'Christian Advice From One Wife to Another' is an in depth teaching that not only advises the reader, but it is full of testimonies from the author about the struggles she had to overcome as a wife.
•The makeup of your body, spirit and soul
•The reason so many marriages end in divorce
•The truth about premarital sex
•Why it takes a long time for some people to meet their God-ordained spouses
•How to enjoy the best sex ever with your God-purposed spouse
•How to be set free from ungodly soul ties
•And much more Once you read Sex, Lies and Soul Ties, your eyes will be opened to the truth and you will never be the same again!
•Discover how the welfare system works against the Believer.
•Discover how the rise of false gods continue to bring down the American system and the churches that submit to it.
•Learn the history and setup of the American governmental system and its practices.
•Witness how the system demoralizes and persecutes a church that attempts to merge with it.
•Learn what are principalities, powers and devils! The truth will shock you!!!
•Find out how so many believers are whoring themselves to this devil-made system!
•And much more!
You will never be the same after reading Top Heavy, Bottom Fed. This book is full of truths that will shock even the most astute believer!
Author Tiffany Kameni is the founder of Remnant Writers, an online university where she taught Christian writers how to avoid the mistakes that more than 60% of Christian writers make, and 90% of first-time Christian authors make.
The Right Way to Write a Christian Book will teach you the dos and the don'ts of Christian writing, as well as show you how to write your book in 35 days or less! This guide is information-packed with helpful tips and ideas that you will use over the course of your writing career!
couple simply not knowing how to be married and their refusal to learn!
We learn to say, “I do,” but in truth, our words have limitations because we are a people conditioned to believe there is an alternative to any and every thing, rather than accept that GOD never intended marriage to end in divorce. And no matter how bad it is or how bad it seems, it too can be fixed!
‘Christian and Married- How To Be One Without Losing The Other’ is not just another marriage self-help book for believers. It’s an accountability book, a testimony and a strife diffuser. Your marriage can survive! Come on and learn, laugh, live and fall in love all over again!
Great for couples and singles alike!
From His Wife to Her Husband is a book that teaches Christian husbands how to better understand their wives, and learn how to restructure their marriage the way GOD designed it to be! An absolute must read for all Christian husbands and husband-to-bes!
In addition, this book is GREAT for wives and wives-to-be to help them better understand their design, and how to better communicate what they need from their husbands.
•Should you start your own gospel music label?
•What can you do to take your music ministry to the next level?
Get the answers to these questions and more with this information-packed manual, full of helpful advice, lists, and links to help propel your ministry.
“Long live the King” hailed Entertainment Weekly upon publication of Stephen King’s On Writing. Part memoir, part master class by one of the bestselling authors of all time, this superb volume is a revealing and practical view of the writer’s craft, comprising the basic tools of the trade every writer must have. King’s advice is grounded in his vivid memories from childhood through his emergence as a writer, from his struggling early career to his widely reported, near-fatal accident in 1999—and how the inextricable link between writing and living spurred his recovery. Brilliantly structured, friendly and inspiring, On Writing will empower and entertain everyone who reads it—fans, writers, and anyone who loves a great story well told.
Ten years ago, Roy Peter Clark, America's most influential writing teacher, whittled down almost thirty years of experience in journalism, writing, and teaching into a series of fifty short essays on different aspects of writing. In the past decade, Writing Tools has become a classic guidebook for novices and experts alike and remains one of the best loved books on writing available.
Organized into four sections, "Nuts and Bolts," "Special Effects," "Blueprints for Stories," and "Useful Habits," Writing Tools is infused with more than 200 examples from journalism and literature. This new edition includes five brand new, never-before-shared tools.
Accessible, entertaining, inspiring, and above all, useful for every type of writer, from high school student to novelist, Writing Tools is essential reading.
naysayer within? How can we avoid the roadblocks of any creative
endeavor—be it starting up a dream business venture, writing a novel, or
painting a masterpiece?
The War of Art identifies the enemy that every one of us must face,
outlines a battle plan to conquer this internal foe, then pinpoints just
how to achieve the greatest success.
The War of Art emphasizes the resolve needed to recognize and
overcome the obstacles of ambition and then effectively shows how to
reach the highest level of creative discipline.
Think of it as tough love . . . for yourself.
follow-up to his bestseller The War of Art, Turning Pro navigates the
passage from the amateur life to a professional practice.
"You don't need to take a course or buy a product. All you have to do is change your mind."
