Emmy Award-winner John Lithgow presents a charming, witty, and revealing memoir about his family, his work, and his life in Drama—an intimate story of insights and inspirational reflections from one of America’s most beloved actors. Lithgow pays tribute to his father, his greatest influence, and relives his collaborations with renowned performers and directors including Mike Nichols, Bob Fosse, Liv Ullmann, Meryl Streep, and Brian De Palma. A compelling reflection on the trials, triumphs, and changes across his long career, Lithgow’s Drama illuminates the inner life of a celebrated talent, and points the way forward for anyone aspiring to greatness in their own life.
Oh, children! Remember! Whatever you may do,
Never play music right next to the zoo.
They’ll burst from their cages, each beast and each bird,
Desperate to play all the music they’ve heard.
A concert gets out of hand when the animals at the neighboring zoo storm the stage and play the instruments themselves in this hilarious picture book based on one of John Lithgow’s best-loved tunes.
The clever rhyming text tells of the narrator's two dogs who could not be more different—one is big, one is small, one barks quietly, while one has a loud and enthusiastic bark—but he loves them both the same. The bold graphic art style adds humor by revealing that the narrator's view of the dogs isn't exactly the way others might see them.
The title Good Poems comes from common literary parlance. For writers, it's enough to refer to somebody having written a good poem. Somebody else can worry about greatness. Mary Oliver's "Wild Geese" is a good poem, and so is James Wright's "A Blessing." Regular people love those poems. People read them aloud at weddings, people send them by e-mail.
Good Poems includes poems about lovers, children, failure, everyday life, death, and transcendance. It features the work of classic poets, such as Emily Dickinson, Walt Whitman, and Robert Frost, as well as the work of contemporary greats such as Howard Nemerov, Charles Bukowski, Donald Hall, Billy Collins, Robert Bly, and Sharon Olds. It's a book of poems for anybody who loves poetry whether they know it or not.
In this luminous collection, Daniel Ladinsky—best known for his gifted and bestselling interpretations of the great Sufi poet Hafiz—brings together the timeless work of twelve of the world's finest spiritual writers, six from the East and six from the West. Once again Ladinsky reveals his talent for creating profound and playful renditions of classic poems for a modern audience. Rumi's joyous, ecstatic love poems; St. Francis's loving observations of nature through the eyes of Catholicism; Kabir's wild, freeing humor that synthesizes Hindu, Muslim, and Christian beliefs; St. Teresa's sensual verse; and the mystical, healing words of Sufi poet Hafiz—these along with inspiring works by Rabia, Meister Eckhart, St. Thomas Aquinas, Mira, St. Catherine of Siena, St. Teresa of Avila, St. John of the Cross, and Tukaram are all “love poems by God,” from writers considered to be "conduits of the divine." A spiritual treasure to cherish always.
Stephen Fry believes that if one can speak and read English, one can write poetry. In The Ode Less Travelled, he invites readers to discover the delights of writing poetry for pleasure and provides the tools and confidence to get started. Through enjoyable exercises, witty insights, and simple step-by-step advice, Fry introduces the concepts of Metre, Rhyme, Form, Diction, and Poetics.
Most of us have never been taught to read or write poetry, and so it can seem mysterious and intimidating. But Fry, a wonderfully competent, engaging teacher and a writer of poetry himself, sets out to correct this problem by explaining the various elements of poetry in simple terms, without condescension. Fry?s method works, and his enthusiasm is contagious as he explores different forms of poetry: the haiku, the ballad, the villanelle, and the sonnet, among many others. Along the way, he introduces us to poets we?ve heard of but never read. The Ode Less Travelled is not just the survey course you never took in college, it?s a lively celebration of poetry that makes even the most reluctant reader want to pick up a pencil and give it a try.
Here, readers will find solace in works that are bracing and courageous, organized into such resonant headings as "Such As It Is More or Less" and "Let It Spill." From William Shakespeare and Walt Whitman to R. S. Gwynn and Jennifer Michael Hecht, the voices gathered in this collection will be more than welcome to those who've been struck by bad news, who are burdened by stress, or who simply appreciate the power of good poetry.
