Mary MacLane (1881-1929) was the first of the modern media personalities: a pioneer in self-revelation, in defiance of established rules, in living on her own terms - and writing it in brilliant style. At age 19 she burst upon the world out of Butte, Montana with a journal of private thoughts and longings that incited national then international attention. In the books and newspaper articles that followed she evolved a completely new, individual voice decades ahead of its time. She influenced Gertrude Stein, inspired F. Scott Fitzgerald, and was hotly discussed by everyday people - and America’s biggest writers. Yet despite sparking film, stage, and music projects today - and being endlessly quoted on the Internet - the writer behind the writing has remained unknown until now.
HUMAN DAYS: A MARY MACLANE READER features the complete texts of all her books (with expurgated passages restored), her colorful newspaper articles (much never before reprinted), an intriguing 1902 interview, the first viewing ever of her striking personal letters, illuminating introductions to each era in her life, and comprehensive notes that open the door to her influences and the age she came from and impacted so profoundly. A foreword from actress Bojana Novakovic provides a contemporary artist’s creative appreciation of the author’s still-powerful effect upon readers.
“Mary MacLane comes off the page quivering with life. Moving.” - London Times “She reminds us of the power of personal narrative, honestly told.” - The Atlantic “In a pre-soundbite age she already knew how to draw blood in one direct sentence.” - The Awl “She had a short but fiery life of writing and misadventure, and her writing was a template for the confessional memoirs that have become ubiquitous.” - The New Yorker “One of the most fascinatingly self-involved personalities of the 20th century.” - The Age “A girl wonder.” - Harper’s “Confessional journalists have people like Mary MacLane to thank.” - Flavorwire “Her diaries ignited a national uproar, ushering in a new era for women’s voices. Her elegant, ambitious embrace of full-disclosure opened a door to what was possible for women.” - The Atlantic “Fiery frankness made her a pioneer.” - Time Out Chicago “Her poetry is one of extremes: lust for happiness, despair for life.” - Hairy Dog Review “Riveting.” - N.H. Public Radio “I Await The Devil’s Coming is a small masterpiece, full of camp and swagger.” - Parul Sehgal, NPR “Pioneering newswoman, later silent-screen star, considered the veritable spirit of the iconoclastic Twenties.” - Boston Globe “A pioneering feminist - a sensation.” - Feminist Bookstore News “First of the self-expressionists, and the first of the Flappers.” - Chicagoan
Check www.marymaclane.com for exclusive content, news, and previews.
With her first book - written in 1901, at age nineteen - she was hailed as a marvel by the likes of H.L. Mencken, Clarence Darrow, and Harriet Monroe. She went on to become a pioneering newswoman, gambler extraordinaire, bon vivant, and a star of the silent screen. She influenced Gertrude Stein, inspired F. Scott Fitzgerald, was puzzled over by Mark Twain, and upon her death in 1929 was eulogized as “an errant daughter of literature ... the first of the self-expressionists, and also the first of the Flappers,” as the creator of “that revolution in manners, that transvaluation of values in the female code of behavior known as the Roaring Twenties.”
In this authoritative critical edition, the best of Mary MacLane returns to print. With the complete text of her striking first book (with all expurgated passages restored), a selection of her colorful newspaper feature articles, a full-length 1902 interview with the enigmatic author, detailed notes and bibliography, Tender Darkness: A Mary MacLane Sampler reacquaints the reading public with a literary genius who took on the establishment - and won.
