Parshall and Tully examine the battle in detail and effortlessly place it within the context of the Imperial Navy's doctrine and technology. With a foreword by leading World War II naval historian John Lundstrom, Shattered Sword is an indispensable part of any military buff's library.
Shattered Sword is the winner of the 2005 John Lyman Book Award for the "Best Book in U.S. Naval History" and was cited by Proceedings as one of its "Notable Naval Books" for 2005.
A Song for Nagasaki tells the moving story of this extraordinary man, beginning with his boyhood and the heroic tales and stoic virtues of his family's Shinto religion. It reveals the inspiring story of Nagai's remarkable spiritual journey from Shintoism to atheism to Catholicism. Mixed with interesting details about Japanese history and culture, the biography traces Nagai's spiritual quest as he studied medicine at Nagasaki University, served as a medic with the Japanese army during its occupation of Manchuria, and returned to Nagasaki to dedicate himself to the science of radiology. The historic Catholic district of the city, where Nagai became a Catholic and began a family, was ground zero for the atomic bomb.
After the bomb disaster that killed thousands, including Nagai's beloved wife, Nagai, then Dean of Radiology at Nagasaki University, threw himself into service to the countless victims of the bomb explosion, even though it meant deadly exposure to the radiation which eventually would cause his own death. While dying, he also wrote powerful books that became best-sellers in Japan. These included The Bells of Nagasaki, which resonated deeply with the Japanese people in their great suffering as it explores the Christian message of love and forgiveness. Nagai became a highly revered man and is considered a saint by many Japanese people. Illustrated
"Christians and non-Christians alike were deeply moved by Nagai's faith in Christ that made him like Job of the Scriptures: in the midst of the nuclear wilderness he kept his heart in tranquility and peace, neither bearing resentment against any man nor cursing God."
--Shusaku Endo, from the Foreword
In weaving together the historical facts and human drama leading up to and culminating in the war in the Pacific, Toland crafts a riveting and unbiased narrative history. In his Foreword, Toland says that if we are to draw any conclusion from The Rising Sun, it is “that there are no simple lessons in history, that it is human nature that repeats itself, not history.”
“A devastating read that highlights man’s capacity to wreak destruction, but in which one also catches a glimpse of all that is best about people.”—San Francisco Chronicle
“A poignant and complex picture of the second atomic bomb’s enduring physical and psychological tolls. Eyewitness accounts are visceral and haunting. . . . But the book’s biggest achievement is its treatment of the aftershocks in the decades since 1945.” —The New Yorker
The enduring impact of a nuclear bomb, told through the stories of those who survived: necessary reading as the threat of nuclear war emerges again.
On August 9, 1945, three days after the atomic bombing of Hiroshima, the United States dropped a second atomic bomb on Nagasaki, a small port city on Japan’s southernmost island. An estimated 74,000 people died within the first five months, and another 75,000 were injured.
Nagasaki takes readers from the morning of the bombing to the city today, telling the first-hand experiences of five survivors, all of whom were teenagers at the time of the devastation. Susan Southard has spent years interviewing hibakusha (“bomb-affected people”) and researching the physical, emotional, and social challenges of post-atomic life. She weaves together dramatic eyewitness accounts with searing analysis of the policies of censorship and denial that colored much of what was reported about the bombing both in the United States and Japan.
A gripping narrative of human resilience, Nagasaki will help shape public discussion and debate over one of the most controversial wartime acts in history.
WINNER of the J. Anthony Lukas Book Prize and the Dayton Literary Peace Prize
FINALIST for the Ridenhour Book Prize • Chautauqua Prize • William Saroyan International Prize for Writing • PEN Center USA Literary Award
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY
The Economist • The Washington Post • American Library Association • Kirkus Reviews
Ninjutsu, the least understood of the Japanese martial arts, is an ancient fighting style emphasizing natural movement, responsiveness to adversaries, and absolute practicality. In feudal Japan, ninja were feared for their skill in espionage and, particularly, assassination. Masters of weaponry, stealth, and martial techniques, ninja were credited with supernatural powers because of the near-invincibility of their unique and deadly art.