Among the poets included: Elizabeth Alexander, W. H. Auden, Amy Clampitt, Billy Collins, Emily Dickinson, Louise Gluck, Ted Hughes, Galway Kinnell, Kenneth Koch, Philip Larkin, Li-Young Lee, Philip Levine, Marianne Moore, Sharon Olds, Mary Oliver, Robert Pinsky, Adrienne Rich, Theodore Roethke, Anne Sexton, Wallace Stevens, Dylan Thomas, Derek Walcott, and James Wright.
This luminous anthology brings together great poets from around the world whose work transcends culture and time. Their words reach past the outer divisions to the universal currents of love and revelation that move and inspire us all. These poems urge us to wake up and love. They also call on us to relinquish our grip on ideas and opinions that confine us and, instead, to risk moving forward into the life that is truly ours.
In his selection, Roger Housden has placed strong emphasis on contemporary voices such as the American poet laureate Billy Collins and the Nobel Prize–winners Czeslaw Milosz and Seamus Heaney, but the collection also includes some timeless echoes of the past in the form of work by masters such as Goethe, Wordsworth, and Emily Dickinson.
The tens of thousands of readers of Roger Housden’s “Ten Poems” series will welcome this beautiful harvest of poems that both open the mind and heal the heart.
From the Hardcover edition.
This powerful and moving collection of poems stretches across the boundaries of skin color, language, ethnicity, and religion to give voice to the lives and experiences of ethnic Americans. With extraordinary honesty, dignity, and insight, these poems address common themes of assimilation, communication, and self-perception. In recording everyday life in our many American cultures, they displace the myths and stereotypes that pervade our culture.
Unsettling America includes work by:
Chitra Banerjee Divakaruni
Naomi Shihab Nye
...and many more.
Grown men aren’t supposed to cry…Yet in this fascinating anthology, one hundred men—distinguished in literature and film, science and architecture, theater and human rights—confess to being moved to tears by poems that continue to haunt them. Although the majority are public figures not prone to crying, here they admit to breaking down, often in words as powerful as the poems themselves.
Their selections include classics by visionaries, such as Walt Whitman, W.H. Auden, and Philip Larkin, as well as modern works by masters, including Billy Collins, Seamus Heaney, Derek Walcott, and poets who span the globe from Pablo Neruda to Rabindranath Tagore. The poems chosen range from the sixteenth century to the twenty-first, with more than a dozen by women, including Mary Oliver, Elizabeth Bishop, and Gwendolyn Brooks. Their themes range from love in its many guises, through mortality and loss, to the beauty and variety of nature. All are moved to tears by the exquisite way a poet captures, in Alexander Pope’s famous phrase, “what oft was thought, but ne’er so well express’d.”
From J.J. Abrams to John le Carré, Salman Rushdie to Jonathan Franzen, Daniel Radcliffe to Nick Cave to Stephen Fry, Stanley Tucci to Colin Firth to the late Christopher Hitchens, this collection delivers private insight into the souls of men whose writing, acting, and thinking are admired around the world. “Everyone who reads this collection will be roused: disturbed by the pain, exalted in the zest for joy given by poets” (Nadine Gordimer, winner of the Nobel Prize for literature).
Editor Alix Olson (internationally touring spoken word artist-activist) brought together a variety of astounding spoken word artists for Word Warriors. Included in this collection are Patricia Smith and Eileen Myles, two of our most formidable spoken-word foremothers, Tony-award winners Sarah Jones, Suheir Hammad and Staceyann Chin, recording artists Bitch and Lynn Breedlove from the dyke-punk band Tribe 8, award-winning writer Michelle Tea, and many more. These women join other amazing artists from many different backgrounds to create Word Warriors, a powerful and comprehensive collection of work from the best and brightest female spoken word artists today.
