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When G. K. Chesterton first published Eugenics and Other Evils in 1922, he seemed to be the lone voice of reason against the fashionable concept of selectively breeding a population for “desirable” traits. Though later generations came to associate eugenics with the horrors of the Third Reich, worldwide support for the philosophy was at an all-time high when Chesterton penned this brave and prophetic work. His unique combination of somber analysis and coruscating wit produces an argument too persuasive to ignore.
Eugenics and Other Evils showcases Chesterton at the height of his rhetorical powers. His discussion of capitalism, socialism, and the concerns that guide our moral decisions is as pertinent today as the day it was penned.
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G.K. Chesterton is well known for his reasoned apologetics, and even some of those who disagree with him have recognized the universal appeal of such works as his biography on Saint Francis. Chesterton has been called the “prince of paradox.” Time magazine, in a review of a biography of Chesterton, observed of his writing style: “Whenever possible Chesterton made his points with popular sayings, proverbs, allegories—first carefully turning them inside out.”
If you think orthodoxy is boring and predictable, think again. In this timeless classic, G. K. Chesterton, one of the literary giants of the twentieth century, presents a logical and personal reasoning for Christianity in model apologetic form. Gilbert Keith Chesterton was a self-described pagan at age 12 and totally agnostic by age 16. Yet, his spiritual journey ultimately led to a personal philosophy of orthodox, biblical Christianity. The account of his experiences, Orthodoxy bridges the centuries and appeals to today's readers who face the same challenges of materialism, self-centeredness, and progress.
"Hope means hoping when things are hopeless, or it is no virtue at all. And faith mean believing the incredible, or it is no virtue at all."
--G.K. Chesterton
A unique book, Orthodoxy addresses our faith struggles and how we communicate our faith to others. Through philosophy, poetry, reason and humor Chesterton leads us on a literary journey toward truth.
This edition includes a foreword by Philip Yancey who, like C. S. Lewis and other leading Christian writers, found this book to be pivotal his Christian experience. Yancey credits Chesterton with helping to revive and define his faith.
How fitting that Francesco Bernardone was born just after the Dark Ages when the world was awakening. He started out as a colorful troubadour with a fondness for French poetry, extravagant with money . . . until the sight of a beggar seeking alms opened his eyes to a world beyond himself. The scene so moved him, he vowed to God that he would devote his life to the poor and embrace a life of simplicity. This sense of humility and generosity continues to call to each of us today. With great affection, Chesterton explores the life and times of St. Francis—his joyous devotion, his sense of compassion and love for all creation, his visions and miracles, his stigmata, and his band of followers that became the Franciscan Order. Praising this great and original man who became one of the most popular figures in Christendom, the author calls him "a poet whose whole life was a poem." Here is a stimulating read for Chesterton fans, Christian readers, and anyone looking for a burst of pure inspiration.
Written in 1925, this enduring polemic still strikes a modern chord. Addressing evolution, feminism, and cultural relativism within the context of religion, the book also examines religious skepticism. How does one sustain belief in Jesus Christ—and the Church—when, throughout history, the key to religious truth has been constantly reshaped? According to Chesterton, the shape of the key is not important. What matters is that it fits the lock and opens the door. An emphatic affirmation of Christian faith, The Everlasting Man is leavened with the author's characteristic wit and wisdom, and appeals to the mind as well as the heart.
"It is constantly assumed, especially in our Tolstoian tendencies, that when the lion lies down with the lamb the lion becomes lamb-like... That is simply the lamb absorbing the lion instead of the lion eating the lamb. The real problem is - can the lion lie down with the lamb and still retain his royal ferocity? That is the problem the Church attempted; that is the miracle she achieved." - from Orthodoxy.
Written in a down-to-earth and familiar style, Orthodoxy nevertheless presents formal and scholarly arguments in the explanation and defense of the tenets underlying Christianity. Paradox and contradiction, Chesterton maintains, do not constitute barriers to belief; imagination and intuition are as relevant to the processes of thought and understanding as logic and rationality. "Whenever we feel there is something odd in Christian theology," he observes, "we shall generally find that there is something odd in the truth." Chesterton defines his insights with thought-provoking analogies, personal anecdotes, and engaging humor, making his century-old book a work of enduring charm and persuasion.