In The Ninja and Their Secret Fighting Art, Black Belt Hall of Fame member, Stephen K. Hayes, reveals the secrets that lead to the perception of the ninja as warriors of almost sorcerous skill—the art of invisibility, special tools and weapons, and psychological training enabling the ninja to gain advantage in any situation.
Chapters include:Perspective—Origin; Organization; Training; At the Height of Power; The Decline; Ninjutsu in the Modern WorldSearch for the NinjaUnarmed Combat—The Ninja Fists; Fighting Postures; Other FactorsWeaponry—Chains and Cords; Sticks and Staffs; Canes with Concealed Weapons; The Ninja Sword; Throwing BladesThe Way of Invisibility—Sense Deception; Phantom Steps; Reconnaissance; Blending with the Night; Attacking the Eyes; The Art of DisguiseShadow Warriors—Espionage; Commando TacticsThe Realm of the Spirit—Psychological Warfare; The Force of the Killer; The Great Harmony
AN AMERICAN BOOK AWARD FINALIST
Now in paperback, War Without Mercy has been hailed by The New York Times as “one of the most original and important books to be written about the war between Japan and the United States.” In this monumental history, Professor John Dower reveals a hidden, explosive dimension of the Pacific War—race—while writing what John Toland has called “a landmark book . . . a powerful, moving, and evenhanded history that is sorely needed in both America and Japan.”
Drawing on American and Japanese songs, slogans, cartoons, propaganda films, secret reports, and a wealth of other documents of the time, Dower opens up a whole new way of looking at that bitter struggle of four and a half decades ago and its ramifications in our lives today. As Edwin O. Reischauer, former ambassador to Japan, has pointed out, this book offers “a lesson that the postwar generations need most . . . with eloquence, crushing detail, and power.”
Yet American leaders claimed the bombs were "our least abhorrent choice"—and still today most people believe they ended the Pacific War and saved millions of American and Japanese lives. In this gripping narrative, Ham demonstrates convincingly that misunderstandings and nationalist fury on both sides led to the use of the bombs. Ham also gives powerful witness to its destruction through the eyes of eighty survivors, from twelve-year-olds forced to work in war factories to wives and children who faced the holocaust alone.
Hiroshima Nagasaki presents the grisly unadorned truth about the bombings, blurred for so long by postwar propaganda, and transforms our understanding of one of the defining events of the twentieth century.
On a clear spring day in 1995, five members of a religious cult unleashed poison gas on the Tokyo subway system. In attempt to discover why, Haruki Murakmi talks to the people who lived through the catastrophe, and in so doing lays bare the Japanese psyche. As he discerns the fundamental issues that led to the attack, Murakami paints a clear vision of an event that could occur anytime, anywhere.
“Saburo Sakai is Japan's greatest fighter pilot to survive World War II, and his powerful memoir has proven to be one of the most popular and enduring books ever written on the Pacific war. First published in English in 1957, it gave Americans new perspectives on the air war and on the Japanese pilots who, until then, had been perceived in the United States as mere caricatures. Today, the books remains a valuable eyewitness account of some of the most famous battles in history and a moving, personal story of a courageous naval aviator.
A living legend, Sakai engaged in more than two hundred dogfights, from the Philippines to Iwo Jima, and was the only Japanese ace never to lose a wingman in combat. By war's end he reportedly had shot down sixty-four Allied planes. Although this number cannot be confirmed, Sakai's exploits in the air were extraordinary by any standards. His most renowned accomplishment, an epic of aviation survival, occurred after action over Guadalcanal in August 1942. Partially paralyzed and nearly blind from multiple wounds, he managed to fly 560 miles to Rabaul and safely land his crippled Zero.
Here, Sakai offers a full account of his experiences, modestly recalling his rise from an impoverished childhood to feats of mythic proportions. And because he shares his innermost thoughts with his readers, the book not only provides rare insights into the Samurai character but also describes with complete honestly the human emotions common to warriors of all causes.”-Print Ed.
The Ninja, also known as Shinobi, inspired awe and terror in equal measure. Master of espionage and assassination, stealth and concealment, the ninja's ability to move swiftly and silently gave rise to popular legends of amazing exploits, invincibility and supernatural powers.
In Ninjutsu: The Art of Invisibility, Donn Draeger draws back the veil of mystery shrouding the arcane practices of feudal Japan's shadow warriors. Stripping away myth and exaggeration, Draeger reveals the secret tactics, exotic weapons, tricks and disguises that earned the ninja a reputation as history's most feared secret agents.
