Sinha provides a rich historical narrative of the controversy surrounding Mother India, from the book’s publication through the passage in India of the Child Marriage Restraint Act in the closing months of 1929. She traces the unexpected trajectory of the controversy as critics acknowledged many of the book’s facts only to overturn its central premise. Where Mayo located blame for India’s social backwardness within the beliefs and practices of Hinduism, the critics laid it at the feet of the colonial state, which they charged with impeding necessary social reforms. As Sinha shows, the controversy became a catalyst for some far-reaching changes, including a reconfiguration of the relationship between the political and social spheres in colonial India and the coalescence of a collective identity for women.
One of Hari's earliest memories is of trying to wake up one of his relatives and not being able to. He didn't understand why then, but as he got older, he realised he had addiction in his family. He wanted to understand what really causes addiction – and how to find our way back from it. So he set off on an epic three-year, thirty-thousand mile journey into the war on drugs and addiction. He discovered that nothing on this subject is what we have been told it is – and the solutions are there, waiting for us, if only we are ready to see them.
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This book is not
recommended for readers with an aversion to cliffhangers, graphic
depictions of sex or serialized fiction. This book is intended for readers 18 years or older. Reader discretion is advised.
A boring, careless boyfriend. A boring, monotonous day job. Madeline
Lovelace's life seems the very definition of dull until the mysterious
Elias Collingwood takes a job at her office and spices things up. When
her boyfriend suddenly dumps her, Madeline finds comfort in Elias, but
realizes very quickly that he's offering her more than mere 'comfort'...
When she gets involved with the cocky, enigmatic Elias, the
rest of her life is thrown into chaos. Just who is he, and why does he
have such an intense interest in her? As she gets to know him, it
quickly becomes clear that he's keeping some secrets...
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Selected by five hundred writers, English professors, and creative writing teachers from across the country, this collection includes only the most highly regarded nonfiction work published since 1970.
Contributers include: Jo Ann Beard, Wendell Berry, Eula Biss, Mary Clearman Blew, Charles Bowden, Janet Burroway, Kelly Grey Carlisle, Anne Carson, Bernard Cooper, Michael W. Cox, Annie Dillard, Mark Doty, Brian Doyle, Tony Earley, Anthony Farrington, Harrison Candelaria Fletcher, Diane Glancy, Lucy Grealy, William Harrison, Robin Hemley, Adam Hochschild, Jamaica Kincaid, Barbara Kingsolver , Ted Kooser, Sara Levine, E.J. Levy, Phillip Lopate, Barry Lopez, Thomas Lynch, Lee Martin, Rebecca McCLanahan, Erin McGraw, John McPhee, Brenda Miller, Dinty W. Moore, Kathleen Norris, Naomi Shihab Nye, Lia Purpura, Richard Rhodes, Bill Roorbach, David Sedaris, Richard Selzer, Sue William Silverman, Floyd Skloot, Lauren Slater, Cheryl Strayed, Amy Tan, Ryan Van Meter, David Foster Wallace, and Joy Williams.
In We Learn Nothing, satirical cartoonist Tim Kreider turns his funny, brutally honest eye to the dark truths of the human condition, asking big questions about human-sized problems: What if you survive a brush with death and it doesn’t change you? Why do we fall in love with people we don’t even like? How do you react when someone you’ve known for years unexpectedly changes genders?
With a perfect combination of humor and pathos, these essays, peppered with Kreider’s signature cartoons, leave us with newfound wisdom and a unique prism through which to examine our own chaotic journeys through life. These are the conversations you have only with best friends or total strangers, late at night over drinks, near closing time.
This edition also includes the sensationally popular essay “The Busy Trap,” as seen in the New York Times.
"A short list of the greatest living conversationalists in English," said The Economist, "would probably have to include Christopher Hitchens, Sir Patrick Leigh-Fermor, and Sir Tom Stoppard. Great brilliance, fantastic powers of recall, and quick wit are clearly valuable in sustaining conversation at these cosmic levels. Charm may be helpful, too." Hitchens-who staunchly declines all offers of knighthood-hereby invites you to take a seat at a democratic conversation, to be engaged, and to be reasoned with. His knowledge is formidable, an encyclopedic treasure, and yet one has the feeling, reading him, of hearing a person thinking out loud, following the inexorable logic of his thought, wherever it might lead, unafraid to expose fraudulence, denounce injustice, and excoriate hypocrisy. Legions of readers, admirers and detractors alike, have learned to read Hitchens with something approaching awe at his felicity of language, the oxygen in every sentence, the enviable wit and his readiness, even eagerness, to fight a foe or mount the ramparts.
