Abraham Lincoln read it with approval, but Emily Dickinson described its bold language and themes as "disgraceful." Ralph Waldo Emerson found it "the most extraordinary piece of wit and wisdom that America has yet produced." Published at the author's expense on July 4, 1855, Leaves of Grass inaugurated a new voice and style into American letters and gave expression to an optimistic, bombastic vision that took the nation as its subject. Unlike many other editions of Leaves of Grass, which reproduce various short, early versions, this Modern Library Paperback Classics "Death-bed" edition presents everything Whitman wrote in its final form, and includes newly commissioned notes.

Considered by many to be the quintessential American poet, Walt Whitman (1819-92) exerted a profound influence on all the American poets who came after him. And it was with this inspired, oceanic medley, "Song of Myself" (which in the first editions of Leaves of Grass was still nameless), that this great poet first made himself known to the world.
Readers familiar with the later, more widely published versions of Leaves of Grass will find this first version of "Song of Myself" new, surprising, and often superior to the later versions — and exhilarating in the freshness of its vision. In this inexpensive edition, this enormously influential work will especially delight students, teachers, and any devotee of Walt Whitman.

In 1855, Walt Whitman published — at his own expense — the first edition of Leaves of Grass, a visionary volume of twelve poems. Showing the influence of a uniquely American form of mysticism known as Transcendentalism, which eschewed the general society and culture of the time, the writing is distinguished by an explosively innovative free verse style and previously unmentionable subject matter. Exalting nature, celebrating the human body, and praising the senses and sexual love, the monumental work was condemned as "immoral." Whitman continued evolving Leaves of Grass despite the controversy, growing his influential work decades after its first appearance by adding new poems with each new printing.
This edition presents the original twelve poems from Whitman's premier 1855 publication of Leaves of Grass. Included are some of the greatest poems of modern times: "Song of Myself," "I Sing the Body Electric," and "There Was a Child Went Forth," works that continue to upset conventional notions of beauty and originality even today.

ENDURING LITERATURE ILLUMINATED BY PRACTICAL SCHOLARSHIP

A collection of quintessentially American poems, the seminal work of one of the most influential writers of the nineteenth century.

THIS ENRICHED CLASSIC EDITION INCLUDES:

A concise introduction that gives readers important background information A chronology of the author's life and work A timeline of significant events that provides the book's historical context An outline of key themes and plot points to help readers form their own interpretations Detailed explanatory notes Critical analysis, including contemporary and modern perspectives on the work Discussion questions to promote lively classroom and book group interaction A list of recommended related books and films to broaden the reader's experience

Enriched Classics offer readers affordable editions of great works of literature enhanced by helpful notes and insightful commentary. The scholarship provided in Enriched Classics enables readers to appreciate, understand, and enjoy the world s finest books to their full potential.

SERIES EDITED BY CYNTHIA BRANTLEY JOHNSON

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I believe a leaf of grass is no less than the journey work of the stars...

First published in 1855, and edited, revised and expanded over thirty years, ‘Leaves of Grass’ has become one of the most celebrated poetry collections in the history of American literature. A master of free verse, Walt Whitman captures the true spirit of his homeland and its people through his poetry. He explores a wide range of themes, encompassing American identity and cultural values, democracy, nature and the mysteries of the human spirit.

Featuring the poems of the original 1855 edition, ‘Leaves of Grass’ remains an influential work within the American literary tradition, studied and treasured around the world.

Leaves of Grass is a collection of poems by Walt Whitman originally published in 1855 at the poet's own expense. Criticized when first released for Whitman's use of free verse and his rather racy depictions of sexual love and the senses, Leaves of Grass is a celebration of the human form, the material world and nature.

This carefully crafted ebook: “The Complete Poetry of Walt Whitman: Leaves of Grass (1855 & 1892) + Old Age Echoes + Uncollected and Rejected Poems” is formatted for your eReader with a functional and detailed table of contents. Table of Contents: The Poetry Collections: Leaves of Grass, 1855 Leaves of Grass, 1892 Old Age Echoes Uncollected and Rejected Poems Walter "Walt" Whitman (1819 – 1892) was an American poet, essayist and journalist. His work was very controversial in its time, particularly his poetry collection Leaves of Grass, which was described as obscene for its overt sexuality.