TURNING PRO IS FREE, BUT IT'S NOT EASY.
we turn pro, we give up a life that we may have become extremely
comfortable with. We give up a self that we have come to identify with
and to call our own.
TURNING PRO IS FREE, BUT IT DEMANDS SACRIFICE.
passage from amateur to professional is often achieved via an interior
odyssey whose trials are survived only at great cost, emotionally,
psychologically and spiritually. We pass through a membrane when we turn
pro. It's messy and it's scary. We tread in blood when we turn pro.
WHAT WE GET WHEN WE TURN PRO.
we get when we turn pro is we find our power. We find our will and our
voice and we find our self-respect. We become who we always were but
had, until then, been afraid to embrace and live out.
Do you always use the right word? Can you pronounce it—and spell it—correctly? Do you know how to avoid illiterate expressions? Do you speak grammatically, without embarrassing mistakes? If the answer to any of these questions is no, you need Word Power Made Easy. Written in a lively, accessible, and timeless style, and loaded with helpful reviews, progress checks, and quizzes to reinforce the material, this classic resource has helped millions learn to speak and write with confidence.
Advice on writing and on life from an acclaimed bestselling author:
"Thirty years ago my older brother, who was ten years old at the time, was trying to get a report on birds written that he'd had three months to write. It was due the next day. We were out at our family cabin in Bolinas, and he was at the kitchen table close to tears, surrounded by binder paper and pencils and unopened books on birds, immobilized by the hugeness of the task ahead. Then my father sat down beside him, put his arm around my brother's shoulder, and said, 'Bird by bird, buddy. Just take it bird by bird.'"
Hoping for a new listing, Elizabeth visits the home of Clara Williams, an elderly widow, and is both amused and uncomfortable when Clara starts asking pointed questions about her marriage and faith. But it’s Clara’s secret prayer room, with its walls covered in requests and answers, that has Elizabeth most intrigued . . . even if she’s not ready to take Clara’s suggestion that she create a prayer room of her own. As tensions at home escalate, though, Elizabeth begins to realize that her family is worth fighting for, and she can’t win this battle on her own. Stepping out in blind faith, putting her prayers for her family and their future in God’s hands, might be her only chance at regaining the life she was meant for.
The country’s most prominent journalists and nonfiction authors gather each year at Harvard’s Nieman Conference on Narrative Journalism. Telling True Stories presents their best advice—covering everything from finding a good topic, to structuring narrative stories, to writing and selling your first book. More than fifty well-known writers offer their most powerful tips, including:
• Tom Wolfe on the emotional core of the story
• Gay Talese on writing about private lives
• Malcolm Gladwell on the limits of profiles
• Nora Ephron on narrative writing and screenwriters
• Alma Guillermoprieto on telling the story and telling the truth
• Dozens of Pulitzer Prize–winning journalists from the Atlantic Monthly, New Yorker, New York Times, Los Angeles Times, Washington Post and more . . .
The essays contain important counsel for new and career journalists, as well as for freelance writers, radio producers, and memoirists. Packed with refreshingly candid and insightful recommendations, Telling True Stories will show anyone fascinated by the art of writing nonfiction how to bring people, scenes, and ideas to life on the page.
From the Trade Paperback edition.
"Darn," the editor hectored, in turn. "I can not publish your novel! It is full of what we in the business call 'really awful writing.'"
"But how shall I absolve this dilemma? I have already read every tome available on how to write well and get published!" The writer tossed his head about, wildly.
"It might help," opined the blonde editor, helpfully, "to ponder how NOT to write a novel, so you might avoid the very thing!"
Many writing books offer sound advice on how to write well. This is not one of those books. On the contrary, this is a collection of terrible, awkward, and laughably unreadable excerpts that will teach you what to avoid—at all costs—if you ever want your novel published.
In How Not to Write a Novel, authors Howard Mittelmark and Sandra Newman distill their 30 years combined experience in teaching, editing, writing, and reviewing fiction to bring you real advice from the other side of the query letter. Rather than telling you how or what to write, they identify the 200 most common mistakes unconsciously made by writers and teach you to recognize, avoid, and amend them. With hilarious "mis-examples" to demonstrate each manuscript-mangling error, they'll help you troubleshoot your beginnings and endings, bad guys, love interests, style, jokes, perspective, voice, and more. As funny as it is useful, this essential how-NOT-to guide will help you get your manuscript out of the slush pile and into the bookstore.
