Born into a life of bondage, Frederick Douglass secretly taught himself to read and write. It was a crime punishable by death, but it resulted in one of the most eloquent indictments of slavery ever recorded. His gripping narrative takes us into the fields, cabins, and manors of pre-Civil War plantations in the South and reveals the daily terrors he suffered as a slave.
Written more than a century and a half ago by an African-American who went on to become a famous orator, U.S. minister to Haiti, and leader of his people, this timeless classic still speaks directly to our age. It is a record of savagery and inhumanity that goes far to explain why America still suffers from the great injustices of the past.
With an Introduction by Peter J. Gomes
and an Afterword by Gregory Stephens
First published in 1845, Narrativeof the Life of Frederick Douglass is an eye-opening depiction of American slavery. Part autobiography, part human-rights treatise, it describes the everyday horrors inflicted on captive laborers, as well as the strength and courage needed to survive.
Born into slavery on a Maryland plantation in 1818, Frederick Douglass spent years secretly teaching himself to read and write—a crime for which he risked life and limb. After two failed escapes, Douglass finally, blessedly boarded a train in 1838 that would eventually lead him to New York City, and freedom.
Few books have done more to change America’s notion of African Americans than this seminal work. Beyond its historical and social relevancy, it is admired today for its gripping stories, intensity of spirit, and heartfelt humanity.
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One of the most important figures of the Civil War, Frederick Douglass, was born into slavery but rose to become a tremendous orator, an impassioned abolitionist, and a representative of all who remained voiceless through slavery and oppression. His narrative resonates today with its eloquence, its incendiary history, and its profound and moving arguments for the humanity, and the equality, of Americans.
In this, the first and most frequently read of his three autobiographies, Douglass provides graphic descriptions of his childhood and horrifying experiences as a slave as well as a harrowing record of his dramatic escape to the North and eventual freedom.
Published in 1845 to quell doubts about his origins — since few slaves of that period could write — the Narrative is admired today for its extraordinary passion, sensitive and vivid descriptions and storytelling power. It belongs in the library of anyone interested in African-American history and the life of one of the country's most courageous and influential champions of civil rights.
Frederick Douglass’s powerful autobiographical account of life in bondage, his triumphant escape to freedom, and his analysis of slavery as a condition.
Enriched Classics enhance your engagement by introducing and explaining the historical and cultural significance of the work, the author’s personal history, and what impact this book had on subsequent scholarship. Each book includes discussion questions that help clarify and reinforce major themes and reading recommendations for further research.
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Born and brought up in slavery, Frederick Douglass (1818-1895) experienced the horrors of bondage but gained freedom and world renown as a lecturer, editor, and one of the most important men behind the American abolitionist movement. This book is the deeply moving story of his life — as a slave, and as a free man.
Douglass wrote three autobiographies, of which the 1855 edition is the most detailed on his life as a slave. In it, readers are not spared the fullest and most graphic descriptions of the cruelty of slavery. Douglass describes his life on a Maryland plantation: the excitement and danger of teaching himself to read and write, his demoralization under a cruel master, and his daring escape.
In the second part of his tale, Douglass, now a fugitive, settles in Massachusetts and joins the anti-slavery movement. He recounts his travels to the British Isles and his first taste of freedom without prejudice, and his return to America to work as spokesman for his oppressed people. In addition to recording his sufferings and his protests, Douglass also provides a keen analysis of the effects of slavery on its victims as well as on society at large.
The preeminent American slave narrative first published in 1845, Frederick Douglass’s Narrative powerfully details the life of the abolitionist from his birth into slavery in 1818 to his escape to the North in 1838, how he endured the daily physical and spiritual brutalities of his owners and driver, how he learned to read and write, and how he grew into a man who could only live free or die. In addition to Douglass’s classic autobiography, this new edition also includes his most famous speech “What to the Slave Is the Fourth of July?” and his only known work of fiction, The Heroic Slave, which was written, in part, as a response to Harriet Beecher Stowe’s Uncle Tom’s Cabin.
