Pimp sent shockwaves throughout the literary world when it published in 1969. Iceberg Slim’s autobiographical novel offered readers a never-before-seen account of the sex trade, and an unforgettable look at the mores of Chicago’s street life during the 1940s, 50s, and 60s. In the preface, Slim says it best, “In this book, I will take you, the reader, with me into the secret inner world of the pimp.” An immersive experience unlike anything before it, Pimp would go on to sell millions of copies, with translations throughout the world. And it would have a profound impact upon generations of writers, entertainers, and filmmakers, making it the classic hustler’s tale that never seems to go out of style.
In the era of colorblindness, it is no longer socially permissible to use race, explicitly, as a justification for discrimination, exclusion, and social contempt. Yet, as legal star Michelle Alexander reveals, today it is perfectly legal to discriminate against convicted criminals in nearly all the ways that it was once legal to discriminate against African Americans. Once you’re labeled a felon, the old forms of discrimination—employment discrimination, housing discrimination, denial of the right to vote, denial of educational opportunity, denial of food stamps and other public benefits, and exclusion from jury service—are suddenly legal.
Featured on The Tavis Smiley Show, Bill Moyers Journal, Democracy Now, and C-Span’s Washington Journal, The New Jim Crow has become an overnight phenomenon, sparking a much-needed conversation—including a recent mention by Cornel West on Real Time with Bill Maher&mdas;about ways in which our system of mass incarceration has come to resemble systems of racial control from a different era.
Sexy, dangerous, and intriguing—the next novel in the bestselling, much loved Thug series. Old fans will devour this new installment and new fans will discover Wahida Clark’s work for the first time.
In the torrid world of sex, drugs, and crime, Wahida Clark presents the definitive Hip-Hop soap opera that fans have come to love.
Justify My Thug continues the scintillating drama of the bestselling Thug series. The first and second books of the series appeared on the Essence bestseller list and her latest, Thug Lovin’, debuted on the New York Times extended bestseller list.
Following the action of Thug Lovin’, the story rejoins the saga’s favorite couple, Tasha and Trae, as they try to overcome their troubles and make their marriage work.
The Queen of Thug Love fiction, Wahida Clark has created one of Hip-Hop’s iconic street lit series. Wahida Clark has already sold 500,000 books, including 350,000 from the Thugs series alone.
The thoughts Woodson expressed in addresses and articles formed the basis for this work, described by The New York Times as a challenging book that "throws down the gauntlet to those who have had anything to do with Negro education, whether of white or black race."
The founder of the Association for the Study of Negro Life and History, Woodson was also the author of more than sixteen books and the founder and editor of the Journal of Negro History and the Negro History Bulletin. This landmark work remains essential reading for educators and everyone who seeks to understand the African-American experience.
The collection begins with Henry Highland Garnet's 1843 "An Address to the Slaves of the United States of America," followed by Jermain Wesley Loguen's "I Am a Fugitive Slave," the famous "Ain't I a Woman?" speech by Sojourner Truth, and Frederick Douglass's immortal "What, to the Slave, Is the Fourth of July?" Subsequent orators include John Sweat Rock, John M. Langston, James T. Rapier, Alexander Crummell, Booker T. Washington, Mary Church Terrell, Ida B. Wells-Barnett, Francis J. Grimké, Marcus Garvey, and Mary McLeod Bethune. Martin Luther King, Jr.,'s "I Have a Dream" speech appears here, along with Malcolm X's "The Ballot or The Bullet," Shirley Chisholm's "The Black Woman in Contemporary America," "The Constitution: A Living Document" by Thurgood Marshall, and Barack Obama's "Knox College Commencement Address."
Indeed Lorraine Hansberry's award-winning drama about the hopes and aspirations of a struggling, working-class family living on the South Side of Chicago connected profoundly with the psyche of black America--and changed American theater forever. The play's title comes from a line in Langston Hughes's poem "Harlem," which warns that a dream deferred might "dry up/like a raisin in the sun."
