“I had never planned to become a savanna baboon when I grew up; instead, I had always assumed I would become a mountain gorilla,” writes Robert Sapolsky in this witty and riveting chronicle of a scientist’s coming-of-age in remote Africa.
An exhilarating account of Sapolsky’s twenty-one-year study of a troop of rambunctious baboons in Kenya, A Primate’s Memoir interweaves serious scientific observations with wry commentary about the challenges and pleasures of living in the wilds of the Serengeti—for man and beast alike. Over two decades, Sapolsky survives culinary atrocities, gunpoint encounters, and a surreal kidnapping, while witnessing the encroachment of the tourist mentality on the farthest vestiges of unspoiled Africa. As he conducts unprecedented physiological research on wild primates, he becomes evermore enamored of his subjects—unique and compelling characters in their own right—and he returns to them summer after summer, until tragedy finally prevents him.
By turns hilarious and poignant, A Primate’s Memoir is a magnum opus from one of our foremost science writers.
Paul Theroux’s best-selling Dark Star Safari chronicled his epic overland voyage from Cairo to Cape Town, providing an insider’s look at modern Africa. Now, with The Last Train to Zona Verde, he returns to discover how both he and Africa have changed in the ensuing years.
Traveling alone, Theroux sets out from Cape Town, going north through South Africa, Namibia, then into Angola, encountering a world increasingly removed from tourists’ itineraries and the hopes of postcolonial independence movements. After covering nearly 2,500 arduous miles, he cuts short his journey, a decision he chronicles with unsparing honesty in a chapter titled “What Am I Doing Here?” Vivid, witty, and beautifully evocative, The Last Train to Zona Verde is a fitting final African adventure from the writer whose gimlet eye and effortless prose have brought the world to generations of readers.
"Everything is under scrutiny in Paul Theroux’s latest travel book—not just the people, landscapes and sociopolitical realities of the countries he visits, but his own motivations for going where he goes . . . His readers can only be grateful." — Seattle Times
“If this book is proof, age has not slowed Theroux or encouraged him to rest on his achievements . . . Gutsy, alert to Africa's struggles, its injustices and history.” — San Francisco Chronicle
In I Didn't Do It for You, Michela Wrong reveals the breathtaking abuses this tiny nation has suffered and, with a sharp eye for detail and a taste for the incongruous, tells the story of colonialism itself and how international power politics can play havoc with a country's destiny.
Until now, Capstick has written post facto about classic hunters of the past and safaris in which he participated as a professional hunter. Peter Capstick's Africa, however, is a very different breed of book: it is the enthralling tale of an entirely new safari, an exciting first-person adventure in which Peter Capstick returns to the long grass for his own dangerous and very personal excursion. The result is a definitive work on African hunting, and one of Peter Capstick's greatest achievements to date.
In 1985, Capstick went back into the African bush with two top photographers and a crack professional hunter, It was a venture taken for personal challenge, and for the chance to look anew at what had become of the Africa immortalized in his own earlier works. Peter Capstick's Africa is the chronicle, in text and pictures, of this safari. It is full of the same edge-of-the-seat narration, witty anecdotes, and wry observations that have made Capstick's earlier books so popular. But in addition, it tells the story of Africa today as Capstick sees it: a place that is in some ways the same as, but in many different from, the "dark continent" of even a few years ago. The text of the book has been integrated with the photographs of Paul Kimble and Dick van Niekerk into a lavish full-color production that illustrates Capstick's story in a way his fans have never seen before.
Peter Capstick's Africa is a book few lovers of travel and adventure will want to be without.
Gauging the state of affairs, he talks to Africans, aid workers, missionaries, and tourists. What results is an insightful meditation on the history, politics, and beauty of Africa and its people, and "a vivid portrayal of the secret sweetness, the hidden vitality, and the long-patient hope that lies just beneath the surface" (Rocky Mountain News). In a new postscript, Theroux recounts the dramatic events of a return to Africa to visit Zimbabwe.
Starting in November 2013 in a forest in Rwanda, where a modest spring spouts a trickle of clear, cold water, Wood set forth on foot, aiming to become the first person to walk the entire length of the fabled river. He followed the Nile for nine months, over 4,000 miles, through six nations—Rwanda, Tanzania, Uganda, South Sudan, the Republic of Sudan, and Egypt—to the Mediterranean coast.