Chapters include: Entering the World of the NinjaHistory and OrganizationTraining and SkillsOperating TechniquesCostumeTools and WeaponsTactics, Ruses, and FeatsFacts and Legends
As Nagasaki’s first outside observer, long before any American medical aid arrived, Weller witnessed the bomb’s effects and wrote “the anatomy of radiated man.” He interviewed doctors trying to cure those dying mysteriously from “Disease X.” He typed far into every night, sending his forbidden dispatches back to MacArthur’s censors, assuming their importance would make them unstoppable. He was wrong: the U.S. government censored every word, and the dispatches vanished from history.
Weller also became the first to enter the nearby Allied POW camps. From hundreds of prisoners he gathered accounts of watching the atomic explosions bring an end to years of torture and merciless labor in Japanese mines. Their dramatic testimonies sum up one of the least-known chapters of the war—but those stories, too, were silenced.
It is a powerful experience, more than 60 years later, to walk with Weller through the smoldering ruins of Nagasaki, or hear the sagas of prisoners who have just learned that their torment is over, and watch one of the era’s most battle-experienced reporters trying to accurately and unsentimentally convey to the American people scenes unlike anything he—or anyone else—knew.
Weller died in 2002, believing it all lost forever. Months later, his son found a fragile copy in a crate of moldy papers. This historic body of work has never been published.
Along with reports from the brutal POW camps, a stirring saga of the worst of the Japanese “hellships” which carried U.S. prisoners into murder and even cannibalism, and a trove of Weller’s unseen photos, First into Nagasaki provides a moving, unparalleled look at the bomb that killed more than 70,000 people and ended WWII. Amid current disputes over the controlled embedding of journalists in war zones and a government’s right to keep secrets, it reminds us how such courageous rogue reporting is still essential to learning the truth.
From the Hardcover edition.
“Here is one of the most riveting first-person accounts ever to come out of World War II. Robert Leckie enlisted in the United States Marine Corps in January 1942, shortly after the Japanese attack on Pearl Harbor. In Helmet for My Pillow we follow his odyssey, from basic training on Parris Island, South Carolina, all the way to the raging battles in the Pacific, where some of the war’s fiercest fighting took place. Recounting his service with the 1st Marine Division and the brutal action on Guadalcanal, New Britain, and Peleliu, Leckie spares no detail of the horrors and sacrifices of war, painting an unvarnished portrait of how real warriors are made, fight, and often die in the defense of their country.
From the live-for-today rowdiness of marines on leave to the terrors of jungle warfare against an enemy determined to fight to the last man, Leckie describes what war is really like when victory can only be measured inch by bloody inch. Woven throughout are Leckie’s hard-won, eloquent, and thoroughly unsentimental meditations on the meaning of war and why we fight. Unparalleled in its immediacy and accuracy, Helmet for My Pillow will leave no reader untouched. This is a book that brings you as close to the mud, the blood, and the experience of war as it is safe to come.”-Print Ed.
By midsummer 1945, Japan had long since lost the war in the Pacific. The people were not told the truth, and neither was the emperor. Japanese generals, admirals, and statesmen knew, but only a handful of leaders were willing to accept defeat. Most were bent on fighting the Allies until the last Japanese soldier died and the last city burned to the ground.
Exhaustively researched and vividly told, The Fall of Japan masterfully chronicles the dramatic events that brought an end to the Pacific War and forced a once-mighty military nation to surrender unconditionally.
From the ferocious fighting on Okinawa to the all-but-impossible mission to drop the 2nd atom bomb, and from Franklin D. Roosevelt’s White House to the Tokyo bunker where tearful Japanese leaders first told the emperor the truth, William Craig captures the pivotal events of the war with spellbinding authority. The Fall of Japan brings to life both celebrated and lesser-known historical figures, including Admiral Takijiro Onishi, the brash commander who drew up the Yamamoto plan for the attack on Pearl Harbor and inspired the death cult of kamikaze pilots., This astonishing account ranks alongside Cornelius Ryan’s The Longest Day and John Toland’s The Rising Sun as a masterpiece of World War II history.