Contributors: Rosa Alcala, Wendy Barker, Ellen Bass, Tara Betts, Catherine Bowman, Susan Briante, Sharon Bridgforth, Nathan Brown, Jenny Browne, Andrea Hollander Budy, Lisa D. Chavez, Alison T. Cimino, Cathryn Cofell, Sarah Cortez, Bruce Covey, Oliver de la Paz, Lori Desrosiers, Cyra S. Dumitru, Blas Falconer, Annie Finch, Gretchen Fletcher, Madelyn Garner, Barbara Hamby, Carol Hamilton, Penny Harter, Kurt Heinzelman, Jane Hilberry, Karla Huston, David Kirby, Laurie Kutchins, Ellaraine Lockie, Ed Madden, Anne McCrady, Robert McDowell, Ray McManus, David Meischen, Harryette Mullen, Aimee Nezhukumatathil, Hoa Nguyen, Naomi Shihab Nye, Katherine Durham Oldmixon, Kathleen Peirce, Georgia A. Popoff, Patty Seyburn, Ravi Shankar, Shoshauna Shy, Patricia Smith, Jessamyn Johnston Smyth, Bruce Snider, Lisa Russ Spaar, Susan Terris, Lewis Turco, Andrea L. Watson, Afaa Michael Weaver, William Wenthe, Scott Wiggerman, Abe Louise Young, Matthew Zapruder
This anthology embraces a wide variety of compositions: it ranges from song-poems of the Pele and Hiiaka cycle and the pre-Christian Shark Hula for Ka-lani-opuu to postmissionary chants and gospel hymns. These later selections date from the reign of Ka-mehameha III (1825-1854) to that of Queen Liliu-o-ka-lani (1891-1893) and comprise the major portion of the book. They include, along with heroic chants celebrating nineteenth-century Hawaiian monarchs, a number of works composed by commoners for commoners, such as Bill the Ice Skater, Mr. Thurston's Water-Drinking Brigade, and The Song of the Chanter Kaehu. Kaehu was a distinguished leper-poet who ended his days at the settlement-hospital on Molokai.
• Features more than 100 poems by poets such as A.A. Milne, Christina Rossetti, Lewis Carroll, Robert Lewis Stevenson, and more
• Ideal for children and adults of all ages
• Jacketed hardcover gift edition with a ribbon page marker
From the Hardcover edition.
This anthology celebrates the wit and imaginative creativity of the Elizabethan poets with a generous selection of their graceful and sophisticated verse. Highlights include sonnets from Astrophel and Stella, written by Sir Philip Sidney — a scholar, poet, critic, courtier, diplomat, soldier, and ideal English Renaissance man; poems by Edmund Spenser, whose works combined romance with allegory, adventure, and morality; and sonnets by William Shakespeare, whose towering poetic genius transcends the ages. Other celebrated contributors include John Donne ("Go, and catch a fallen star"), Ben Jonson ("Drink to me only with thine eyes"), and Christopher Marlowe ("The Passionate Shepherd to His Love"). The poetry of lesser-known figures such as Michael Drayton, Samuel Daniel, and Fulke Greville appears here, along with verses by individuals better known in other fields — Francis Bacon, Queen Elizabeth I, and Walter Raleigh — whose poems offer valuable insights into the spirit of the age.
Quincy Troupe • Czeslaw Milosz • Campbell McGrath • C.D. Wright • Jack Gilbert • Heather McHugh • David Lehman • Wang Ping • Joseph Brodsky • Paul Beatty • Lorna Dee Cervantes • Paul Muldoon • Lucille Clifton • Naomi Shihab Nye • Richard Blanco • Albert Goldbarth • Carrie Allen McCray • Belle Waring • Russell Edson • Kevin Young • Nuali Di Dhomhnaill • Charles Harper Webb • Denise Duhamel • Yusef Komunyakaa • Hal Sirowitz • Lucia Perillo • Amy Gerstler • Maura Stanton • Marilyn Chin • Philip Booth • Jane Cooper • Diane DiPrima • Elizabeth Spires
From the Trade Paperback edition.