“Mary MacLane’s first book was the first of the confessional diaries ever written in this nation, and it was a sensation.” - N.Y. Times editoral “Anyone who reads her will never forget her voice.” - Biographile “She reminds us of the power of personal narrative, honestly told.” - The Atlantic “In a pre-soundbite age she already knew how to draw blood in one direct sentence.” - The Awl “She had a short but fiery life of writing and misadventure, and her writing was a template for the confessional memoirs that have become ubiquitous.” - The New Yorker “One of the most fascinatingly self-involved personalities of the 20th century.” - The Age “A girl wonder.” - Harper’s “Confessional journalists have people like Mary MacLane to thank.” - Flavorwire “Her diaries ignited a national uproar, ushering in a new era for women’s voices. Her elegant, ambitious embrace of full-disclosure opened a door to what was possible for women.” - The Atlantic “Fiery frankness made her a pioneer.” - Time Out Chicago “Her poetry is one of extremes: lust for happiness, despair for life.” - Hairy Dog Review “Riveting.” - N.H. Public Radio “I Await the Devil’s Coming is a small masterpiece, full of camp and swagger.” - Parul Sehgal, NPR “Pioneering newswoman, later silent-screen star, considered the veritable spirit of the iconoclastic Twenties.” - Boston Globe “A pioneering feminist - a sensation.” - Feminist Bookstore News “First of the self-expressionists, and the first of the Flappers.” - Chicagoan
Check marymaclane.com for exclusive content, news, and previews.
For though my friend Annabel Lee lived dumbly and dustily for months in the shop in Boylston street, as if she were indeed but a porcelain statue, and though she was purchased with a price, still my friend Annabel Lee is exquisitely human.
There are days when she fills my life with herself.
She gives rise to manifold emotions which do not bring rest.
It was not I who named her Annabel Lee. That was always her name—that is who she is.
It is not a Japanese name, to be sure—and she is certainly a native of Japan. But among the myriad names that are, that alone is the one which suits her; and she alone of the myriad maidens in the world is the one to wear it.
She wears it matchlessly.
I have the friendship of Annabel Lee; but for her love, that is different.
Annabel Lee is like no one you have known. She is quite unlike them all. Times I almost can feel a subtle, conscious love coming from her finger-tips to my forehead. And I, at one-and-twenty, am thrilled with thrills.
Forsooth, at one-and-twenty, in spite of Boston and all, there are moments when one can yet thrill.
But other times I look up and perchance her eyes will meet mine with a look that is cold and penetrating and contemptuous and confounding.
She’s been called first in many things - the first blogger, the first New Woman, the first female proto-surrealist, the first screen writer/star to break the fourth wall and directly address her audience (in 1917’s ground-breaking "Men Who Have Made Love to Me"). In her final book, Mary MacLane is the first media icon to destroy the celebrity distance and expose her inmost doubts, her hopes, her conflicted sexual history, the inner worlds of a creative personality - all in visionary prose unlike anything before or since.
With her first book - written in 1901 at age nineteen - she was hailed as a marvel by the likes of H.L. Mencken, Clarence Darrow, and Harriet Monroe. She went on to become a pioneering newswoman, gambler extraordinaire, and bon vivant, to influence Gertrude Stein, inspire F. Scott Fitzgerald, be puzzled over by Mark Twain, and upon her death in 1929 be eulogized as “an errant daughter of literature ... the first of the self-expressionists, and also the first of the Flappers,” as the creator of “that revolution in manners, that transvaluation of values in the female code of behavior known as the Roaring Twenties.”
This edition - fully annotated, with an illuminating introduction by Michael R. Brown, foremost MacLane scholar in the world today - conveys the full complexity and potency of Mary MacLane’s final self-expression.
IT is the edge of a somber July night in this Butte-Montana.
The sky is overcast. The nearer mountains are gray-melancholy.
And at this point I meet Me face to face.
I am Mary MacLane: of no importance to the wide bright world and dearly and damnably important to Me.
Face to face I look at Me with some hatred, with despair and with great intentness.
I put Me in a crucible of my own making and set it in the flaming trivial Inferno of my mind. And I assay thus:
I am rare—I am in some ways exquisite.
I am pagan within and without.
I am vain and shallow and false.
I am a specialized being, deeply myself.
I am of woman-sex and most things that go with that, with some other pointes.
I am dynamic but devasted, laid waste in spirit.
I’m like a leopard and I’m like a poet and I’m like a religieuse and I’m like an outlaw.