"The events of every passing year add resonance to A Raisin in the Sun," said The New York Times. "It is as if history is conspiring to make the play a classic." This Modern Library edition presents the fully restored, uncut version of Hansberry's landmark work with an introduction by Robert Nemiroff.
The chilling truth is that his story could have been mine. The tragedy is that my story could have been his.
Two kids named Wes Moore were born blocks apart within a year of each other. Both grew up fatherless in similar Baltimore neighborhoods and had difficult childhoods; both hung out on street corners with their crews; both ran into trouble with the police. How, then, did one grow up to be a Rhodes Scholar, decorated veteran, White House Fellow, and business leader, while the other ended up a convicted murderer serving a life sentence? Wes Moore, the author of this fascinating book, sets out to answer this profound question. In alternating narratives that take readers from heart-wrenching losses to moments of surprising redemption, The Other Wes Moore tells the story of a generation of boys trying to find their way in a hostile world.
A printer and newspaper editor in his youth, Garvey furthered his education in England and eventually traveled to the United States, where he impressed thousands with his speeches and millions more through his newspaper articles. His message of black pride resonated in all his efforts. This anthology contains some of his most noted writings, among them “The Negro’s Greatest Enemy,” "Declaration of the Rights of the Negro Peoples of the World," and "Africa for the Africans," as well as powerful speeches on unemployment, leadership, and emancipation.
Essential reading for students of African-American history, this volume will also serve as a useful reference for anyone interested in the history of the civil rights movement.
Published during a literary era marked by the ascendance of black writers such as Richard Wright, Ralph Ellison, James Baldwin, and Alex Haley, this thinly fictionalized account of Claude Brown’s childhood as a hardened, streetwise criminal trying to survive the toughest streets of Harlem has been heralded as the definitive account of everyday life for the first generation of African Americans raised in the Northern ghettos of the 1940s and 1950s.
When the book was first published in 1965, it was praised for its realistic portrayal of Harlem—the children, young people, hardworking parents; the hustlers, drug dealers, prostitutes, and numbers runners; the police; the violence, sex, and humor.
The book continues to resonate generations later, not only because of its fierce and dignified anger, not only because the struggles of urban youth are as deeply felt today as they were in Brown’s time, but also because of its inspiring message. Now with an introduction by Nathan McCall, here is the story about the one who “made it,” the boy who kept landing on his feet and grew up to become a man.
In this charged collection of fifteen essays and speeches, Lorde takes on sexism, racism, ageism, homophobia, and class, and propounds social difference as a vehicle for action and change. Her prose is incisive, unflinching, and lyrical, reflecting struggle but ultimately offering messages of hope. This commemorative edition includes a new foreword by Lorde-scholar and poet Cheryl Clarke, who celebrates the ways in which Lorde's philosophies resonate more than twenty years after they were first published.
These landmark writings are, in Lorde's own words, a call to “never close our eyes to the terror, to the chaos which is Black which is creative which is female which is dark which is rejected which is messy which is...”
“[Lorde's] works will be important to those truly interested in growing up sensitive, intelligent, and aware.”
—New York Times
Publication of The Souls of Black Folk was a dramatic event that helped to polarize black leaders into two groups: the more conservative followers of Washington and the more radical supporters of aggressive protest. Its influence cannot be overstated. It is essential reading for everyone interested in African-American history and the struggle for civil rights in America.
MO' META BLUES
The World According to Questlove
Mo' Meta Blues is a punch-drunk memoir in which Everyone's Favorite Questlove tells his own story while tackling some of the lates, the greats, the fakes, the philosophers, the heavyweights, and the true originals of the music world. He digs deep into the album cuts of his life and unearths some pivotal moments in black art, hip hop, and pop culture.