Comprehensive and well informed, it covers a wide array of topics in short articles accompanied by sidebars and numerous photographs, providing a lively digest of the society and culture of Japan. Designed to appeal to the generations of Westerners who grew up on Pokemon, manga and video games, A Geek in Japan reinvents the culture guide for readers in the Internet age.
Spotlighting the originality and creativity of the Japanese, debunking myths about them, and answering nagging questions like why they're so fond of robots, author Hector Garcia has created the perfect book for the growing ranks of Japanophiles in this inspired, insightful and highly informative guide.
When Japan launched hostilities against the United States in 1941, argues Eri Hotta, its leaders, in large part, understood they were entering a war they were almost certain to lose. Drawing on material little known to Western readers, and barely explored in depth in Japan itself, Hotta poses an essential question: Why did these men—military men, civilian politicians, diplomats, the emperor—put their country and its citizens so unnecessarily in harm’s way? Introducing us to the doubters, schemers, and would-be patriots who led their nation into this conflagration, Hotta brilliantly shows us a Japan rarely glimpsed—eager to avoid war but fraught with tensions with the West, blinded by reckless militarism couched in traditional notions of pride and honor, tempted by the gambler’s dream of scoring the biggest win against impossible odds and nearly escaping disaster before it finally proved inevitable.
In an intimate account of the increasingly heated debates and doomed diplomatic overtures preceding Pearl Harbor, Hotta reveals just how divided Japan’s leaders were, right up to (and, in fact, beyond) their eleventh-hour decision to attack. We see a ruling cadre rich in regional ambition and hubris: many of the same leaders seeking to avoid war with the United States continued to adamantly advocate Asian expansionism, hoping to advance, or at least maintain, the occupation of China that began in 1931, unable to end the second Sino-Japanese War and unwilling to acknowledge Washington’s hardening disapproval of their continental incursions. Even as Japanese diplomats continued to negotiate with the Roosevelt administration, Matsuoka Yosuke, the egomaniacal foreign minister who relished paying court to both Stalin and Hitler, and his facile supporters cemented Japan’s place in the fascist alliance with Germany and Italy—unaware (or unconcerned) that in so doing they destroyed the nation’s bona fides with the West.
We see a dysfunctional political system in which military leaders reported to both the civilian government and the emperor, creating a structure that facilitated intrigues and stoked a jingoistic rivalry between Japan’s army and navy. Roles are recast and blame reexamined as Hotta analyzes the actions and motivations of the hawks and skeptics among Japan’s elite. Emperor Hirohito and General Hideki Tojo are newly appraised as we discover how the two men fumbled for a way to avoid war before finally acceding to it.
Hotta peels back seventy years of historical mythologizing—both Japanese and Western—to expose all-too-human Japanese leaders torn by doubt in the months preceding the attack, more concerned with saving face than saving lives, finally drawn into war as much by incompetence and lack of political will as by bellicosity. An essential book for any student of the Second World War, this compelling reassessment will forever change the way we remember those days of infamy.
Financial Times Asia editor David Pilling presents a fresh vision of Japan, drawing on his own deep experience, as well as observations from a cross section of Japanese citizenry, including novelist Haruki Murakami, former prime minister Junichiro Koizumi, industrialists and bankers, activists and artists, teenagers and octogenarians. Through their voices, Pilling's Bending Adversity captures the dynamism and diversity of contemporary Japan.
Pilling’s exploration begins with the 2011 triple disaster of earthquake, tsunami, and nuclear meltdown. His deep reporting reveals both Japan’s vulnerabilities and its resilience and pushes him to understand the country’s past through cycles of crisis and reconstruction. Japan’s survivalist mentality has carried it through tremendous hardship, but is also the source of great destruction: It was the nineteenth-century struggle to ward off colonial intent that resulted in Japan’s own imperial endeavor, culminating in the devastation of World War II. Even the postwar economic miracle—the manufacturing and commerce explosion that brought unprecedented economic growth and earned Japan international clout might have been a less pure victory than it seemed. In Bending Adversity Pilling questions what was lost in the country’s blind, aborted climb to #1. With the same rigor, he revisits 1990—the year the economic bubble burst, and the beginning of Japan’s “lost decades”—to ask if the turning point might be viewed differently. While financial struggle and national debt are a reality, post-growth Japan has also successfully maintained a stable standard of living and social cohesion. And while life has become less certain, opportunities—in particular for the young and for women—have diversified.