As featured in AMC's Breaking Bad, given by Gale Boetticher to Walter White and discovered by Hank Schrader. "I celebrate myself, And what I assume you shall assume, For every atom belonging to me as good belongs to you. I loafe and invite my soul, I lean and loafe at my ease....observing a spear of summer grass." So begins Leaves of Grass, the first great American poem and indeed, to this day, the greatest and most essentially American poem in all our national literature. The publication of Leaves of Grass in July 1855 was a landmark event in literary history. Ralph Waldo Emerson judged the book "the most extraordinary piece of wit and wisdom America has yet contributed." Nothing like the volume had ever appeared before. Everything about it--the unusual jacket and title page, the exuberant preface, the twelve free-flowing, untitled poems embracing every realm of experience--was new. The 1855 edition broke new ground in its relaxed style, which prefigured free verse; in its sexual candor; in its images of racial bonding and democratic togetherness; and in the intensity of its affirmation of the sanctity of the physical world. This Anniversary Edition captures the typeface, design and layout of the original edition supervised by Whitman himself. Today's readers get a sense of the "ur-text" of Leaves of Grass, the first version of this historic volume, before Whitman made many revisions of both format and style. The volume also boasts an afterword by Whitman authority David Reynolds, in which he discusses the 1855 edition in its social and cultural contexts: its background, its reception, and its contributions to literary history. There is also an appendix containing the early responses to the volume, including Emerson's letter, Whitman's three self-reviews, and the twenty other known reviews published in various newspapers and magazines. This special volume will be a must-have keepsake for fans of Whitman and lovers of American poetry.

Do I contradict myself?
Very well then I contradict myself.
(I am large, I contain multitudes.)

Abundant, ecstatic, generous, courageous - this is the first American epic poem, a celebration of selfhood and a catalogue of nineteenth-century American life of all ages and races. Revolutionary in style and controversial in content when it was first published in 1855, Whitman's masterwork has since inspired generations with its intoxicating rhythms and images, and its inclusive, praiseful joy.

THE ORIGINAL 1855 TEXT

Abraham Lincoln read it with approval, but Emily Dickinson described its bold language and themes as 'disgraceful.' And Ralph Waldo Emerson found Leaves of Grass 'the most extraordinary piece of wit and wisdom that America has yet contributed,' calling it a 'combination of the Bhagavad Gita and the New York Herald.' Published at the author's own expense on July 4, 1855, Leaves of Grass initially consisted of a preface, twelve untitled poems in free verse (including the work later titled 'Song of Myself' which Malcolm Cowley called 'one of the great poems of modern times'), and a now-famous portrait of a devil-may-care Walt Whitman in a workman's shirt. Over the next four decades,
Whitman continually expanded and revised the book as he took on the role of a workingman's bard who championed American nationalism, political democracy, contemporary progress, and unashamed sex. This volume, which contains 383 poems, is the final 'Deathbed Edition' published in 1892.

Abraham Lincoln read it with approval, but Emily Dickinson described its bold language and themes as "disgraceful." Ralph Waldo Emerson found it "the most extraordinary piece of wit and wisdom that America has yet produced." Published at the author's expense on July 4, 1855, Leaves of Grass inaugurated a new voice and style into American letters and gave expression to an optimistic, bombastic vision that took the nation as its subject. Unlike many other editions of Leaves of Grass, which reproduce various short, early versions, this Modern Library Paperback Classics "Death-bed" edition presents everything Whitman wrote in its final form, and includes newly commissioned notes.

As featured in AMC's Breaking Bad, given by Gale Boetticher to Walter White and discovered by Hank Schrader. "I celebrate myself, And what I assume you shall assume, For every atom belonging to me as good belongs to you. I loafe and invite my soul, I lean and loafe at my ease....observing a spear of summer grass." So begins Leaves of Grass, the first great American poem and indeed, to this day, the greatest and most essentially American poem in all our national literature. The publication of Leaves of Grass in July 1855 was a landmark event in literary history. Ralph Waldo Emerson judged the book "the most extraordinary piece of wit and wisdom America has yet contributed." Nothing like the volume had ever appeared before. Everything about it--the unusual jacket and title page, the exuberant preface, the twelve free-flowing, untitled poems embracing every realm of experience--was new. The 1855 edition broke new ground in its relaxed style, which prefigured free verse; in its sexual candor; in its images of racial bonding and democratic togetherness; and in the intensity of its affirmation of the sanctity of the physical world. This Anniversary Edition captures the typeface, design and layout of the original edition supervised by Whitman himself. Today's readers get a sense of the "ur-text" of Leaves of Grass, the first version of this historic volume, before Whitman made many revisions of both format and style. The volume also boasts an afterword by Whitman authority David Reynolds, in which he discusses the 1855 edition in its social and cultural contexts: its background, its reception, and its contributions to literary history. There is also an appendix containing the early responses to the volume, including Emerson's letter, Whitman's three self-reviews, and the twenty other known reviews published in various newspapers and magazines. This special volume will be a must-have keepsake for fans of Whitman and lovers of American poetry.