For more than sixty-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,500 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
From the Trade Paperback edition.
For a new perspective on Douglass' narrative, Henry Louis Gates, Jr.'s, introduction examines its literary and social importance, and considers the issues Douglass raised as the foundation for today's field of African American studies. Gates's illuminating insights, and an extensive bibliography, make this edition essential reading for scholars, historians, and students of African American literature.
1. A Narrative of the Life of Frederick Douglass, an American Slave is a memoir and treatise on abolition written by former slave, Frederick Douglass. The text, first published in 1845, describes the events of his life and encompasses eleven chapters that recount Douglass' life as a slave and his ambition to become a free man. It is considered to be one of the most influential pieces of literature to fuel the abolitionist movement of the early 19th century in the United States.
2. The Heroic Slave, a heartwarming Narrative of the Adventures of Madison Washington, in Pursuit of Liberty is a short piece of fiction written by famous abolitionist Frederick Douglass. The novella, published in 1852, was Douglass' first and only published work of fiction.
3. My Bondage and My Freedom is an autobiographical slave narrative written by Douglass and published in 1855. The book describes in greater detail his transition from bondage to liberty.
4. Life and Times of Frederick Douglass is Frederick Douglass' third autobiography, published in 1881 and revised in 1892. Because of the emancipation of American slaves during and following the American Civil War, Douglas gave more details about his life as a slave and his escape from slavery in this volume than he could in his two previous autobiographies.
5. My Escape from Slavery was published in 1881 in The Century Illustrated Magazine. His fully revised autobiography was published as Life and Times of Frederick Douglass, also in 1881. In this book Douglass describes in vivid detail his escape by train from Maryland, where he was legally a slave, north to New York City.
6. Self-Made Men is a famous lecture (1895). In this speech he gives his own definition of the self-made man and explains what he thinks are the means to become such a man.
7. The Speeches & Writings section contains 6 seminal texts: What to the Slave is the Fourth of July? (1852) - Reconstruction (1866) - An Appeal to Congress for Impartial Suffrage (1867) - Oration in Memory of Abraham Lincoln (1876) - The Color Line (1881) and The Future of the Colored Race (1886)
Frederick Douglass (1818 – 1895) was an African-American social reformer, orator, writer and statesman. After escaping from slavery, he became a leader of the abolitionist movement, gaining note for his dazzling oratory and incisive antislavery writing.
In this first of his three autobiographies, Douglass relates graphic descriptions of his childhood, his shocking experiences as a slave, and his thrilling escape from slavery to safety in the North and his pivotal freedom.
Originally published in 1845, a date significant for the fact that very few African Americans could read or write at that time, this tale of sadness, danger, and eventual liberation will appeal to readers of all kinds. For those interested in African American history and the life of one of the most daring and heroic champions of civil rights, this page-turner is a perfect library addition.
Skyhorse Publishing, along with our Arcade, Good Books, Sports Publishing, and Yucca imprints, is proud to publish a broad range of biographies, autobiographies, and memoirs. Our list includes biographies on well-known historical figures like Benjamin Franklin, Nelson Mandela, and Alexander Graham Bell, as well as villains from history, such as Heinrich Himmler, John Wayne Gacy, and O. J. Simpson. We have also published survivor stories of World War II, memoirs about overcoming adversity, first-hand tales of adventure, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.
Commentary by Jean Fagan Yellin and Margaret Fuller
This Modern Library edition combines two of the most important African American slave narratives—crucial works that each illuminate and inform the other.
Frederick Douglass’s Narrative, first published in 1845, is an enlightening and incendiary text. Born into slavery, Douglass became the preeminent spokesman for his people during his life; his narrative is an unparalleled account of the dehumanizing effects of slavery and Douglass’s own triumph over it.
Like Douglass, Harriet Jacobs was born into slavery, and in 1861 she published Incidents in the Life of a Slave Girl, now recognized as the most comprehensive antebellum slave narrative written by a woman. Jacobs’s account broke the silence on the exploitation of African American female slaves, and it remains essential reading.