I have a potent weird sense of humor—a saving and a demoralizing grace.
I have brain, cerebration—not powerful but fine and of a remarkable quality.
I am scornful-tempered and I am brave.
I am slender in body and someway fragile and firm-fleshed and sweet.
I am oddly a fool and a strange complex liar and a spiritual vagabond.
I am strong, individual in my falseness: wavering, faint, fanciful in my truth.
I am eternally self-conscious but sincere in it.
I am ultra-modern, very old-fashioned: savagely incongruous.
I am young, but not very young.
I am wistful—I am infamous.
In brief, I am a human being.
I am presciently and analytically egotistic, with some arresting dead-feeling genius.
And were I not so tensely tiredly sane I would say that I am mad.
From the best-selling author of Wild, a collection of quotes--drawn from the wide range of her writings--that capture her wisdom, courage, and outspoken humor, presented in a gift-sized package that's as irresistible to give as it is to receive.
Around the world, thousands of people have found inspiration in the words of Cheryl Strayed, who in her three prior books and in her "Dear Sugar" columns has shared the twists and trials of her remarkable life. Her honesty, spirit, and ample supply of tough love have enabled many of us, even in the darkest hours, to somehow put one foot in front of the other--and be brave enough.
This book gathers, each on a single page, more than 100 of Strayed's indelible quotes and thoughts--"mini instruction manuals for the soul" that urge us toward the incredible capacity for love, compassion, forgiveness, and endurance that is within us all.
Be brave enough to break your own heart.
You can't ride to the fair unless you get on the pony.
Acceptance is a small, quiet room.
Romantic love is not a competitive sport.
Forward is the direction of real life.
Ask yourself: What is the best I can do? And then do that.
From the Hardcover edition.
It's an elemental, almost animalistic urge—the expectant mother's hunger for birth narratives. Bookstores are filled with month-by-month pregnancy manuals, but the shelves are virtually empty of artful, entertaining, unvarnished accounts of labor and delivery—the stories that new mothers need most.
Here is a book that transcends the limits of how-to guides and honors the act of childbirth in the twenty-first century. Eleanor Henderson and Anna Solomon have gathered true birth stories by women who have made self-expression their business, including Cheryl Strayed, Julia Glass, Lauren Groff, Dani Shapiro, and many other luminaries.
In Labor Day, you'll read about women determined to give birth naturally and others begging for epidurals; women who pushed for hours and women whose labors were over practically before they'd started; women giving birth to twins and to ten-pound babies. These women give birth in the hospital, at home, in bathtubs, and, yes, even in the car. Some revel in labor, some fear labor, some feel defeated by labor, some are fulfilled by it—and all are amazed by it. You will laugh, weep, squirm, perhaps groan in recognition, and undoubtedly gasp with surprise. And then you'll call every mother or mother-to-be that you know and say "You MUST read Labor Day."
Sarah Shun-lien Bynum
Lan Samantha Chang
Mary Beth Keane
Marie Myung-Ok Lee
Sarah A. Strickley
Rachel Jamison Webster
One of the main topics of cultural conversation during the last decade was the supposed "fertility crisis," and whether modern women could figure out a way to have it all-a successful, demanding career and the required 2.3 children-before their biological clock stopped ticking. Now, however, conversation has turned to whether it's necessary to have it all (see Anne-Marie Slaughter) or, perhaps more controversial, whether children are really a requirement for a fulfilling life. The idea that some women and men prefer not to have children is often met with sharp criticism and incredulity by the public and mainstream media.
In this provocative and controversial collection of essays, curated by writer Meghan Daum, sixteen acclaimed writers explain why they have chosen to eschew parenthood. Contributors include Lionel Shriver, Sigrid Nunez, Kate Christiensen, Elliott Holt, Geoff Dyer, and Tim Kreider, among others, who will give a unique perspective on the overwhelming cultural pressure of parenthood.
