents of his Berlin Diary.
Berlin Diary brings the reader as close as any reporter has ever been to Hitler and the rise of the Third Reich. Shirer's honest, lucid and passionate reporting of the brutality with which Hitler came to power and the immediate reactions of those who witnessed these events is for all time.
An electrifying standalone thriller that breaks all the rules! With an introduction by Stephen King.
Death is reporter Jack McEvoy's beat: his calling, his obsession. But this time, death brings McEvoy the story he never wanted to write--and the mystery he desperately needs to solve. A serial killer of unprecedented savagery and cunning is at large. His targets: homicide cops, each haunted by a murder case he couldn't crack. The killer's calling card: a quotation from the works of Edgar Allan Poe. His latest victim is McEvoy's own brother. And his last...may be McEvoy himself.
Back in his broken hometown, Pulitzer Prize-winning journalist Charlie LeDuff searches the ruins of Detroit for clues to his family’s troubled past. Having led us on the way up, Detroit now seems to be leading us on the way down. Once the richest city in America, Detroit is now the nation’s poorest. Once the vanguard of America’s machine age—mass-production, blue-collar jobs, and automobiles—Detroit is now America’s capital for unemployment, illiteracy, dropouts, and foreclosures. With the steel-eyed reportage that has become his trademark, and the righteous indignation only a native son possesses, LeDuff sets out to uncover what destroyed his city. He beats on the doors of union bosses and homeless squatters, powerful businessmen and struggling homeowners and the ordinary people holding the city together by sheer determination. Detroit: An American Autopsy is an unbelievable story of a hard town in a rough time filled with some of the strangest and strongest people our country has to offer.
Amanda Lindhout wrote about her fifteen month abduction in Somalia in A House in the Sky. It is the New York Times bestselling memoir of a woman whose curiosity led her to the world’s most remote places and then into captivity: “Exquisitely told…A young woman’s harrowing coming-of-age story and an extraordinary narrative of forgiveness and spiritual triumph” (The New York Times Book Review).
As a child, Amanda Lindhout escaped a violent household by paging through issues of National Geographic and imagining herself visiting its exotic locales. At the age of nineteen, working as a cocktail waitress, she began saving her tips so she could travel the globe. Aspiring to understand the world and live a significant life, she backpacked through Latin America, Laos, Bangladesh, and India, and emboldened by each adventure, went on to Sudan, Syria, and Pakistan. In war-ridden Afghanistan and Iraq she carved out a fledgling career as a television reporter. And then, in August 2008, she traveled to Somalia—“the most dangerous place on earth.” On her fourth day, she was abducted by a group of masked men along a dusty road.
Held hostage for 460 days, Amanda survives on memory—every lush detail of the world she experienced in her life before captivity—and on strategy, fortitude, and hope. When she is most desperate, she visits a house in the sky, high above the woman kept in chains, in the dark.
Vivid and suspenseful, as artfully written as the finest novel, A House in the Sky is “a searingly unsentimental account. Ultimately it is compassion—for her naïve younger self, for her kidnappers—that becomes the key to Lindhout’s survival” (O, The Oprah Magazine).
He focuses on Alonzo Winslow, a 16-year-old drug dealer in jail after confessing to a brutal murder. But as he delves into the story, Jack realizes that Winslow's so-called confession is bogus. The kid might actually be innocent.
Jack is soon running with his biggest story since The Poet made his career years ago. He is tracking a killer who operates completely below police radar--and with perfect knowledge of any move against him. Including Jack's. Bonus materials include an in-depth interview with the author about writing "The Scarecrow" along with his exciting travel photos-plus a link to an online promotional video and links within the text to a fictitious website based on the novel and a teaser chapter from his next book, "Nine Dragons."
Harriet Vanger, a scion of one of Sweden's wealthiest families disappeared over forty years ago. All these years later, her aged uncle continues to seek the truth. He hires Mikael Blomkvist, a crusading journalist recently trapped by a libel conviction, to investigate. He is aided by the pierced and tattooed punk prodigy Lisbeth Salander. Together they tap into a vein of unfathomable iniquity and astonishing corruption.
Begun in 1959 by a twenty-two-year-old Hunter S. Thompson, The Rum Diary is a brilliantly tangled love story of jealousy, treachery, and violent alcoholic lust in the Caribbean boomtown that was San Juan, Puerto Rico, in the late 1950s. The narrator, freelance journalist Paul Kemp, irresistibly drawn to a sexy, mysterious woman, is soon thrust into a world where corruption and get-rich-quick schemes rule and anything (including murder) is permissible. Exuberant and mad, youthful and energetic, this dazzling comedic romp provides a fictional excursion as riveting and outrageous as Thompson’s Fear and Loathing books.
In 1887, Nellie Bly accepted an assignment from publisher Joseph Pulitzer of the New York World and went undercover at the lunatic asylum on Blackwell Island, America’s first municipal mental hospital. Calling herself “Nellie Brown,” she was able to convince policemen, a judge, and a series of doctors of her madness with a few well-practiced facial expressions of derangement.
At the institution, Bly discovered the stuff of nightmares. Mentally ill patients were fed rotten, inedible food; violently abused by a brutal, uncaring staff; and misdiagnosed, mistreated, or generally ignored by the doctors and so-called mental health experts entrusted with their care. To her horror, Bly encountered sane patients who had been committed on the barest of pretenses and came to the shocking realization that, while the Blackwell Island asylum was remarkably easy to get into, it was nearly impossible to leave.