After the film in her camera is mysteriously destroyed at a small-town festival, reporter Bernice Kreuger knows she’s found something worth covering up. She brings the investigation to her boss, Marshall Hogan. Along with the local pastor of a struggling church, Hank Busch, they find something much bigger than they expected—a demonic plot to enslave their town and, eventually, the world.
The tiny college town of Ashton becomes the unlikely battleground in a cosmic clash between good and evil. Unseen by the human protagonists, armies of angels and demons wage war against one another in the spiritual realm for the souls of the people of Ashton. Up against supernatural forces, the future of the town seems bleak – but the power of prayer might be able to influence the outcome of the fight.
This fast-paced thriller birthed an entirely new genre, setting the standard for spiritual suspense. It has since sold over 2 million copies worldwide, sparking a renewed interest in the concept of spiritual warfare.
Imagine knowing what the brain craves from every tale it encounters, what fuels the success of any great story, and what keeps readers transfixed. Wired for Story reveals these cognitive secrets—and it’s a game-changer for anyone who has ever set pen to paper.
The vast majority of writing advice focuses on “writing well” as if it were the same as telling a great story. This is exactly where many aspiring writers fail—they strive for beautiful metaphors, authentic dialogue, and interesting characters, losing sight of the one thing that every engaging story must do: ignite the brain’s hardwired desire to learn what happens next. When writers tap into the evolutionary purpose of story and electrify our curiosity, it triggers a delicious dopamine rush that tells us to pay attention. Without it, even the most perfect prose won’t hold anyone’s interest.
Backed by recent breakthroughs in neuroscience as well as examples from novels, screenplays, and short stories, Wired for Story offers a revolutionary look at story as the brain experiences it. Each chapter zeroes in on an aspect of the brain, its corresponding revelation about story, and the way to apply it to your storytelling right now.
From the best-selling author of Devotion and Slow Motion comes a witty, heartfelt, and practical look at the exhilarating and challenging process of storytelling. At once a memoir, meditation on the artistic process, and advice on craft, Still Writing is an intimate and eloquent companion to living a creative life.
Through a blend of deeply personal stories about what formed her as a writer, tales from other authors, and a searching look at her own creative process, Shapiro offers her gift to writers everywhere: an elegant guide of hard-won wisdom and advice for staying the course. “The writer’s life requires courage, patience, empathy, openness. It requires the ability to be alone with oneself. Gentle with oneself. To be disciplined, and at the same time, take risks.” Writers—and anyone with an artistic temperament—will find inspiration and comfort in these pages. Offering lessons learned over twenty years of teaching and writing, Shapiro brings her own revealing insights to weave an indispensable almanac for modern writers.
Like Anne Lamott’s Bird by Bird, Virginia Woolf’s A Writer’s Diary, and Stephen King’s On Writing, Dani Shapiro’s Still Writing is a lodestar for aspiring scribes and an eloquent memoir of the writing life.
“‘The cat sat on the mat’ is not the beginning of a story, but ‘the cat sat on the dog’s mat’ is.” —John Le Carré
Nothing is more inspiring for a beginning writer than listening to masters of the craft talk about the writing life. But if you can’t get Vladimir Nabokov, Virginia Woolf, and Gabriel García Márquez together at the Algonquin, The Modern Library Writer’s Workshop gives you the next best thing. Stephen Koch, former chair of Columbia University’s graduate creative writing program, presents a unique guide to the craft of fiction. Along with his own lucid observations and commonsense techniques, he weaves together wisdom, advice, and inspiring commentary from some of our greatest writers. Taking you from the moment of inspiration (keep a notebook with you at all times), to writing a first draft (do it quickly! you can always revise later), to figuring out a plot (plot always serves the story, not vice versa), Koch is a benevolent mentor, glad to dispense sound advice when you need it most. The Modern Library Writer’s Workshop belongs on every writer’s shelf, to be picked up and pored over for those moments when the muse needs a little help finding her way.
From the Trade Paperback edition.
No one can teach talent, but the practical skills of the professional writer's craft can certainly be taught. The correct and imaginative use of these kills can shorten any beginner's apprenticeship by years.
This is the book for writers who want to turn rejection slips into cashable checks.
Growing up, his wife Catherine always dreamed of marrying a loving, brave firefighter . . . just like her father. Now, after seven years of marriage, she wonders when she stopped being "good enough." Countless arguments and anger have them wanting to move on to something with more sparks.