A wind sprang high in the west, like a wave of unreasonable happiness, and tore eastward across England, trailing with it the frosty scent of forests and the cold intoxication of the sea.
Seeking shelter from a storm of biblical proportions, a mysterious new tenant by the name of Innocent Smith arrives on the doorsteps of Beacon House. Eccentric, spry, and eager to make new friends, Innocent turns the culture of this ho-hum London boarding establishment upside down. But the fun and games come to an abrupt end when word arrives that the new lodger is wanted on charges of burglary, polygamy, desertion of a spouse, and murder. Only a jury of his peers can determine if Innocent is as guilty as he appears.
Written in upbeat and lighthearted prose, this charming novel of life, salvation, and the human predicament captures G. K. Chesterton at his finest.
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Born into an aristocratic family, Thomas rejected a life of privilege to join a new order of preaching and teaching monks, the Dominicans. Chesterton compares Thomas' views to those of another famous thirteenth-century figure, St. Francis of Assisi. He also explores the influence of Aristotelian philosophy on Thomas' character, along with the effects of Parisian culture, society, and politics. The final chapter examines the impact of Thomas' work on later religious thinkers, including Martin Luther. This brief but vivid profile provides fascinating glimpses into the medieval scholastic movement, and it presents an excellent beginning to further explorations of St. Thomas Aquinas' works.
Culled from the thousands of essays he contributed to newspapers and periodicals over his lifetime, the critical works collected for this edition pulse with the author's unique brand of clever commentary. As readable and rewarding today as when they were written over a century ago, these pieces offer Chesterton's unparalleled analysis of contemporary ideals, his incisive critique of modern efficiency, and his humorous but heartfelt defense of the common man against trendsetting social assaults.
Antiquated. Unimaginative. Repressive. We've all heard these common reactions to orthodox Christian beliefs. Even Christians themselves are guilty of the tendency to discard historic Christianity.
Yet as we read through the literature in Christianity’s past, we learn that we are in better company with our beliefs than we might think. Through his enchanting book, Orthodoxy, G.K. Chesterton reminds us of the paradoxes of our faith and the joy that comes when we explore them.
From the foreword by Matthew Lee Anderson, author of The End of Our Exploring:
“How can we contrive to be at once astonished at the world and yet at home in it?”
And with that question, G.K. Chesterton recounts the heart of an intellectual journey that took him from the edges of a nihilistic pessimism into the center of the paradoxical joy of Christian orthodoxy. His book is not a defense of the Christian faith, at least not primarily, so much as an attempt to explain how the startling paradoxes and sharp edges of the creed explain everything else.
It is a dated work, dealing in the categories and concerns of Chesterton’s contemporaries, and yet it comes nearer timelessness than anything we have today. Though Orthodoxy was written near the start of the 20th century, I have dubbed it the most important book for the 21st. There are few claims I have made in my life that I am more sure of than that one.
This groundbreaking work epitomizes why G. K. Chesterton is considered one of the pithiest and most versatile philosophers of his era. An anthology of his early writings, What’s Wrong with the World takes on such thorny subjects as public education, jingoism, feminism, imperialism, politics, and the modern family. Chesterton’s humor and intellectual verve are on full display, making these incisive essays as applicable in their exploration of ethics and the human heart today as when they were penned over a hundred years ago.
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In addition to incisive assessments of well-known individuals ("Mr. Rudyard Kipling and Making the World Small" and "Mr. H. G. Wells and the Giants"), these essays contain observations on the wider world. "On Sandals and Simplicity," "Science and the Savages," "On Certain Modern Writers and the Institution of the Family," "On Smart Novelists and the Smart Set," and "Slum Novelists and the Slums" reflect the main themes of Chesterton's life's work. Heretics roused the ire of some critics for censuring contemporary philosophies without providing alternatives; the author responded a few years later with a companion volume, Orthodoxy (also available from Dover Publications). Sardonic, jolly, and generous, both books are vintage Chesterton.