Spanning the Elizabethan age to the Restoration and beyond, Metaphysical poetry sought to describe a time of startling progress, scientific discovery, unrivalled exploration and deep religious uncertainty. This compelling collection of the best and most enjoyable poems from the era includes tightly argued lyrics, erotic and libertine considerations of love, divine poems and elegies of lament by such great figures as John Donne, George Herbert, Andrew Marvell and John Milton, alongside pieces from many other less well known but equally fascinating poets of the age, such as Anne Bradstreet, Katherine Philips and Thomas Traherne. Widely varied in theme, all are characterized by their use of startling metaphors, imagery and language to express the uncertainty of an age, and a profound desire for originality that was to prove deeply influential on later poets and in particular poets of the Modernist movement such as T. S. Eliot.
In his introduction, Colin Burrow explores the nature of Metaphysical poetry, its development across the seventeenth century and its influence on later poets and includes A Very Short History of Metaphysical Poetry from Donne to Rochester. This edition also includes detailed notes, a chronology and further reading.
Colin Burrow is Reader in Renaissance and Comparative Literature at Gonville and Caius College, Cambridge. He has edited Shakespeare's Sonnets for OUP and The Complete Works of Ben Jonson, and is working on the Elizabethan volume of the Oxford English Literary History.
If you enjoyed Metaphysical Poetry, you might like John Donne's Selected Poems, also available in Penguin Classics.
Peter Cole's translations reveal this remarkable poetic world to English readers in all of its richness, humor, grace, gravity, and wisdom. The Dream of the Poem traces the arc of the entire period, presenting some four hundred poems by fifty-four poets, and including a panoramic historical introduction, short biographies of each poet, and extensive notes. (The original Hebrew texts are available on the Princeton University Press Web site.) By far the most potent and comprehensive gathering of medieval Hebrew poems ever assembled in English, Cole's anthology builds on what poet and translator Richard Howard has described as "the finest labor of poetic translation that I have seen in many years" and "an entire revelation: a body of lyric and didactic verse so intense, so intelligent, and so vivid that it appears to identify a whole dimension of historical consciousness previously unavailable to us." The Dream of the Poem is, Howard says, "a crowning achievement."
Terrance Hayes is a dazzlingly original poet, interested in adventurous explorations of subject and form. His new work, Hip Logic, is full of poetic tributes to the likes of Paul Robeson, Big Bird, Balthus, and Mr. T, as well as poems based on the anagram principle of words within a word. Throughout, Hayes's verse dances in a kind of homemade music box, with notes that range from tender to erudite, associative to narrative, humorous to political. Hip Logic does much to capture the nuances of contemporary male African American identity and confirms Hayes's reputation as one of the most compelling new voices in American poetry.
Here is the grand sweep of Chinese poetry, from the Book of Songs–ancient folk songs said to have been collected by Confucius himself–and Laozi’s Dao De Jing to the vividly pictorial verse of Wang Wei, the romanticism of Li Po, the technical brilliance of Tu Fu, and all the way up to the twentieth-century poetry of Mao Zedong and the post—Cultural Revolution verse of the Misty poets. Encompassing the spiritual, philosophical, political, mystical, and erotic strains that have emerged over millennia, this broadly representative selection also includes a preface on the art of translation, a general introduction to Chinese poetic form, biographical headnotes for each of the poets, and concise essays on the dynasties that structure the book. The Anchor Book of Chinese Poetry captures with impressive range and depth the essence of China’s illustrious poetic tradition.
The collection includes works by Elizabeth Bishop, Sharon Olds, Edna St. Vincent Millay, Mary Oliver, Pablo Neruda, W. H. Auden, Adrienne Rich, Sandra Cisneros, Anne Sexton, W. S. Merwin, Dorothy Parker, Queen Elizabeth I, Lucille Clifton, Naomi Shahib Nye, and W. B. Yeats. Whether it's falling in love, breaking up, friendship, marriage, motherhood, or growing old, She Walks in Beauty is a priceless resource for anyone, male or female, who wants a deeper understanding and appreciation of what it means to be a woman.
Of course, pages can and have been filled about food's elemental pleasures. And we all know food is more than food: it's identity and culture. Our days are marked by meals; our seasons are marked by celebrations. We plant in spring; harvest in fall. We labor over hot stoves; we treat ourselves to special meals out. Food is nurture; it's comfort; it's reward. While some of the poems here are explicitly about the food itself: the blackberries, the butter, the barbecue--all are evocative of the experience of eating.