Ahmir "Questlove" Thompson is many things: virtuoso drummer, producer, arranger, Late Night with Jimmy Fallon bandleader, DJ, composer, and tireless Tweeter. He is one of our most ubiquitous cultural tastemakers, and in this, his first book, he reveals his own formative experiences--from growing up in 1970s West Philly as the son of a 1950s doo-wop singer, to finding his own way through the music world and ultimately co-founding and rising up with the Roots, a.k.a., the last hip hop band on Earth. Mo' Meta Blues also has some (many) random (or not) musings about the state of hip hop, the state of music criticism, the state of statements, as well as a plethora of run-ins with celebrities, idols, and fellow artists, from Stevie Wonder to KISS to D'Angelo to Jay-Z to Dave Chappelle to...you ever seen Prince roller-skate?!?
But Mo' Meta Blues isn't just a memoir. It's a dialogue about the nature of memory and the idea of a post-modern black man saddled with some post-modern blues. It's a book that questions what a book like Mo' Meta Blues really is. It's the side wind of a one-of-a-kind mind.
It's a rare gift that gives as well as takes.
It's a record that keeps going around and around.
Before Barry Bonds, before Reggie Jackson, before Hank Aaron, baseball's stars had one undeniable trait in common: they were all white. In 1947, Jackie Robinson broke that barrier, striking a crucial blow for racial equality and changing the world of sports forever. I Never Had It Made is Robinson's own candid, hard-hitting account of what it took to become the first black man in history to play in the major leagues.
I Never Had It Made recalls Robinson's early years and influences: his time at UCLA, where he became the school's first four-letter athlete; his army stint during World War II, when he challenged Jim Crow laws and narrowly escaped court martial; his years of frustration, on and off the field, with the Negro Leagues; and finally that fateful day when Branch Rickey of the Brooklyn Dodgers proposed what became known as the "Noble Experiment"—Robinson would step up to bat to integrate and revolutionize baseball.
More than a baseball story, I Never Had It Made also reveals the highs and lows of Robinson's life after baseball. He recounts his political aspirations and civil rights activism; his friendships with Martin Luther King, Jr., Malcolm X, William Buckley, Jr., and Nelson Rockefeller; and his troubled relationship with his son, Jackie, Jr.
I Never Had It Made endures as an inspiring story of a man whose heroism extended well beyond the playing field.
That was the question that Geoffrey Canada found himself asking. What would it take to change the lives of poor children—not one by one, through heroic interventions and occasional miracles, but in big numbers, and in a way that could be replicated nationwide? The question led him to create the Harlem Children’s Zone, a ninety-seven-block laboratory in central Harlem where he is testing new and sometimes controversial ideas about poverty in America. His conclusion: if you want poor kids to be able to compete with their middle-class peers, you need to change everything in their lives—their schools, their neighborhoods, even the child-rearing practices of their parents.
Whatever It Takes is a tour de force of reporting, an inspired portrait not only of Geoffrey Canada but of the parents and children in Harlem who are struggling to better their lives, often against great odds. Carefully researched and deeply affecting, this is a dispatch from inside the most daring and potentially transformative social experiment of our time. This e-book includes a sample chapter of HOW CHILDREN SUCCEED.
In this groundbreaking book, Melissa V. Harris-Perry uses multiple methods of inquiry, including literary analysis, political theory, focus groups, surveys, and experimental research, to understand more deeply black women's political and emotional responses to pervasive negative race and gender images. Not a traditional political science work concerned with office-seeking, voting, or ideology, "Sister Citizen" instead explores how African American women understand themselves as citizens and what they expect from political organizing. Harris-Perry shows that the shared struggle to preserve an authentic self and secure recognition as a citizen links together black women in America, from the anonymous survivors of Hurricane Katrina to the current First Lady of the United States.