As they prepare for divorce, Caleb's father challenges him to commit to a 40-day experiment: "The Love Dare." Wondering if it's even worth the effort, Caleb reluctantly agrees, not realizing how it will change his world forever.
Surprised by what he discovers about the meaning of love, Caleb begins to see his wife and marriage as worth fighting for. But is it too late? His job is to rescue others. Now Captain Holt must face his toughest job ever . . . rescuing his wife's heart.
Why is so much writing so bad, and how can we make it better? Is the English language being corrupted by texting and social media? Do the kids today even care about good writing—and why should we care? From the author of The Better Angels of Our Nature and Enlightenment Now.
In this entertaining and eminently practical book, the cognitive scientist, dictionary consultant, and New York Times–bestselling author Steven Pinker rethinks the usage guide for the twenty-first century. Using examples of great and gruesome modern prose while avoiding the scolding tone and Spartan tastes of the classic manuals, he shows how the art of writing can be a form of pleasurable mastery and a fascinating intellectual topic in its own right. The Sense of Style is for writers of all kinds, and for readers who are interested in letters and literature and are curious about the ways in which the sciences of mind can illuminate how language works at its best.
Readers will find everything they need to know about managing time, finding an idea, getting the first word down on the page, staying unblocked, shaping ideas into compelling stories, and submitting their work to agents and publishers.
Immediate Fiction goes beyond the old "Write what you know" to "Write what you can imagine." Filled with insightful tips on how to manage doubts, fears, blocks, and panic, Immediate Fiction will help writers develop their skills in as little minutes a day, if necessary.
Believing that all writing is rewriting, Cleaver says, "You can't control what you put on the page. You can only control what you leave on the page." With this book Cleaver shows how to get that control and produce results.
Great writing isn’t born, it’s built—sentence by sentence. But too many writers—and writing guides—overlook this most important unit. The result? Manuscripts that will never be published and writing careers that will never begin.
With chapters on “Conjunctions That Kill” and “Words Gone Wild,” this lighthearted guide is perfect for anyone who’s dead serious about writing, from aspiring novelists to nonfiction writers, conscientious students to cheeky literati. So roll up your sleeves and prepare to craft one bold, effective sentence after another. Your readers will thank you.
Here you'll find: - The fundamental elements of fiction craft-character, plot, point of view, etc.-explained clearly and completely - Key concepts illustrated with passages from great works of fiction - The complete text of "Cathedral" by Raymond Carver-a masterpiece of contemporary short fiction that is analyzed throughout the book - Exercises that let you immediately apply what you learn to your own writing
Written by Gotham Writers' Workshop expert instructors and edited by Dean of Faculty Alexander Steele, Writing Fiction offers the same methods and exercises that have earned the school international acclaim.
Once you've read-and written-your way through this book, you'll have a command of craft that will enable you to turn your ideas into effective short stories and novels.
You will be a writer.
Stephen Fry believes that if one can speak and read English, one can write poetry. In The Ode Less Travelled, he invites readers to discover the delights of writing poetry for pleasure and provides the tools and confidence to get started. Through enjoyable exercises, witty insights, and simple step-by-step advice, Fry introduces the concepts of Metre, Rhyme, Form, Diction, and Poetics.
Most of us have never been taught to read or write poetry, and so it can seem mysterious and intimidating. But Fry, a wonderfully competent, engaging teacher and a writer of poetry himself, sets out to correct this problem by explaining the various elements of poetry in simple terms, without condescension. Fry?s method works, and his enthusiasm is contagious as he explores different forms of poetry: the haiku, the ballad, the villanelle, and the sonnet, among many others. Along the way, he introduces us to poets we?ve heard of but never read. The Ode Less Travelled is not just the survey course you never took in college, it?s a lively celebration of poetry that makes even the most reluctant reader want to pick up a pencil and give it a try.
The day before a teenage Ellie moved from Georgia to California, she and her best friend Nolan sat beneath the Spanish moss of an ancient oak tree where they wrote letters to each other and buried them in a rusty old metal box. The plan was to return eleven years later, dig the box up, and read the letters. But now, as that date approaches, much has changed. Ellie has abandoned the faith she grew up with, her days consumed with loving her little girl and trying to make ends meet. Sometimes she watches TV to catch a glimpse of her old friend Nolan, now an NBA star, whose faith is known by the entire nation. But few know that Nolan’s own personal tragedies have fueled both his faith and athletic drive. Despite his success, Nolan is isolated and lonely, plagued by a void in his heart that has remained since that night beneath the old oak tree with Ellie. For both Ellie and Nolan, the coming date is more than just a childhood promise. It’s the chance to make sense of it all—the chance to find out if it’s ever too late to find love again.