Many of the poems are also about the everything else that accompanies food: the memories, the company, even the politics. Kevin Young, distinguished poet, editor of this year's Best American Poetry, uses the lens of food - and his impeccable taste - to bring us some of the best poems, classic and current, period.
Elizabeth Alexander, Elizabeth Bishop, Billy Collins, Mark Doty, Robert Frost, Allen Ginsberg, Louise Gluck, Seamus Heaney, Tony Hoagland, Langston Hughes, Galway Kinnell, Frank O'Hara, Sharon Olds, Mary Oliver, Adrienne Rich, Theodore Roethke, Matthew Rohrer, Charles Simic, Tracy K. Smith, Gertrude Stein, Wallace Stevens, Mark Strand, Kevin Young
She Too: Four Voices in (Almost) Harmony is a poetry anthology brought to you by four female poets from two continents - Australia & the United States. She Too offers a poetic glimpse of the gifts and tragedies found while cultivating a glorious existence. There are magical moments and moments that tease a tear within this diverse anthology.
She Too: Four Voices in (Almost) Harmony is an anthology that captures a variety of life experiences created to celebrate National Poetry Month, April, 2014.
Check out what others are saying …
“In She Too, Delaina, Rosemary, Leigh and Helen have created an intriguing blend of female voices from a diverse range of life experience and backgrounds. Reading it, you will find yourself in joy & pain, mourning, amused & in love. Their poetry is alive — which is about the best thing I can say.”
–Brian Miller, owner dVerse Poets Pub
“Love, nature, life, death and a hint of witchery cast a spell over the poems in this compendium of work by four international poets. She Too opens the door on a conversation being held by four very different writers who have found common ground and, as the subtitle suggests, "almost" harmony. Pop culture, memory, sexuality and even beloved pets mark the entry points for this accessible collection of poetry.”
–Collin Kelley, author of the collections Render and Slow to Burn
"The poets are great story-tellers as well as lyricists, unwinding narratives that both amuse and enlighten."
–Karin Gustafson, author of 1 Mississippi, Going on Somewhere, Nose Dive, and (soon) Nice, who blogs as Manicddaily, http://Manicddaily.wordpress.com and is one of the team of presenters at dVerse Poets Pub
"Each poet has her own distinct voice and I enjoyed the sensation of feeling as if I was becoming part of their group as I learned to recognise each voice and share the experiences and emotions expressed."
–Michele Brenton, poet, novelist and editor, whose Fifty Shades of Blue was a Kindle poetry best-seller. Michele also writes humorous verse as Banana the Poet.
Start reading right away!
Robert Bly has always been amazingly prescient in his choice of poets to translate. The poetry he selected supplied qualities that seemed lacking from the literary culture of this country. At a time when editors and readers knew only Eliot and Pound, Bly introduced Neruda, Vallejo, Trakl, Jiménez, Traströmer, and Rumi. His most recent translations include Rolf Jacobsen, Francis Ponge, and the nineteenth-century Indian poet Ghalib. Here, in The Winged Energy of Delight, the poems of twenty-two renowned and lesser-known poets from around the world are brought together. As Kenneth Rexroth has said, Robert Bly "is one of the leaders of a poetic revival that has returned American literature to the world community."
This collection gives voice to the men held at Guantánamo. Available only because of the tireless efforts of pro bono attorneys who submitted each line to Pentagon scrutiny, Poems from Guantánamo brings together twenty-two poems by seventeen detainees, most still at Guantánamo, in legal limbo.
If, in the words of Audre Lorde, poetry “forms the quality of light within which we predicate our hopes and dreams toward survival and change,” these verses—some originally written in toothpaste, others scratched onto foam drinking cups with pebbles and furtively handed to attorneys—are the most basic form of the art.
Death Poem by Jumah al Dossari
Take my blood.
Take my death shroud and
The remnants of my body.
Take photographs of my corpse at the grave, lonely.
Send them to the world,
To the judges and
To the people of conscience,
Send them to the principled men and the fair-minded.
And let them bear the guilty burden before the world,
Of this innocent soul.