Here, he supplies fresh perceptions of such figures as varied as Charles Dickens, Karl Marx, Rebecca West, George Orwell, J.G. Ballard, and Philip Larkin are matched in brilliance by his pungent discussions and intrepid observations, gathered from a lifetime of traveling and reporting from such destinations as Iran, China, and Pakistan.
Hitchens's directness, elegance, lightly carried erudition, critical and psychological insight, humor, and sympathy-applied as they are here to a dazzling variety of subjects-all set a standard for the essayist that has rarely been matched in our time. What emerges from this indispensable volume is an intellectual self-portrait of a writer with an exemplary steadiness of purpose and a love affair with the delights and seductions of the English language, a man anchored in a profound and humane vision of the human longing for reason and justice.
Ben Hope is unstoppable, unbreakable, unforgettable. For a limited period, discover the first 6 Ben Hope novels at an unbeatable price, to celebrate publication of the seventh and most explosive book yet – The Sacred Sword.
This special offer bundle by bestselling author Scott Mariani comprises of the first six Ben Hope novels, together for the very first time:
The Alchemist’s Secret
The Mozart Conspiracy
The Doomsday Prophecy
The Heretic’s Treasure
The Shadow Project
The Lost Relic
Newsweek/The Daily Beast • The Huffington Post • Kansas City Star • Time Out New York • Kirkus Reviews
This extraordinary collection of personal correspondence has all the hallmarks of Kurt Vonnegut’s fiction. Written over a sixty-year period, these letters, the vast majority of them never before published, are funny, moving, and full of the same uncanny wisdom that has endeared his work to readers worldwide.
Included in this comprehensive volume: the letter a twenty-two-year-old Vonnegut wrote home immediately upon being freed from a German POW camp, recounting the ghastly firebombing of Dresden that would be the subject of his masterpiece Slaughterhouse-Five; wry dispatches from Vonnegut’s years as a struggling writer slowly finding an audience and then dealing with sudden international fame in middle age; righteously angry letters of protest to local school boards that tried to ban his work; intimate remembrances penned to high school classmates, fellow veterans, friends, and family; and letters of commiseration and encouragement to such contemporaries as Gail Godwin, Günter Grass, and Bernard Malamud.
Vonnegut’s unmediated observations on science, art, and commerce prove to be just as inventive as any found in his novels—from a crackpot scheme for manufacturing “atomic” bow ties to a tongue-in-cheek proposal that publishers be allowed to trade authors like baseball players. (“Knopf, for example, might give John Updike’s contract to Simon and Schuster, and receive Joan Didion’s contract in return.”) Taken together, these letters add considerable depth to our understanding of this one-of-a-kind literary icon, in both his public and private lives. Each letter brims with the mordant humor and openhearted humanism upon which he built his legend. And virtually every page contains a quotable nugget that will make its way into the permanent Vonnegut lexicon.
• On a job he had as a young man: “Hell is running an elevator throughout eternity in a building with only six floors.”
• To a relative who calls him a “great literary figure”: “I am an American fad—of a slightly higher order than the hula hoop.”
• To his daughter Nanny: “Most letters from a parent contain a parent’s own lost dreams disguised as good advice.”
• To Norman Mailer: “I am cuter than you are.”
Sometimes biting and ironical, sometimes achingly sweet, and always alive with the unique point of view that made him the true cultural heir to Mark Twain, these letters comprise the autobiography Kurt Vonnegut never wrote.
Praise for Kurt Vonnegut: Letters
“Splendidly assembled . . . familiar, funny, cranky . . . chronicling [Vonnegut’s] life in real time.”—Kurt Andersen, The New York Times Book Review
“[This collection is] by turns hilarious, heartbreaking and mundane. . . . Vonnegut himself is a near-perfect example of the same flawed, wonderful humanity that he loved and despaired over his entire life.”—NPR
“Congenial, whimsical and often insightful missives . . . one of [Vonnegut’s] very best.”—Newsday
“These letters display all the hallmarks of Vonnegut’s fiction—smart, hilarious and heartbreaking.”—The New York Times Book Review
From the Hardcover edition.