Like his predecessors, Wood camped in the wild, foraged for food, and trudged through rainforest, swamp, savannah, and desert, enduring life-threatening conditions at every turn. He traversed sandstorms, flash floods, minefields, and more, becoming a local celebrity in Uganda, where a popular rap song was written about him, and a potential enemy of the state in South Sudan, where he found himself caught in a civil war and detained by the secret police. As well as recounting his triumphs, like escaping a charging hippo and staving off wild crocodiles, Wood’s gripping account recalls the loss of Matthew Power, a journalist who died suddenly from heat exhaustion during their trek. As Wood walks on, often joined by local guides who help him to navigate foreign languages and customs, Walking the Nile maps out African history and contemporary life.
An inimitable tale of survival, resilience, and sheer willpower, Walking the Nile is an inspiring chronicle of an epic journey down the lifeline of civilization in northern Africa.
In the tradition of Bill Bryson, a new writer brings us the lively adventures and biting wit of an African safari guide. Peter Allison gives us the guide’s-eye view of living in the bush, confronting the world’s fiercest terrain of wild animals and, most challenging of all, managing herds of gaping tourists. Passionate for the animals of the Kalahari, Allison works as a top safari guide in the wildlife-rich Okavango Delta. As he serves the whims of his wealthy clients, he often has to stop the impulse to run as far away from them as he can, as these tourists are sometimes more dangerous than a pride of lions.
No one could make up these outrageous-but-true tales: the young woman who rejected the recommended safari-friendly khaki to wear a more “fashionable” hot pink ensemble; the lost tourist who happened to be drunk, half-naked, and a member of the British royal family; establishing a real friendship with the continent’s most vicious animal; the Japanese tourist who requested a repeat performance of Allison’s being charged by a lion so he could videotape it; and spending a crazy night in the wild after blowing a tire on a tour bus, revealing that Allison has as much good-natured scorn for himself.
The author’s humor is exceeded only by his love and respect for the animals, and his goal is to limit any negative exposure to humans by planning trips that are minimally invasive—unfortunately it doesn’t always work out that way!
/divNew story: People often ask safari guides about the experience that frightened them the most. In this story Peter Allison tells of the time he became aware of unseen danger, and knew that somewhere within meters of him was a hunting lioness. Peter Allison is originally from Sydney, Australia. His safaris have been featured in National Geographic, Conde Nast Traveler, and on television programs such as Jack Hanna’s Animal Adventures. He travels frequently to speaking appearances, and splits most of his time between Botswana, Sydney, and San Francisco.
When Sarah Erdman, a Peace Corps volunteer, arrived in Nambonkaha, she became the first Caucasian to venture there since the French colonialists. But even though she was thousands of miles away from the United States, completely on her own in this tiny village in the West African nation of Côte d'Ivoire, she did not feel like a stranger for long.
As her vivid narrative unfolds, Erdman draws us into the changing world of the village that became her home. Here is a place where electricity is expected but never arrives, where sorcerers still conjure magic, where the tok-tok sound of women grinding corn with pestles rings out in the mornings like church bells. Rare rains provoke bathing in the streets and the most coveted fashion trend is fabric with illustrations of Western cell phones. Yet Nambonkaha is also a place where AIDS threatens and poverty is constant, where women suffer the indignities of patriarchal customs, where children work like adults while still managing to dream.
Lyrical and topical, Erdman's beautiful debut captures the astonishing spirit of an unforgettable community.
“Cycling is a good way to travel anywhere, but especially in Africa. You are independent and mobile, and yet travel at people speed — fast enough to travel on to another town in the cooler morning hours, but slow enough to meet people: the old farmer at the roadside who raises his hand and says, 'You are welcome,' the tireless women who offer a smile to a passing cyclist, the children whose laughter transcends the humblest home.”
-- ERNEST HEMINGWAY
In the winter of 1933, Ernest Hemingway and his wife Pauline set out on a two-month safari in the big-game country of East Africa, camping out on the great Serengeti Plain at the foot of magnificent Mount Kilimanjaro. "I had quite a trip," the author told his friend Philip Percival, with characteristic understatement.
Green Hills of Africa is Hemingway's account of that expedition, of what it taught him about Africa and himself. Richly evocative of the region's natural beauty, tremendously alive to its character, culture, and customs, and pregnant with a hard-won wisdom gained from the extraordinary situations it describes, it is widely held to be one of the twentieth century's classic travelogues.