Includes a Modern Library Reading Group Guide
From the Trade Paperback edition.
Included here are Booker T. Washington's Up From Slavery, W. E. B.
Du Bois's The Souls of Black Folk, and Frederick Douglass's Narrative of the Life of Frederick Douglass. These stirring accounts, significant testaments to our nation's past together in one volume, belong on the bookshelves of everyone interested in African-American history.
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Based on a true story, Frederick Douglass' The Heroic Slave is a dramatic fictional retelling of how the determined and courageous Madison Washington led a slave rebellion aboard the ship Creole. In Clotel, the first novel ever written by an African American, William Wells Brown tells a prophetic story about a child conceived by Thomas Jefferson and one of his slaves. And in Our Nig, Harriet E. Wilson's heartrending semi-autobiographical tale, she describes the life of a mulatto girl who, after the death of her mother, is exploited by a terrifying Northern family . . . and then, by the man she marries. Emotionally powerful and historically authentic, this collection is essential reading for students and teachers of African-American history and culture.
Frederick Douglass was born into slavery in Maryland in 1818. After his escape in 1838 he became an ardent abolitionist, and his autobiography was an instant bestseller upon publication in 1845. In it he describes with harrowing honesty his life as a slave – the cruelty he suffered at the hands of plantation owners; his struggles to educate himself in a world where slaves are deliberately kept ignorant; and ultimately, his fight for his right to freedom. A passionately written, intelligent and highly emotive indictment of slavery, his principle preoccupation was that slavery could be eradicated only through education. This text was key in helping to secure its eventual abolition.
This book includes representative selections from the speeches and writings of this great statesman, with topics focusing on the slave trade, the Civil War, suffrage for African-Americans, reconstruction in the South, and other vital issues.
A powerful voice for human rights throughout much of the 19th century, Douglass remains highly respected today for his fight against racial injustice.
"My Bondage and My Freedom" by Frederick Douglass is a 19th century autobiography by an ex-slave about the abolition of African Americans.
Featured addresses include "What to the Slave is the Fourth of July?" which was delivered on July 5, 1852, more than ten years before the Emancipation Proclamation. "Had I the ability, and could reach the nation's ear, I would, today, pour out a fiery stream of biting ridicule, blasting reproach, withering sarcasm, and stern rebuke," Douglass assured his listeners, "For it is not light that is needed, but fire; it is not the gentle shower, but thunder. We need the storm, the whirlwind, and the earthquake." Other eloquent and dramatic orations include "Self-Made Men," first delivered in 1859, which defines the principles behind individual success, and "The Church and Prejudice," delivered at the Plymouth County Anti-Slavery Society in 1841.
Edward Curtis was charismatic, handsome, a passionate mountaineer, and a famous portrait photographer, the Annie Leibovitz of his time. He moved in rarefied circles, a friend to presidents, vaudeville stars, leading thinkers. But when he was thirty-two years old, in 1900, he gave it all up to pursue his Great Idea: to capture on film the continent’s original inhabitants before the old ways disappeared.
Curtis spent the next three decades documenting the stories and rituals of more than eighty North American tribes. It took tremendous perseverance — ten years alone to persuade the Hopi to allow him to observe their Snake Dance ceremony. And the undertaking changed him profoundly, from detached observer to outraged advocate. Curtis would amass more than 40,000 photographs and 10,000 audio recordings, and he is credited with making the first narrative documentary film. In the process, the charming rogue with the grade school education created the most definitive archive of the American Indian.
“A darn good yarn. Egan is a muscular storyteller and his book is a rollicking page-turner with a colorfully drawn hero.” — San Francisco Chronicle
"A riveting biography of an American original." – Boston Globe
Role Models is, in fact, a self-portrait told through intimate profiles of favorite personalities—some famous, some unknown, some criminal, some surprisingly middle-of-the-road. From Esther Martin, owner of the scariest bar in Baltimore, to the playwright Tennessee Williams; from the atheist leader Madalyn Murray O'Hair to the insane martyr Saint Catherine of Siena; from the English novelist Denton Welch to the timelessly appealing singer Johnny Mathis—these are the extreme figures who helped the author form his own brand of neurotic happiness.