Selfish, Shallow, and Self-Absorbed makes a thoughtful and passionate case for why parenthood is not the only path in life, taking our parent-centric, kid-fixated, baby-bump-patrolling culture to task in the process. What emerges is a more nuanced, diverse view of what it means to live a full, satisfying life.
St. Teresa of Avila's detailed directions on the achievement of spiritual perfection designate three essentials — fraternal love, detachment from material things, and true humility. She discusses a variety of maxims related to the practice of prayer and concludes with a thought-provoking commentary on the Lord's Prayer. A work of sublime mystical beauty, The Way of Perfection is above all a treatise of utter simplicity that offers lucid instruction to all seekers of a more meaningful way of life.
Here's what thrilled women writers are saying about this groundbreaking book:
"I will keep referring to this little gift of insight throughout the year. Thanks for the encouragement, the dose of reality, and most of all, the inspiration." - S. Evans
"...reflects in a sophisticated yet highly readable voice on many aspects of the writer's life. It will inspire many creative people, whether writers or not. The book definitely lived up to its title." - Krista L.
"Full of inspiration and pointers from Susan Gabriel and other authors to boost your creativity - it's an all-around excellent book - I'd highly recommend it!" - S. Burnside
"A ton of great tips and inspiration that often apply to life in general, as well as to writing....inspiration and enthusiasm to get you started." - S. Lunsford
In addition to sharing from her own experience as a writer for over 15 years, Gabriel also reflects on thoughts and experiences from a wide variety of writers and other inspiring people including Annie Dillard, Virginia Woolf, Harriet Tubman, Ursula Le Guin, Barbara Kingsolver, Kathryn Hackett, Hillary Clinton, Alice Munro, Jane Austen, Maya Angelou, Fran Lebowitz, Brene Brown, Emily Dickinson, Anne Tyler, Harper Lee, Elizabeth George, Anne LaMott, Nora Ephron, Gail Godwin, May Sarton, Willa Cather, Marianne Williamson, Carson McCullers, Sue Monk Kidd, Alice Walker, Louise Erdrich, Geena Davis, Martha Beck, Mary Oliver, Elizabeth Gilbert, Tina Fey and others.
You'll enjoy the wide ranging and inspiring essays, including:Where ideas come fromThe art of "shitty" first draftsA lesson from Tina Fey101 excuses why people don't writeWriters who are also mothersKill your darlingsWhat writers can learn from coyotesIt's never too late to start your writing career... and much more.
Download Fearless Writing for Women right now and start getting inspired!
Maeve Binchy once confessed: "As someone who fell off a chair not long ago trying to hear what they were saying at the next table in a restaurant, I suppose I am obsessively interested in what some might consider the trivia of other people's lives." She was an accidental journalist, yet from the beginning, her writings reflected the warmth, wit, and keen human interest that readers would come to love in her fiction. From the royal wedding to boring airplane companions, Samuel Beckett to Margaret Thatcher, "senior moments" to life as a waitress, Maeve's Times gives us wonderful insight into a changing Ireland as it celebrates the work of one of our best-loved writers in all its diversity-revealing her characteristic directness, laugh-out-loud humor, and unswerving gaze into the true heart of a matter.
“Binchy’s wry, self-effacing style reminds one of a Celtic Nora Ephron. . . . [She] throws a spotlight on strong, imperfect women confronting complicated challenges.” —The Christian Science Monitor
Having witnessed firsthand the devastating results of male improvidence, she assumed an independent role early in life, educating herself and eventually earning a living as a governess, teacher and writer. She was also an esteemed member of the radical intellectual circle that included William Godwin (father of her daughter, novelist Mary Godwin Shelley, and later her husband), Thomas Paine, William Blake, Henry Fuseli and others.
First published in 1792, A Vindication of the Rights of Woman created a scandal in its day, largely, perhaps, because of the unconventional lifestyle of its creator. Today, it is considered the first great manifesto of women’s rights, arguing passionately for the education of women: "Tyrants and sensualists are in the right when they endeavor to keep women in the dark, because the former want only slaves, and the later a plaything."