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In 1997, young Richard Engel, working freelance for Arab news sources, got a call that a busload of Italian tourists was massacred at a Cairo museum. This is his first view of the carnage these years would pile on. Over two decades he has been under fire, blown out of hotel beds, and taken hostage. He has watched Mubarak and Morsi in Egypt arrested and condemned, reported from Jerusalem, been through the Lebanese war, covered the shooting match in Iraq and the Libyan rebels who toppled Gaddafi, reported from Syria as Al-Qaeda stepped in, and was kidnapped in the Syrian cross currents of fighting. Engel takes the reader into Afghanistan with the Taliban and to Iraq with ISIS. In the page-turning And Then All Hell Broke Loose, he shares his “quick-paced...thrilling adventure story” (Associated Press).
Engel takes chances, though not reckless ones, keeps a level head and a sense of humor, as well as a grasp of history in the making. Reporting as NBC’s Chief-Foreign Correspondent, he reveals his unparalleled access to the major figures, the gritty soldiers, and the helpless victims in the Middle East during this watershed time. His vivid story is “a nerve-racking...and informative portrait of a troubled region” (Kansas City Star) that shows the splintering of the nation states previously cobbled together by the victors of World War I. “Engel’s harrowing adventures make for gripping reading” (The New York Times) and his unforgettable view of the suffering and despair of the local populations offers a succinct and authoritative account of our ever-changing world.
The most devastating political detective story of the century: two Washington Post reporters, whose brilliant, Pulitzer Prize-winning investigation smashed the Watergate scandal wide open, tell the behind-the-scenes drama the way it really happened.
One of Time magazine’s All-Time 100 Best Nonfiction Books, this is the book that changed America. Published just months before President Nixon’s resignation, All the President’s Men revealed the full scope of the scandal and introduced for the first time the mysterious “Deep Throat.” Beginning with the story of a simple burglary at Democratic headquarters and then continuing through headline after headline, Bernstein and Woodward deliver a riveting firsthand account of their reporting. Their explosive reports won a Pulitzer Prize for The Washington Post, toppled the president, and have since inspired generations of reporters.
All the President’s Men is a riveting detective story, capturing the exhilarating rush of the biggest presidential scandal in US history as it unfolded in real time.
Born Elizabeth Jane Cochran, Nellie Bly was one of the first and best female journalists in America and quickly became a national phenomenon in the late 1800s, with a board game based on her adventures and merchandise inspired by the clothes she wore. Bly gained fame for being the first “girl stunt reporter,” writing stories that no one at the time thought a woman could or should write, including an exposé of patient treatment at an insane asylum and a travelogue from her record-breaking race around the world without a chaperone. This volume, the only printed and edited collection of Bly’s writings, includes her best known works—Ten Days in a Mad-House, Six Months in Mexico, and Around the World in Seventy-Two Days—as well as many lesser known pieces that capture the breadth of her career from her fierce opinion pieces to her remarkable World War I reporting. As 2014 marks the 150th anniversary of Bly’s birth, this collection celebrates her work, spirit, and vital place in history.
For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
From the Trade Paperback edition.
Kim Barker is not your typical, impassive foreign correspondent—she is candid, self-deprecating, laugh-out-loud funny. At first an awkward newbie in Afghanistan, she grows into a wisecracking, seasoned reporter with grave concerns about our ability to win hearts and minds in the region. In The Taliban Shuffle, Barker offers an insider’s account of the “forgotten war” in Afghanistan and Pakistan, chronicling the years after America’s initial routing of the Taliban, when we failed to finish the job.
When Barker arrives in Kabul, foreign aid is at a record low, electricity is a pipe dream, and of the few remaining foreign troops, some aren’t allowed out after dark. Meanwhile, in the vacuum left by the U.S. and NATO, the Taliban is regrouping as the Afghan and Pakistani governments flounder. Barker watches Afghan police recruits make a travesty of practice drills and observes the disorienting turnover of diplomatic staff. She is pursued romantically by the former prime minister of Pakistan and sees adrenaline-fueled colleagues disappear into the clutches of the Taliban. And as her love for these hapless countries grows, her hopes for their stability and security fade.
Swift, funny, and wholly original, The Taliban Shuffle unforgettably captures the absurdities and tragedies of life in a war zone.
From the Hardcover edition.
A powerful view of turn-of-the-century poverty, graft, and corruption, this fiercely realistic American classic is still required reading in many history and literature classes. It will continue to haunt readers long after they've finished the last page.
From the Trade Paperback edition.
One of the Best Books of the Year:
New York Times, Washington Post, Los Angeles Times, USA Today, Boston Globe, and Time
An instant classic of war reporting, The Forever War is the definitive account of America's conflict with Islamic fundamentalism and a searing exploration of its human costs. Through the eyes of Filkins, a foreign correspondent for the New York Times, we witness the rise of the Taliban in the 1990s, the aftermath of the attack on New York on September 11th, and the American wars in Afghanistan and Iraq. Filkins is the only American journalist to have reported on all these events, and his experiences are conveyed in a riveting narrative filled with unforgettable characters and astonishing scenes.
Brilliant and fearless, The Forever War is not just about America's wars after 9/11, but about the nature of war itself.
Here, against a backdrop of late-night tattoo sessions and soldier-of-fortune trade shows, Dr. Thompson is at his apocalyptic best—covering emblematic events such as the 1987-88 presidential campaign, with Vice President George Bush, Sr., fighting for his life against Republican competitors like Alexander Haig, Pat Buchanan, and Pat Robertson; detailing the GOP's obsession with drugs and drug abuse; while at the same time capturing momentous social phenomena as they occurred, like the rise of cable, satellite TV, and CNN—24 hours of mainline news. Showcasing his inimitable talent for social and political analysis, Generation of Swine is vintage Thompson—eerily prescient, incisive, and enduring.