'You see, I had murdered them all myself ... I had thought out exactly how a thing like that could be done, and in what style or state of mind a man could really do it. And when I was quite sure that I felt exactly like the murderer myself, of course I knew who he was.'
Unassuming super-sleuth Father Brown has such brilliant powers of deduction that he knows more about crime than the criminals themselves. In this fourth volume of stories, the shabby priest unravels the most baffling conundrums involving, among others, a flying fish, a man with two beards and the Worst Crime in the World.
G. K. Chesterton was born in 1874. He attended the Slade School of Art, where he appears to have suffered a nervous breakdown, before turning his hand to journalism. A prolific writer throughout his life, his best- known books include The Napoleon of Notting Hill (1904), The Man Who Knew Too Much (1922), The Man Who Was Thursday (1908) and the Father Brown stories. Chesterton converted to Roman Catholicism in 1922 and died in 1938.
'Chesterton knew how to make the most of a detective story' Jorge Luis Borges
"A sketch of St. Francis of Assisi in modern English may be written in one of three ways. Between these the writer must make his selection; ... First, he may deal with this great and most amazing man as a figure in secular history and a model of social virtues. ... Second, he may go to the opposite extreme, and decide, as it were, to be defiantly devotional. ... Third, he may try to do what I have tried to do here; ... I am here addressing the ordinary common man, sympathetic but sceptical, and I can only rather hazily hope that, by approaching the great saint's story through what is evidently picturesque and popular about it, I may at least leave the reader understanding a little more than he did before of the consistency of a complete character; ...."
"Here is an historical character which is admittedly attractive to many of us already, by its gaiety, its romantic imagination, its spiritual courtesy and cameraderie, but which also contains elements (evidently equally sincere and emphatic) which seem to you quite remote and repulsive. But after all, this man was a man and not half a dozen men. What seems inconsistency to you did not seem inconsistency to him. Let us see whether we can understand, with the help of the existing understanding, these other things that now seem to be doubly dark, by their intrinsic gloom and their ironic contrast."
Published in 1904, G. K. Chesterton’s debut novel is set eighty years in the future. Technology and social mores remain the same, but the England of 1984 boasts a government in which ineffectual kings are selected at random from an otherwise apathetic populace that has “lost faith in revolutions.” The political system hits a snag when Auberon Quin is selected as the next monarch. More joker than potentate, Quin amuses himself by installing a series of laws and bizarre customs that inflate civic pomp and circumstance to laughable proportions. These policies inevitably put Quin, a leader who does not believes in any of his dictums, on a collision course with his most earnest supporter: Adam Wayne, otherwise known as the Napoleon of Notting Hill.
A favorite among scholars and critics, The Napoleon of Notting Hill showcases the eclectic wit and unorthodox intellect that established Chesterton as one of the twentieth century’s most influential and far-reaching thinkers.
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First serialized in the Commonwealth, G. K. Chesterton’s fantastical third novel opens with a debate between Professor Lucifer and Brother Michael as they soar across the sky above London. Part farce, part theological exploration, The Ball and the Cross soon settles on the story of another pair of contraries. When differences of opinion lead an atheist and a devout Roman Catholic to plan a duel to the death, fate intervenes and propels the two men toward deeper understanding.
Widely considered to be one of Chesterton’s most accessible and substantive works, The Ball and the Cross was commended by Pope John Paul I for the profound truths it reveals. Readers for over a hundred years have marveled at the brilliance of this exhilarating tale about belief, nonbelief, and our collective search for the truth.
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Set in the early-twentieth century, Father Brown's world is quintessentially English; crime scenes await in country houses, rural parish churches and quaint gardens as well as foggy London streets and shadowy railway stations. Father Brown may be a kindly cleric, but his bumbling nature disguises a detective mind to rival Sherlock Holmes...
The character of Father Brown, brought to life by Mark Williams, is based on a real parish priest and the idea that priests, through hearing Confession, know the worst of human nature more than anyone, including the police. Father Brown uses his experiences to put himself into the mind of the criminal to solve each mystery and catch the perpetrators.