No narrow-minded zealot, Wollstonecraft balanced passionate advocacy with a sympathetic warmth — a characteristic that helped her ideas achieve widespread influence. Anyone interested in the history of the women’s rights movement will welcome this inexpensive edition of one of the landmark documents in the struggle for human dignity, freedom and equality.
Nearly fifteen years after her debut collection, My Misspent Youth, captured the ambitions and anxieties of a generation, Meghan Daum returns to the personal essay with The Unspeakable, a masterful collection of ten new works. Her old encounters with overdrawn bank accounts and oversized ambitions in the big city have given way to a new set of challenges. The first essay, "Matricide," opens without flinching:
People who weren't there like to say that my mother died at home surrounded by loving family. This is technically true, though it was just my brother and me and he was looking at Facebook and I was reading a profile of Hillary Clinton in the December 2009 issue of Vogue.
Elsewhere, she carefully weighs the decision to have children—"I simply felt no calling to be a parent. As a role, as my role, it felt inauthentic and inorganic"—and finds a more fulfilling path as a court-appointed advocate for foster children. In other essays, she skewers the marriage-industrial complex and recounts a harrowing near-death experience following a sudden illness. Throughout, Daum pushes back against the false sentimentality and shrink-wrapped platitudes that surround so much of contemporary American experience and considers the unspeakable thoughts many of us harbor—that we might not love our parents enough, that "life's pleasures" sometimes feel more like chores, that life's ultimate lesson may be that we often learn nothing.
But Daum also operates in a comic register. With perfect precision, she reveals the absurdities of the New Age search for the "Best Possible Experience," champions the merits of cream-of mushroom-soup casserole, and gleefully recounts a quintessential "only-in-L.A." story of playing charades at a famous person's home.
Combining the piercing insight of Joan Didion with humor reminiscent of Nora Ephron's, Daum dissects our culture's most dangerous illusions, blind spots, and sentimentalities while retaining her own joy and compassion. Through it all, she dramatizes the search for an authentic self in a world where achieving an identity is never simple and never complete.
In these eleven thought-provoking pieces, originally gathered in a limited, hand-printed edition, acclaimed writer and feminist Maxine Hong Kingston tells stories of Hawai'i "piece by piece, and hope that the sum praises her." The essays provide readers with a generous sampling of Kingston's signature: her exquisite angle of vision, her balanced and clear-sighted prose, and her stunning insight that awakens one to a wealth of knowledge.
Preview of this summary: Chapter 1
Warren grew up in a small house in Norman, Oklahoma. Her father was a carpet salesman, but suffered a heart attack when Warren was in her early teens that left him unable to work for a time and caused him to lose his lucrative job.
In high school, Warren was told the family did not have enough money to send her to college. Warren won several debate scholarships and was accepted to George Washington University.
Two years later she married Jim Warren. Immediately after they married, Warren and her new husband moved to Houston where he was employed by IBM. Warren enrolled at the University of Houston (UH). Shortly after she graduated, Jim was transferred to New Jersey. Warren got a job as a speech therapist for special-needs children. When she became pregnant, she lost the job. Happy as she was with her daughter, Amelia, she realized she wanted more. She decided to return to school. She applied to Rutger’s Law School. Shortly before graduation, she became pregnant again, making it nearly impossible for her to get a job in a male oriented profession.
A few months later, Jim had the choice of transferring to several different cities. Due to the fact that she liked teaching law, Warren began to look for possible jobs in those cities. One of her choices was Houston. Warren called UH. She was offered a full-time teaching job at the UH Law Center.
Warren struggled as a working mother. When pushed to a breaking point, she called her aunt. Bee moved in with them to take care of the children. However, Warren’s husband grew disillusioned with their marriage because he had wanted a traditional wife. They soon divorced. Warren met her second husband, Bruce Mann, while taking an economics seminar for law professors. Not long after their marriage...