Norah Vincent became an instant media sensation with the publication of Self-Made Man, her take on just how hard it is to be a man, even in a man’s world. Following in the tradition of John Howard Griffin (Black Like Me), Vincent spent a year and a half disguised as her male alter ego, Ned, exploring what men are like when women aren’t around. As Ned, she joined a bowling team, took a high-octane sales job, went on dates with women (and men), visited strip clubs, and even managed to infiltrate a monastery and a men’s therapy group. At once thought-provoking and pure fun to read, Self-Made Man is a sympathetic and thrilling tour de force of immersion journalism.
From the Trade Paperback edition.
NATIONAL BOOK AWARD FINALIST • NATIONAL BOOK CRITICS CIRCLE AWARD FINALIST
In this landmark addition to the literature of totalitarianism, award-winning journalist Barbara Demick follows the lives of six North Korean citizens over fifteen years—a chaotic period that saw the death of Kim Il-sung, the rise to power of his son Kim Jong-il (the father of Kim Jong-un), and a devastating famine that killed one-fifth of the population.
Demick brings to life what it means to be living under the most repressive regime today—an Orwellian world that is by choice not connected to the Internet, where displays of affection are punished, informants are rewarded, and an offhand remark can send a person to the gulag for life. She takes us deep inside the country, beyond the reach of government censors, and through meticulous and sensitive reporting we see her subjects fall in love, raise families, nurture ambitions, and struggle for survival. One by one, we witness their profound, life-altering disillusionment with the government and their realization that, rather than providing them with lives of abundance, their country has betrayed them.
Praise for Nothing to Envy
“Provocative . . . offers extensive evidence of the author’s deep knowledge of this country while keeping its sights firmly on individual stories and human details.”—The New York Times
“Deeply moving . . . The personal stories are related with novelistic detail.”—The Wall Street Journal
“A tour de force of meticulous reporting.”—The New York Review of Books
“Excellent . . . humanizes a downtrodden, long-suffering people whose individual lives, hopes and dreams are so little known abroad.”—San Francisco Chronicle
“The narrow boundaries of our knowledge have expanded radically with the publication of Nothing to Envy. . . . Elegantly structured and written, [it] is a groundbreaking work of literary nonfiction.”—John Delury, Slate
“At times a page-turner, at others an intimate study in totalitarian psychology.”—The Philadelphia Inquirer
"Which of us has not had that wonderfully seditious idea: to play hooky for a while from life as we know it?" With these words from his foreword, Pico Iyer puts his finger on the exhilaratingly anarchic appeal of The Year of the Hare.
While out on assignment, a journalist hits a hare with his car. This small incident becomes life-changing: he decides to quit his job, leave his wife, sell his possessions, and spend a year wandering the wilds of Finland-with the bunny as his boon companion.
Brad Stone enjoyed unprecedented access to current and former Amazon employees and Bezos family members, and his book is the first in-depth, fly-on-the-wall account of life at Amazon. The Everything Store is the book that the business world can't stop talking about, the revealing, definitive biography of the company that placed one of the first and largest bets on the Internet and forever changed the way we shop and read.
For twenty-five years Dan Lyons was a magazine writer at the top of his profession--until one Friday morning when he received a phone call: Poof. His job no longer existed. "I think they just want to hire younger people," his boss at Newsweek told him. Fifty years old and with a wife and two young kids, Dan was, in a word, screwed. Then an idea hit. Dan had long reported on Silicon Valley and the tech explosion. Why not join it? HubSpot, a Boston start-up, was flush with $100 million in venture capital. They offered Dan a pile of stock options for the vague role of "marketing fellow." What could go wrong?
HubSpotters were true believers: They were making the world a better place ... by selling email spam. The office vibe was frat house meets cult compound: The party began at four thirty on Friday and lasted well into the night; "shower pods" became hook-up dens; a push-up club met at noon in the lobby, while nearby, in the "content factory," Nerf gun fights raged. Groups went on "walking meetings," and Dan's absentee boss sent cryptic emails about employees who had "graduated" (read: been fired). In the middle of all this was Dan, exactly twice the age of the average HubSpot employee, and literally old enough to be the father of most of his co-workers, sitting at his desk on his bouncy-ball "chair."
A Mighty Heart is the unforgettable story of two journalists who fell in love with their work - and with each other. Together, Mariane and Danny Pearl traveled across the globe, dedicated to journalism that increases the under- standing of international politics and of ethnic and religious conflict. In the end, Danny was caught in the dangerous fissure where warring cultures, politics, and ideologies collide. A Mighty Heart is both a portrait of a partner- ship built on the ideals of love, truth, and justice and a critical look at the methods and structure of the Al Qaeda network.
From the reporter who was there at the very beginning comes the revealing inside story of the partnership between Steve Bannon and Donald Trump—the key to understanding the rise of the alt-right, the fall of Hillary Clinton, and the hidden forces that drove the greatest upset in American political history.
Based on dozens of interviews conducted over six years, Green spins the master narrative of the 2016 campaign from its origins in the far fringes of right-wing politics and reality television to its culmination inside Trump’s penthouse on election night.
The shocking elevation of Bannon to head Trump’s flagging presidential campaign on August 17, 2016, hit political Washington like a thunderclap and seemed to signal the meltdown of the Republican Party. Bannon was a bomb-throwing pugilist who’d never run a campaign and was despised by Democrats and Republicans alike.
Yet Bannon’s hard-edged ethno-nationalism and his elaborate, years-long plot to destroy Hillary Clinton paved the way for Trump’s unlikely victory. Trump became the avatar of a dark but powerful worldview that dominated the airwaves and spoke to voters whom others couldn’t see. Trump’s campaign was the final phase of a populist insurgency that had been building up in America for years, and Bannon, its inscrutable mastermind, believed it was the culmination of a hard-right global uprising that would change the world.