Table Of Contents
ALARMS AND DISCURSIONS
ALL THINGS CONSIDERED
THE APPETITE OF TYRANNY
APPRECIATIONS AND CRITICISMS OF THE WORKS OF CHARLES DICKENS
THE BALLAD OF THE WHITE HORSE
THE BALL AND THE CROSS
THE BARBARISM OF BERLIN
THE CLUB OF QUEER TRADES
THE CRIMES OF ENGLAND
THE DEFENDANT
EUGENICS AND OTHER EVILS
GEORGE BERNARD SHAW
HERETICS
THE INNOCENCE OF FATHER BROWN
LORD KITCHENER
MAGIC A FANTASTIC COMEDY
Manalive
THE MAN WHO KNEW TOO MUCH
THE MAN WHO WAS THURSDAY
A MISCELLANY OF MEN
The Napoleon of Notting Hill
THE NEW JERUSALEM
ORTHODOXY
ROBERT BROWNING
A SHORT HISTORY OF ENGLAND
THE TREES OF PRIDE
TREMENDOUS TRIFLES
TWELVE TYPES
Utopia of Usurers and other Essays
_Varied Types_
THE VICTORIAN AGE IN LITERATURE
WHAT I SAW IN AMERICA
WHAT'S WRONG WITH THE WORLD
THE WILD KNIGHT
THE WISDOM OF FATHER BROWN
The #1 New York Times Bestseller
On a warm summer morning in North Carthage, Missouri, it is Nick and Amy Dunne’s fifth wedding anniversary. Presents are being wrapped and reservations are being made when Nick’s clever and beautiful wife disappears. Husband-of-the-Year Nick isn’t doing himself any favors with cringe-worthy daydreams about the slope and shape of his wife’s head, but passages from Amy's diary reveal the alpha-girl perfectionist could have put anyone dangerously on edge. Under mounting pressure from the police and the media—as well as Amy’s fiercely doting parents—the town golden boy parades an endless series of lies, deceits, and inappropriate behavior. Nick is oddly evasive, and he’s definitely bitter—but is he really a killer?
But she's fighting for her life in more ways than one: if and when she recovers, she'll stand trial for three murders. With the help of Mikael Blomkvist, she'll need to identify those in authority who have allowed the vulnerable, like herself, to suffer abuse and violence. And, on her own, she'll seek revenge--against the man who tried to killer her and against the corrupt government institutions that nearly destroyed her life.
--The New York Times
The Millennium series that began with The Girl with the Dragon Tattoo has become this generation’s international bestselling phenomenon.
Disgraced crusading journalist Mikael Blomkvist has no idea of the levels of conspiracy he will uncover when is enlisted to investigate the unsolved disappearance nearly forty years ago of a Swedish industrialist’s niece. And when the pierced and tattooed computer savant Lisbeth Salander joins him, together they unearth layers and layers of secrets and scandals that permeate the highest levels of society, from politics to finance to the legal system itself--at the bottom of which lies unimaginable cruelty perpetrated on the weak. In the course of these three shocking, unputdownable thrillers, we encounter one of the most heroic of survivors, as she battles some of the most heartless villains ever imagined.
Mikael Blomkvist, crusading publisher of the magazine Millennium, has decided to run a story that will expose an extensive sex trafficking operation. On the eve of its publication, the two reporters responsible for the article are murdered, and the fingerprints found on the murder weapon belong to his friend, the troubled genius hacker Lisbeth Salander. Blomkvist, convinced of Salander’s innocence, plunges into an investigation. Meanwhile, Salander herself is drawn into a murderous game of cat and mouse, which forces her to face her dark past.
When Joe “Rick” Rickman, a former golden boy of the CIA, steals a massive amount of the Agency’s most classified documents in an elaborately masterminded betrayal of his country, CIA director Irene Kennedy has no choice but to send her most dangerous weapon after him: elite covert operative Mitch Rapp.
Rapp quickly dispatches the traitor, but Rickman proves to be a deadly threat to America even from beyond the grave. Eliminating Rickman didn’t solve all of the CIA’s problems—in fact, mysterious tip-offs are appearing all over the world, linking to the potentially devastating data that Rickman managed to store somewhere only he knew.