Still, Japan is in many ways a country in recovery, working to find a way forward after the events of 2011 and decades of slow growth. Bending Adversity closes with a reflection on what the 2012 reelection of Prime Minister Shinzo Abe, and his radical antideflation policy, might mean for Japan and its future. Informed throughout by the insights shared by Pilling’s many interview subjects, Bending Adversity rigorously engages with the social, spiritual, financial, and political life of Japan to create a more nuanced representation of the oft-misunderstood island nation and its people.
The Financial Times
“David Pilling quotes a visiting MP from northern England, dazzled by Tokyo’s lights and awed by its bustling prosperity: ‘If this is a recession, I want one.’ Not the least of the merits of Pilling’s hugely enjoyable and perceptive book on Japan is that he places the denunciations of two allegedly “lost decades” in the context of what the country is really like and its actual achievements.”
The Telegraph (UK)
“Pilling, the Asia editor of the Financial Times, is perfectly placed to be our guide, and his insights are a real rarity when very few Western journalists communicate the essence of the world’s third-largest economy in anything but the most superficial ways. Here, there is a terrific selection of interview subjects mixed with great reportage and fact selection... he does get people to say wonderful things. The novelist Haruki Murakami tells him: “When we were rich, I hated this country”... well-written... valuable.”
Publishers Weekly (starred):
"A probing and insightful portrait of contemporary Japan."
Richard Lloyd Parry, an award-winning foreign correspondent, covered Lucie's disappearance and followed the massive search for her, the long investigation, and the even longer trial. Over ten years, he earned the trust of her family and friends, won unique access to the Japanese detectives and Japan's convoluted legal system, and delved deep into the mind of the man accused of the crime, Joji Obara, described by the judge as "unprecedented and extremely evil."
The result is a book at once thrilling and revelatory, "In Cold Blood for our times" (Chris Cleave, author of Incendiary and Little Bee).
The People Who Eat Darkness is one of Publishers Weekly's Top 10 Best Books of 2012
Barak Kushner has written a first-rate study of propaganda in Japan during the Second World War. In a work of painstaking research, he takes his readers into the heart of wartime Japan, building a compelling argument that Japanese propaganda was sophisticated and effective in rallying the population and, after the war, seamlessly redirecting it to aid the transformation of Imperial Japan into the post-war democracy of today. The Thought War is a superbly competent piece of research that floods light into a place where only generalization, supposition, and stereotype had existed before. Nicholas J. Cull, University of Southern California, editor, Propaganda and Mass Persuasion: A Historical Encyclopedia, 1500 present
The Thought War is a unique and remarkable study. Barak Kushner reveals that Japanese propaganda during World War II was astonishingly sophisticated, diverse, and effective. What s more, the methods, messages, and makers of wartime propaganda proved just as successful at shaping public opinion in the wake of Japan s defeat as they earlier had been in mobilizing the nation for war. Kushner s insights on Japan s path from empire, through war, and into postwar reconstruction are provocative, compelling, and thoroughly convincing. William M. Tsutsui, chair of the Department of Asian Studies, University of Kansas
The Thought War is the first book in English to examine the full extent of Japan s wartime propaganda. Based on a wide range of archival material and sources in Japanese, Chinese, and English, it explores the propaganda programs of the Japanese government from 1931 to 1945, demonstrating the true scope of imperial propaganda and its pervasive influence, an influence that is still felt today. Contrary to popular postwar rhetoric, it was not emperor worship or military authoritarianism that led an entire nation to war. Rather, it was the creation of a powerful image of Japan as the leader of modern Asia and the belief that the Japanese could and would guide Asia to a new, glorious period of reform that appealed to imperial subjects.
Kushner analyzes the role of the police and military in defining socially acceptable belief and behavior by using their influence to root out malcontents. His research is the first of its kind to treat propaganda as a profession in wartime Japan. He shows that the leadership was not confined to the crude tools of sloganeering and government-sponsored demonstrations but was able instead to appropriate the expertise of the nation s advertising firms to sell the image of Japan as Asia s leader and modernizer. In his exploration of the propaganda war in popular culture and the entertainment industry, Kushner discloses how entertainers sought to bolster their careers by adopting as their own pro-war messages that then filtered down into society and took hold. Japanese propaganda frequently conflicted with Chinese and American visions of empire, and Kushner reveals the reactions of these two nations to Japan s efforts and the meaning of their responses."