In his unconventional verse, Walt Whitman spoke in a powerful, sensual, oratorical, and inspiring voice. His most famous work, Leaves of Grass, was a long-term project that the poet compared to the building of a cathedral or the slow growth of a tree. During his lifetime, from 1819 to 1892, it went through nine editions. Today it is regarded as a landmark of American literature.
This volume contains 24 poems from Leaves of Grass, offering a generous sampling of Whitman's best and most representative verses. Featured works include "I Hear America Singing," "I Sing the Body Electric," "Song of the Open Road," "Out of Cradle Endlessly Rocking," "When Lilacs Last in the Dooryard Bloom'd," and "O Captain! My Captain!"—all reprinted from an authoritative text.

In 1855 Walt Whitman published Leaves of Grass, the work which defined him as one of America's most influential voices, and which he added to throughout his life. A collection of astonishing originality and intensity, it spoke of politics, sexual emancipation and what it meant to be an American. From the joyful 'Song of Myself' and 'I Sing the Body Electric' to the elegiac 'When Lilacs Last in the Dooryard Bloom'd', Whitman's art fuses oratory, journalism and song in a vivid celebration of humanity.

This is the fifth volume of a new series of publications by Delphi Classics, the best-selling publisher of classical works. Many poetry collections are often poorly formatted and difficult to read on eReaders. The Delphi Poets Series offers readers the works of literature’s finest poets, with superior formatting. This volume presents the complete poetical works of Walt Whitman, with beautiful illustrations and the usual Delphi bonus material. (Version: 1)

* Beautifully illustrated with images relating to Whitman’s life and works
* Concise introductions to the poetry and other works
* Images of how the poetry books were first printed, giving your eReader a taste of the original texts
* Excellent formatting of the poems
* Special chronological and alphabetical contents tables for the poetry
* Easily locate the poems you want to read
* Includes two collections of Whitman’s letters – spend hours exploring the poet’s personal correspondence
* Also includes Whitman’s scarce novel FRANKLIN EVANS, appearing here for the first time in digital print
* Features the complete prose works
* Scholarly ordering of texts into chronological order and literary genres

CONTENTS:

The Poetry Collections
LEAVES OF GRASS, 1855
LEAVES OF GRASS, 1892
OLD AGE ECHOES
UNCOLLECTED AND REJECTED POEMS

The Poems
LIST OF POEMS IN CHRONOLOGICAL ORDER
LIST OF POEMS IN ALPHABETICAL ORDER

The Novel
FRANKLIN EVANS

Other Prose Works
LIST OF PROSE WORKS

The Letters
THE WOUND DRESSER
THE LETTERS OF ANNE GILCHRIST AND WALT WHITMAN

Walt Whitman experienced the agonies of the Civil War firsthand, working, in his forties, as a dedicated volunteer throughout the conflict in Washington's overcrowded, understaffed military hospitals. This superb selection of his poems, letters, and prose from the war years, filled with the sights and sounds of war and its ugly aftermath, express a vast and powerful range of emotions.
Among the poems include here, first published in Drum-Taps (1865) and Sequel to Drum-Taps (1866), are a number of Whitman's most famous works: "O Captain! My Captain!" "The Wound-Dresser," "When Lilacs Last in the Dooryard Bloom'd," and "Come Up from the Fields, Father." The letters and prose selections, including Whitman's musings on the publication of his works, on the wounded men he tended, and his impressions of Lincoln traveling about the city of Washington, offer keen insights into an extraordinary era in American history.

One of the Greatest American Poets
“Not I, nor anyone else can travel that road for you.
You must travel it by yourself.
It is not far. It is within reach.
Perhaps you have been on it since you were born, and did not know.
Perhaps it is everywhere - on water and land.”
― Walt Whitman, Leaves of Grass

Leaves of Grass is the magnificent collection of the poetry of Walt Whitman. Featuring "Song of Myself" and other examples of classic American poetry, this collection is essential reading for students and lovers of the written word.