It’s a deadly race to the finish as both the Pakistanis and the Americans search desperately for Rickman’s accomplices, and for the confidential documents they are slowly leaking to the world. To save his country from being held hostage to a country set on becoming the world’s newest nuclear superpower, Mitch Rapp must outrun, outthink, and outgun his deadliest enemies yet.
When Lieutenant Eve Dallas examines a fresh body in a seedy alleyway in downtown Manhattan, the victim’s injuries are so extensive that she almost misses the clue. Carved into the skin is the shape of a heart—initials inside reading “E” and “D”…
In Arkansas, Ella-Loo and her recently released ex-con boyfriend, Darryl, don’t ever intend to part again. So they hit the road, but then things get a little messy and they wind up killing someone—an experience that stokes a fierce, wild desire in Ella-Loo. A desire for Darryl. And a desire to kill again.
As they cross state lines on their way to New York to find the life they think they deserve, they leave a trail of evil behind them. But now they’ve landed in the jurisdiction of Lt. Dallas and her team at the New York Police and Security Department. And, with her husband Roarke at her side, Eve has every intention of hunting them down and giving them what they truly deserve…
From the Paperback edition.
“Why is this town called Mother’s Rest?” That’s all Reacher wants to know. But no one will tell him. It’s a tiny place hidden in a thousand square miles of wheat fields, with a railroad stop, and sullen and watchful people, and a worried woman named Michelle Chang, who mistakes him for someone else: her missing partner in a private investigation she thinks must have started small and then turned lethal.
Reacher has no particular place to go, and all the time in the world to get there, and there’s something about Chang . . . so he teams up with her and starts to ask around. He thinks: How bad can this thing be? But before long he’s plunged into a desperate race through LA, Chicago, Phoenix, and San Francisco, and through the hidden parts of the internet, up against thugs and assassins every step of the way—right back to where he started, in Mother’s Rest, where he must confront the worst nightmare he could imagine.
Walking away would have been easier. But as always, Reacher’s rule is: If you want me to stop, you’re going to have to make me.
Praise for Make Me
“Child’s Reacher series has hit Book No. 20 with a resounding peal of wisecracking glee. Everything about it, starting with Reacher’s nose for bad news, is as strong as ever. . . . The big guy’s definitely on the upswing. The guy who writes about him is too.”—Janet Maslin, The New York Times
“Another winner . . . There’s a reason why Child is considered the best of the best in the thriller genre: He can take all these strange elements and clichés and make them compelling and original.”—Associated Press
“A superb thriller.”—New York Daily News
“Child’s complete command of the story makes this thriller work brilliantly.”—Publishers Weekly (starred review)
“I’ve read all twenty of Lee Child’s novels. Maybe there’s something wrong with me. But I can’t wait for the twenty-first.”—Malcolm Gladwell, The New Yorker
“[The Reacher series] is the current gold standard in the genre. . . . In Make Me Lee Child delivers another Jack Reacher specialty; the total knockout.”—Dayton Daily News
“Child serves up wingding plots, pithy dialogue, extraordinary background on intriguing topics, and cunningly constructed suspense. But what keeps us coming back—by the millions—is the chance to walk around in the skin of that big guy in the middle of everything.”—The Oregonian
“A dark thriller . . . Lee Child’s Make Me, the twentieth in his wildly popular Jack Reacher series, delivers exactly what readers have come to expect from the perennial bestselling author: interesting characters, tight plots and page-turning action. . . . Readers won’t be disappointed.”—Minneapolis Star Tribune
“Jack Reacher is back. . . . Readers new to this series will find this book a good starting point, and fans will be pleased to see Jack again.”—LibraryReads (Top Ten Pick)
“The reigning champ ups the ante.”—Booklist (starred review)
Lieutenant Eve Dallas has plenty to be grateful for, especially Roarke’s big Irish family, which is a joyful improvement on her own dark childhood.
Other couples aren’t as lucky. The Reinholds, for example, are lying in their home stabbed and bludgeoned almost beyond recognition. Those who knew them are stunned—and heartbroken by the evidence that they were killed by their own son.