Me Before You by JoJo Moyes - A 30-minute Instaread Summary
Inside this Instaread Summary:
• Overview of the entire book
• Introduction to the important people in the book
• Summary and analysis of all the chapters in the book
• Key Takeaways of the book
• A Reader's Perspective
Preview of this summary:
Louisa ‘Lou’ Clark, a member of a working class family in a small English village, has just lost her job. Although both Lou’s father, Bernard, and her sister, Treena, work, neither makes enough money to help the family make ends meet without Lou’s income. For this reason, it is decided that Lou should apply for a new job at the Job Centre as soon as possible.
The next day Lou goes to the gym to see her boyfriend, Patrick. He sees Lou’s lost job as an opportunity for her to improve herself and find something better.
The counselor at the Job Centre suggests Lou apply as a care assistant for a man in a wheelchair. She is not interested in this job, but she is running out of options. She agrees to go for the interview.
Lou usually wears odd, eccentric clothes. For the job interview, Josie, her mother, insists she wear a business suit.
Lou goes to Granta House, an elegant and expensive home next to the local tourist attraction, Stortfold Castle. She is interviewed by Camilla Traynor. Camilla is Will Traynor’s mother. Will became a quadriplegic after being hit by a motorcycle. He already has a nurse named Nathan to take care of his personal and medical needs. Camilla wants to hire someone to be a companion for Will and to stay with him during the day when no one else can be there. Lou thinks the interview goes badly. Therefore, she is surprised when Camilla offers her the job with a six-month contract and generous pay.
Lou reports for work at Granta House the following morning. Camilla shows her around the annexe, a space that was once stables but was turned into guest quarters. This is where Will lives now that he is confined to a wheelchair. Camilla explains her duties to Lou. She makes it clear that Lou is not to leave Will alone and unattended for more than 15 minutes at any one time. Camilla introduces Lou to Will and Nathan, Will’s nurse.
Nathan explains Will’s medications to Lou and tells her she is there to cheer Will. Nathan leaves, and Lou and Will are left to get to know each other. It does not go well. Will is sullen, quiet, and talks very little. She keeps herself busy with cleaning and household chores to fill in the time.
Lou is unhappy about the first day at her new job. She talks to her sister Treena about it. Treena asks her to stick with the job because she has decided to quit her job and go back to college. She has received a grant to help pay her tuition, but will have to quit her job. Lou feels this puts more pressure on her to earn an income...
Jane Austen's novels have enchanted readers for centuries. These tales of love, family, and English society abound with unforgettable characters and Austen's trademark satirical wit. Including all of Austen's published novels, SENSE AND SENSIBILITY, PRIDE AND PREJUDICE, MANSFIELD PARK, EMMA, NORTHANGER ABBEY, and PERSUASION, this anthology is perfect for Austen aficionados and new readers alike.
In this groundbreaking collection, more than fifty cutting-edge voices, including Melissa Harris-Perry, Janet Mock, Sheila Heti, and Mia McKenzie, invite us to imagine a truly feminist world. An abortion provider reinvents birth control, Sheila Bapat envisions an economy that values domestic work, a teenage rock band dreams up a new way to make music, Katherine Cross rewrites the Constitution, and Maya Dusenbery resets the standard for good sex. Combining essays, interviews, poetry, illustrations, and short stories, The Feminist Utopia Project challenges the status quo that accepts inequality and violence as a given—and inspires us to demand a radically better future.
"The stories are filled with the macabre, mystery and mayhem, lingering in the mind long after I reached the very end... Spine-tingling stories and spooky characters await anyone about to read Necessary Evil." -- Night Owl Reviews TOP PICK
"Oded the Merciless" -- A relentless computer AI on a spaceship torments a woman to discover the nature of the human condition. Previously published at Chimeraworld #6 and Pseudopod.
"To Feed the Hungry" -- A lesson in be careful what you wish for. Previously published at Misfit Magazine.
"Nature Boy" -- A solitary and cynical young man must decide if he should end his unique relationship with bamboo.
"Cold Comfort" -- An elderly woman is hiding something far worse than her menagerie of cats. Previously published at Aoife’s Kiss Magazine.