Any study of Trump’s rise to the presidency is unavoidably a study of Bannon. Devil’s Bargain is a tour-de-force telling of the remarkable confluence of circumstances that decided the election, many of them orchestrated by Bannon and his allies, who really did plot a vast, right-wing conspiracy to stop Clinton. To understand Trump's extraordinary rise and Clinton’s fall, you have to weave Trump’s story together with Bannon’s, or else it doesn't make sense.
One of the Best Books of the Year
NPR * USA Today * O, The Oprah Magazine * Esquire
A genius hacker who has always been an outsider. A journalist with a penchant for danger. She is Lisbeth Salander, the girl with the dragon tattoo. He is Mikael Blomkvist, crusading editor of Millennium. One night, Blomkvist receives a call from a source who claims to have been given information vital to the United States by a young female hacker. Blomkvist, always on the lookout for a story, reaches out to Salander for help. She, as usual, has plans of her own. Together they are drawn into a ruthless underworld of spies, cybercriminals, and government operatives—some willing to kill to protect their secrets.
CNN correspondent Brian Stelter reveals the dark side of morning television with exclusive material about current and past morning stars, from Matt Lauer to Katie Couric
When America wakes up with personable and charming hosts like Robin Roberts and George Stephanopoulos, it's hard to imagine their show bookers having to guard a guest's hotel room all night to prevent rival shows from poaching. But that is just a glimpse of the intense reality revealed in this gripping look into the most competitive time slot in television.
Featuring exclusive content about all the major players of the 2000s, TOP OF THE MORNING illuminates what it takes to win the AM -- when every single viewer counts, tons of jobs are on the line, and hundreds of millions of dollars are at stake. Stelter is behind the scenes as Ann Curry replaces Meredith Vieira on the Today show, only to be fired a year later in a fiasco that made national headlines. He's backstage as Good Morning America launches an attack to dethrone Today and end the longest consecutive winning streak in morning television history. And he's there as Roberts is diagnosed with a crippling disease -- on what should be the happiest day of her career.
So grab a cup of coffee, sit back, and discover the dark side of the sun.
PRAISE FOR TOP OF THE MORNING
"Mr. Stelter pulls back the curtains and exposes a savage corporate world that might have been inhabited by the Sopranos." - Washington Times
"A troubling look inside an enterprise as vicious and internecine as a soap opera." - Kirkus Reviews
Ten Days That Shook the World is John Reed’s eyewitness account of the Russian Revolution. A contemporary journalist writing in the first flush of revolutionary enthusiasm, he gives a gripping record of the events in Petrograd in November 1917, when Lenin and the Bolsheviks finally seized power. Containing verbatim reports both of speeches by leaders and the chance comments of bystanders, set against an idealized backcloth of the proletariat, soldiers, sailors, and peasants uniting to throw off oppression, Reed’s account is the product of passionate involvement and remains an unsurpassed classic of reporting.
When Maziar Bahari left London in June 2009 to cover Iran’s presidential election, he assured his pregnant fiancée, Paola, that he’d be back in just a few days, a week at most. Little did he know, as he kissed her good-bye, that he would spend the next three months in Iran’s most notorious prison, enduring brutal interrogation sessions at the hands of a man he knew only by his smell: Rosewater.
For the Bahari family, wars, coups, and revolutions are not distant concepts but intimate realities they have suffered for generations: Maziar’s father was imprisoned by the shah in the 1950s, and his sister by Ayatollah Khomeini in the 1980s. Alone in his cell at Evin Prison, fearing the worst, Maziar draws strength from his memories of the courage of his father and sister in the face of torture, and hears their voices speaking to him across the years. He dreams of being with Paola in London, and imagines all that she and his rambunctious, resilient eighty-four-year-old mother must be doing to campaign for his release. During the worst of his encounters with Rosewater, he silently repeats the names of his loved ones, calling on their strength and love to protect him and praying he will be released in time for the birth of his first child.
A riveting, heart-wrenching memoir, Rosewater offers insight into the past seventy years of regime change in Iran, as well as the future of a country where the democratic impulses of the youth continually clash with a government that becomes more totalitarian with each passing day. An intimate and fascinating account of contemporary Iran, it is also the moving and wonderfully written story of one family’s extraordinary courage in the face of repression.
“I really connected to Maziar’s story. It’s a personal story but one with universal appeal about what it means to be free.”—Jon Stewart
“An important and elegant book . . . a prison memoir enlarged into a family history.”—The New Republic
“Clear and compelling . . . engaging and informative—a gripping tribute to human dedication and a cogent indictment of a corrupt regime.”—Washington Independent Review of Books
“[Rosewater] is not only a fascinating, human exploration into Bahari’s personal experience . . . it also provides insight into the shared experience of those affected by repressive governments everywhere.”—Mother Jones
“A damning account . . . [Rosewater] turns a lens not only on Iran’s surreal justice system but on the history and culture that helped produce it.”—The Washington Post
“[Rosewater] is a unique achievement. It is a story not just of political cruelty (a subject Bahari treats movingly), but also about the two poles of Iranian political culture, bent together in upheaval.”—The Guardian (UK)
“A beautifully written account of life in Iran, filled with insights not only into the power struggles and political machinations but into the personal, emotional lives of the people living in that complicated country. Maziar Bahari is a brave man and a wonderful storyteller.”—Fareed Zakaria
From the Trade Paperback edition.
After Haile Selassie was deposed in 1974, Ryszard Kapuściński—Poland’s top foreign correspondent—went to Ethiopia to piece together a firsthand account of how the emperor governed his country, and why he finally fell from power. At great risk to himself, Kapuściński interviewed members of the imperial circle who had gone into hiding.