Turns out that twenty-six-year-old Jerry is not only capable of brutality but has taking a liking to it. With the money he’s stolen from his parents and a long list of grievances, he intends to finally make his mark on the world. Eve and her team already know the who, how, and why of this murder. What they need to pinpoint is where Jerry’s going to strike next.
From the Paperback edition.
Personal trainer Trey Ziegler was in peak physical condition. If you didn’t count the kitchen knife in his well-toned chest.
Lieutenant Eve Dallas soon discovers a lineup of women who were loved and left by the narcissistic gym rat. While Dallas sorts through the list of Ziegler’s enemies, she’s also dealing with her Christmas shopping list—plus the guest list for her and her billionaire husband’s upcoming holiday bash.
Feeling less than festive, Dallas tries to put aside her distaste for the victim and solve the mystery of his death. There are just a few investigating days left before Christmas, and as New Year’s 2061 approaches, this homicide cop is resolved to stop a cold-blooded killer.
From the Paperback edition.
No. 7 Ocean Drive is a gorgeous, multi-million-dollar beachfront estate in the Hamptons, where money and privilege know no bounds. But its beautiful gothic exterior hides a horrific past: it was the scene of a series of depraved killings that have never been solved. Neglected, empty, and rumored to be cursed, it's known as the Murder House, and locals keep their distance.
Detective Jenna Murphy used to consider herself a local, but she hasn't been back since she was a girl. Trying to escape her troubled past and rehabilitate a career on the rocks, the former New York City cop hardly expects her lush and wealthy surroundings to be a hotbed of grisly depravity. But when a Hollywood power broker and his mistress are found dead in the abandoned Murder House, the gruesome crime scene rivals anything Jenna experienced in Manhattan. And what at first seems like an open and shut case turns out to have as many shocking secrets as the Murder House itself, as Jenna quickly realizes that the mansion's history is much darker than even the town's most salacious gossips could have imagined. As more bodies surface, and the secret that Jenna has tried desperately to escape closes in on her, she must risk her own life to expose the truth--before the Murder House claims another victim.
Full of the twists and turns that have made James Patterson the world's #1 bestselling writer, THE MURDER HOUSE is a chilling, page-turning story of murder, money, and revenge.
Eve Dallas has solved a lot of high-profile murders for the NYPSD and gotten a lot of media. She—and her husband Roarke—are getting accustomed to being objects of attention, of gossip, of speculation.
But now Eve has become the object of one person’s obsession. Someone who finds her extraordinary, and thinks about her every hour of every day. Who believes the two of them have a special relationship. Who would kill for her—again and again…
With a murderer reading meanings into her every move, handling this case will be a delicate—and dangerous—psychological dance. And Eve knows that underneath the worship and admiration, a terrible threat lies in wait. Because the beautiful lieutenant is not at all grateful for these bloody offerings from her “true and loyal friend.” And in time, idols always fall…
From the Paperback edition.
Everyone tells him it's time to move on, to forget the past once and for all. But for David Beck, there can be no closure. A message has appeared on his computer, a phrase only he and his dead wife know. Suddenly Beck is taunted with the impossible -- that somewhere, somehow, Elizabeth is alive.
Beck has been warned to tell no one. And he doesn't. Instead, he runs from the people he trusts the most, plunging headlong into a search for the shadowy figure whose messages hold out a desperate hope.
But already Beck is being hunted down. He's headed straight into the heart of a dark and deadly secret -- and someone intends to stop him before he gets there.
From the Hardcover edition.
A block on the edge of the Minneapolis loop is being razed when a macabre discovery is made: two girls buried under a rotted old house. Lucas Davenport knows how long they’ve been there. In 1985, he was part of the manhunt to track down two kidnapped sisters. They were never found—until today. With the bodies discovered, Davenport has the chance to return to the crime that has haunted him for years. The deeper he probes, the more one thing becomes clear: It wasn't just the bodies that were buried. It was the truth.
The night after the fourth of July, Layton Carlson Jr., of Red Wing, Minnesota, finally got lucky. And unlucky.
