People also search for
At its center is Alexander Kinross, remembered as a young man in his native Scotland only as a shiftless boilermaker's apprentice and a godless rebel. But when, years later, he writes from Australia to summon his bride, his Scottish relatives quickly realize that he has made a fortune in the gold fields and is now a man to be reckoned with.
Arriving in Sydney after a difficult voyage, the sixteen-year-old Elizabeth Drummond meets her husband-to-be and discovers to her dismay that he frightens and repels her. Offered no choice, she marries him and is whisked at once across a wild, uninhabited countryside to Alexander's own town, named Kinross after himself. In the crags above it lies the world's richest gold mine.
Isolated in Alexander's great house, with no company save Chinese servants, Elizabeth finds that the intimacies of marriage do not prompt her husband to enlighten her about his past life -- or even his present one. She has no idea that he still has a mistress, the sensual, tough, outspoken Ruby Costevan, whom Alexander has established in his town, nor that he has also made Ruby a partner in his company, rapidly expanding its interests far beyond gold. Ruby has a son, Lee, whose father is the head of the beleaguered Chinese community; the boy becomes dear to Alexander, who fosters his education as a gentleman.
Captured by the very different natures of Elizabeth and Ruby, Alexander resolves to have both of them. Why should he not? He has the fabled "Midas Touch" -- a combination of curiosity, boldness and intelligence that he applies to every situation, and which fails him only when it comes to these two women.
Although Ruby loves Alexander desperately, Elizabeth does not. Elizabeth bears him two daughters: the brilliant Nell, so much like her father; and the beautiful, haunting Anna, who is to present her father with a torment out of which for once he cannot buy his way. Thwarted in his desire for a son, Alexander turns to Ruby's boy as a possible heir to his empire, unaware that by keeping Lee with him, he is courting disaster.
The stories of the lives of Alexander, Elizabeth and Ruby are intermingled with those of a rich cast of characters, and, after many twists and turns, come to a stunning and shocking climax. Like The Thorn Birds, Colleen McCullough's new novel is at once a love story and a family saga, replete with tragedy, pathos, history and passion. As few other novelists can, she conveys a sense of place: the desperate need of her characters, men and women, rootless in a strange land, to create new beginnings.
Innocence is no protection...
In Holloman, Connecticut, someone is preying on the innocent. At a prestigious research centre fondly known by its staff as the 'Hug', parts of a mutilated body are found. Lieutenant Carmine Delmonico of the Holloman Police learns that a string of horrifying murders – each with the same modus operandi as the one at the Hug – have been commited throughout the state. When another body is found, the medical staff become prime suspects.
With the powers that be in turmoil and every member of staff hiding something, Delmonico must delve into the lives of each and every Hug employee. This is the case of his career and he is determined to solve it. But how, when he is hunting a monster who leaves no clues and is always two steps ahead?
Drawing on the histories of Plutarch, Suetonius, and Gaius Cornelius Tacitus, noted historian and classicist Robert Graves tells the story of the much-maligned Emperor Claudius with both skill and compassion. Weaving important themes throughout about the nature of freedom and safety possible in a safety and a monarchy, Graves’ Claudius is both more effective and more tragic than history typically remembers him. A best-selling novel and one of Graves’ most successful, I, Claudius has been adapted to television, film, theatre, and audio.
As The October Horse begins, Gaius Julius Caesar is at the height of his stupendous career. When he becomes embroiled in a civil war between Egypt's King Ptolemy and Queen Cleopatra, he finds himself torn between the fascinations of a remarkable woman and his duty as a Roman. Though he must leave Cleopatra, she remains a force in his life as a lover and as the mother of his only son, who can never inherit Caesar's Roman mantle, and therefore cannot solve his father's greatest dilemma -- who will be Caesar's Roman heir?
A hero to all of Rome except to those among his colleagues who see his dictatorial powers as threats to the democratic system they prize so highly, Caesar is determined not to be worshiped as a god or crowned king, but his unique situation conspires to make it seem otherwise. Swearing to bring him down, Caesar's enemies masquerade as friends and loyal supporters while they plot to destroy him. Among them are his cousin and Master of the Horse, Mark Antony, feral and avaricious, priapic and impulsive; Gaius Trebonius, the nobody, who owes him everything; Gaius Cassius, eaten by jealousy; and the two Brutuses, his cousin Decimus, and Marcus, the son of his mistress Servilia, sad victim of his mother and of his uncle Cato, whose daughter he marries. All are in Caesar's debt, all have been raised to high positions, all are outraged by Caesar's autocracy.
Caesar must die, they decide, for only when he is dead will Rome return to her old ways, her old republican self.
With her extraordinary knowledge of Roman history, Colleen McCullough brings Caesar to life as no one has ever done before and surrounds him with an enormous and vivid cast of historical characters, characters like Cleopatra who call to us from beyond the centuries, for McCullough's genius is to make them live again without losing any of the grandeur that was Rome.
Packed with battles on land and sea, with intrigue, love affairs, and murders, the novel moves with amazing speed toward the assassination itself, and then into the ever more complex and dangerous consequences of that act, in which the very fate of Rome is at stake.