The result is this remarkable book, in which Selassie’s servants and closest associates share accounts—humorous, frightening, sad, grotesque—of a man living amidst nearly unimaginable pomp and luxury while his people teetered between hunger and starvation. It is a classic portrait of authoritarianism, and a fascinating story of a forty-four-year reign that ended with a coup d’état in 1974.
journalists" (The New York Times)
Hailed as "a lone voice crying out in a moral wilderness" (New Statesman), Anna Politkovskaya made her name with her fearless reporting on the war in Chechnya. Now she turns her steely gaze on the multiple threats to Russian stability, among them Vladimir Putin himself.
Rich with characters and poignant accounts, Putin's Russia depicts a far-reaching state of decay. Politkovskaya describes an army in which soldiers die from malnutrition, parents must pay bribes to recover their dead sons' bodies, and conscripts are even hired out as slaves. She exposes rampant corruption in business, government, and the judiciary, where everything from store permits to bus routes to court appointments is for sale. And she offers a scathing condemnation of the ongoing war in Chechnya, where kidnappings, extra-judicial killings, rape, and torture are begetting terrorism rather than fighting it. Finally, Politkovskaya denounces both Putin, for stifling civil liberties as he pushes the country back to a Soviet-style dictatorship, and the West, for its unqualified embrace of the Russian leader.
Sounding an urgent alarm, Putin's Russia is a gripping portrayal of a country in crisis and the testament of a great and intrepid reporter.
Bradlee took the helm of The Washington Post in 1965. He and his reporters transformed it into one of the most influential and respected news publications in the world, reinvented modern investigative journalism, and redefined the way news is reported, published, and read. Under his direction, the paper won eighteen Pulitzer Prizes. His leadership and investigative drive following the break-in at the Democratic National Committee led to the downfall of a president, and kept every president afterward on his toes. Bradlee, backed every step of the way by the Graham family, challenged the federal government over the right to publish the Pentagon Papers—and won. His ingenuity, and the spirited reporting of Sally Quinn, now his wife, led to the creation of the Style Section, a revolutionary newspaper feature in its time, now copied by just about every paper in the country.
This haunting, harrowing, gloriously moving recollection of a life on the American margin is the story of Rick Bragg, who grew up dirt-poor in northeastern Alabama, seemingly destined for either the cotton mills or the penitentiary, and instead became a Pulitzer Prize-winning reporter for The New York Times. It is the story of Bragg's father, a hard-drinking man with a murderous temper and the habit of running out on the people who needed him most.
But at the center of this soaring memoir is Bragg's mother, who went eighteen years without a new dress so that her sons could have school clothes and picked other people's cotton so that her children wouldn't have to live on welfare alone. Evoking these lives--and the country that shaped and nourished them--with artistry, honesty, and compassion, Rick Bragg brings home the love and suffering that lie at the heart of every family. The result is unforgettable.
From the Trade Paperback edition.
Tell Them I Didn't Cry is Jackie's vivid and intensely personal story of being a journalist in Iraq -- where for nine months she covered the war from its center in Baghdad, Fallujah, Kurdistan, and Abu Ghraib -- and of being transformed, eventually, from a rookie correspondent into a seasoned foreign reporter.
As she grew accustomed to the realities of living and reporting in Iraq, Jackie found that there was as much to love as there was to fear. The frenetic and grueling pace was an exhilarating challenge, and she discovered a powerful sense of purpose in delivering the story of Iraq. Soon, the Iraqi translators, drivers, and bodyguards that the Post staff relied on to be their eyes and ears, and, more important, to keep them safe, became not only her colleagues, but also her close friends and tightly knit family. Still, security rapidly deteriorated and Jackie describes with chilling simplicity narrowly surviving a kidnapping attempt and writing her name and blood type on her flak jacket before covering the battle in Fallujah.
By turns lighthearted, grave, vulnerable, and fiery, Jackie recounts the difficulties of being a woman in a country where women are marginalized and a journalist where the press are no longer safe. She eloquently chronicles what occurred behind her headlines as she struggled to preserve her sanity, and sometimes her life, while also doing the one job in which she had found true meaning.
Jackie's account is punctuated by brief vignettes written by her identical twin sister, Jenny, who watched as Jackie was drawn further and further into a world increasingly fraught with danger. Every morning she looked for Jackie's byline in the Post, knowing only then that her sister had survived another day.
Through it all -- the violence and fear as well as the moments of humor, camaraderie, and warmth -- Jackie Spinner brings home with brilliant intensity and candor what it is like to report on a war under exceptional circumstances.
The New New Journalists are first and foremost brilliant reporters who immerse themselves completely in their subjects. Jon Krakauer accompanies a mountaineering expedition to Everest. Ted Conover works for nearly a year as a prison guard. Susan Orlean follows orchid fanciers to reveal an obsessive subculture few knew existed. Adrian Nicole LeBlanc spends nearly a decade reporting on a family in the South Bronx. And like their muckraking early twentieth-century precursors, they are drawn to the most pressing issues of the day: Alex Kotlowitz, Leon Dash, and William Finnegan to race and class; Ron Rosenbaum to the problem of evil; Michael Lewis to boom-and-bust economies; Richard Ben Cramer to the nitty gritty of politics. How do they do it? In these interviews, they reveal the techniques and inspirations behind their acclaimed works, from their felt-tip pens, tape recorders, long car rides, and assumed identities; to their intimate understanding of the way a truly great story unfolds.
Richard Ben Cramer
Adrian Nicole LeBlanc
Since 9/11, the United States has fought an endless war on terror, seeking enemies everywhere and never promising peace. In Pay Any Price, Pulitzer Prize winner James Risen reveals an extraordinary litany of the hidden costs of that war: billions of dollars that went missing from Iraq only to turn up in a bunker in Lebanon; whistleblowers abused, including a staffer on the House Intelligence Committee persecuted by the FBI for expressing her concerns about the NSA spying on US citizens; and an entire professional organization, the American Psychological Association, forced to investigate its own involvement with the government’s use of torture.