Praise for Buck
“A story of surviving and thriving with passion, compassion, wit, and style.”—Maya Angelou
“In America, we have a tradition of black writers whose autobiographies and memoirs come to define an era. . . . Buck may be this generation’s story.”—NPR
“The voice of a new generation. . . . You will love nearly everything about Buck.”—Essence
“A virtuoso performance . . . [an] extraordinary page-turner of a memoir . . . written in a breathless, driving hip-hop prose style that gives it a tough, contemporary edge.”—The Philadelphia Inquirer
“Frequently brilliant and always engaging . . . It takes great skill to render the wide variety of characters, male and female, young and old, that populate a memoir like Buck. Asante [is] at his best when he sets out into the city of Philadelphia itself. In fact, that city is the true star of this book. Philly’s skateboarders, its street-corner philosophers and its tattoo artists are all brought vividly to life here. . . . Asante’s memoir will find an eager readership, especially among young people searching in books for the kind of understanding and meaning that eludes them in their real-life relationships. . . . A powerful and captivating book.”—Hector Tobar, Los Angeles Times
“Remarkable . . . Asante’s prose is a fluid blend of vernacular swagger and tender poeticism. . . . [He] soaks up James Baldwin, Zora Neale Hurston and Walt Whitman like thirsty ground in a heavy rain. Buck grew from that, and it’s a bumper crop.”—Salon
“Buck is so honest it floats—even while it’s so down-to-earth that the reader feels like an ant peering up from the concrete. It’s a powerful book. . . . Asante is a hip-hop raconteur, a storyteller in the Homeric tradition, an American, a rhymer, a big-thinker singing a song of himself. You’ll want to listen.”—The Buffalo News
From the Trade Paperback edition.
First published in 1845, Narrativeof the Life of Frederick Douglass is an eye-opening depiction of American slavery. Part autobiography, part human-rights treatise, it describes the everyday horrors inflicted on captive laborers, as well as the strength and courage needed to survive.
Born into slavery on a Maryland plantation in 1818, Frederick Douglass spent years secretly teaching himself to read and write—a crime for which he risked life and limb. After two failed escapes, Douglass finally, blessedly boarded a train in 1838 that would eventually lead him to New York City, and freedom.
Few books have done more to change America’s notion of African Americans than this seminal work. Beyond its historical and social relevancy, it is admired today for its gripping stories, intensity of spirit, and heartfelt humanity.
This ebook has been professionally proofread to ensure accuracy and readability on all devices.
“These 14 stories of African-American life…affirm humanity as only good literature can.”
—Los Angeles Times
A magnificent collection of short fiction focusing on the lives of African-American men and women in Washington, D.C., Lost in the City is the book that first brought author Edward P. Jones to national attention. Winner of the Pulitzer Prize, the National Book Critics Circle Award, and numerous other honors for his novel The Known World, Jones made his literary debut with these powerful tales of ordinary people who live in the shadows in this metropolis of great monuments and rich history. Lost in the City received the Pen/Hemingway Award for Best First Fiction and was a National Book Award Finalist. This beautiful 20th Anniversary Edition features a new introduction by the author, and is a wonderful companion piece to Jones’s masterful novel and his second acclaimed collection of stories, All Aunt Hagar’s Children.
Terrie had made it: she had launched her own public relations company with such clients as Eddie Murphy and Johnnie Cochran. Yet she was in constant pain, waking up in terror, overeating in search of relief. For thirty years she kept on her game face of success, exhausting herself daily to satisfy her clients' needs while neglecting her own.
Terrie finally collapsed, staying in bed for days. She had no clue what was wrong or if there was a way out. She had hit rock bottom and she needed and got help.
She learned her problem had a name -- depression -- and that many suffered from it, limping through their days, hiding their hurt. As she healed, her mission became clear: break the silence of this crippling taboo and help those who suffer.
Black Pain identifies emotional pain -- which uniquely and profoundly affects the Black experience -- as the root of lashing out through desperate acts of crime, violence, drug and alcohol abuse, eating disorders, workaholism, and addiction to shopping, gambling, and sex. Few realize these destructive acts are symptoms of our inner sorrow.