"Red Tide" -- Bad things happen when a vampire bites a dolphin. Previously published at Dark Valentine.
"Necessary Evil" -- A real estate agent on Mars struggles with an ethical quandary when she tries to sell a house. Previously published at Dark Valentine.
These stories range from throughout Mansfield's brief but prolific career. They include "Prelude," a reminiscence of the author's New Zealand girlhood; "Bliss," involving a young mother's disillusionment; "Je Ne Parle Pas Français," concerning a romantic young woman's betrayal; and "The Garden Party," a contrast of snobbery and social responsibility.
In a follow-up to her collection of essays, In Search of Our Mothers’ Gardens, Walker takes a look at a vast range of issues both personal and global, from her experience with the filming of The Color Purple, to the history of African-American narrative traditions, to global threats of pollution and nuclear war. Walker travels broadly and maintains an eye for detail, resulting in a captivating journey of conscience by one of the most distinctive political and artistic voices in America. Readers will find inspiration and insights in even the briefest entries of this enthralling anthology.
This ebook features an illustrated biography of Alice Walker including rare photos from the author’s personal collection.
First published in book form in 1845, Woman in the Nineteenth Century was correctly perceived as the controversial document that it was: receiving acclaim and achieving popular success in some quarters (the first printing sold out within a week), at the same time that it inspired vicious attacks from opponents of the embryonic women's movement. In this book, whose style is characterized by the trademark textual diversity of the transcendentalists, Fuller articulates values arising from her passionate belief in justice and equality for all humankind, with a particular focus on women. Although her notion of basic rights certainly includes those of an educational, economic, and legal nature, it is intellectual expansion and changes in the prevailing attitudes towards women (by men and women) that Fuller cherishes far above the superficial manifestations of liberation. A classic of feminist thought that helped bring about the Seneca Falls Women's Convention three years after its publication, Woman in the Nineteenth Century inspired her contemporaries Elizabeth Cady Stanton and Susan B. Anthony to speak of Fuller as possessing "more influence upon the thought of American women than any woman previous to her time."
Tender Buttons, published in 1914, is vintage Stein. She pushes abstraction to its farthest limits by experimenting with words purely as words in a style more akin to painting than literature. Interested in their melody and color, Stein favors verbs and prepositions in unusual combinations and attempts to avoid using nouns. According to Sherwood Anderson, Tender Buttons "gives words an oddly new intimate flavor and at the same time makes familiar words seem almost like strangers … For me the work of Gertrude Stein consists in a rebuilding, an entire new recasting of life, in the city of words."
Often compared with music and Cubist imagery, the exhilarating prose and thought-provoking experimental techniques of Tender Buttons offer readers a rewarding sojourn through one of Stein's most influential works.
The title Nothing by Design is taken from Salter’s villanelle “Complaint for Absolute Divorce,” in which we’re asked to entertain the thought of a no-fault universe. The wary search for peace, personal and public, is a constant theme in poems as varied as “Our Friends the Enemy,” about the Christmas football match between German and British soldiers in 1914; “The Afterlife,” in which Egyptian tomb figurines labor to serve the dead; and “Voice of America,” where Salter returns to the Saint Petersburg of her exiled friend, the late Joseph Brodsky. A section of charming light verse serves as counterpoint to another series entitled “Bed of Letters,” in which Salter addresses the end of a long marriage. Artfully designed, with a highly intentional music, these poems movingly give form to the often unfathomable, yet very real, presence of nothingness and loss in our lives.
As her eightieth birthday approaches, Doris Grumbach does not feel melancholy or saddened by the upcoming event, despite the loss of friends such as Kay Boyle and Dorothy Day—instead she takes it as an opportunity both to look backward and to grow. In this, her summer of unexpected content, Grumbach weaves the elegiac and the practical into a delightful tapestry of experience.