Let them bear the burden before their children and before history,
Of this wasted, sinless soul,
Of this soul which has suffered at the hands of the "protectors or peace."
Jumah al Dossari is a thirty-three-year old Bahraini who has been held at Guantanamo Bay for more than five years. He has been in solitary confinement since the end of 2003 and, according to the U.S. military, has tried to kill himself twelve times while in custody.
Dorothy Dunnett died in November 2001. She left behind this anthology, chosen by her from the hundreds of poems which she used in her world-famous series of novels known as THE LYMOND CHRONICLES.
It is a fascinating set of choices, featuring Thomas Wyatt, King James I, extracts from the Psalms, and even an anonymous poem called 'Monologue of a Drunkard' - as Dorothy herself writes, here in one volume is 'the poetry of love, of folk-humour and ballad, the songs of Persian poets and of the troubadours, translated where need be into English.'
The Introduction explores courage not as a battlefield quality, but as the result of thoughtful choices demonstrating integrity and self-awareness. Each section opens with a description of its organization and the significance of individual pieces. Themes include sustenance for living, faith in the unknown, the courage of choice, the seams of our lives, and crossing borders. The book begins with a conversation with Dr. Maya Angelou, the embodiment of a courageous woman. She urges readers to "Envision” and concludes the book with the wish "Good morning,” inviting all to join her in a new day reflecting "The Power of One.” Voices of racial and ethnic diversity speak throughout the work, underscoring both difference and unity in the female experience.
Including role models for university audiences and powerful reflections of life experiences for older readers, this work serves many purposes: a textbook in Literature or Women’s/Gender Studies classes, a focus for book study groups, and a source for providing perspective during quiet moments. All net proceeds from book sales will go to the WINGS nonprofit organization, recipient of Oprah’s Angel Network award, providing uninsured women with free breast cancer surgery, radiation, counseling, and follow-up treatments such as chemotherapy.
Williamson's Beowulf appears alongside his translations of many of the major works written by Anglo-Saxon poets, including the elegies "The Wanderer" and "The Seafarer," the heroic "Battle of Maldon," the visionary "Dream of the Rood," the mysterious and heart-breaking "Wulf and Eadwacer," and a generous sampling of the Exeter Book riddles. Accompanied by a foreword by noted medievalist Tom Shippey on Anglo-Saxon history, culture, and archaeology, and Williamson's introductions to the individual poems as well as his essay on translating Old English, the texts transport us back to the medieval scriptorium or ancient mead hall to share an exile's lament or herdsman's recounting of the story of the world's creation. From the riddling song of a bawdy onion that moves between kitchen and bedroom, to the thrilling account of Beowulf's battle with a treasure-hoarding dragon, the world becomes a place of rare wonder in Williamson's lines. Were his idiom not so modern, we might almost think the Anglo-Saxon poets had taken up the lyre again and begun to sing after a silence of a thousand years.
It has produced generations of artists who have revolutionized their genre(s) by applying the aesthetic innovations of the culture. The BreakBeat Poets features 78 poets, born somewhere between 1961-1999, All-City and Coast-to-Coast, who are creating the next and now movement(s) in American letters.
The BreakBeat Poets is for people who love Hip-Hop, for fans of the culture, for people who've never read a poem, for people who thought poems were only something done by dead white dudes who got lost in a forest, and for poetry heads. This anthology is meant to expand the idea of who a poet is and what a poem is for.
The BreakBeat Poets are the scribes recording and remixing a fuller spectrum of experience of what it means to be alive in this moment. The BreakBeat Poets are a break with the past and an honoring of the tradition(s), an undeniable body expanding the canon for the fresher.
Contributors: Nathaniel Mackey, Suzanne Paola, Bin Ramke, Donald Revell, Martha Ronk, Aaron Shurin, Carol Snow, Susan Stewart, Cole Swensen, Rosmarie Waldrop, Marjorie Welish, Elizabeth Willis, Bruce Beasley, Martine Bellen, Mei-mei Berssenbrugge, Gillian Conoley, Kathleen Fraser, Forrest Gander, C. S. Giscombe, Peter Gizzi, Brenda Hillman, Claudia Keelan, Timothy Liu.