Karen Kingsbury weaves a moving tale of heart-wrenching loss, the power of faith, and the wounds that only a forever kind of love can heal. She delves deeply into a theme that resonates within us all: Hope lives for those willing to take a chance.
Lajos Egri examines a play from the inside out, starting with the heart of any drama: its characters. For it is people -- their private natures and their inter-relationships -- that move a story and give it life. All good dramatic writing depends upon an understanding of human motives. Why do people act as they do? What forces transform a coward into a hero, a hero into a coward? What is it that Romeo does early in Shakespeare's play that makes his later suicide seem inevitable? Why must Nora leave her husband at the end of A Doll's House?
These are a few of the fascinating problems which Egri analyzes. He shows how it is essential for the author to have a basic premise -- a thesis, demonstrated in terms of human behavior -- and to develop his dramatic conflict on the basis of that behavior. Premise, character, conflict: this is Egri's ABC. His book is a direct, jargon-free approach to the problem of achieving truth in a literary creation.
Growing up isn’t easy for little Carolyn Arundel. With her mother, Hildemara, quarantined to her room with tuberculosis, Carolyn forms a special bond with her oma Marta, who moves in to care for the household. But as tensions between Hildie and Marta escalate, Carolyn believes she is to blame. When Hildie returns to work and Marta leaves, Carolyn and her brother grow up as latchkey kids in a world gripped by the fear of the Cold War.
College offers Carolyn the chance to find herself, but a family tragedy shatters her newfound independence. Rather than return home, she cuts all ties and disappears into the heady counterculture of San Francisco. When she reemerges two years later, more lost than ever, she reluctantly turns to her family to help rebuild a life for her and her own daughter, May Flower Dawn.
Just like Carolyn, May Flower Dawn develops a closer bond with her grandmother, Hildie, than with her mother, causing yet another rift between generations. But as Dawn struggles to avoid the mistakes of those who went before her, she vows that somehow she will be a bridge between the women in her family rather than the wall that separates them forever.
Spanning from the 1950s to present day, Her Daughter’s Dream is the emotional final chapter of an unforgettable family saga about the sacrifices every mother makes for her daughter—and the very nature of unconditional love.
#1 New York Times bestselling author Karen Kingsbury has written a modern-day classic with this unforgettable love story set against the struggle of the American bookstore. Molly Allen lives alone in Portland, but she left her heart back in Tennessee when she walked away from Ryan five years ago. They had a rare sort of love she hasn’t found since.
Ryan Kelly lives in Nashville after a broken engagement and several years on the road touring with a country music duo. Sometimes when he’s lonely, he visits The Bridge—the oldest bookstore in historic downtown Franklin—and remembers the hours he and Molly once spent there.
For over four decades, Charlie and Donna Barton have run The Bridge, providing customers with coffee, conversation, and shelves of classics—even through dismal sales and the rise of digital books. Then the hundred-year flood sweeps through Franklin and destroys everything. The bank is about to pull the store’s lease when tragedy strikes. Can two generations of readers rally together to save The Bridge? And is it possible that an unforgettable love might lead to the miracle of a second chance?
"One of the best in her craft." -- Toronto Star
"Goal, Motivation & Conflict is one of my all time favorites." -- Jane Porter (Flirting With Forty), award winning and bestselling author with 10 million books in print, in twenty languages and 25 countries
Goal, motivation, and conflict are the foundation of everything that happens in the story world. Using charts, examples, and movies, the author breaks these key elements down into understandable components and walks the reader through the process of laying this foundation in his or her own work.
Learn what causes sagging middles and how to fix them, which goals are important, which aren't and why, how to get your characters to do what they need for your plot in a believable manner, and how to use conflict to create a good story. GMC can be used not only in plotting, but in character development, sharpening scenes, pitching ideas to an editor, and evaluating whether an idea will work.
Be confident your ideas will work before you write 200 pages.
Plan a road map to keep your story on track.
Discover why your scenes aren't working and what to do about it.
Create characters that editors and readers will care about.
The first in an epic two-book saga by beloved author Francine Rivers, this New York Times best-selling story explores the complicated relationships between mothers and daughters over several generations.
