The story of the fire, its causes, and its legal and human aftermath is one of lives put at risk by petty economic decisions--by a band, club owners, promoters, building inspectors, and product manufacturers. Any one of those decisions, made differently, might have averted the tragedy. Together, however, they reached a fatal critical mass.
Killer Show is the first comprehensive exploration of the chain of events leading up to the fire, the conflagration itself, and the painstaking search for evidence to hold the guilty to account and obtain justice for the victims.
Anyone who has entered an entertainment venue and wondered, "Could I get out of here in a hurry?" will identify with concertgoers at The Station. Fans of disaster nonfiction and forensic thrillers will find ample elements of both genres in Killer Show.
Under the watchful gaze of his young assistant and the threatening presence of a new generation of artists, Mark Rothko takes on his greatest challenge yet: to create a definitive work for an extraordinary setting.
A moving and compelling account of one of the greatest artists of the 20th century whose struggle to accept his growing riches and praise became his ultimate undoing..
Nominated for 7 Olivier Awards (2009) and winner of six Tony Awards 2010 including Best New Play. "A FRESH, EXCITING portrait of a BRILLIANT mind." -Ben Brantley, The New York Times.
"SMART AND SCINTILLATING. RED deftly conjures what most plays about artists don't: THE EXHILARATION OF THE ACT." -John Lahr, The New Yorker.
"An electrifying new play." -Marilyn Stasio, Variety.
"Plays about painters are fraught with difficulty. Either the hero preaches about art without practising it, or the Bohemian lifestyle supersedes the work. But John Logan's play about Mark Rothko overcomes these obstacles with finesse... It's a measure of the play's success that it makes you want to rush out and renew acquaintance with Rothko's work. 4 stars" Michael Billington - The Guardian
At the top of the stairs there are four secrets hidden. Blond, beautiful, innocent, and struggling to stay alive . . .
They were a perfect family, golden and carefree—until a heartbreaking tragedy shattered their happiness. Now, for the sake of an inheritance that will ensure their future, the children must be hidden away out of sight, as if they never existed. Kept on the top floor of their grandmotherds vast mansion, their loving mother assures them it will be just for a little while. But as brutal days swell into agonizing months and years, Cathy, Chris, and twins Cory and Carrie, realize their survival is at the mercy of their cruel and superstitious grandmother . . . and this cramped and helpless world may be the only one they ever know.
Book One of the Dollanganger series, the sequels include Petals in the Wind, If There Be Thorns, Seeds of Yesterday, and Garden of Shadows. Then experience the attic from Christopher’s point of view in Christopher’s Diary: Secrets of Foxworth and Christopher’s Diary: Echoes of Dollanganger.
Glerum explains that four main principles make up the core of this book: know the rigging system; keep it in safe working order; know how to use it; and keep your concentration. Glerum applies these principles to all of the major types of stage rigging systems, including block and tackle, hemp, counterweight, and motorized. He describes each type of rigging, then thoroughly reviews the operating procedures and methods of inspecting existing systems.
"Jensen's book is a testament to the fickleness of the entertainment world."
-Tampa Bay Tribune
"It is an affecting story, gently and honestly told without frills, without sensation. In Jensen's hands, the twins are always human, individuals, never freaks joined at the hips as the world saw them after their birth in 1908. . . Here, their story is pure."
-Milwaukee Journal Sentinel
Shakespeare’s timeless story of revenge, corruption, and murder is considered one of the greatest works in the English language. Prince Hamlet sets out to avenge his beloved father's death at the hand of his uncle Claudius — but Hamlet's spiral into grief and madness will have permanent and immutable consequences for the Kingdom of Denmark. Composed over 400 years ago, Hamlet remains one of the theater’s most studied and performed works, and is presented here in a stunning, sound-rich full-cast recording alongside the text.
By merging text and audio, this ebook is a perfect learning tool for enhancing comprehension and enjoyment, and is highly recommended as a study aid for students, teachers, actors and directors. Widely read in high school and college, Hamlet is a text exemplar of the Common Core State Standards for English Language Arts.
Includes scene-by-scene and word-for-word text and audio of L.A. Theatre Works’ full cast performance starring:
Josh Stamberg as Hamlet
Stephen Collins as King Claudius
JoBeth Williams as Queen Gertrude
Stacy Keach as Ghost
Alan Mandell as Polonius
Emily Swallow as Ophelia
JD Cullum as Laertes
Matthew Wolf as Horatio
Mark Capri as Ambassador and others
Josh Clark as Gravedigger, Voltemand and others
Henri Lubatti as Rosencrantz and others
Jon Matthews as Guildenstern and others
Darren Richardson as Player Queen and others
André Sogliuzzo as Reynaldo and others.