"Poets must read and study, but also they must learn to tilt and whisper, shout, or dance, each in his or her own way, or we might just as well copy the old books. But, no, that would never do, for always the new self swimming around in the old world feels itself uniquely verbal. And that is just the point: how the world, moist and bountiful, calls to each of us to make a new and serious response. That's the big question, the one the world throws at you every morning. 'Here you are, alive. Would you like to make a comment?' This book is my comment."--from the Foreword
With consummate craftsmanship, Mary Oliver, winner of the Pulitzer Prize and the National Book Award, has created a volume sure to add to her reputation as "one of our very best poets" (New York Times Book Review).
The Alexandria Quartet is a striking and sensuous masterpiece, breathing vivid life into each of its unforgettable characters and the dusty Mediterranean city in which they live. Set in Alexandria, Egypt, in the years before, during, and after World War II, the books follow the lives of a circle of friends and lovers, including sensitive Darley, passionate Justine, philosophical Balthazar, and elegant Clea. Written in Durrell’s trademark evocative prose, these four novels explore the central theme of modern love, building into a remarkable whole that the New York Times hailed as “one of the most important works of our time.” This ebook features a new introduction by Jan Morris.
Continuously in print since 1948, the Collins Complete Works of Oscar Wilde has long been recognised as the most comprehensive and authoritative single-volume collection of Wilde’s texts available, containing his only novel, The Portrait of Dorian Gray, as well as his plays, stories, poems, essays and letters, all in their most authoritative texts.
Also included is a comprehensive bibliography of works by and about Oscar Wilde, and a chronological table of his life and work.
3 books. Nearly 700 pages of action. Save over 40% when you buy the box set!
Medieval and modern-day collide when otherworldly forces draw ten-year-old Andy Smithson into a medieval world where fire-breathing dragons, deranged pixies, and vengeful spirits are the way of things.
Trading his controller for a sword of legend, Andy embarks upon several epic quests to break a centuries-old curse oppressing the land. It isn't chance that plunges him into the adventure though, for he soon discovers ancestors his parents have kept hidden from him are behind the curse.
The Andy Smithson series is a coming-of-age, epic fantasy adventure featuring fast-paced action, sword fights, laugh-out-loud humor, with a few life lessons thrown in.
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Kafka is one of 161 inspired—and inspiring—minds, among them, novelists, poets, playwrights, painters, philosophers, scientists, and mathematicians, who describe how they subtly maneuver the many (self-inflicted) obstacles and (self-imposed) daily rituals to get done the work they love to do, whether by waking early or staying up late; whether by self-medicating with doughnuts or bathing, drinking vast quantities of coffee, or taking long daily walks. Thomas Wolfe wrote standing up in the kitchen, the top of the refrigerator as his desk, dreamily fondling his “male configurations”. . . Jean-Paul Sartre chewed on Corydrane tablets (a mix of amphetamine and aspirin), ingesting ten times the recommended dose each day . . . Descartes liked to linger in bed, his mind wandering in sleep through woods, gardens, and enchanted palaces where he experienced “every pleasure imaginable.”
Here are: Anthony Trollope, who demanded of himself that each morning he write three thousand words (250 words every fifteen minutes for three hours) before going off to his job at the postal service, which he kept for thirty-three years during the writing of more than two dozen books . . . Karl Marx . . . Woody Allen . . . Agatha Christie . . . George Balanchine, who did most of his work while ironing . . . Leo Tolstoy . . . Charles Dickens . . . Pablo Picasso . . . George Gershwin, who, said his brother Ira, worked for twelve hours a day from late morning to midnight, composing at the piano in pajamas, bathrobe, and slippers . . .
Here also are the daily rituals of Charles Darwin, Andy Warhol, John Updike, Twyla Tharp, Benjamin Franklin, William Faulkner, Jane Austen, Anne Rice, and Igor Stravinsky (he was never able to compose unless he was sure no one could hear him and, when blocked, stood on his head to “clear the brain”).
Brilliantly compiled and edited, and filled with detail and anecdote, Daily Rituals is irresistible, addictive, magically inspiring.