Black people are dying. Everywhere we turn, in the faces we see and the headlines we read, we feel in our gut that something is wrong, but we don't know what it is. It's time to recognize it and work through our trauma.
In Black Pain, Terrie has inspired the famous and the ordinary to speak out and mental health professionals to offer solutions. The book is a mirror turned on you. Do you see yourself and your loved ones here? Do the descriptions of how the pain looks, feels, and sounds seem far too familiar? Now you can do something about it.
Stop suffering. The help the community needs is here: a clear explanation of our troubles and a guide to finding relief through faith, therapy, diet, and exercise, as well as through building a supportive network (and eliminating toxic people).
Black Pain encourages us to face the truth about the issue that plunges our spirits into darkness, so that we can step into the healing light.
You are not on the ledge alone.
It is a prophetic book with a revolutionary perspective. It is prophetic in that it points to the direction the Black Church must take to effectively address the spiritual needs of the Black community. It is revolutionary because it challenges the Church and believers to establish a new paradigm, an African Spiritual frame of reference. The Black Church must transform itself and take on a new view of the scriptures, doctrines and dogmas of Christendom.
This book documents the fact that what Blacks have been given as Christianity is in reality stolen African mythology, cosmology and history that has been corrupted by Roman and Greek priest, philosophers and emperors. It is one of the most powerful challenges to Orthodox Christianity to date. The Truth will liberate you from their strong delusions.
While there is indeed some positive and beneficial aspects to Church membership it is time for the Black Church to make its exodus from the Western religious way of faith in God to the African spiritual way of knowledge of God.
Black Pastors and religious leaders must begin to teach that which will bring about the manifestation of the fullness of Christ. This is the charge given to all church leadership by the Bible they teach from. And He Himself gave some to be apostles, some prophets, some evangelist, some pastors and teachers, for the equipping of the saints for the work of the ministry, for the edifying of the body of Christ, till we all come to the unity of the faith and the knowledge of the Son of God, to be a perfect man, to the measure of the stature of the fullness of Christ. Ephesians 4:11-13. There are far too many Babes in Christ in the Church. It is not the fault of the believers but a reflection of corrupted doctrines and false dogmas. In addition the unity of the Black Church must become a priority. Not one church or believer can say they have no need of the rest of the Body of Christ in good conscience. Yet unity in the Black Church is more a rhetorical than an actual reality. Imagine what could be done if the wealth of the Church was combined to establish a super fund. Unity must be at the top of the agenda for the Black Church and for the Black community.
Lastly, though we have the proverbial church on every corner there is an undeniable spiritual crisis in the Black community. The Liberation of the African Mind: The Key to Black Salvation makes the Spiritual Resurrection of the Black man a valid goal and priority. It will challenge many long held beliefs and dogmas, however Christendom must be examined and that which is not of God must be abandoned. Not since Marcus Garvey, Fredrick Douglas and the Honorable Elijah Muhammad have Blacks questioned the validity or efficacy of Christianity. Mr. Muhammad made an attempt to make Blacks aware that Christianity was the religion of the people who had enslaved them. Every race worships God in a way that is peculiar to their culture. Since the days of captivity Blacks have worshiped the god of their conquerors and oppressors. Worshipping a White man as God is not only a form of idolatry but extremely detrimental to the Black Psyche.
“I could not suppress the thought,” James Baldwin once recalled of seeing the red clay hills of Georgia on his first trip to the South, “that this earth had acquired its color from the blood that had dripped down from these trees.” Throughout America, not just in the South, blacks accused of a crime—or merely of violating social or racial customs—were hunted by mobs, abducted from jails, and given summary “justice” in blatant defiance of all guarantees of due process under law. Men and women were shot, hanged, tortured, and burned, often in sadistic, picnic-like “spectacle lynchings” involving thousands of witnesses. “At the hands of persons unknown” was the official verdict rendered on most of these atrocities.