She looks deep into her own history, telling stories of her life in the hardscrabble New York of the 1940s, working as a copyeditor. She details her near encounter with a seventy-two-year-old Bertrand Russell, calling it the closest she has ever come to sleeping with a Nobel Laureate. Grumbach lets us into her life and introduces us to the characters that have peopled her nearly eight decades on Earth. As the fateful day of her celebration draws near, the main topic on Doris Grumbach’s mind is not herself; it’s her guests.
The Pleasure of Their Company is a meticulously planned party that any reader would be honored to attend.
This 320-page issue contains creative and critical responses to her fiction, theory, and criticism, written with an eye to the general literary reader unfamiliar with her output, but with enough homage, parody, imitation, and analysis to excite her devoted fan base.
This treasury offers the best of Mary Shelley's writings, starting with the complete text of her masterpiece, Frankenstein; or, The Modern Prometheus, as well as the melancholy novella Mathilda and a significant excerpt from the apocalyptic classic The Last Man. In addition to the essay "On Ghosts," the collection includes a selection of short stories: "Transformation," "The Dream," "The Mortal Immortal," "The False Rhyme," and "Roger Dodsworth: The Reanimated Englishman."
This anthology focuses on Austen's preoccupation with the domestic sphere and the limitations imposed upon women of her era. In addition to excerpts from her personal letters and her Juvenilia, the collection also includes the complete text of two of Austen's most popular books: her masterpiece, Pride and Prejudice, and her final and possibly most sophisticated novel, Persuasion.
Her world has always been dark, but he might be able to change everything...
Fiercely independent Helen Winters was born completely blind, but she vowed never to let her disability keep her down. She did not expect a violent attack to devastate her life and force her to drop out of college. Disillusioned by the cruelty of people, Helen retreated from society to live by herself as a reclusive writer in the woods--where no one could ever hurt her again.
When a brilliant young doctor shows up on her doorstep, promising her that his new research can give her the ability to see for the first time, Helen stubbornly refuses. She has learned not to trust anyone, and to rely only on herself. But Dr. Liam Larson will not take no for an answer. He makes it his personal mission to rescue Helen from her loneliness, and bring joy into her world once more--the joy she has denied herself for so long.
When Helen's demons come racing back into her life, threatening to rip her apart and destroy the strength she has carefully rebuilt, Liam is the only one who might be able to save her. Can he reach the broken girl in time, helping her to heal and see the world in a different light? Or will Helen's grief send her spiraling out of control, lost to him forever?
Helen Winters was living a lonely existence when the charming Dr. Liam Larson coaxed her out of solitude with the promise of healing her sightless eyes. She was hopeful at the prospect of gaining vision for the first time and being reunited with her family. She was also growing somewhat fond of the persuasive young doctor. For the first time in years, she was being magnetically drawn to a new friend...
Then everything came crashing down.
Plunged into a hellish nightmare, Helen is forced to face the same evils she ran away to escape so long ago. She is unprepared to have her hopes crushed and her peace destroyed. She finds herself living in constant terror and drowning in fear--and Liam's voice is the only thing that can keep her afloat. His comforting touch becomes the only light in her pitch-black darkness. Helen has always been a tough girl who relied only on herself. But this time, she can't survive alone. Due to the horrors of her past, Helen has promised herself not to trust anyone. When her life becomes unbearable, how can she trust Liam enough to let him save her?
After many years of darkness, Winter never thought that she'd be happy or safe again. Her whole world changed when she met Liam Larson, a charming young doctor determined to be her knight in shining armor. When a brutal night unleashes vicious reminders of her past, Winter must struggle to hold on to the little bit of happiness she has found.
When everything begins to fall apart, Liam's strength and kindness might not be enough to save her. Battling with the betrayal of her family, terrifying nightmares, and frequent reminders of her enemy that make daily life difficult, Winter's first instinct is to run away. She is tired of being the victim and living in a cruel, crowded city where she doesn't feel like she belongs.
But Liam promises her that if she only trusts him, he can change everything. And that's exactly what he attempts to do, starting with an operation to heal her eyes, and then her heart...