G. K. Chesterton's biographical essays provide unique portraits of 12 of Europe's most defining figures. Written by one of the world's master essayists, this collection richly expresses Chesterton's thoughts on Charlotte Bronte, William Morris, Byron, Pope, St. Francis of Assisi, Rostand, Charles II, Stevenson, Thomas Carlyle, Tolstoy, Savonarola, and Sir Walter Scott. The book is a perfect companion for any literature, politics, or history course dealing with European history. It is also an excellent addition to any personal or scholarly library.
"Nothing more strangely indicates an enormous and silent evil of modern society than the extraordinary use which is made nowadays of the word "orthodox" In former days the heretic was proud of not being a heretic. It was the kingdoms of the world and the police and the judges who were heretics"--Page  of cover. This 1905 collection of articles focuses on the era's "heretics": those who pride themselves in their superiority to conservative views. G.K. Chesterton's companion book to Orthodoxy assesses avant-garde artists and writers (including Kipling, Shaw, Wells, and Whistler) with the author's characteristic wisdom and good humor.
In The Everlasting Man the famed G.K. Chesterton once more defends Christian values and the religion itself from attack. A man of immense talents perhaps better known as the author of the Father Brown Stores as well as very many novels and poems Chesterton was also a great intellectual and man of faith who here marries both together in a very powerful work.
So it was, certainly, with the Bastille. The destruction of the Bastille was not a reform; it was something more important than a reform. It was an iconoclasm; it was the breaking of a stone image. The people saw the building like a giant looking at them with a score of eyes, and they struck at it as at a carved fact. For of all the shapes in which that immense illusion called materialism can terrify the soul, perhaps the most oppressive are big buildings. Man feels like a fly, an accident, in the thing he has himself made. It requires a violent effort of the spirit to remember that man made this confounding thing and man could unmake it.