The celebrated historian Philip Dray shines a clear, bright light on this dark history—its causes, perpetrators, apologists, and victims. He also tells the story of the men and women who led the long and difficult fight to expose and eradicate lynching, including Ida B. Wells, James Weldon Johnson, Walter White, and W.E.B. Du Bois. If lynching is emblematic of what is worst about America, their fight may stand for what is best: the love of justice and fairness and the conviction that one individual’s sense of right can suffice to defy the gravest of wrongs. This landmark book follows the trajectory of both forces over American history—and makes the history of lynching belong to us all.
From the Hardcover edition.
Immortalized in blues songs and movies like Cool Hand Luke and The Defiant Ones, Mississippi’s infamous Parchman State Penitentiary was, in the pre-civil rights south, synonymous with cruelty. Now, noted historian David Oshinsky gives us the true story of the notorious prison, drawing on police records, prison documents, folklore, blues songs, and oral history, from the days of cotton-field chain gangs to the 1960s, when Parchman was used to break the wills of civil rights workers who journeyed south on Freedom Rides.
The problem of the Twentieth Century is the problem of the color line.
W. E. B. Du Bois was arguably the most progressive African American leader of the early twentieth century, and this collection of essays is his masterpiece. An examination of the black experience in America following emancipation, and an introduction to the historic concept of “double-consciousness” as it pertains to that experience, The Souls of Black Folk is an extraordinary literary achievement—a provocative, profound, and courageous clarion call.
This ebook has been professionally proofread to ensure accuracy and readability on all devices.
Now, in the first in-depth biography of Goines's life, author Eddie B. Allen explores exactly how one man could make the transition from street hustler to bestselling author. With exclusive access to personal letters, treatments from unwritten books, photographs, and family members, Allen uncovers Goines's personal experiences with drugs, prostitutes, prison, and urban violence. Fans of Goines's novels will note a dramatic parallelism between his life and his fictional tales.
A gifted grassroots organizer, Baker shunned the spotlight in favor of vital behind-the-scenes work that helped power the black freedom struggle. She was a national officer and key figure in the National Association for the Advancement of Colored People, one of the founders of the Southern Christian Leadership Conference, and a prime mover in the creation of the Student Nonviolent Coordinating Committee. Baker made a place for herself in predominantly male political circles that included W. E. B. Du Bois, Thurgood Marshall, and Martin Luther King Jr., all the while maintaining relationships with a vibrant group of women, students, and activists both black and white.
In this deeply researched biography, Barbara Ransby chronicles Baker's long and rich political career as an organizer, an intellectual, and a teacher, from her early experiences in depression-era Harlem to the civil rights movement of the 1950s and 1960s. Ransby shows Baker to be a complex figure whose radical, democratic worldview, commitment to empowering the black poor, and emphasis on group-centered, grassroots leadership set her apart from most of her political contemporaries. Beyond documenting an extraordinary life, the book paints a vivid picture of the African American fight for justice and its intersections with other progressive struggles worldwide across the twentieth century.
“A triumph of storytelling as well as a triumph of spirit.”—Alex Kotlowitz, award-winning author of There Are No Children Here
As a child in 1950s segregated Virginia, Gregory Howard Williams grew up believing he was white. But when the family business failed and his parents’ marriage fell apart, Williams discovered that his dark-skinned father, who had been passing as Italian-American, was half black. The family split up, and Greg, his younger brother, and their father moved to Muncie, Indiana, where the young boys learned the truth about their heritage. Overnight, Greg Williams became black.
In this extraordinary and powerful memoir, Williams recounts his remarkable journey along the color line and illuminates the contrasts between the black and white worlds: one of privilege, opportunity and comfort, the other of deprivation, repression, and struggle. He tells of the hostility and prejudice he encountered all too often, from both blacks and whites, and the surprising moments of encouragement and acceptance he found from each.
Life on the Color Line is a uniquely important book. It is a wonderfully inspiring testament of purpose, perseverance, and human triumph.