The majority of Madagascar's wildlife is endemic -- found nowhere else. Lemurs rule the forest canopy, while on the ground, snakes and lizards search for evening meals of frogs and bugs, all against a gorgeous backdrop of rainforest. It's a biologist's paradise - but at times can also be a foreigner's worst nightmare. Madagascar in no way resembles what most Westerners know as normal existence. Technologically, it is laps behind the first world. Time shuffles by at a slow gait. Poverty is rampant - people pride themselves on how many pots of rice a day they eat. Language and culture barriers, combined with bureaucratic red tape, can make travel virtually impossible.
In stories that are in turns moving, insightful, hilarious, and beautiful, Heather recounts her experiences -- from run-ins with naked sailors and unusually hostile lemurs to tropical hurricanes and greedy tourist entrepreneurs. As she carefully navigates an obstacle-strewn path, she gradually uncovers the hidden lives of the beautiful yellow and blue poison frogs she studies. And all the while, she is coming to understand her role as a female Westerner in a foreign society, and her intense love for and fascination with the stunning cultures and wildlife of Madagascar.
In 1978, in the final, bloodiest phase of the Rhodesian civil war, eleven-year-old Lauren St John moves with her family to Rainbow's End, a wild, beautiful farm and game reserve set on the banks of a slowflowing river. The house has been the scene of a horrific attack by guerrillas, and when Lauren's family settles there, a chain of events is set in motion that will change her life irrevocably.
Rainbow's End captures the overwhelming beauty and extraordinary danger of life in the African bush. Lauren's childhood reads like a girl's own adventure story. At the height of the war, Lauren rides through the wilderness on her horse, Morning Star, encountering lions, crocodiles, snakes, vicious ostriches, and mad cows. Many of the animals are pets, including Miss Piggy and Bacon and an elegant giraffe named Jenny. The constant threat of ruthless guerrillas prowling the land underscores everything, making each day more dangerous, vivid, and prized than the last.
After Independence, Lauren comes to the bitter realization that she'd been on the wrong side of the civil war. While she and her family believed that they were fighting for democracy over Communism, others saw the war as black against white. And when Robert Mugabe comes into power, he oversees the torture and persecution of thousands of members of an opposing tribe and goes on to become one of Africa's legendary dictators. The ending of this beautiful memoir is a fist to the stomach as Lauren realizes that she can be British or American, but she cannot be African. She can love it -- be willing to die for it -- but she cannot claim Africa because she is white.
In this entertaining and penetrating book, Tahir sets out on a bold new journey across Morocco that becomes an adventure worthy of the mythical Arabian Nights.
As he wends his way through the labyrinthine medinas of Fez and Marrakesh, traverses the Sahara sands, and tastes the hospitality of ordinary Moroccans, Tahir collects a dazzling treasury of traditional stories, gleaned from the heritage of A Thousand and One Nights. The tales, recounted by a vivid cast of characters, reveal fragments of wisdom and an oriental way of thinking that is both enthralling and fresh. A link in the chain of scholars and teachers who have passed these stories down for centuries like a baton in a relay race, Shah reaches layers of culture that most visitors hardly realize exist, and eventually discovers the story living in his own heart.
Along the way he describes the colors, characters, and the passion of Morocco, and comes to understand why it is such an enchanting land. From master masons who labor only at night to Sufi wise men who write for soap operas, and Tuareg guides afflicted by reality TV, In Arabian Nights takes us on an unforgettable journey, shining a light on facets of a society that are normally left in darkness.
From the Hardcover edition.
A daring rescue in the Antarctic, a border jump to escape Sudan, incarceration in Siberia, attempted murder, love, friendship, betrayal, and so much more!Join him on his epic misadventures journeying to...
Antarctica The Far East Indochina Europe and every country in Southeast Asia!
A journey into the heart of darkness, this is NOT your typical backpacker story.
In Wild Edens: Africa's Premier GameParks and Their Wildlife, longtime conservationist and seasoned African travelerJoseph James Shomon journeys through the wild African scene, revealing its magnificence and mystique, and wonderfully describes the game parks' location, ecology, and irreplaceable wildlife.
