“Are You There God? It’s Me Margaret is very special.” —Amy Poehler quoted on Vulture.com
“Generations of teenage girls have grown up reading the tales of teenage angst told by beloved author Judy Blume.” —Mashable.com
Margaret Simon, almost twelve, has just moved from New York City to the suburbs, and she’s anxious to fit in with her new friends. When she’s asked to join a secret club she jumps at the chance. But when the girls start talking about boys, bras, and getting their first periods, Margaret starts to wonder if she’s normal. There are some things about growing up that are hard for her to talk about, even with her friends. Lucky for Margaret, she’s got someone else to confide in . . . someone who always listens.
“The first Judy Blume books I read. . . served as a kind of introduction to myself.” —John Green quoted in The New York Times
“Mention Judy Blume to almost any woman under a certain age and you're likely to get this reaction: Her face lights up, and she's transported back to her childhood self — curled up with a book she knows will speak directly to her anxieties about relationships, self-image and measuring up.” —NPR.org
“Fans, readers, booksellers — even other authors and celebrities — often dissolve into tears upon meeting [Judy Blume], confessing that books like “Forever ... ” and “Are You There, God? It’s Me, Margaret” got them through adolescence; taught them about sex, love and friendship; and provided their first glimpse of adulthood.” —The New York Times
“Blume wasn’t the first writer to legitimize and celebrate the interior life of young girls. . . . But Blume’s work feels significantly more influential than that of her predecessors and peers.” —The New Yorker
“These stories belong to young women. Real young women.” —Diablo Cody, Entertainment Weekly
In Afghanistan, a culture ruled almost entirely by men, the birth of a son is cause for celebration and the arrival of a daughter is often mourned as misfortune. A bacha posh (literally translated from Dari as “dressed up like a boy”) is a third kind of child--a girl temporarily raised as a boy and presented as such to the outside world. Jenny Nordberg, the reporter who broke the story of this phenomenon for the New York Times, constructs a powerful and moving account of those secretly living on the other side of a deeply segregated society where women have almost no rights and little freedom.
The Underground Girls of Kabul is anchored by vivid characters who bring this remarkable story to life: Azita, a female parliamentarian who sees no other choice but to turn her fourth daughter Mehran into a boy; Zahra, the tomboy teenager who struggles with puberty and refuses her parents’ attempts to turn her back into a girl; Shukria, now a married mother of three after living for twenty years as a man; and Nader, who prays with Shahed, the undercover female police officer, as they both remain in male disguise as adults.
At the heart of this emotional narrative is a new perspective on the extreme sacrifices of Afghan women and girls against the violent backdrop of America’s longest war. Divided into four parts, the book follows those born as the unwanted sex in Afghanistan, but who live as the socially favored gender through childhood and puberty, only to later be forced into marriage and childbirth. The Underground Girls of Kabul charts their dramatic life cycles, while examining our own history and the parallels to subversive actions of people who live under oppression everywhere.
The Handmaid’s Tale is a novel of such power that the reader will be unable to forget its images and its forecast. Set in the near future, it describes life in what was once the United States and is now called the Republic of Gilead, a monotheocracy that has reacted to social unrest and a sharply declining birthrate by reverting to, and going beyond, the repressive intolerance of the original Puritans. The regime takes the Book of Genesis absolutely at its word, with bizarre consequences for the women and men in its population.
The story is told through the eyes of Offred, one of the unfortunate Handmaids under the new social order. In condensed but eloquent prose, by turns cool-eyed, tender, despairing, passionate, and wry, she reveals to us the dark corners behind the establishment’s calm facade, as certain tendencies now in existence are carried to their logical conclusions. The Handmaid’s Tale is funny, unexpected, horrifying, and altogether convincing. It is at once scathing satire, dire warning, and a tour de force. It is Margaret Atwood at her best.
"After I saw Todd Sparrow something deep inside me began to change. It was not a big change and I didn't shave my head and I didn't really think any differently about my life or Hillside or anything like that. But one glimpse of Todd and you immediately realized how limited you were and all the things you could do if you could just break out of your normal existence and stop worrying about what everyone thought."
Piper McCloud can fly. Just like that. Easy as pie.
Sure, she hasn't mastered reverse propulsion and her turns are kind of sloppy, but she's real good at loop-the-loops.