Directed by Martin Jarvis for L.A. Theatre Works.
Lead funding for this production is generously provided by the Rosenthal Family Foundation.
This is the first book to contain, in one comprehensive volume, every molding and casting procedure of use to the theater props builder (no matter what his or her level or proficiency). The author demonstrates the techniques involved in using more than thirty different materials ranging from papier-mache to breakaway glass.
While the use of some materials–plaster and polyester resins, for example–is covered to some extent in other publications, information on the selection and use of rubber materials (latex, neoprene, silicone, and the urethanes) and the procedure for making breakaway windows and bottles is available only in The Prop Builder's Molding & Casting Handbook.
Written in an easy, conversational style, the book will be useful to anyone involved with theater properties, puppetry, and costuming (as professionals or amateurs). It will also serve admirably the needs of students taking classes in those subjects.
Completing the book is a special section on designing and building a vacuum forming machine suitable for use in constructing theater props. More than 450 photographs illustrate the step-by-step procedures explained throughout the entire text.
Divided into four sections, 'Status', 'Spontaneity', 'Narrative Skills', and 'Masks and Trance', arranged more or less in the order a group might approach them, the book sets out the specific techniques and exercises which Johnstone has himself found most useful and most stimulating. The result is both an ideas book and a fascinating exploration of the nature of spontaneous creativity.
Renowned for more than two decades as the most comprehensive resource for actors, How to Be a Working Actor is a must-read for achieving success in The Business. Now this "Bible of the Biz" has been completely revised and greatly expanded to address new markets, ever-changing opportunities, and the many new ways today's actors find work. Talent manager, teacher, and career coach Mari Lyn Henry and actress, author, and spokeswoman Lynne Rogers combine their extensive skills and years of experience to cover all the essentials of how to market yourself, land roles, and manage a successful career. They also include expert advice from scores of other industry experts - well-known actors, agents, managers, casting directors, and teachers.
How to Be a Working Actor is loaded with advice on how to:
- put together a professional wardrobe
- get a head shot that brings out the real you
- create a resume that really works
- find the training to develop your talents
- communicate effectively with agents and managers
- use the internet to promote your business and explore new opportunities
- get the most value out of union membership
- excel at auditions and screen tests
- discover how to get work in regional markets
- cope with success
How to Be a Working Actor takes a no-nonsense approach to the whole business of being a working actor, with detailed information on how to live on a budget in New York and Los Angeles, what the acting jobs are and what they pay, even how to find a survival strategy that will augment your career. And an extensive section on script analysis shows you how to investigate the depth of a character to create a memorable audition for roles in theatre, film, and television.
From the Trade Paperback edition.
For Billy is determined to cross the sea and audition for the Yank. As news of his audacity ripples through his rumour-starved community, The Cripple of Inishmaan becomes a merciless portrayal of a world so comically cramped and mean-spirited that hope is an affront to its order.
With this bleak yet uproariously funny play, Martin McDonagh fulfilled the promise of his award-winning The Beauty Queen of Leenane while confirming his place in a tradition that extends from Synge to O'Casey and Brendan Behan.
When Alice Liddell Hargreaves met Peter Llewelyn Davies at the opening of a Lewis Carroll exhibition in 1932, the original Alice in Wonderland came face to face with the original Peter Pan. In John Logan’s remarkable new play, enchantment and reality collide as this brief encounter lays bare the lives of these two extraordinary characters.
A Doll House
The Wild Duck
The Master Builder
Among the greatest and best known of Ibsen’s works, these four plays brilliantly exemplify his landmark contributions to the theater: his realistic dialogue, probing of social problems, and depiction of characters’ inner lives as well as their actions. Rich in symbolism and often autobiographical, each of these dramas deals convincingly and provocatively with such universal themes as greed, fear, and sexual hostility, and confronts the eternal conflict between reality and illusion. These Rolf Fjelde translations have been widely acclaimed as the definitive versions of the major works of the father of modern theater.
Translated and with a Foreword by Rolf Fjelde
And an Afterword by Joan Templeton
100 Essays I Don't Have Time to Write is a book in which chimpanzees, Chekhov, and child care are equally at home. A vibrant, provocative examination of the possibilities of the theater, it is also a map to a very particular artistic sensibility, and an unexpected guide for anyone who has chosen an artist's life.