Role Models is a personal invitation into one of the most unique, perverse, and hilarious artistic minds of our time.
War photographer Lynsey Addario’s memoir It’s What I Do is the story of how the relentless pursuit of truth, in virtually every major theater of war in the twenty-first century, has shaped her life. What she does, with clarity, beauty, and candor, is to document, often in their most extreme moments, the complex lives of others. It’s her work, but it’s much more than that: it’s her singular calling.
Lynsey Addario was just finding her way as a young photographer when September 11 changed the world. One of the few photojournalists with experience in Afghanistan, she gets the call to return and cover the American invasion. She makes a decision she would often find herself making—not to stay home, not to lead a quiet or predictable life, but to set out across the world, face the chaos of crisis, and make a name for herself.
Addario finds a way to travel with a purpose. She photographs the Afghan people before and after the Taliban reign, the civilian casualties and misunderstood insurgents of the Iraq War, as well as the burned villages and countless dead in Darfur. She exposes a culture of violence against women in the Congo and tells the riveting story of her headline-making kidnapping by pro-Qaddafi forces in the Libyan civil war.
Addario takes bravery for granted but she is not fearless. She uses her fear and it creates empathy; it is that feeling, that empathy, that is essential to her work. We see this clearly on display as she interviews rape victims in the Congo, or photographs a fallen soldier with whom she had been embedded in Iraq, or documents the tragic lives of starving Somali children. Lynsey takes us there and we begin to understand how getting to the hard truth trumps fear.
As a woman photojournalist determined to be taken as seriously as her male peers, Addario fights her way into a boys’ club of a profession. Rather than choose between her personal life and her career, Addario learns to strike a necessary balance. In the man who will become her husband, she finds at last a real love to complement her work, not take away from it, and as a new mother, she gains an all the more intensely personal understanding of the fragility of life.
Watching uprisings unfold and people fight to the death for their freedom, Addario understands she is documenting not only news but also the fate of society. It’s What I Do is more than just a snapshot of life on the front lines; it is witness to the human cost of war.
Steven Naifeh and Gregory White Smith galvanized readers with their astonishing Jackson Pollock: An American Saga, winner of the Pulitzer Prize for biography, a book acclaimed for its miraculous research and overwhelming narrative power. Now Naifeh and Smith have written another tour de force—an exquisitely detailed, compellingly readable, and ultimately heartbreaking portrait of creative genius Vincent van Gogh.
Working with the full cooperation of the Van Gogh Museum in Amsterdam, Naifeh and Smith have accessed a wealth of previously untapped materials. While drawing liberally from the artist’s famously eloquent letters, they have also delved into hundreds of unpublished family correspondences, illuminating with poignancy the wanderings of Van Gogh’s troubled, restless soul. Naifeh and Smith bring a crucial understanding to the larger-than-life mythology of this great artist—his early struggles to find his place in the world; his intense relationship with his brother Theo; his impetus for turning to brush and canvas; and his move to Provence, where in a brief burst of incandescent productivity he painted some of the best-loved works in Western art.
The authors also shed new light on many unexplored aspects of Van Gogh’s inner world: his deep immersion in literature and art; his erratic and tumultuous romantic life; and his bouts of depression and mental illness.
Though countless books have been written about Van Gogh, and though the broad outlines of his tragedy have long inhabited popular culture, no serious, ambitious examination of his life has been attempted in more than seventy years. Naifeh and Smith have re-created Van Gogh’s life with an astounding vividness and psychological acuity that bring a completely new and sympathetic understanding to this unique artistic genius whose signature images of sunflowers and starry nights have won a permanent place in the human imagination.
