William G. Dever offers a welcome perspective on ancient Israel and Judah that prioritizes the archaeological remains to render history as it was—not as the biblical writers argue it should have been. Drawing from the most recent archaeological data as interpreted from a nontheological point of view and supplementing that data with biblical material only when it converges with the archaeological record, Dever analyzes all the evidence at hand to provide a new history of ancient Israel and Judah that is accessible to all interested readers.
FeaturesA new approach to the history of ancient Israel Extensive bibliography More than eighty maps and illustrations
Colla draws on medieval and modern Arabic poetry, novels, and travel accounts; British and French travel writing; the history of archaeology; and the history of European and Egyptian museums and exhibits. The struggle over the ownership of Pharaonic Egypt did not simply pit Egyptian nationalists against European colonial administrators. Egyptian elites found arguments about the appreciation and preservation of ancient objects useful for exerting new forms of control over rural populations and for mobilizing new political parties. Finally, just as the political and expressive culture of Pharaonism proved critical to the formation of new concepts of nationalist identity, it also fueled Islamist opposition to the Egyptian state.
This book delves into the ways that archaeology and politics intertwined in Iraq during the British Mandate and the first years of nationhood before World War II. Magnus Bernhardsson begins with the work of British archaeologists who conducted extensive excavations in Iraq and sent their finds to the museums of Europe. He then traces how Iraqis' growing sense of nationhood led them to confront the British over antiquities law and the division of archaeological finds between Iraq and foreign excavators. He shows how Iraq's control over its archaeological patrimony was directly tied to the balance of political power and how it increased as power shifted to the Iraqi government. Finally he examines how Iraqi leaders, including Saddam Hussein, have used archaeology and history to legitimize the state and its political actions.
The first such work to compare archaeological-nationalistic developments in more than one country, Negotiating for the Past draws on published and archival sources in Arabic, English, French, German, Persian, and Turkish. Those sources reveal how nationalists in Iraq and Iran observed the success of their counterparts in Egypt and Turkey, and were able to hold onto discoveries at legendary sites such as Khorsabad and Persepolis. Retaining artifacts allowed nationalists to build museums and control cultural heritage. As Goode writes, "Going to the national museum became a ritual of citizenship." Western archaeologists became identified (in the eyes of many) as agents of imperialism, thus making their work more difficult, and often necessitating diplomatic intervention. The resulting "negotiations for the past" pulled patrons (such as John D. Rockefeller, Jr., and Lord Carnarvon), archaeologists (James Breasted and Howard Carter), nationalist leaders (Ataturk and Sa'd Zaghlul), and Western officials (Charles Evan Hughes and Lord Curzon) into intractable historical debates with international implications that still resonate today.
Originally published in 1989.
The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
The Atlas of the Ancient Near East includes a wide-ranging overview of the civilizations and kingdoms discussed, written in a lively and engaging style, which considers not only political and military issues but also introduces the reader to social and cultural topics such as trade, religion, how people were educated and entertained, and much more. With a comprehensive series of detailed maps, supported by the authors’ commentary and illustrations of major sites and key artifacts, this title is an invaluable resource for students who wish to understand the fascinating cultures of the Ancient Near East.
User-friendly features include:
use of clear and accessible language, assuming no previous background knowledge
lavishly illustrated with over 300 line drawings, maps, and photos
historical summaries, further reading arranged by topic, plus a consolidated bibliography and comprehensive index
new to the second edition: a companion website with an interactive timeline, chapter summaries, study questions, illustrations and a glossary of archaeological and historical terms.
Visit the website at http://cw.routledge.com/textbooks/9780415498647/
In this second edition, Charles Gates has comprehensively revised and updated his original text, and Neslihan Yılmaz has reworked her acclaimed illustrations. Readers and lecturers will be delighted to see a new chapter on Phoenician cities in the first millennium BC, and new sections on Göbekli Tepe, the sensational Neolithic sanctuary; Sinope, a Greek city on the Black Sea coast; and cities of the western Roman Empire. With its comprehensive presentation of ancient Mediterranean and Near Eastern cities, its rich collection of illustrations, and its new companion website, Ancient Cities will remain an essential textbook for university and high school students across a wide range of archaeology, ancient history, and ancient Near Eastern, Biblical, and classical studies courses.
British history is traditionally regarded as having started with the Roman Conquest. But this is to ignore half a million years of prehistory that still exert a profound influence. Here Francis Pryor examines the great ceremonial landscapes of Ancient Britain and Ireland – Stonehenge, Seahenge, Avebury and the Bend of the Boyne – as well as the discarded artefacts of day-to-day life, to create an astonishing portrait of our ancestors.
