The Brothers Karamasov is a murder mystery, a courtroom drama, and an exploration of erotic rivalry in a series of triangular love affairs involving the “wicked and sentimental” Fyodor Pavlovich Karamazov and his three sons—the impulsive and sensual Dmitri; the coldly rational Ivan; and the healthy, red-cheeked young novice Alyosha. Through the gripping events of their story, Dostoevsky portrays the whole of Russian life, is social and spiritual striving, in what was both the golden age and a tragic turning point in Russian culture.
This award-winning translation by Richard Pevear and Larissa Volokhonsky remains true to the verbal
inventiveness of Dostoevsky’s prose, preserving the multiple voices, the humor, and the surprising modernity of the original. It is an achievement worthy of Dostoevsky’s last and greatest novel.
journalists" (The New York Times)
Hailed as "a lone voice crying out in a moral wilderness" (New Statesman), Anna Politkovskaya made her name with her fearless reporting on the war in Chechnya. Now she turns her steely gaze on the multiple threats to Russian stability, among them Vladimir Putin himself.
Rich with characters and poignant accounts, Putin's Russia depicts a far-reaching state of decay. Politkovskaya describes an army in which soldiers die from malnutrition, parents must pay bribes to recover their dead sons' bodies, and conscripts are even hired out as slaves. She exposes rampant corruption in business, government, and the judiciary, where everything from store permits to bus routes to court appointments is for sale. And she offers a scathing condemnation of the ongoing war in Chechnya, where kidnappings, extra-judicial killings, rape, and torture are begetting terrorism rather than fighting it. Finally, Politkovskaya denounces both Putin, for stifling civil liberties as he pushes the country back to a Soviet-style dictatorship, and the West, for its unqualified embrace of the Russian leader.
Sounding an urgent alarm, Putin's Russia is a gripping portrayal of a country in crisis and the testament of a great and intrepid reporter.
This novel of love, adventure, and male rivalry on the Russian frontier—completed in 1862, when the author was in his early thirties—has always surprised readers who know Tolstoy best through the vast, panoramic fictions of his middle years. Unlike those works, The Cossacks is lean and supple, economical in design and execution. But Tolstoy could never touch a subject without imbuing it with his magnificent many-sidedness, and so this book bears witness to his brilliant historical imagination, his passionately alive spiritual awareness, and his instinctive feeling for every level of human and natural life.
Translated by Louise and Aylmer Maude
Ten Days That Shook the World is John Reed’s eyewitness account of the Russian Revolution. A contemporary journalist writing in the first flush of revolutionary enthusiasm, he gives a gripping record of the events in Petrograd in November 1917, when Lenin and the Bolsheviks finally seized power. Containing verbatim reports both of speeches by leaders and the chance comments of bystanders, set against an idealized backcloth of the proletariat, soldiers, sailors, and peasants uniting to throw off oppression, Reed’s account is the product of passionate involvement and remains an unsurpassed classic of reporting.