Former Marine and Pacific War veteran Robert Leckie tells the story of the invasion of Okinawa, the closing battle of World War II. Leckie is a skilled military historian, mixing battle strategy and analysis with portraits of the men who fought on both sides to give the reader a complete account of the invasion. Lasting 83 days and surpassing D-Day in both troops and material used, the Battle of Okinawa was a decisive victory for the Allies, and a huge blow to Japan. In this stirring and readable account, Leckie provides a complete picture of the battle and its context in the larger war.
On the sea the Japanese rained down a deadly hail of kamikazes. On land the entrenched defenders had nowhere to retreat, and the US Army and Marines had nowhere to go but onward, into the thick of some of the of the most bloody close-quarters fighting in World War II.
This was Okinawa, the savage pitched battle waged just months before the US nuclear bombing of Hiroshima. Operation Iceberg, as it was known, saw the fiercest attack of kamikazes in the entire Pacific Theater of War. And here Gerald Astor lets the soldiers tell their stories firsthand: of flame-thrower attacks and hand-to-hand confrontations, of atrocities, deadly ambushes and brutal hilltop sieges that left entire companies decimated. Operation Iceberg is the raw, hard-edged account of war at its most brutal—and the last great battle of World War II.
From early on, Guthrie-Shimizu argues, baseball carried American values to Japan, and by the mid-twentieth century, the sport had become emblematic of Japan's modernization and of America's growing influence in the Pacific world. Guthrie-Shimizu contends that baseball provides unique insight into U.S.-Japanese relations during times of war and peace and, in fact, is central to understanding postwar reconciliation. In telling this often surprising history, Transpacific Field of Dreams shines a light on globalization's unlikely, and at times accidental, participants.
Budo is one of the least understood forms of art in the world. Even more than skills or techniques, the teachings of budo require faith to learn and courage to understand. One of the fundamental teachings of budo is ninjutsu, the art of perseverance that forms the basis of the Japanese martial arts.
The lessons in this book come directly from experiencing the living vitality of the world's foremost master of the ninja arts, Masaaki Hatsumi. Through the use of stories, poetry, art, and earned wisdom, the authors move beyond the common image of the martial arts and reveal the nature of the unexpected changes in themselves as they struggled to come to terms with what being a martial artist in the ninja tradition meant.
The Art of Life and Death is a reflection of the discipline, the aesthetics, and the philosophy that lies hidden within the martial way. It is a glimpse at the hidden potential of the martial arts, one where the practitioner can embrace transcendence and transformation in order to face all the fears that litter life and also life's most fearsome opponent: Death.
The book describes the ways in which a shared Confucian tradition and particular historical experiences of imperialism and war have affected each country's internal dynamics, responses to the outside world, and distinctive political developmental trajectory, especially since World War II.
While the book is structured to facilitate comparisons, it avoids the limitations of most comparative politics texts by focusing less on Western conceptions of state and governance and more on East Asian perspectives of the universe and how it operates. Even the considerations of contemporary policy issues in each country are cast in a wider framework that gives the discussion enduring value.
The first multimedia digital book on Shodo, the way of calligraphy, with pictures and video lessons of Nagayama Norio Sensei.
More than 100 photos, illustrations and haiku; 70 videos-exercises in kanji, kaisho, the seals, the rules spelling of the kanji, the sayings of the Masters.
A manual to understand and learn the Japanese writing.
This new form of interactive books allows to overcome the major limitation of traditional books: the lack of a direct relationship with the teacher, to observe the rhythm and learn intuition and gesture.
This book is an introduction to the practice of calligraphy as a way of life, but can also serve those who are interested in writing our language and understand the technique of our art.
Nagayama Norio Sensei
The Masaki school of chain fighting was developed in the feudal society of the early eighteenth century by a swordsman-sentry in Edo (Tokyo) Castle. Feeling that the shedding of blood in such a hallowed place would be disgraceful, he devised the combat use of the weighted chain. Even the name he gave to the art proves the trust he placed in its effectiveness—manrikigusari (chain with the power of ten thousand).