Praise for Van Gogh
“The definitive biography for decades to come.”—Leo Jansen, curator, the Van Gogh Museum, and co-editor of Vincent van Gogh: The Complete Letters
“In their magisterial new biography, Van Gogh: The Life, Steven Naifeh and Gregory White Smith provide a guided tour through the personal world and work of that Dutch painter, shining a bright light on the evolution of his art. . . . What [the authors] capture so powerfully is Van Gogh’s extraordinary will to learn, to persevere against the odds.”—Michiko Kakutani, The New York Times
This early autobiography, which takes him through his late thirties, is as startling and unpredictable as his art. It is superbly illustrated with over 80 photographs of Dalí and his works, and scores of Dalí drawings and sketches. On its first publication, the reviewer of Books observed: "It is impossible not to admire this painter as writer. As a whole, he . . . communicates the snobbishness, self-adoration, comedy, seriousness, fanaticism, in short the concept of life and the total picture of himself he sets out to portray."
Dalí's flamboyant self-portrait begins with his earliest recollections and ends at the pinnacle of his earliest successes. His tantalizing chapter titles and headnotes — among them "Intra-Uterine Memories," "Apprenticeship to Glory," "Permanent Expulsion from the School of Fine Arts," "Dandyism and Prison," "I am Disowned by my Family," "My Participation and my Position in the Surrealist Revolution," and "Discovery of the Apparatus for Photographing Thought" — only hint at the compelling revelations to come.
Here are fascinating glimpses of the brilliant, ambitious, and relentlessly self-promoting artist who designed theater sets, shop interiors, and jewelry as readily as he made surrealistic paintings and films. Here is the mind that could envision and create with great technical virtuosity images of serene Raphaelesque beauty one moment and nightmarish landscapes of soft watches, burning giraffes, and fly-covered carcasses the next. For anyone interested in 20th-century art and one of its most gifted and charismatic figures, The Secret Life of Salvador Dalí is must reading.
ONE OF THE BEST BOOKS OF THE YEARThe New York Times, Washington Post, The San Francisco Chronicle, Vogue, NPR, Publishers Weekly, BookPage
A revealing and beautifully written memoir and family history from acclaimed photographer Sally Mann.
In this groundbreaking book, a unique interplay of narrative and image, Mann's preoccupation with family, race, mortality, and the storied landscape of the American South are revealed as almost genetically predetermined, written into her DNA by the family history that precedes her.
Sorting through boxes of family papers and yellowed photographs she finds more than she bargained for: "deceit and scandal, alcohol, domestic abuse, car crashes, bogeymen, clandestine affairs, dearly loved and disputed family land . . . racial complications, vast sums of money made and lost, the return of the prodigal son, and maybe even bloody murder."
In lyrical prose and startlingly revealing photographs, she crafts a totally original form of personal history that has the page-turning drama of a great novel but is firmly rooted in the fertile soil of her own life.
Written as a series of autobiographical essays, A Field Guide to Getting Lost draws on emblematic moments and relationships in Rebecca Solnit's life to explore issues of uncertainty, trust, loss, memory, desire, and place. Solnit is interested in the stories we use to navigate our way through the world, and the places we traverse, from wilderness to cities, in finding ourselves, or losing ourselves. While deeply personal, her own stories link up to larger stories, from captivity narratives of early Americans to the use of the color blue in Renaissance painting, not to mention encounters with tortoises, monks, punk rockers, mountains, deserts, and the movie Vertigo. The result is a distinctive, stimulating voyage of discovery.
From the Trade Paperback edition.
Diane von Furstenberg started with a suitcase full of jersey dresses and an idea of who she wanted to be—in her words, “the kind of woman who is independent and who doesn’t rely on a man to pay her bills.” She has since become that woman, establishing herself as a major force in the fashion industry, all the while raising a family, maintaining that “my children are my greatest creation.”
In The Woman I Wanted to Be, “an intriguing page-turner filled with revelations” (More), von Furstenberg reflects on her extraordinary life—from her childhood in Brussels to her days as a young, jet-set princess, to creating the dress that came to symbolize independence and power for generations of women. With remarkable honesty and wisdom, von Furstenberg mines the rich territory of what it means to be a woman. She opens up about her family and career, overcoming cancer, building a global brand, and devoting herself to empowering other women. This “inspiring, compelling, deliciously detailed celebrity autobiography…is as much of a smashing success as the determined, savvy, well-intentioned woman who wrote it” (Chicago Tribune).