From the summit of Kilimanjaro, Africa's highest mountain, the author surveys the marvelous Edens of East Africa, among the last Pleistocene-like concentrations of animals left in the world today. Descending, Shomon gives a firsthand account of the great sanctuaries, providing a knowledgeable escort on safari in the scrublands of Tsavo, where elephants are imperiled. He continues on to the Ark at Aberdares, where visitors can watch, under floodlights of a watchtower, rain forest animals come to feed; to the rain forests of Mount Kenya; and to the Serengeti and Mara Plains, with their great migrating herds besieged by predators and thwarted in their journeys by swollen rivers and flooded lakes.
The journey continues through the Great Rift Valley and Olduvai Gorge to Lake Manyara with its tree-climbing lions; Ngorongoro Crater; Samburu and Meru, where the rhino is threatened; the waterways of Uganda; the Mountains of the Moon; the Kalahari Desert; and the wildlife sanctuaries of South Africa, ending the tour at the Cape of Good Hope.
Shomon argues that the plethora of impersonal technology and excessive mechanization, as well as the world's focus on violence, social ills, and discord on our domestic front, consume the world's energies, leaving little interest for safeguarding and conserving Africa's wild edens.
Shomon's engaging and informative text, complemented with attractive photographs and pen-and-ink drawings, encourages those interested in Africa and its wildlife to visit the cradle of our ancestral beginnings and to take an active role in its preservation and conservation.
In a narrative studded with gemlike discourses on subjects that range from the physics of sand dunes to the history of the Tuareg nomads, Langewiesche introduces us to the Sahara's merchants, smugglers, fixers, and expatriates. Eloquent and precise, Sahara Unveiled blends history and reportage, anthropology and anecdote, into an unforgettable portrait of the world's most romanticized yet most forbidding desert.
While vacationing in Morocco, Suzanna Clarke and her husband, Sandy, are inspired to buy a dilapidated, centuries-old riad in Fez with the aim of restoring it to its original splendor, using only traditional craftsmen and handmade materials. So begins a remarkable adventure that is bewildering, at times hilarious, and ultimately immensely rewarding.
A House in Fez chronicles their meticulous restoration, but it is also a journey into Moroccan customs and lore and a window into the lives of its people as friendships blossom. When the riad is finally returned to its former glory, Suzanna finds she has not just restored an old house, but also her soul.
God had other plans.
Memoirs of a Reluctant Servant is a chronicle of the triumphs and sorrows experienced by Cabeen while serving in Liberia. Questions of faith, truth and self sacrifice were constant and sometimes overwhelming obstacles in his path while living in the country. It is a riveting and tragic account of the death and destruction that swept through all parts of Liberia from 1980 until 2003 during two separate civil wars and what one Catholic mission is doing to re-build the country and save its children.
David Dionisi, founder and President of Teach Peace Foundation says of the book:
It is a fascinating, real world story about compassion and courage. This is a must read for any Catholic or person that has empathy for the suffering of others.
She is a cultural, nonfictionist tyrannosaurus rex (roar!) and her narration of the lives of Ivoiriens during her 2 years living in Cote d’Ivoire, West Africa as a Peace Corps Volunteer makes you fall in love with this story and laugh out loud when you least expect it. How do Ivoiriens define color, class, gender, sexuality, religion, and more, differently than you or I do?
Padre! will enthrall you, surprise you, entertain you, and give you a profound, new view of the world that will help you to navigate it better at any level.
When three-month-old Lia Lee Arrived at the county hospital emergency room in Merced, California, a chain of events was set in motion from which neither she nor her parents nor her doctors would ever recover. Lia's parents, Foua and Nao Kao, were part of a large Hmong community in Merced, refugees from the CIA-run "Quiet War" in Laos. The Hmong, traditionally a close-knit and fiercely people, have been less amenable to assimilation than most immigrants, adhering steadfastly to the rituals and beliefs of their ancestors. Lia's pediatricians, Neil Ernst and his wife, Peggy Philip, cleaved just as strongly to another tradition: that of Western medicine. When Lia Lee Entered the American medical system, diagnosed as an epileptic, her story became a tragic case history of cultural miscommunication.
Parents and doctors both wanted the best for Lia, but their ideas about the causes of her illness and its treatment could hardly have been more different. The Hmong see illness aand healing as spiritual matters linked to virtually everything in the universe, while medical community marks a division between body and soul, and concerns itself almost exclusively with the former. Lia's doctors ascribed her seizures to the misfiring of her cerebral neurons; her parents called her illness, qaug dab peg--the spirit catches you and you fall down--and ascribed it to the wandering of her soul. The doctors prescribed anticonvulsants; her parents preferred animal sacrifices.