In the name of fighting terrorism, our government has perpetrated acts that rival the shameful historic wartime abuses of generations past, and it has worked very hard to cover them up. This “important and powerful book” brings them into the light (The New York Times Book Review).
“A wide-ranging look at consequences of the so-called war on terror [that] includes stories of shocking thievery during the U.S. occupation of Iraq.” —U.S. News & World Report
“A memorable chronicle of the long-range consequences of the panicky reaction of top American officials to the Sept. 11 attacks . . . Mr. Risen certainly makes the case in this book that America has lost much in its lashing out against terrorism, and that Congress and the people need to wake up and ask more questions about the political, financial, moral and cultural costs of that campaign.” —Thomas E. Ricks, The New York Times
“At times frightening, Risen’s book is a strong reminder of the importance of a free press keeping a powerful government in check.” —The Daily Beast
From the Pulitzer Prize-winning, best-selling author and preeminent investigative journalist of our time—a heartfelt, hugely revealing memoir of a decades-long career breaking some of the most impactful stories of the last half-century, from Washington to Vietnam to the Middle East.
Seymour Hersh's fearless reporting has earned him fame, front-page bylines in virtually every major newspaper in the free world, honors galore, and no small amount of controversy. Now in this memoir he describes what drove him and how he worked as an independent outsider, even at the nation's most prestigious publications. He tells the stories behind the stories—riveting in their own right—as he chases leads, cultivates sources, and grapples with the weight of what he uncovers, daring to challenge official narratives handed down from the powers that be. In telling these stories, Hersh divulges previously unreported information about some of his biggest scoops, including the My Lai massacre and the horrors at Abu Ghraib. There are also illuminating recollections of some of the giants of American politics and journalism: Ben Bradlee, A. M. Rosenthal, David Remnick, and Henry Kissinger among them. This is essential reading on the power of the printed word at a time when good journalism is under fire as never before.
Her parents had left Lebanon before war broke out in 1975 and watched as their beloved Beirut, the city they called the Paris of the Middle East, was violated by warring militias and torn apart by civil war. Her father took the family back to Lebanon in 1987 to live for three years, where they struggled with what it meant to be Christians in a Lebanon that was being overtaken by political and religious violence, before returning to Australia. And now their daughter, an Arabic-speaking Australian of Catholic Lebanese descent, was about to be plunged back into the thick of Middle Eastern politics. Wouldn't you be worried?
But Jamie was unafraid, or perhaps just stunningly naive. Plunging into the vibrant life, culture and politics of the region, this memoir of her time in the Middle East is a vivid and highly readable snapshot of a life lived at the epicentre of the Arab-Israeli conflict. From the great optimism of the Camp David summit in 2000, the start of the intifada in 2001 and all that came after, Jamie was in the thick of it - Nablus, Ramallah, Hebron, suicide bombers, hard-line Jewish settlers, Palestinians living under curfew, seeing in the new millennium after Christmas in Bethlehem - all the while redefining her sense of what it means to be Australian, her morality, her heritage and her religion. This is an entertaining, unique and highly illuminating memoir.
Winner of the Pulitzer Prize for Biography
In this bestselling and widely acclaimed memoir, Katharine Graham, the woman who piloted the Washington Post through the scandals of the Pentagon Papers and Watergate, tells her story—one that is extraordinary both for the events it encompasses and for the courage, candor, and dignity of its telling.
Here is the awkward child who grew up amid material wealth and emotional isolation; the young bride who watched her brilliant, charismatic husband—a confidant to John F. Kennedy and Lyndon Johnson—plunge into the mental illness that would culminate in his suicide. And here is the widow who shook off her grief and insecurity to take on a president and a pressman’s union as she entered the profane boys’ club of the newspaper business.
As timely now as ever, Personal History is an exemplary record of our history and of the woman who played such a shaping role within them, discovering her own strength and sense of self as she confronted—and mastered—the personal and professional crises of her fascinating life.
Brazen, incisive, and outrageous as ever, this second volume of Thompson’s private correspondence is the highly anticipated follow-up to The Proud Highway. When that first book of letters appeared in 1997, Time pronounced it "deliriously entertaining"; Rolling Stone called it "brilliant beyond description"; and The New York Times celebrated its "wicked humor and bracing political conviction."
Spanning the years between 1968 and 1976, these never-before-published letters show Thompson building his legend: running for sheriff in Aspen, Colorado; creating the seminal road book Fear and Loathing in Las Vegas; twisting political reporting to new heights for Rolling Stone; and making sense of it all in the landmark Fear and Loathing on the Campaign Trail '72. To read Thompson's dispatches from these years—addressed to the author's friends, enemies, editors, and creditors, and such notables as Jimmy Carter, Tom Wolfe, and Kurt Vonnegut—is to read a raw, revolutionary eyewitness account of one of the most exciting and pivotal eras in American history.
Peer reveals stories from his youth as well as gut-wrenching accounts of the many Kashmiris he met years later, as a reporter. He chronicles a young man’s initiation into a Pakistani training camp; a mother who watches as her son is forced to hold an exploding bomb; a poet who finds religion when his entire family is killed. He writes about politicians living in refurbished torture chambers, idyllic villages rigged with landmines, and ancient Sufi shrines decimated in bomb blasts..
Curfewed Night is a tale of a man’s love for his land, the pain of leaving home, and the joy of return—as well as a fiercely brave piece of literary reporting..