This major re-revaluation of pre-Roman Britain, made possible in part by aerial photography and coastal erosion, reveals a much more sophisticated life in Ancient Britain and Ireland than has previously been supposed.
This edition does not include illustrations.
About Antiquities offers an interdisciplinary study of the relationship between archaeology and empire-building around the turn of the twentieth century. Starting at Istanbul and focusing on antiquities from the Ottoman territories, Zeynep Çelik examines the popular discourse surrounding claims to the past in London, Paris, Berlin, and New York. She compares and contrasts the experiences of two museums—Istanbul’s Imperial Museum and the Metropolitan Museum of Art—that aspired to emulate European collections and gain the prestige and power of owning the material fragments of ancient history. Going beyond institutions, Çelik also unravels the complicated interactions among individuals—Westerners, Ottoman decision makers and officials, and local laborers—and their competing stakes in antiquities from such legendary sites as Ephesus, Pergamon, and Babylon.
Recovering perspectives that have been lost in histories of archaeology, particularly those of the excavation laborers whose voices have never been heard, About Antiquities provides important historical context for current controversies surrounding nation-building and the ownership of the past.
Cuno argues that nationalistic retention and reclamation policies impede common access to this common heritage and encourage a dubious and dangerous politicization of antiquities--and of culture itself. Antiquities need to be protected from looting but also from nationalistic identity politics. To do this, Cuno calls for measures to broaden rather than restrict international access to antiquities. He advocates restoration of the system under which source countries would share newly discovered artifacts in exchange for archaeological help, and he argues that museums should again be allowed reasonable ways to acquire undocumented antiquities. Cuno explains how partage broadened access to our ancient heritage and helped create national museums in Cairo, Baghdad, and Kabul. The first extended defense of the side of museums in the struggle over antiquities, Who Owns Antiquity? is sure to be as important as it is controversial.
Some images inside the book are unavailable due to digital copyright restrictions.
Princeton published a follow-up companion volume, The Ancient Near East in Pictures Relating to the Old Testament (1954), and later a one-volume abridgment of the two, The Ancient Near East: An Anthology of Texts and Pictures (1958). The continued popularity of this work in its various forms demonstrates that anthologies have a very important role to play in education--and in the mission of a university press.
When did people first start to wear jewelry or play music? When were cows domesticated, and why do we feed their milk to our children? Where were the first cities, and what made them succeed? Who developed math--or invented money?
The history of humanity is one of invention and innovation, as we have continually created new things to use, to admire, or leave our mark on the world. In this groundbreaking book, Neil MacGregor turns to objects that previous civilizations have left behind to paint a portrait of mankind's evolution, focusing on unexpected turning points.
Beginning with a chopping tool from the Olduvai Gorge in Africa and ending with a recent innovation that is transforming the way we power our world, he urges us to see history as a kaleidoscope--shifting, interconnected, constantly surprising. A landmark bestseller, A History of the World in 100 Objects is one f the most unusual and engrossing history books to be published in years.
“None could have imagined quite how the radio series would permeate the national consciousness. Well over 12.5 million podcasts have been downloaded since the first programme and more than 550 museums around Britain have launched similar series featuring local history. . . . MacGregor’s voice comes through as distinctively as it did on radio and his arguments about the interconnectedness of disparate societies through the ages are all the stronger for the detail afforded by extra space. A book to savour and start over.”
Source countries and archaeologists favor tough cultural property laws restricting the export of antiquities, have fought for the return of artifacts from museums worldwide, and claim the acquisition of undocumented antiquities encourages looting of archaeological sites. In Whose Culture?, leading figures from universities and museums in the United States and Britain argue that modern nation-states have at best a dubious connection with the ancient cultures they claim to represent, and that archaeology has been misused by nationalistic identity politics. They explain why exhibition is essential to responsible acquisitions, why our shared art heritage trumps nationalist agendas, why restrictive cultural property laws put antiquities at risk from unstable governments--and more. Defending the principles of art as the legacy of all humankind and museums as instruments of inquiry and tolerance, Whose Culture? brings reasoned argument to an issue that for too long has been distorted by politics and emotionalism.
In addition to the editor, the contributors are Kwame Anthony Appiah, Sir John Boardman, Michael F. Brown, Derek Gillman, Neil MacGregor, John Henry Merryman, Philippe de Montebello, David I. Owen, and James C. Y. Watt.