After leaving the world of academe to become Phil Sparrow, a tattoo artist on Chicago's notorious South State Street, Steward worked closely with Alfred Kinsey on his landmark sex research. During the early 1960s, Steward changed his name and identity once again, this time to write exceptionally literate, upbeat pro-homosexual pornography under the name of Phil Andros.
Until today he has been known only as Phil Sparrow—but an extraordinary archive of his papers, lost since his death in 1993, has provided Justin Spring with the material for an exceptionally compassionate and brilliantly illuminating life-and-times biography. More than merely the story of one remarkable man, Secret Historian is a moving portrait of homosexual life long before Stonewall and gay liberation.
Secret Historian is a 2010 National Book Award Finalist for Nonfiction.
Certain lives are at once so exceptional, and yet so in step with their historical moments, that they illuminate cultural forces far beyond the scope of a single person. Such is the case with Coco Chanel, whose life offers one of the most fascinating tales of the twentieth century—throwing into dramatic relief an era of war, fashion, ardent nationalism, and earth-shaking change—here brilliantly treated, for the first time, with wide-ranging and incisive historical scrutiny.
Coco Chanel transformed forever the way women dressed. Her influence remains so pervasive that to this day we can see her afterimage a dozen times while just walking down a single street: in all the little black dresses, flat shoes, costume jewelry, cardigan sweaters, and tortoiseshell eyeglasses on women of every age and background. A bottle of Chanel No. 5 perfume is sold every three seconds. Arguably, no other individual has had a deeper impact on the visual aesthetic of the world. But how did a poor orphan become a global icon of both luxury and everyday style? How did she develop such vast, undying influence? And what does our ongoing love of all things Chanel tell us about ourselves? These are the mysteries that Rhonda K. Garelick unravels in Mademoiselle.
Raised in rural poverty and orphaned early, the young Chanel supported herself as best she could. Then, as an uneducated nineteen-year-old café singer, she attracted the attention of a wealthy and powerful admirer and parlayed his support into her own hat design business. For the rest of Chanel’s life, the professional, personal, and political were interwoven; her lovers included diplomat Boy Capel; composer Igor Stravinsky; Romanov heir Grand Duke Dmitri; Hugh Grosvenor, the Duke of Westminster; poet Pierre Reverdy; a Nazi officer; and several women as well. For all that, she was profoundly alone, her romantic life relentlessly plagued by abandonment and tragedy.
Chanel’s ambitions and accomplishments were unparalleled. Her hat shop evolved into a clothing empire. She became a noted theatrical and film costume designer, collaborating with the likes of Pablo Picasso, Jean Cocteau, and Luchino Visconti. The genius of Coco Chanel, Garelick shows, lay in the way she absorbed the zeitgeist, reflecting it back to the world in her designs and in what Garelick calls “wearable personality”—the irresistible and contagious style infused with both world history and Chanel’s nearly unbelievable life saga. By age forty, Chanel had become a multimillionaire and a household name, and her Chanel Corporation is still the highest-earning privately owned luxury goods manufacturer in the world.
In Mademoiselle, Garelick delivers the most probing, well-researched, and insightful biography to date on this seemingly familiar but endlessly surprising figure—a work that is truly both a heady intellectual study and a literary page-turner.
Praise for Mademoiselle
“A detailed, wry and nuanced portrait of a complicated woman that leaves the reader in a state of utterly satisfying confusion—blissfully mesmerized and confounded by the reality of the human spirit.”—The Washington Post
“Writing an exhaustive biography of Chanel is a challenge comparable to racing a four-horse chariot. . . . This makes the assured confidence with which Garelick tells her story all the more remarkable.”—The New York Review of Books
“Broadly focused and beautifully written.”—The Wall Street Journal
From the Hardcover edition.