The October Horse is about one of the world's pivotal eras, relating as it does events that have continued to echo even into our own times.
At the center of her new novel is Richard Morgan, son of a Bristol tavern-keeper, devoted husband and loving father, sober and hardworking craftsman. By the machinations of fate and the vagaries of the 18th-century English judicial system, he is consigned as a convict to the famous "First Fleet," which set sail, bearing, as an experiment in penology, 582 male and 193 female felons sentenced to transportation, in May of 1787 for the continent that Captain Cook had discovered only a few years earlier.
The word "epic" is overused, but no other word can do justice to one of the most grueling and significant voyages in human history or to the courage of the convicts whose sufferings were not ended but had only just begun when they set foot on Australian soil at Botany Bay on January 19th, 1788.
Of those convicts, Richard Morgan stood out, not only for his strength and his calm determination to let no man bully him, but also for his intelligence, his fair-mindedness, his common sense, and his willingness to help others. To these qualities must be added a certain innate dignity that hinted, even in the most terrible conditions, at a life marked by tragedies that would have broken most men.
In Richard Morgan, Colleen McCullough has created one of her most compelling characters. We see through Morgan's eyes the two worlds in which the story takes place: that of 18th-century Bristol, where Morgan was born and expected to live out his life, and that of a convicted felon sent to settle a hostile new world.
When the book begins, Richard Morgan is a contented man -- happily married, with a child he adores. Then, piece by piece, his idyll crumbles until he finds himself led into an ambiguous relationship with a beautiful young woman, whose dissolute protector seeks vengeance on Morgan to protect his own skin.
He endures the agonies of bereavement and financial loss, incarceration in prison and aboard the notorious "hulks," then the horrors of the journeys to Botany Bay and Norfolk Island, where he finds against all odds a new love and a new life.
Richard Morgan's story is true, but in making Morgan the central figure of her novel, Colleen McCullough has created a hero whom no reader will ever forget; she has written not only a great adventure and a powerful love story, but also a book that combines the elements of Tom Jones and Mutiny on the Bounty.
Morgan's Run is great fiction, full of drama, passion, history, love, and hatred, full-blooded and totally engrossing, a stunning work that is at once rich entertainment -- and a revelation.
America in 1968 is in turmoil and the leafy Holloman suburb of Carew is being silently terrorized by a series of vicious and systematic rapes. When finally one victim finds the courage to speak out and go to the police, the rapist escalates to murder. For Captain Carmine Delmonico, it seems to be a case with no clues. And it comes as the Holloman Police Department is troubled: a lieutenant is out of his depth, a sergeant is out of control, and into this mix comes the beautiful, ruthlessly ambitious new trainee, Helen MacIntosh, daughter of the influential president of Chubb University.
As the killer makes his plans, Carmine and his team must use every resource at their disposal—including a highly motivated neighborhood watch, the Gentlemen Walkers.
It’s August 1969 in the sleepy college town of Holloman, Connecticut, and police Captain Carmine Delmonico is away on vacation. Back at home, first one, then two anonymous male corpses turn up, emaciated and emasculated. After connecting the victims to four other bodies, Sergeant Delia Carstairs and Lieutenant Abe Goldberg realize that Holloman has a psychopathic killer on the loose. Luckily, Carmine comes back early from vacation.
Carmine’s team begins to circle a trio of eccentrics, who readily admit to knowing all the victims, but their stories keep changing. They share family ties, painful memories, and a dark past. When another vicious murder rocks the town, Carmine faces the revelation that two killers are at large—even as he barely escapes being next in the body count. Suddenly the summer isn’t so sleepy anymore.
With Colleen McCullough’s trademark “mind-boggling, murderous plots” (Kirkus Reviews), Sins of the Flesh “will be welcomed by readers who just love that creepy feeling,” (Publishers Weekly).
Meanwhile, the other dearly loved characters of Pride and Prejudice fret about the missing Mary while they contend with difficulties of their own. Darcy's political ambitions consume his ardor, and he bothers with Elizabeth only when the impropriety of her family seems to threaten his career. Lydia, wild and charming as ever, drinks and philanders her way into dire straits; Kitty, a young widow of means, occupies herself with gossip and shopping; and Jane, naïve and trusting as ever, spends her days ministering to her crop of boys and her adoring, if not entirely faithful, husband. Yet, with the shadowy and mysterious figure of DarcyÕs right-hand man, Ned Skinner, lurking at every corner, it is clear that all is not what it seems at idyllic Pemberley. As the many threads of McCulloughÕs masterful plot come together, shocking truths are revealed, love, both old and new, is tested, and all learn the value of true independence in a novel for every woman who has wanted to leave her mark on the world.
—New York Times
“A heart-rending epic…truly marvelous.”
One of the most beloved novels of all time, The Thorn Birds, Colleen McCullough’s sweeping family saga of dreams, titanic struggles, dark passions, and forbidden love in the Australian Outback, returns to enthrall a new generation.