Xist Publishing is a digital-first publisher. Xist Publishing creates books for the touchscreen generation and is dedicated to helping everyone develop a lifetime love of reading, no matter what form it takes

Leaves of Grass is a collection of poems by Walt Whitman, which was self-published in 1855. It has its origins in an essay written by Ralph Waldo Emerson 10 years earlier titled The Poet, which called for a new poetic voice that embodied the spirit of America. Some of its well-known poems include "Song of Myself" and "I Sing the Body Electric," and most were fiddled with and added to over the course of Whitman's life.

Whitman wanted his book to be small enough to fit in a reader's pocket, as it was more likely to be read in the "open air." And he noted "I am nearly always successful with the reader in the open air." The title of the book is also a pun: "Grass" was a term that publishers ascribed to inferior literary works and "leaves" refer to the pages on which they were printed. It was considered "obscene literature" when it first came out, and critics accused its anonymous author of homosexuality.

Leaves of Grass' is the well-known poetry collection by the American poet Walt Whitmanm, and is highly recommended for inclusion on the bookshelf of anyone with a passion for poetry.

American poet Walt Whitman’s Leaves of Grass, is a collection of poems notable for its frank delight in and praise of the senses, during a time when such candid displays were considered immoral. Where much previous poetry, especially English, relied on symbolism, allegory, and meditation on the religious and spiritual, Leaves of Grass exalted the body and the material world.

In Leaves of Grass, American poet Walt Whitman assembled most of his poetic works. Included in this collection are some of Whitman's most famous poems, including "Song of Myself," "I Sing the Body Electric," "Out of the Cradle Endlessly Rocking," and "O Captain! My Captain!" The first edition of Leaves of Grass was published in 1855 and contained only twelve poems. Whitman kept revising his collection throughout his life; the final edition contains more than three hundred poems. This is an unabridged version of the poems from the final edition of Whitman's celebrated collection, published shortly before his death in 1892.

In Leaves of Grass, American poet Walt Whitman assembled most of his poetic works. Included in this collection are some of Whitman's most famous poems, including "Song of Myself," "I Sing the Body Electric," "Out of the Cradle Endlessly Rocking," and "O Captain! My Captain!" The first edition of Leaves of Grass was published in 1855 and contained only twelve poems. Whitman kept revising his collection throughout his life; the final edition contains more than three hundred poems. This is an unabridged version of the poems from the final edition of Whitman's celebrated collection, published shortly before his death in 1892.

Not many people know that Walt Whitman—arguably the preeminent American poet of the nineteenth century—began his literary career as a novelist. Franklin Evans, or The Inebriate: A Tale of the Times was his first and only novel. Published in 1842, during a period of widespread temperance activity, it became Whitman’s most popular work during his lifetime, selling some twenty thousand copies.

The novel tells the rags-to-riches story of Franklin Evans, an innocent young man from the Long Island countryside who seeks his fortune in New York City. Corrupted by music halls, theaters, and above all taverns, he gradually becomes a drunkard. Until the very end of the tale, Evans’s efforts to abstain fail, and each time he resumes drinking, another series of misadventures ensues. Along the way, Evans encounters a world of mores and conventions rapidly changing in response to the vicissitudes of slavery, investment capital, urban mass culture, and fervent reform. Although Evans finally signs a temperance pledge, his sobriety remains haunted by the often contradictory and unsettling changes in antebellum American culture.

The editors’ substantial introduction situates Franklin Evans in relation to Whitman’s life and career, mid-nineteenth-century American print culture, and many of the developments and institutions the novel depicts, including urbanization, immigration, slavery, the temperance movement, and new understandings of class, race, gender, and sexuality. This edition includes a short temperance story Whitman published at about the same time as he did Franklin Evans, the surviving fragment of what appears to be another unfinished temperance novel by Whitman, and a temperance speech Abraham Lincoln gave the same year that Franklin Evans was published.

These reflections by one of America's greatest poets on the nation's most momentous struggle began when Walt Whitman discovered his brother's name in a newspaper list of Union Army casualties. The poet hurried from his Brooklyn home to a Virginia battlefront, where he found his brother, wounded but recovering. Profoundly moved by his experiences in the army hospital, Whitman settled in Washington, D.C., for the rest of the war. There he served as a military hospital volunteer, offering medical and spiritual comfort to sick and dying soldiers. His journal entries express in simple, heartfelt terms his Civil War experiences.
First published in book form in 1875, Whitman's Memoranda recounts soldiers' anecdotes of recent battles and army life as well as their last words and final messages to faraway friends and family. Whitman recorded his impressions of Abraham Lincoln, whom he frequently encountered on the city streets, and his thoughts on the conflict's day-to-day and historical significance. His evocative, poetic reflections offer a unique portrait of Civil War life.