He’d picked the perfect spot to lose his virginity to his girlfriend, an abandoned farmyard in the middle of cornfields: nice, private, and quiet. The only problem was . . . something smelled bad—like, really bad. He mentioned it to a county deputy he knew, and when the cop took a look, he found a body stuffed down a cistern. And then another, and another.
By the time Lucas Davenport was called in, the police were up to fifteen bodies and counting. And as if that wasn’t bad enough, when Lucas began to investigate, he made some disturbing discoveries of his own. The victims had been killed over a great many years, one every summer, regular as clockwork. How could this have happened without anybody noticing?
Because one thing was for sure: the killer had to live close by. He was probably even someone they saw every day. . . .
You can leave the army, but the army doesn’t leave you. Not always. Not completely, notes Jack Reacher—and sure enough, the retired military cop is soon pulled back into service. This time, for the State Department and the CIA.
Someone has taken a shot at the president of France in the City of Light. The bullet was American. The distance between the gunman and the target was exceptional. How many snipers can shoot from three-quarters of a mile with total confidence? Very few, but John Kott—an American marksman gone bad—is one of them. And after fifteen years in prison, he’s out, unaccounted for, and likely drawing a bead on a G8 summit packed with enough world leaders to tempt any assassin.
If anyone can stop Kott, it’s the man who beat him before: Reacher. And though he’d rather work alone, Reacher is teamed with Casey Nice, a rookie analyst who keeps her cool with Zoloft. But they’re facing a rough road, full of ruthless mobsters, Serbian thugs, close calls, double-crosses—and no backup if they’re caught. All the while Reacher can’t stop thinking about the woman he once failed to save. But he won’t let that that happen again. Not this time. Not Nice.
Reacher never gets too close. But now a killer is making it personal.
BONUS: This edition includes the short story "Not a Drill" and an excerpt from Lee Child's Make Me.
Praise for Personal
“The best one yet.”—Stephen King
“Reacher is the stuff of myth, a great male fantasy. . . . One of this century’s most original, tantalizing pop-fiction heroes . . . Child does a masterly job of bringing his adventure to life with endless surprises and fierce suspense.”—The Washington Post
“Yet another satisfying page-turner.”—Entertainment Weekly
“Reacher is always up for a good fight, most entertainingly when he goes mano a mano with a seven-foot, 300-pound monster of a mobster named Little Joey. But it’s Reacher the Teacher who wows here.”—Marilyn Stasio, The New York Times
“Jack Reacher is today’s James Bond, a thriller hero we can’t get enough of. I read every one as soon as it appears.”—Ken Follett
“Reacher’s just one of fiction’s great mysterious strangers.”—Maxim
“If you like fast-moving thrillers, you’ll want to take a look at this one.”—John Sandford
“Fans won’t be disappointed by this suspense-filled, riveting thriller.”—Library Journal (starred review)
“Child is the alpha dog of thriller writers, each new book zooming to the top of best-seller lists with the velocity of a Reacher head butt.”—Booklist
“Every Reacher novel delivers a jolt to the nervous system.”—Kirkus Reviews
Leading the demolition of a long-empty New York building that once housed a makeshift shelter for troubled teenagers, Lieutenant Eve Dallas’s husband uncovers two skeletons wrapped in plastic. And by the time Eve’s done with the crime scene, there are twelve murders to be solved.
The victims are all young girls. A tattooed tough girl who dealt in illegal drugs. The runaway daughter of a pair of well-to-do doctors. They all had their stories. And they all lost their chance for a better life.
Then Eve discovers a connection between the victims and someone she knows. And she grows even more determined to reveal the secrets of the place that was called The Sanctuary—and the evil concealed in one human heart.
From the Paperback edition.
The first victim is a local PI of suspect reputation, gunned down near the beach at Santa Teresa. The second is a John Doe found on the beach six weeks later with a slip of paper with private detective Kinsey Millhone’s name and number in his pocket.
Two seemingly unrelated deaths: one man murdered, the other apparently dead of natural causes.
But as Kinsey digs deeper into the mystery of the John Doe, some very strange links begin to emerge. Not just between the two victims, but also to Kinsey’s past. And before long Kinsey, through no fault of her own, is thoroughly compromised...