Piers Morgan was made editor of the News of the World, the UK's biggest-selling Sunday newspaper at the record-breaking age of 28. The decade that followed was one of the most tumultuous in modern times. In a world of indiscreet dinners, private meetings and gossipy lunches, Piers Morgan found himself in the thick of it. His diaries from this remarkable period reveal astonishing and hilarious encounters with an endless list of celebrities and politicians alike: Diana, William, Charles and Camilla; Tony Blair, Cherie, Gordon Brown; Paul McCartney, George Michael and Elton John; Jeremy Clarkson, Paula Yates and Gazza to name just a few.
Entertaining, engaging and compulsive, The Insider was the most talked-about book of 2005, blowing apart every notion we have of politics, media and celebrity.
Drawing on portrayals of journalists in television, film, radio, novels, comics, plays, and other media, Matthew C. Ehrlich and Joe Saltzman survey how popular media has depicted the profession across time. Their creative use of media artifacts provides thought-provoking forays into such fundamental issues as how pop culture mythologizes and demythologizes key events in journalism history and how it confronts issues of race, gender, and sexual orientation on the job.
From Network to The Wire, from Lois Lane to Mikael Blomkvist, Heroes and Scoundrels reveals how portrayals of journalism's relationship to history, professionalism, power, image, and war influence our thinking and the very practice of democracy.
Quoyle, a third-rate newspaper hack, with a “head shaped like a crenshaw, no neck, reddish hair...features as bunched as kissed fingertips,” is wrenched violently out of his workaday life when his two-timing wife meets her just desserts. An aunt convinces Quoyle and his two emotionally disturbed daughters to return with her to the starkly beautiful coastal landscape of their ancestral home in Newfoundland. Here, on desolate Quoyle’s Point, in a house empty except for a few mementos of the family’s unsavory past, the battered members of three generations try to cobble up new lives.
Newfoundland is a country of coast and cove where the mercury rarely rises above seventy degrees, the local culinary delicacy is cod cheeks, and it’s easier to travel by boat and snowmobile than on anything with wheels. In this harsh place of cruel storms, a collapsing fishery, and chronic unemployment, the aunt sets up as a yacht upholsterer in nearby Killick-Claw, and Quoyle finds a job reporting the shipping news for the local weekly, the Gammy Bird (a paper that specializes in sexual-abuse stories and grisly photos of car accidents).
As the long winter closes its jaws of ice, each of the Quoyles confronts private demons, reels from catastrophe to minor triumph—in the company of the obsequious Mavis Bangs; Diddy Shovel the strongman; drowned Herald Prowse; cane-twirling Beety; Nutbeem, who steals foreign news from the radio; a demented cousin the aunt refuses to recognize; the much-zippered Alvin Yark; silent Wavey; and old Billy Pretty, with his bag of secrets. By the time of the spring storms Quoyle has learned how to gut cod, to escape from a pickle jar, and to tie a true lover’s knot.
Crime, high finances, and journalism are interconnected in this early thriller by the author of On Wings of Eagles and Lie Down With Lions. In one suspenseful, action-packed day, fortunes change hands as an ambitious young reporter scrambles to crack the story. A suicidal junior minister, an avaricious tycoon, and a seasoned criminal with his team of tough guys all play their parts in a scheme that moves "paper money" around at a dizzying pace.
“I like thinking big. I always have. To me it’s very simple: If you’re going to be thinking anyway, you might as well think big.”—Donald J. Trump
Here is Trump in action—how he runs his organization and how he runs his life—as he meets the people he needs to meet, chats with family and friends, clashes with enemies, and challenges conventional thinking. But even a maverick plays by rules, and Trump has formulated time-tested guidelines for success. He isolates the common elements in his greatest accomplishments; he shatters myths; he names names, spells out the zeros, and fully reveals the deal-maker’s art. And throughout, Trump talks—really talks—about how he does it. Trump: The Art of the Deal is an unguarded look at the mind of a brilliant entrepreneur—the ultimate read for anyone interested in the man behind the spotlight.
Praise for Trump: The Art of the Deal
“Trump makes one believe for a moment in the American dream again.”—The New York Times
“Donald Trump is a deal maker. He is a deal maker the way lions are carnivores and water is wet.”—Chicago Tribune
“Fascinating . . . wholly absorbing . . . conveys Trump’s larger-than-life demeanor so vibrantly that the reader’s attention is instantly and fully claimed.”—Boston Herald
“A chatty, generous, chutzpa-filled autobiography.”—New York Post
Soon, Dawson is covering the disappearance and presumed murder of former Marine Jeremy Wesson, the biological son of the pair of terrorists who remain on the FBI's Most Wanted list. As Dawson delves into the story, he finds himself developing feelings for Wesson's ex-wife, Amelia, and her two young sons. But when Amelia's nanny turns up dead, the case takes a stunning new turn, with Dawson himself becoming a suspect. Haunted by his own demons, Dawson takes up the chase for the notorious outlaws. . .and the secret, startling truth about himself.
Kill the Messenger tells the story of the tragic death of Gary Webb, the controversial newspaper reporter who committed suicide in December 2004. Webb is the former San Jose Mercury News reporter whose 1996 "Dark Alliance" series on the so-called CIA-crack cocaine connection created a firestorm of controversy and led to his resignation from the paper amid escalating attacks on his work by the mainstream media. Author and investigative journalist Nick Schou published numerous articles on the controversy and was the only reporter to significantly advance Webb's stories. Drawing on exhaustive research and highly personal interviews with Webb's family, colleagues, supporters and critics, this book argues convincingly that Webb's editors betrayed him, despite mounting evidence that his stories were correct. Kill the Messenger examines the "Dark Alliance" controversy, what it says about the current state of journalism in America, and how it led Webb to ultimately take his own life. Webb's widow, Susan Bell, remains an ardent defender of her ex-husband. By combining her story with a probing examination of the one of the most important media scandals in recent memory, this book provides a gripping view of one of the greatest tragedies in the annals of investigative journalism.