Born Wild is the memoir of Fitzjohn’s extraordinary life. It shows how a man driven by an impossibly restless spirit can do almost anything, from being a bouncer in a brothel, to surviving a vicious lion attack, to fighting with the Tanzanian government, to being appointed an Officer of the Order of the British Empire by the Queen.
A notorious hell-raiser given to scrapes with bandits, evil policemen, and wicked politicians, who has been shot at by poachers and chewed up by lions, Fitzjohn is also a wonderful raconteur. Shenanigans aside, he belongs to that rare species of humans who have sought refuge and meaning in a life truly dedicated to the restoration of the animal kingdom. Many times Tony Fitzjohn has put his life on the line for the cause in which he believes. Born Wild is the story of that passion.
One of the contenders was Major Alexander Gordon Laing, a thirty–year–old army officer. Handsome and confident, Laing was convinced that Timbuktu was his destiny, and his ticket to glory. In July 1825, after a whirlwind romance with Emma Warrington, daughter of the British consul at Tripoli, Laing left the Mediterranean coast to cross the Sahara. His 2,000–mile journey took on an added urgency when Hugh Clapperton, a more experienced explorer, set out to beat him. Apprised of each other's mission by overseers in London who hoped the two would cooperate, Clapperton instead became Laing's rival, spurring him on across a hostile wilderness.
An emotionally charged, action–packed, utterly gripping read, The Race for Timbuktu offers a close, personal look at the extraordinary people and pivotal events of nineteenth–century African exploration that changed the course of history and the shape of the modern world.
From V. S. Naipaul: “For my travel books I travel on a theme. And the theme of The Masque of Africa is African belief. I begin in Uganda, at the center of the continent, do Ghana and Nigeria, the Ivory Coast and Gabon, and end at the bottom of the continent, in South Africa. My theme is belief, not political or economical life; and yet at the bottom of the continent the political realities are so overwhelming that they have to be taken into account.
“Perhaps an unspoken aspect of my inquiry was the possibility of the subversion of old Africa by the ways of the outside world. The theme held until I got to the South, when the clash of the two ways of thinking and believing became far too one-sided. The skyscrapers of Johannesburg didn’t rest on sand. The older world of magic felt fragile, but at the same time had an enduring quality. You felt that it would survive any calamity.
“I had expected that over the great size of Africa the practices of magic would significantly vary. But they didn’t. The diviners everywhere wanted to ‘throw the bones’ to read the future, and the idea of ‘energy’ remained a constant, to be tapped into by the ritual sacrifice of body parts. In South Africa body parts, mainly of animals, but also of men and women, made a mixture of ‘battle medicine.’ To witness this, to be given some idea of its power, was to be taken far back to the beginning of things.
“To reach that beginning was the purpose of my book.”
The Masque of Africa is a masterly achievement by one of the world’s keenest observers and one of its greatest writers.
From the Hardcover edition.
With news of tenuous peace in Sudan, foreign correspondent Dan Morrison bought a plank-board boat, summoned a childhood friend who'd never been off American soil and set out from Uganda, paddling the White Nile on a quest to reach Cairo-a trip that tyranny and war had made impossible for decades.
Morrison's chronicle is a mashup of travel narrative and reportage, packed with flights into the frightful and the absurd. Through river mud that engulfs him and burning marshlands that darken the sky, he tracks the snarl of commonalities and conflicts that bleed across the Nile valley, bringing to life the waters that connect the hardscrabble fishing villages of Lake Victoria to the floating Cairo nightclubs where headscarved mothers are entertained by gyrating male dancers. In between are places and lives invisible to cable news and opinion blogs: a hidden oil war that has erased entire towns, secret dams that will flood still more and contested borderlands where acts of compassion and ingenuity defy appalling hardship and waste of life. As Morrison dodges every imaginable hazard, from militia gunfire to squalls of sand, his mishaps unfold in strange harmony with the breathtaking range of individuals he meets along the way. Relaying the voices of Sudanese freedom fighters and escaped Ugandan sex slaves, desert tribesmen and Egyptian tomb raiders, The Black Nile culminates in a visceral understanding of one of the world's most elusive hotspots, where millions strive to claw their way from war and poverty to something better-if only they could agree what that something is, whom to share it with, and how to get there.