The equally devastating art of shuriken, the throwing of metal stars and spikes, evolved shortly after manrikigusari. The easily concealed shuriken soon became known as an extremely effective weapon for both shinobi and samurai warriors. Included are "The Samurai Creed," various techniques, the history of the arts and over 100 black and white photos and illustrations.
Samurai Revolution tells the fascinating story of Japan's historic transformation at the end of the nineteenth century from a country of shoguns, feudal lords and samurai to a modern industrialized nation. The book covers the turbulent Meiji Period from 1868 to 1912, widely considered "the dawn of modern Japan," a time of Samurai history in which those who choose to cling to their traditional bushido way of life engaged in frequent and often deadly clashes with champions of modernization. Knowledge of this period is essential to understand how and why Japan evolved into the nation it is today.
The book opens with the fifteen-year fall of the Tokugawa Shogunate, which had ruled Japan for over 250 years, and the restoration of the Meiji emperor to a position of power at the expense of the feudal Daimyo lords. It chronicles the bloody first decade of the newly reestablished monarchy, in which the new government worked desperately to consolidate its power and introduce the innovations that would put Japan on equal footing with the Western powers threatening to dominate it. Finally, Samurai Revolution goes on to tell the story of the Satsuma Rebellion, a failed coup attempt that is widely viewed as the final demise of the samurai class in Japan.
This book is the first comprehensive history and analysis in English covering all the key figures in this exciting drama and is the result of over twenty-five years of studying this critical period in Japanese history. The book contains numerous original translations of crucial documents and correspondence of the time, as well as photographs and maps.
Samurai Revolution goes in-depth to reveal how one era ended and another began.
In 1871, five young girls were sent by the Japanese government to the United States. Their mission: learn Western ways and return to help nurture a new generation of enlightened men to lead Japan.
Raised in traditional samurai households during the turmoil of civil war, three of these unusual ambassadors—Sutematsu Yamakawa, Shige Nagai, and Ume Tsuda—grew up as typical American schoolgirls. Upon their arrival in San Francisco they became celebrities, their travels and traditional clothing exclaimed over by newspapers across the nation. As they learned English and Western customs, their American friends grew to love them for their high spirits and intellectual brilliance.
The passionate relationships they formed reveal an intimate world of cross-cultural fascination and connection. Ten years later, they returned to Japan—a land grown foreign to them—determined to revolutionize women’s education.
Based on in-depth archival research in Japan and in the United States, including decades of letters from between the three women and their American host families, Daughters of the Samurai is beautifully, cinematically written, a fascinating lens through which to view an extraordinary historical moment.
Part I introduces film semiotics with plain definitions of terminology. Through familiar cinematic examples, it emphasizes the myth-making nature of modern-day film and argues that semiotics can be used as a theoretical tool for reading film. Part II presents case studies of eight popular Japanese films as models of semiotic analysis. While discussing each film’s use of common mythological motifs such as death and rebirth, its case study also unveils more covert cultural signifiers and folktale motifs, including jizo (a savior of sentient beings) and kori (bewitching foxes and raccoon dogs), hidden in the Japanese filmic text.
In this second volume of The Masks of God — Joseph Campbell's major work of comparative mythology — the pre-eminent mythologist looks at Asian mythology as it developed over the course of five thousand years into the distinctive religions of Egypt, Mesopotamia, India, China, and Japan.
The Masks of God is a four-volume study of world religion and myth that stands as one of Joseph Campbell's masterworks. On completing it, he wrote: Its main result for me has been the confirmation of a thought I have long and faithfully entertained: of the unity of the race of man, not only in its biology, but also in its spiritual history, which has everywhere unfolded in the manner of a single symphony, with its themes announced, developed, amplified and turned about, distorted, reasserted, and today, in a grand fortissimo of all sections sounding together, irresistibly advancing to some kind of mighty climax, out of which the next great movement will emerge.
This new digital edition, part of the Collected Works of Joseph Campbell series, includes over forty new illustrations.
"It is impossible to read this startling and entertaining book without an enlarged sense of total human possibility and an increased receptivity—'open-endedness' as Thomas Mann called it—to the still living past." — Robert Gorham Davis