“The murderer is with us—on the train now . . .”
Just after midnight, the famous Orient Express is stopped in its tracks by a snowdrift. By morning, the millionaire Samuel Edward Ratchett lies dead in his compartment, stabbed a dozen times, his door locked from the inside. Without a shred of doubt, one of his fellow passengers is the murderer.
Isolated by the storm, detective Hercule Poirot must find the killer among a dozen of the dead man's enemies, before the murderer decides to strike again.
“What more . . . can a mystery addict desire?”—New York Times
“He was murdered, wasn’t he?”
When Cora Lansquenet is savagely murdered, the extraordinary remark she had made the previous day at her brother Richard’s funeral suddenly takes on a chilling significance. At the reading of Richard’s will, Cora was clearly heard to say, “It’s been hushed up very nicely, hasn’t it. But he was murdered, wasn’t he?”
Did Cora’s accusation a dark truth that sealed her own fate? Or are the siblings’ deaths just tragic coincidences?
Desperate to know the truth, the Lansquenet’s solicitor turns to Hercule Poirot to unravel the mystery. For even after the funeral, death isn’t finished yet . . .
Mr. Shaitana is famous as a flamboyant party host. Nevertheless, he is a man of whom everybody is a little afraid. So when he boasts to Hercule Poirot that he considers murder an art form, the detective has some reservations about accepting a party invitation to view Shaitana’s “private collection.”
Indeed, what begins as an absorbing evening of bridge is to turn into a more dangerous game altogether.…
The beautiful bronzed body of Arlena Stuart lay face down on the beach. But strangely, there was no sun and Arlena was not sunbathing…she had been strangled.
Ever since Arlena’s arrival the air had been thick with sexual tension. Each of the guests had a motive to kill her, including Arlena’s new husband. But Hercule Poirot suspects that this apparent “crime of passion” conceals something much more evil.
At a Halloween party, Joyce—a hostile thirteen-year-old—boasts that she once witnessed a murder. When no one believes her, she storms off home. But within hours her body is found, still in the house, drowned in an apple-bobbing tub.That night, Hercule Poirot is called in to find the `evil presence'. But first he must establish whether he is looking for a murderer or a double-murderer...
Pretty, young Anne came to London looking for adventure. In fact, adventure comes looking for her—and finds her immediately at Hyde Park Corner tube station. Anne is present on the platform when a thin man, reeking of mothballs, loses his balance and is electrocuted on the rails.
The Scotland Yard verdict is accidental death. But Anne is not satisfied. After all, who was the man in the brown suit who examined the body? And why did he race off, leaving a cryptic message behind: "17-122 Kilmorden Castle"?
Hercule Poirot comes out of retirement in one of Agatha Christie’s ten favorite novels, The Murder of Rojer Ackroyd.
Roger Ackroyd knew too much. He knew that the woman he loved had poisoned her brutal first husband. He suspected also that someone had been blackmailing her. Then, tragically, came the news that she had taken her own life with an apparent drug overdose.
However the evening post brought Roger one last fatal scrap of information, but before he could finish reading the letter, he was stabbed to death. Luckily one of Roger’s friends and the newest resident to retire to this normally quiet village takes over—none other than Monsieur Hercule Poirot.
The world of Patricia Highsmith has always been filled with ordinary people, all of whom are capable of very ordinary crimes. This theme was present from the beginning, when her debut, Strangers on a Train, galvanized the reading public. Here we encounter Guy Haines and Charles Anthony Bruno, passengers on the same train. But while Guy is a successful architect in the midst of a divorce, Bruno turns out to be a sadistic psychopath who manipulates Guy into swapping murders with him. "Some people are better off dead," Bruno remarks, "like your wife and my father, for instance." As Bruno carries out his twisted plan, Guy is trapped in Highsmith's perilous world, where, under the right circumstances, anybody is capable of murder.
The inspiration for Alfred Hitchcock's classic 1951 film, Strangers on a Train launched Highsmith on a prolific career of noir fiction, proving her a master at depicting the unsettling forces that tremble beneath the surface of everyday contemporary life.
Little did Anthony Cade suspect that an errand for a friend would place him at the center of a deadly conspiracy. Drawn into a web of intrigue, he begins to realize that the simple favor has placed him in serious danger.
As events unfold, the combined forces of Scotland Yard and the French Sûreté gradually converge on Chimneys, the great country estate that hides an amazing secret. . . .
A Study in Scarlet is the genre-defining work with which popular crime fiction was born. A potent mix of serial murder, suspense, cryptic clues, red herrings and revenge, the novel introduces us to the world-famous characters of Sherlock Holmes, Dr Watson and Inspector Lestrade and sees Sherlock and Dr Watson meet and join forces for the first time as they track a mysterious killer that stalks London's streets.
In addition to the original text, this edition also has an introduction by Sherlock co-creator Steven Moffat, who explains how it inspired the Sherlock script.