With the propulsive force of a thriller, The Black Nile is rife with humor, humanity and fervid insight-an unparalleled portrait of a complex territory in profound transition.
A journalist’s intrepid endeavor to sell his used car abroad results in a high-spirited and revealing look at West Africa.
“Look, there’s my car,” I say, pointing at my Mercedes in the parking lot.
“Where?” a fellow desert traveler asks.
“There, that Mercedes,” I say.
He looks at me, questioning. “You want to drive that through the Sahara?”
Jeroen van Bergeijk came up with what seemed like a great scheme for making a quick profit: buy a clunker of a car in his native Amsterdam and resell it in the Third World, where a market even for jalopies still thrives. His chariot of choice is a rusted-out 1988 Mercedes 190D with 220,000 kilometers on its odometer; his route will take him from Holland through Morocco, across the Sahara, and into some of the least trodden parts of Africa.
My Mercedes Is Not for Sale is a rollicking tale of an innocent abroad. The author finds himself facing a driving challenge akin to the Dakar Rally but encounters obstacles never dreamed of by race-car drivers: active minefields, occasional banditry—mostly by the border guards—and a teenage, chain-smoking desert guide with a fondness for Tupac lyrics. Food and water are scarce, sandstorms are frequent, and all he has to patch up his many car breakdowns thousands of miles from civilization is a bar of soap, some duct tape, and a pair of women’s nylons. Then there’s the coup he survived.
My Mercedes Is Not for Sale captures more than the adventure—it vividly portrays the impact of globalization on Africa through a surprise-filled journey into its thriving car culture, while asking the question: is the white man’s burden really a used car?
All of the book award money and royalties from the sales of this book have been donated to farm worker unions, farm worker organizations and farm worker projects in consultation with farm workers who appear in the book.
Romantic notions aside, being a safari guide isn't always particularly enjoyable or glamorous. Quite often it is beset with challenges, like having to spend a night in a thorn tree with marauding hyenas below. But safari guide Peter Allison lives for such moments. Here, the author of the widely praised Whatever You Do, Don't Run details his time spent in safari camps not only in Botswana but also in South Africa, Mozambique, and Namibia—places he loves, despite how much it feels like they might just be trying to kill him.
In Don't Look Behind You, Allison recounts adventures few would live to tell. Like the time he and a group of bored guides launched a makeshift raft into a foaming, flooded river teeming with hippos and crocodiles. Or the afternoon he heard monkeys telling him that a leopard was walking around the camp, and then realized the leopard was in his tent, with him in it.
In addition to relating his encounters with animals, Allison shares the stories of those tourists who have long been pushing him toward early retirement. Normally respectful of all his fellow creatures no matter how many feet they have, Allison fantasizes about leaving one in particular behind on the Skeleton Coast, a place that receives less than half an inch of rain a year, and is patrolled by lions and hyenas.
Join Peter Allison for another riveting, rollicking, behind-the-scenes dose of everyone's dream experience—going on safari—and come through amazed but, thankfully, without a scratch.
Using stories from his own life, Tim Wise demonstrates the ways in which racism not only burdens people of color, but also benefits, in relative terms, those who are “white like him.” He discusses how racial privilege can harm whites in the long run and make progressive social change less likely. He explores the ways in which whites can challenge their unjust privileges, and explains in clear and convincing language why it is in the best interest of whites themselves to do so. Using anecdotes instead of stale statistics, Wise weaves a narrative that is at once readable and yet scholarly, analytical and yet accessible.
A New York Times Bestseller
A Boston Globe Bestseller
An ABA Indie Bestseller
James "Whitey" Bulger became one of the most ruthless gangsters in US history, and all because of an unholy deal he made with a childhood friend. John Connolly a rising star in the Boston FBI office, offered Bulger protection in return for helping the Feds eliminate Boston's Italian mafia. But no one offered Boston protection from Whitey Bulger, who, in a blizzard of gangland killings, took over the city's drug trade. Whitey's deal with Connolly's FBI spiraled out of control to become the biggest informant scandal in FBI history.
Black Mass is a New York Times and Boston Globe bestseller, written by two former reporters who were on the case from the beginning. It is an epic story of violence, double-cross, and corruption at the center of which are the black hearts of two old friends whose lives unfolded in the darkness of permanent midnight.
