• The original, unabridged, and proofread text
• Stoker’s short story, “Dracula’s Guest”
• Full-color maps and historical illustrations
• Author bio
Told in a series of first-person missives and reports, and set in 1890s Transylvania and England, Dracula is the source of every vampire story told since, the founding text of the entire genre. Count Vlad Dracula—as Jonathan Harker, Lucy Westenra, Mina Murray, and Dr. Abraham Van Helsing learn—is a dangerous and powerful creature who’s lived for hundreds of years and possesses powers no mortal can claim. Bent on creating legions of Un-Dead followers in populous London, Dracula must be stopped—but how?
The visionary creator of the Academy Award-winning Pan's Labyrinth and a Hammett Award-winning author bring their imaginations to this bold, epic novel about a horrifying battle between man and vampire that threatens all humanity. The first installment in a thrilling trilogy.
A Boeing 777 arrives at JFK and is on its way across the tarmac, when it suddenly stops dead. All window shades are pulled down. All lights are out. All communication channels have gone quiet. Crews on the ground are lost for answers, but an alert goes out to the CDC. Dr. Eph Goodweather, head of their Canary project, a rapid-response team that investigates biological threats, gets the call and boards the plane. What he finds makes his blood run cold.
In a pawnshop in Spanish Harlem, a former professor and survivor of the Holocaust named Abraham Setrakian knows something is happening. And he knows the time has come, that a war is brewing . . .
So begins a battle of mammoth proportions as the vampiric virus that has infected New York begins to spill out into the streets. Eph, who is joined by Setrakian and a motley crew of fighters, must now find a way to stop the contagion and save his city—a city that includes his wife and son—before it is too late.
An epic battle for survival begins between man and vampire in The Strain—the first book in a heart-stopping trilogy from one of Hollywood’s most inventive storytellers and a critically acclaimed thriller writer. Guillermo del Toro, the genius director of the Academy Award-winning Pan’s Labyrinth and Hellboy, and Hammett Award-winning author Chuck Hogan have joined forces to boldly reinvent the vampire novel. Brilliant, blood-chilling, and unputdownable, The Strain is a nightmare of the first order.
"A masterwork of horror."— Time
Victoria McQueen has an uncanny knack for finding things: a misplaced bracelet, a missing photograph, answers to unanswerable questions. When she rides her bicycle over the rickety old covered bridge in the woods near her house, she always emerges in the places she needs to be.
Charles Talent Manx has a gift of his own. He likes to take children for rides in his 1938 Rolls-Royce Wraith with the vanity plate NOS4A2. In the Wraith, he and his innocent guests can slip out of the everyday world and onto hidden roads that lead to an astonishing playground of amusements he calls Christmasland. The journey across the highway of Charlie's twisted imagination transforms his precious passengers, leaving them as terrifying and unstoppable as their benefactor.
Then comes the day when Vic goes looking for trouble...and finds her way to Charlie. That was a lifetime ago. Now, the only kid ever to escape Charlie's evil is all grown up and desperate to forget. But Charlie Manx hasn't stopped thinking about Victoria McQueen. On the road again, he won't slow down until he's taken his revenge. He's after something very special—something Vic can never replace.
As a life-and-death battle of wills builds, Vic McQueen prepares to destroy Charlie once and for all—or die trying.
Two years after its publication, The Exorcist was, of course, turned into a wildly popular motion picture, garnering ten Academy Award nominations. On opening day of the film, lines of the novel’s fans stretched around city blocks. In Chicago, frustrated moviegoers used a battering ram to gain entry through the double side doors of a theater. In Kansas City, police used tear gas to disperse an impatient crowd who tried to force their way into a cinema. The three major television networks carried footage of these events; CBS’s Walter Cronkite devoted almost ten minutes to the story. The Exorcist was, and is, more than just a novel and a film: it is a true landmark.
Purposefully raw and profane, The Exorcist still has the extraordinary ability to disturb readers and cause them to forget that it is “just a story.” Published here in this beautiful fortieth anniversary edition, it remains an unforgettable reading experience and will continue to shock and frighten a new generation of readers.