Why would the multimillionaire producer of Cats, The Phantom of the Opera, and Miss Saigon take his limo from Manhattan to the struggling former steel town of Levittown, Pennsylvania, to see a high school production of Les Misérables?
To see the show performed by the astoundingly successful theater company at Harry S Truman High School, run by its legendary director, Lou Volpe. Broadway turns to Truman High when trying out controversial shows such as Rent and Spring Awakening before they move on to high school theater programs across the nation. Volpe’s students from this blue-collar town go on to become Emmy-winning producers, entertainment executives, newscasters, and community-theater founders.
Michael Sokolove, a Levittown native and former student of Volpe’s, chronicles the drama director’s last school years and follows a group of student actors as they work through riveting dramas both on and off the stage. This is a story of an economically depressed but proud town finding hope in a gifted teacher and the magic of theater.
* The only reference on electricity for the entertainment industry professional!
* Written by an ETCP (Entertainment Technician Certification Program) trainer and seasoned professional
* Free additional practice problems and animations at www.electricityentertainmenttech.com
With a foreword written by Monona Rossol, this text contains contributions from industry leaders including:
Skillfully assembled by Shakespeare’s fellow actors in 1623, the First Folio was the original Complete Works. It is arguably the most important literary work in the English language. But starting with Nicholas Rowe in 1709 and continuing to the present day, Shakespeare editors have mixed Folio and Quarto texts, gradually corrupting the original Complete Works with errors and conflated textual variations.
Now Jonathan Bate and Eric Rasmussen, two of today’s most accomplished Shakespearean scholars, have edited the First Folio as a complete book, resulting in a definitive Complete Works for the twenty-first century.
Combining innovative scholarship with brilliant commentary and textual analysis that emphasizes performance history and values, this landmark edition will be indispensable to students, theater professionals, and general readers alike.
Introduces strategies for sharing information both in person and in writing
Explores how document design can enhance the accessibility and effectiveness of your reports, charts, and lists
Contains principles for web-based information sharing as well as hard-copy paperwork
Provides customizable paperwork templates on the accompanying website, allowing you to put the ideas to work on your own show
Organized based on the chronology of a typical theatre production: pre-production work, rehearsals, the tech period, performances, and post-production duties. In each section, the book outlines the objectives for the stage manager and the communication techniques that will ensure success.
Provides examples of paperwork a stage manager commonly works with, including variations for plays and musicals, shortcuts for shows on an abbreviated time table, and strategies for maintaining consistency and legibility. The book highlights differences the stage manager may encounter when working on professional and academic productions.
The accompanying website, www.stagecraftfundamentals.com is bursting with additional material such as an instructor's manual, exercises and study questions that coincide with chapters from the book, CAD drawings, color theory, manufacturing information, and so much more to help you along the way as you learn all about the world of theatre production!
Praise for the Book:
Beautifully written! The author has succeeded in relaying technical theatre information without being too technical and putting the reader to sleep. I read three sentences and instantly knew this book was for me and the way I teach. When I think back on the insufferable intro to tech theatre books I had to read, I feel cheated I didn't have this one as a student. I will be using this text in my class! -- Rob Napoli, Designer and Technical Director at Penn State University, Berks Campus
This text has temped me to return to teaching with a textbook for the first time in seven years. The language is both accessible and informal yet the text goes a long way in debunking some of the typical jargon that may alienate students just getting into the field, or trying it out for the first time. The illustrations (the text is full of them) coupled with the stories reinforce the fundamental information being conveyed. -- John Paul Devlin, Associate Professor of Theatre at Saint Michael's College
What a great idea! Thank heavens someone is doing this for students at that impressionable age. That has been one of my mantras - education of teachers and students on the use of scenic materials. The teachers don't have enough time in college to learn and do everything they have to teach. Most get thrown into the theatre area by default and struggle with designing/building/painting the scenery. -- Jenny Knott, Rosco
Stagecraft Fundamentals is beautifully illustrated throughout, and the pofusion of color on every page gives this textbook the appearance of a coffee table book. The writing is clear and personal, which should be very appealing to students. Rita Carver covers all aspects of theatre production from scenery, to lighting, to an actor's makeup. Her close ties to the New York theatre scene gives this book a special insight into the professional world, one that goes well beyond what is found in most college textbooks. -- John Holloway, Professor in the Theatre Department at the University of Kentucky and President of the International Association of Theatrical stage Employees (IATSE) Local 346.
I can't thank you enough for Stagecraft Fundamentals. I have been teaching stagecraft since 1976 and you have saved me from the nightmare of writing a text to suit my class needs..After two semesters with your text, I have found that I had more time to develop the skills necessary within the classroom than before. The humor that you have infused in the book has enticed my students to read on. That alone makes this text invaluable.