“Heartbreaking and uplifting… a searing book about race and prejudice in America… brims with insights that only someone who has lived on both sides of the racial divide could gain.”—Cleveland Plain Dealer
From the Trade Paperback edition.
The future belongs to a different kind of person with a different kind of mind: artists, inventors, storytellers-creative and holistic "right-brain" thinkers whose abilities mark the fault line between who gets ahead and who doesn't.
Drawing on research from around the world, Pink (author of To Sell Is Human: The Surprising Truth About Motivating Others) outlines the six fundamentally human abilities that are absolute essentials for professional success and personal fulfillment--and reveals how to master them. A Whole New Mind takes readers to a daring new place, and a provocative and necessary new way of thinking about a future that's already here.
From the Trade Paperback edition.
Written and published in 1861 after Jacobs' harrowing escape from a vile and predatory master, the memoir delivers a powerful and unflinching portrayal of the abuses and hypocrisy of the master-slave relationship. Jacobs writes frankly of the horrors she suffered as a slave, her eventual escape after several unsuccessful attempts, and her seven years in self-imposed exile, hiding in a coffin-like "garret" attached to her grandmother's porch.
A rare firsthand account of a courageous woman's determination and endurance, this inspirational story also represents a valuable historical record of the continuing battle for freedom and the preservation of family.
Weaving history, personal narrative, and hard-nosed analysis, Loewen shows that the sundown town was—and is—an American institution with a powerful and disturbing history of its own, told here for the first time. In Michigan, Indiana, Ohio, Illinois, Missouri, Pennsylvania, and elsewhere, sundown towns were created in waves of violence in the early decades of the twentieth century, and then maintained well into the contemporary era.
Sundown Towns redraws the map of race relations, extending the lines of racial oppression through the backyard of millions of Americans—and lobbing an intellectual hand grenade into the debates over race and racism today.
In these pages, McCall chronicles his passage from the street to the prison yard—and, later, to the newsrooms of The Washington Post and ultimately to the faculty of Emory University. His story is at once devastating and inspiring. For even as he recounts his transformation, McCall compels us to recognize that racism is as pervasive in the newsroom as it is in the inner city, where it condemns so many black men to prison, to dead-end jobs, or to violent deaths. At once an indictment and an elegy, Makes Me Wanna Holler became an instant classic when it was first published in 1994. Now, some two decades later, it continues to bear witness to the great troubles—and the great hopes—of our nation.
With a new afterword by the author
"A moving, vital testament to one of slavery's 'many thousand gone' who retained his humanity in the bowels of degradation." — Saturday Review Born a free man in New York State in 1808, Solomon Northup was kidnapped in Washington, DC, in 1841. He spent the next 12 harrowing years of his life as a slave on a Louisiana cotton plantation. During this time he was frequently abused and often afraid for his life. After regaining his freedom in 1853, Northup decided to publish this gripping autobiographical account of his captivity.
As an educated man, Northup was able to present an exceptionally detailed and accurate description of slave life and plantation society. Indeed, this book is probably the fullest, most realistic picture of the "peculiar institution" during the three decades before the Civil War. Moreover, Northup tells his story both from the viewpoint of an outsider, who had experienced 30 years of freedom and dignity in the United States before his capture, and as a slave, reduced to total bondage and submission. Very few personal accounts of American slavery were written by slaves with a similar history.
Published in 1853, Northup's book found a ready audience and almost immediately became a bestseller. Aside from its vivid depiction of the detention, transportation, and sale of slaves, Twelve Years a Slave is admired for its classic accounts of cotton and sugar production, its uncannily precise recall of people, times, and places, and the compelling details that re-create the daily routine of slaves in the Gulf South. 7 illustrations. Index.
Now, for the first time, author Ryan Jones has written a book that incorporates everything that is King James: the controversy, the athletic potential, the jerseys and the Humvee, the hobnobbing with the world's most famous stars, the money, and, of course, the game. This is a book for every fan of LeBron James and for anybody interested in reading about an NBA basketball career in the making.