Near the turn of the twentieth century, fiery Marta Schneider leaves Switzerland for a better life, determined to fulfill her mother’s hope. Her formative journey takes her through Europe and eventually to Canada, where she meets handsome Niclas Waltert. But nothing has prepared her for the sacrifices she must make for marriage and motherhood as she travels to the Canadian wilderness and then to the dusty Central Valley of California to raise her family.
Marta’s hope is to give her children a better life, but experience has taught her that only the strong survive. Her tough love is often misunderstood, especially by her oldest daughter, Hildemara Rose, who craves her mother’s acceptance. Amid the drama of World War II, Hildie falls in love and begins a family of her own. But unexpected and tragic events force mother and daughter to face their own shortcomings and the ever-widening chasm that threatens to separate them forever.
No one knows more about screenwriting than Syd Field—and now the ultimate Hollywood insider shares his secrets and expertise, completely updating his bestselling workbook for a new generation of screenwriters. Filled with new material—including fresh insights and anecdotes from the author and analyses of films from Pulp Fiction to Brokeback Mountain—The Screenwriter’s Workbook is your very own hands-on workshop, the book that allows you to participate in the processes that have made Syd Field’s workshops invaluable to beginners and working professionals alike. Follow this workbook through
to the finish, and you’ll end up with a complete and salable script!
Learn how to:
• Define the idea on which your script will be built
• Create the model—the paradigm—that professionals use
• Bring your characters to life
• Write dialogue like a pro
• Structure your screenplay for success from the crucial first pages to the final act
Here are systematic instructions, easy-to-follow exercises, a clear explanation of screenwriting basics, and expert advice at every turn—all the moment-to-moment, line-by-line help you need to transform your initial idea into a professional screenplay that’s earmarked for success.
The Perfect Companion Volume to Syd Field’s Revised and Updated Edition of Screenplay: The Foundations of Screenwriting
From the Trade Paperback edition.
With wit and honesty, Berg provides numerous exercises that will unleash individual creativity and utilize all five senses. Most important, she tells how to fire passion—emotion—into writing itself; to break through personal barriers and reach one's own outer limits and beyond.
Completely revised and rewritten to address the challenges and opportunities of the modern era, this handbook is a short, deceptively simple guide to the craft of writing. Le Guin lays out ten chapters that address the most fundamental components of narrative, from the sound of language to sentence construction to point of view. Each chapter combines illustrative examples from the global canon with Le Guin’s own witty commentary and an exercise that the writer can do solo or in a group. She also offers a comprehensive guide to working in writing groups, both actual and online.
Masterly and concise, Steering the Craft deserves a place on every writer's shelf.
Originally published in 1918, this authoritative and engagingly written manual retains its immediacy and relevance. Strunk begins with the basic rules of usage, offering accessible explanations of correct punctuation and grammar. His advice on the principles of composition cites concrete examples of how to maintain clarity by eliminating redundancy and unnecessary embellishment. In addition, Strunk provides valuable pointers on avoiding common errors in the usage of words and expressions, and in spelling. The greatest book of its kind, this volume is a must for any student or writer.
But we must try to find our True Conscience, our True Self, the very Center, for this is the only first-rate choice-making center. Here lies all originality, talent, honor, truthfulness, courage and cheerfulness. Here lies the ability to choose the good and the grand, the true and the beautiful.
In her ninety-three remarkable years, Brenda Ueland published six million words. She said she had two rules she followed absolutely: to tell the truth, and not to do anything she didn't want to do. Her integrity shines throughout If You Want to Write, her bestselling classic on the process of writing that has already inspired thousands to find their own creative center. Carl Sandburg called this book "the best book ever written about how to write." Yet Ueland reminds us that "whenever I say ‘writing' in this book, I also mean anything that you love and want to do or make."
Bandit troubles intensify as Caleb Bender's family tries to settle into their new life in 1920s Paradise Valley. When El Pantera kidnaps Rachel and leaves her brother, Aaron, for dead, Jake Weaver and the Mexican native Domingo pursue the bandit leader to his mountain stronghold in a hopeless rescue attempt. Jake and Domingo manage to escape with Rachel, with the bandits hot on their trail. In a desperate attempt to avoid recapture, Domingo puts himself squarely in harm's way, giving Jake and Rachel time to get away. This is not the quiet life Caleb Bender envisioned when he led his family out of Ohio. What is a father to make of his daughter's obvious affection for a man outside the fold? And how will a pacifist Amishman like Caleb respond to the events that threaten his family and their way of life?