Problem is, the good folk of Lowland County are afraid of Piper. And her ma's at her wit's end. So it seems only fitting that she leave her parents' farm to attend a top-secret, maximum-security school for kids with exceptional abilities.
School is great at first with a bunch of new friends whose skills range from super-strength to super-genius. (Plus all the homemade apple pie she can eat!) But Piper is special, even among the special. And there are consequences.
Consequences too dire to talk about. Too crazy to consider. And too dangerous to ignore.
At turns exhilarating and terrifying, Victoria Forester's debut novel has been praised by Stephenie Meyer, author of the Twilight saga, as "the oddest/sweetest mix of Little House on the Prairie and X-Men...Prepare to have your heart warmed." The Girl Who Could Fly is an unforgettable story of defiance and courage about an irrepressible heroine who can, who will, who must . . . fly.
This title has Common Core connections.
Praise for Victoria Forester and The Girl Who Could Fly:
"It's the oddest/sweetest mix of Little House on the Prairie and X-Men. I was smiling the whole time (except for the part where I cried). I gave it to my mom, and I'm reading it to my kids—it's absolutely multigenerational. Prepare to have your heart warmed." Stephenie Meyer, author of the Twilight saga
"In this terrific debut novel, readers meet Piper McCloud, the late-in-life daughter of farmers...The story soars, just like Piper, with enough loop-de-loops to keep kids uncertain about what will come next....Best of all are the book's strong, lightly wrapped messages about friendship and authenticity and the difference between doing well and doing good."--Booklist, Starred Review
"Forester's disparate settings (down-home farm and futuristic ice-bunker institute) are unified by the rock-solid point of view and unpretentious diction... any child who has felt different will take strength from Piper's fight to be herself against the tide of family, church, and society."--The Horn Book Review
The Girl Who Could Fly is a 2009 Bank Street - Best Children's Book of the Year.
The House on Mango Street is the remarkable story of Esperanza Cordero, a young Latina girl growing up in Chicago, inventing for herself who and what she will become. Told in a series of vignettes—sometimes heartbreaking, sometimes deeply joyous—Sandra Cisneros’ masterpiece is a classic story of childhood and self-discovery. Few other books in our time have touched so many readers.
COULD BE ANYONE.
COULD BE SOMEONE YOU KNOW.
With over a million copies in print, Go Ask Alice has become a classic of our time. This powerful real-life diary of a teenager's struggle with the seductive -- often fatal -- world of drugs and addiction tells the truth about drugs in strong and authentic voice. Tough and uncompromising, honest and disturbing -- and even more poignant today -- Go Ask Alice is page-turning and provocative reading.
The perfect marriage? Or the perfect lie?
“A hair-raising debut, both unsettling and addictive...A chilling thriller that will keep you reading long into the night.” —Mary Kubica, New York Times and USA Today bestselling author of The Good Girl
“This is one readers won’t be able to put down.” —Booklist (starred review)
"A can’t-put-down psychological thriller.” —Library Journal (starred review)
“This debut is guaranteed to haunt you...Warning: brace yourself.” —Bustle (10 New Thrillers to Read This Summer)
“The sense of believably and terror that engulfs Behind Closed Doors doesn't waver.” —The Associated Press, picked up by The Washington Post
“This was one of the best and most terrifying psychological thrillers I have ever read.” —San Francisco Book Review
Everyone knows a couple like Jack and Grace. He has looks and wealth; she has charm and elegance. He’s a dedicated attorney who has never lost a case; she is a flawless homemaker, a masterful gardener and cook, and dotes on her disabled younger sister. Though they are still newlyweds, they seem to have it all. You might not want to like them, but you do. You’re hopelessly charmed by the ease and comfort of their home, by the graciousness of the dinner parties they throw. You’d like to get to know Grace better.
But it’s difficult, because you realize Jack and Grace are inseparable.
Some might call this true love. Others might wonder why Grace never answers the phone. Or why she can never meet for coffee, even though she doesn’t work. How she can cook such elaborate meals but remain so slim. Or why she never seems to take anything with her when she leaves the house, not even a pen. Or why there are such high-security metal shutters on all the downstairs windows.
Some might wonder what’s really going on once the dinner party is over, and the front door has closed.
From bestselling author B. A. Paris comes the gripping thriller and international phenomenon Behind Closed Doors.