"Sweeping, erudite, sharply argued, and fun to read..also highly persuasive." --Time
Now updated with a new afterword
One of the world's leading experts on language and the mind explores the idea of human nature and its moral, emotional, and political colorings. With characteristic wit, lucidity, and insight, Pinker argues that the dogma that the mind has no innate traits-a doctrine held by many intellectuals during the past century-denies our common humanity and our individual preferences, replaces objective analyses of social problems with feel-good slogans, and distorts our understanding of politics, violence, parenting, and the arts. Injecting calm and rationality into debates that are notorious for ax-grinding and mud-slinging, Pinker shows the importance of an honest acknowledgment of human nature based on science and common sense.
In this bestselling book, Colin Turnbull, a British cultural anthropologist, details the incredible Mbuti pygmy people and their love of the forest, and each other. Turnbull lived among the Mbuti people for three years as an observer, not a researcher, so he offers a charming and intimate firsthand account of the people and their culture, and especially the individuals and their personalities. The Forest People is a timeless work of academic and humanitarian significance, sure to delight readers as they take a trip into a foreign culture and learn to appreciate the joys of life through the eyes of the Mbuti people.
In sharply argued, fast-moving chapters, Cory Doctorow’s Information Doesn’t Want to Be Free takes on the state of copyright and creative success in the digital age. Can small artists still thrive in the Internet era? Can giant record labels avoid alienating their audiences? This is a book about the pitfalls and the opportunities that creative industries (and individuals) are confronting today — about how the old models have failed or found new footing, and about what might soon replace them. An essential read for anyone with a stake in the future of the arts, Information Doesn’t Want to Be Free offers a vivid guide to the ways creativity and the Internet interact today, and to what might be coming next. This book is DRM-free.
Hair Story is a historical and anecdotal exploration of Black Americans' tangled hair roots. A chronological look at the culture and politics behind the ever-changing state of Black hair from fifteenth-century Africa to the present-day United States, it ties the personal to the political and the popular.
* Why Black American slaves used items like axle grease and eel skin to straighten their hair.
* How a Mexican chemist straightened Black hair using his formula for turning sheep's wool into a minklike fur.
* How the Afro evolved from militant style to mainstream fashion trend.
* What prompted the creation of the Jheri curl and the popular style's fall from grace.
* The story behind Bo Derek's controversial cornrows and the range of reactions they garnered.
Major figures in the history of Black hair are presented, from early hair-care entrepreneurs Annie Turnbo Malone and Madam C. J. Walker to unintended hair heroes like Angela Davis and Bob Marley. Celebrities, stylists, and cultural critics weigh in on the burgeoning sociopolitical issues surrounding Black hair, from the historically loaded terms "good" and "bad" hair, to Black hair in the workplace, to mainstream society's misrepresentation and misunderstanding of kinky locks.
Hair Story is the book that Black Americans can use as a benchmark for tracing a unique aspect of their history, and it's a book that people of all races will celebrate as the reference guide for understanding Black hair.
Even today there remain tribes in the far reaches of the Amazon rainforest that have avoided contact with modern civilization. Deliberately hiding from the outside world, they are the last survivors of an ancient culture that predates the arrival of Columbus in the New World. In this gripping first-person account of adventure and survival, author Scott Wallace chronicles an expedition into the Amazon’s uncharted depths, discovering the rainforest’s secrets while moving ever closer to a possible encounter with one such tribe—the mysterious flecheiros, or “People of the Arrow,” seldom-glimpsed warriors known to repulse all intruders with showers of deadly arrows. On assignment for National Geographic, Wallace joins Brazilian explorer Sydney Possuelo at the head of a thirty-four-man team that ventures deep into the unknown in search of the tribe. Possuelo’s mission is to protect the Arrow People. But the information he needs to do so can only be gleaned by entering a world of permanent twilight beneath the forest canopy.
Danger lurks at every step as the expedition seeks out the Arrow People even while trying to avoid them. Along the way, Wallace uncovers clues as to who the Arrow People might be, how they have managed to endure as one of the last unconquered tribes, and why so much about them must remain shrouded in mystery if they are to survive. Laced with lessons from anthropology and the Amazon’s own convulsed history, and boasting a Conradian cast of unforgettable characters—all driven by a passion to preserve the wild, but also wracked by fear, suspicion, and the desperate need to make it home alive—The Unconquered reveals this critical battleground in the fight to save the planet as it has rarely been seen, wrapped in a page-turning tale of adventure.