Hunter S. Thompson detonated a two-ton bomb under the staid field of journalism with his magazine pieces and revelatory Fear and Loathing in Las Vegas. In Outlaw Journalist, the famous inventor of Gonzo journalism is portrayed as never before. Through in-depth interviews with Thompson’s associates, William McKeen gets behind the drinking and the drugs to show the man and the writer—one who was happy to be considered an outlaw and for whom the calling of journalism was life.
There were many reasons for the public's growing lack of trust. On television, there were the ads that looked like news shows and programs that presented gossip and press releases as if they were news. There were the "docudramas," television movies that were an uneasy blend of fact and fiction and which purported to show viewers how events had "really" happened. At newspapers and magazines, celebrity was replacing news, newsroom budgets were being slashed, and editors were pushing journalists for more "edge" and "attitude" in place of reporting. And, on the radio, powerful talk personalities led their listeners from sensation to sensation, from fact to fantasy, while deriding traditional journalism. Fact was blending with fiction, news with entertainment, journalism with rumor.
Calling themselves the Committee of Concerned Journalists, the twenty-five determined to find how the news had found itself in this state. Drawn from the committee's years of intensive research, dozens of surveys of readers, listeners, viewers, editors, and journalists, and more than one hundred intensive interviews with journalists and editors, The Elements of Journalism is the first book ever to spell out — both for those who create and those who consume the news — the principles and responsibilities of journalism. Written by Bill Kovach and Tom Rosenstiel, two of the nation's preeminent press critics, this is one of the most provocative books about the role of information in society in more than a generation and one of the most important ever written about news. By offering in turn each of the principles that should govern reporting, Kovach and Rosenstiel show how some of the most common conceptions about the press, such as neutrality, fairness, and balance, are actually modern misconceptions. They also spell out how the news should be gathered, written, and reported even as they demonstrate why the First Amendment is on the brink of becoming a commercial right rather than something any American citizen can enjoy.
The Elements of Journalism is already igniting a national dialogue on issues vital to us all. This book will be the starting point for discussions by journalists and members of the public about the nature of journalism and the access that we all enjoy to information for years to come.
From the Hardcover edition.
Brilliant, provocative, outrageous, and brazen, Hunter S. Thompson's infamous rule breaking—in his journalism, in his life, and under the law—changed the shape of American letters, and the face of American icons.
Call it the evolution of an outlaw. Here are the formative experiences that comprise Thompson’s legendary trajectory alongside the weird and the ugly. Whether detailing his exploits as a foreign correspondent in Rio, his job as night manager of the notorious O’Farrell Theatre in San Francisco, his epic run for sheriff of Aspen on the Freak Power ticket, or the sensational legal maneuvering that led to his full acquittal in the famous 99 Days trial, Thompson is at the peak of his narrative powers in Kingdom of Fear. And this boisterous, blistering ride illuminates as never before the professional and ideological risk taking of a literary genius and transgressive icon.
Ranging from the backwoods of Virginia to a New Jersey commuter town to the city of Baltimore, this remarkable memoir recounts Russell Baker’s experience of growing up in pre–World War II America, before he went on to a celebrated career in journalism.
With poignant, humorous tales of powerful love, awkward sex, and courage in the face of adversity, Baker reveals how he helped his mother and family through the Great Depression by delivering papers and hustling subscriptions to The Saturday Evening Post—a job which introduced him to bullies, mentors, and heroes who endured through this national disaster with hard work and good cheer.
Called “a treasure” by Anne Tyler an “a blessing” by Time Magazine, this autobiography is a modern-day classic—“a wondrous book [with scenes] as funny and touching as Mark Twain's” (Los Angeles Times Book Review).
“In lovely, haunting prose, he has told a story that is deeply in the American grain.” —The Washington Post Book World
“A terrific book.” —St. Louis Post-Dispatch
For the soldiers she knew and met there, Viet Nam would change their lives in ways they could never have imagined. For the men in her life, Viet Nam would change their lives in ways hey could not escape or deny. Peter Wilson, fresh from law school, was a new recruit who would confont his fate in Da Nang. Ralph Johnson, a seasoned AP correspondent, had been in Saigon since the beginning. He knew Vietnam and the war inside out. Bill Quinn, captain of the Cu Chi tunnel rats, was on his fourth tour of duty and it seemed nothing could touch him. Sergeant Tony Campobello had come to Vietnam from the streets of New York to vent a rage that had followed him all the way to Saigon.
For seven years Paxton Andrews would write an acclaimed newspaper column from the front before finally returning to the States and then attending the Paris peace talks. But for her and the men who fought in Viet Nam, life would never be the same again.
From the Paperback edition.
Bad News is the story of Anjan Sundaram's time running a journalist's training program out of Kigali, the capital city of one of Africa's most densely populated countries, Rwanda. President Kagame’s regime, which seized power after the genocide that ravaged its population in 1994, is often held up as a beacon for progress and modernity in Central Africa and is the recipient of billions of dollars each year in aid from Western governments and international organizations. Lurking underneath this shining vision of a modern, orderly state, however, is the powerful climate of fear springing from the government's brutal treatment of any voice of dissent. "You can't look and write," a policeman ominously tells Sundaram, as he takes notes at a political rally. In Rwanda, the testimony of the individual—the evidence of one's own experience—is crushed by the pensée unique: the single way of thinking and speaking, proscribed by those in power.
A vivid portrait of a country at an extraordinary and dangerous place in its history, Bad News is a brilliant and urgent parable on freedom of expression, and what happens when that power is seized.