--Meta Lasch, Assistant Professor, West Liberty University
* How arts organizations and management evolved
* The theories and processes behind strategic planning and decision making
* Organizing and organizational design
* Staffing and personal relations
* The tools and techniques available from communicating effectively and keeping track of information
* Budgeting, fundraising, and financial management
* Integrating various management theories and practical applications
* How to work effectively with boards
* Sections on e-marketing and Web marketing
* Includes: case studies, statistics, career, and financial information
Revised to reflect the latest thinking and trends in managing organizations and people, Management and the Arts, Fourth Edition features class-tested questions in each chapter, which help you to integrate the material and develop ideas as to how the situations and problems could have been handled. Case studies focus on the challenges facing managers and organizations every day, and "In The News quotes give you real-world examples of principles and theories. Developing career skills and options, graduate and postgraduate training opportunities, and professional organizations and conferences are highlighted.
Writing clearly and passionately, Bogart speaks to a wide audience, from undergraduates to practitioners, and makes an invaluable contribution to the field tackling themes such as:
intentionality inspiration why theatre matters.
Following on from her successful book A Director Prepares, which has become a key text for teaching directing classes, And Then, You Act is an essential practitioner and student resource.
Esper’s first book, The Actor’s Art and Craft, earned praise for describing the basics taught in his famous first-year acting class. The Actor’s Guide to Creating a Character continues the journey. In these pages, co-author Damon DiMarco vividly re-creates Esper’s second-year course, again through the experiences of a fictional class. Esper’s training builds on Sanford Meisner’s legendary exercises, a world-renowned technique that Esper further developed through his long association with Meisner and the decades he has spent training a host of distinguished actors. His approach is flexible enough to apply to any role, helping actors to create characters with truthful and compelling inner lives.
After The End received its world premiere at The Traverse Theatre in August 2005. “An arresting display... as the tension escalates, the production does find a tremendous claustrophobic force” – The Guardian
“Terrifying... [with] dark political undertones... a quest for power and status that finds expression in a war-seeking, paranoid racism that is all too recognisable in every western culture.” – The Scotsman
"[a] tense two-hander... Kelly's taut, expletive ridden script is realised skillfully... an absorbing and sharply delivered exploration of human behavior, pushed to extremes” 4 stars – The Independent
This final play from the pen of Oscar Wilde is a stylish send-up of Victorian courtship and manners, complete with assumed names, mistaken lovers, and a lost handbag. Jack and Algernon are best friends, both wooing ladies who think their names are Ernest, “that name which inspires absolute confidence.” Wilde’s effervescent wit, scathing social satire, and high farce make this one of the most cherished plays in the English language.
The ebook also features an interview with director Michael Hackett, Professor of Theater in the School of Theater, Film and Television at UCLA and Chair of the Department of Theater.
By merging text and audio, this is a perfect learning tool for enhancing comprehension and enjoyment. The text includes plot summaries of each scene, and it is highly recommended as a study aid for students, teachers, actors and directors. Widely read in high school and college, The Importance of Being Earnest is a text exemplar of the Common Core State Standards for English Language Arts.
Includes scene-by-scene and word-for-word text and audio of L.A. Theatre Works’ full cast performance starring:
James Marsters as Jack
Charles Busch as Lady Bracknell
Emily Bergl as Cecily
Neil Dickson as Lane and Merriman
Jill Gascoine as Miss Prism
Christopher Neame as Chasuble
Matthew Wolf as Algernon
Sarah Zimmerman as Gwendolen.
Directed by Michael Hackett for L.A. Theatre Works.
Lead funding for this production, and its presentation as an enhanced ebook, is generously provided by The Sidney E. Frank Foundation.
Written by an experienced professional and consultant, this book will show you how to successfully run the major components that, done correctly, will make your church presentation the absolute best it can be and will draw more people in! This is packed with information that will not only show you how to use the technology, but how to troubleshoot and problem-solve in the areas you need it most from running a new control board to uniting your lighting and audio visual systems as one integrated unit. This won't just show you how to operate your systems - it will make your production go from OK to WOW!
Molière himself first played the hapless merchant, and this believable character in an all too believable predicament both startled and delighted his public. This highly successful translation of The School for Wives, directed by Sir Peter Hall, ran in the West End for six months.
In the second edition, he pulled back the curtain and showed the methods and processes that go on before the light plot is finalized and ready to go to into the shop, even dealing with cutting the plot in half.