Bellos has traveled all around the globe and has plunged into history to uncover fascinating stories of mathematical achievement, from the breakthroughs of Euclid, the greatest mathematician of all time, to the creations of the Zen master of origami, one of the hottest areas of mathematical work today. Taking us into the wilds of the Amazon, he tells the story of a tribe there who can count only to five and reports on the latest findings about the math instinct—including the revelation that ants can actually count how many steps they’ve taken. Journeying to the Bay of Bengal, he interviews a Hindu sage about the brilliant mathematical insights of the Buddha, while in Japan he visits the godfather of Sudoku and introduces the brainteasing delights of mathematical games.
Exploring the mysteries of randomness, he explains why it is impossible for our iPods to truly randomly select songs. In probing the many intrigues of that most beloved of numbers, pi, he visits with two brothers so obsessed with the elusive number that they built a supercomputer in their Manhattan apartment to study it. Throughout, the journey is enhanced with a wealth of intriguing illustrations, such as of the clever puzzles known as tangrams and the crochet creation of an American math professor who suddenly realized one day that she could knit a representation of higher dimensional space that no one had been able to visualize.
Whether writing about how algebra solved Swedish traffic problems, visiting the Mental Calculation World Cup to disclose the secrets of lightning calculation, or exploring the links between pineapples and beautiful teeth, Bellos is a wonderfully engaging guide who never fails to delight even as he edifies. Here’s Looking at Euclid is a rare gem that brings the beauty of math to life.
Philip P. Pan's groundbreaking book takes us inside the dramatic battle for China's soul and into the lives of individuals struggling to come to terms with their nation's past -- the turmoil and trauma of Mao's rule -- and to take control of its future. Capitalism has brought prosperity and global respect to China, but the Communist government continues to resist the demands of its people for political freedom.
Pan, who reported in China for the Post for seven years and speaks fluent Chinese, eluded the police and succeeded in going where few Western journalists have dared.
From the rusting factories in the industrial northeast to a tabloid newsroom in the booming south, from a small-town courtroom to the plush offices of the nation's wealthiest tycoons, he tells the gripping stories of ordinary men and women fighting for political change. An elderly surgeon exposes the government's cover-up of the SARS epidemic. A filmmaker investigates the execution of a young woman during the Cultural Revolution. A blind man is jailed for leading a crusade against forced abortions carried out under the one-child policy.
The young people who filled Tiananmen Square in the spring of 1989 saw their hopes for a democratic China crushed in a massacre, but Pan reveals that as older, more pragmatic adults, many continue to push for justice in different ways. They are survivors whose families endured one of the world's deadliest famines during the Great Leap Forward, whose idealism was exploited during the madness of the Cultural Revolution, and whose values have been tested by the booming economy and the rush to get rich.
As Americans, we assume that more choice means better options and greater satisfaction. But beware of excessive choice: choice overload can make you question the decisions you make before you even make them, it can set you up for unrealistically high expectations, and it can make you blame yourself for any and all failures. In the long run, this can lead to decision-making paralysis, anxiety, and perpetual stress. And, in a culture that tells us that there is no excuse for falling short of perfection when your options are limitless, too much choice can lead to clinical depression.
In The Paradox of Choice, Barry Schwartz explains at what point choice—the hallmark of individual freedom and self-determination that we so cherish—becomes detrimental to our psychological and emotional well-being. In accessible, engaging, and anecdotal prose, Schwartz shows how the dramatic explosion in choice—from the mundane to the profound challenges of balancing career, family, and individual needs—has paradoxically become a problem instead of a solution. Schwartz also shows how our obsession with choice encourages us to seek that which makes us feel worse.
By synthesizing current research in the social sciences, Schwartz makes the counter intuitive case that eliminating choices can greatly reduce the stress, anxiety, and busyness of our lives. He offers eleven practical steps on how to limit choices to a manageable number, have the discipline to focus on those that are important and ignore the rest, and ultimately derive greater satisfaction from the choices you have to make.
From the Trade Paperback edition.
Why do Hindus worship cows? Why do Jews and Moslems refuse to eat pork? Why did so many people in post-medieval Europe believe in witches?
Marvin Harris answers these and other perplexing questions about human behavior, showing that no matter how bizarre a people's behavior may seem, it always stems from identifiable and intelligble sources.