In this third edition, Shelley throws the door wide open and shows step-by-step how to construct every lighting system in the Hokey light plot. Combining his diacritical analysis, killer drafting, and analytic use of the Slinky Method and Slinky Calculations, he presents the Periodic Table of Fundamental Lighting Systems and shows the basic methods used to create multi-instrument lighting systems.
-Over 100 new topics, including analysis and application of the three categories of collaboration; a detailed examination of production meetings and one-on-one meetings; and meeting checklists with management and the creative team.
-Over 50 new illustrations, including Shelley's Periodic Table of Fundamental Lighting Systems; groundplans, sections, and front elevations that illustrate basic system wash configurations for each direction of light.
-Analysis, calculation, and step-by-step technical construction of each lighting system in the Hokey light plot.
-Explanation of a manufacturer's cut sheet, and how to apply basic formulas to determine the beam size, footcandles, and gel transmission for lighting instruments.
-Updated process of pre-programming computer lighting consoles prior to the load-in.
-Comprehensive overview of archiving paperwork and softcopy for a production.
Packed with information that aspiring actors want, her up-to-the-minute expert advice is essential for anyone pursuing an acting career. Jen Rudin demystifies the often intimidating and constantly changing audition process, sharing insider tips on preparing for every type of audition: musical theater, television (including commercials and reality TV), and film to voiceovers, animated movies, and even web series.
In this comprehensive guide, Rudin covers everything today’s actor needs to succeed, including finding an agent or manager; using technology to your advantage; the demanding world of child acting; the pros and cons of New York vs. LA; turning a callback into an offer for the role, and much more.
Every actor should walk into an audition room feeling confident and prepared, and this book is full of the Dos and Don’ts, sure-fire tricks, and must-have information to help turn rejection into that first big break.
Complete with checklists, easy-to-follow game plans, and advice from real actors, agents, and entertainment industry professionals, Confessions of a Casting Director is like having your own private audition coach.
BUT, this new third edition has swept out the old to bring you the new! Now included is all of the latest technical information that you will need including:
*Information about Digital Audio Workstations as everyday tools for sound effects
*Maximizing the Internet and computer as a major, important, every day tool for today's sound designers and also composer? as a 24-hour library
*new roundtable forum discussion with sound reinforcement designers that uncovers the way they make and communicate aesthetic decision
*A fresh look at technology used to build and execute shows (digital audio workstations, software, and your computer as creative management tool)
*Everyday paperwork'new examples for sound plots and queue sheets to increase the variety of examples and so you can pick your best fit
"Highly recommended." -- Library Journal
"Perkins has chosen the plays well, and her issue-oriented introduction places the women and their works in a literary and historical context." -- Choice
"As well as being centered on the black experience, the plays in Black Female Playwrights are centered on the female experience." -- Voice Literary Supplement
"Perkins' anthology is valuable for a number of reasons... Perkins' book (which includes a bibliography of plays and pageants by black women before 1950 as well as a selected bibliography of critical works) is a major help in providing access to [the world of black drama]." -- Theatre Journal
The need to acknowledge these works was the impetus behind this volume. Perkins has selected nineteen plays from seven writers who were among the major dramatizers of the black experience during this early period. As forerunners to the activist black theater of the 1950s and 1960s, these plays represent a critical stage in the development of black drama in the United States.
This is one of Shakespeare's last tragedies, best known for its political and military themes. Shakespeare's searing play of political manipulation and revenge is here abridged and this version was first produced at the Donmar Warehouse, London, directed by Josie Rourke and with Tom Hiddleston in the title role.
The script has been edited and abridged by Rob Hastie and Josie Rourke.
New chapter on multiple-threaded long form, serial television scripts. New chapter on genre and a new chapter on how genre’s very form is flexible to a narrative. New chapter on character development.
New case studies, including an in-depth case study of the dark side of the fable, focusing on The Wizard of Oz and Pan’s Labyrinth.
*the evolution of performance art since the 1960s
*the relationship between performance, postmodernism, the politics of identity, and current cultural studies
*the recent theoretical developments in the study of performance in the fields of anthropology, psychoanalysis, linguistics, and technology.
With a fully updated bibliography and additional glossary of terms, students of performance studies, visual and performing arts or theatre history will welcome this new version of a classic text.
This book contains:
Never-before-published information grounded in author Vickie Claiborne’s extensive knowledge and experience
Covers newest types of digital lighting servers and products including media servers, software, and LED products designed to be used with video
Companion website with additional resources and links to additional articles on PLSN