November 5, 1871. A westbound stagecoach carrying seven men and one woman left Wickenburg in the early morning hours. At 8:00 a.m., six of the passengers were shot dead. One man and the lone woman, severely wounded, escaped into the desert. Debates raged over the identity of the murderous ambushers -- Indians? Mexican bandits? The two survivors? After a massive investigation, the U.S. Army concluded that a band of local Yavapai Indians were responsible, which led to a policy of "removal and concentration" that altered the fate of nearly every Indian in America's Southwest. Wilson, a longtime law enforcement officer who has spent decades researching 19th century crimes, presents the first book about this notorious crime and its resulting fallout. This is an intriguing look into the past, and a riveting story that reads like a mystery novel.
R. Michael Wilson has served as a consultant for "The History Channel" about crimes of the Old West and the author of several books, including Great Train Robberies of the Old West. He lives in Las Vegas.
First published in 1970, Bury My Heart at Wounded Knee generated shockwaves with its frank and heartbreaking depiction of the systematic annihilation of American Indian tribes across the western frontier. In this nonfiction account, Dee Brown focuses on the betrayals, battles, and massacres suffered by American Indians between 1860 and 1890. He tells of the many tribes and their renowned chiefs—from Geronimo to Red Cloud, Sitting Bull to Crazy Horse—who struggled to combat the destruction of their people and culture. Forcefully written and meticulously researched, Bury My Heart at Wounded Knee inspired a generation to take a second look at how the West was won. This ebook features an illustrated biography of Dee Brown including rare photos from the author’s personal collection.
The legendary life and entrepreneurial vision of Fred Harvey helped shape American culture and history for three generations—from the 1880s all the way through World War II—and still influence our lives today in surprising and fascinating ways. Now award-winning journalist Stephen Fried re-creates the life of this unlikely American hero, the founding father of the nation’s service industry, whose remarkable family business civilized the West and introduced America to Americans.
Appetite for America is the incredible real-life story of Fred Harvey—told in depth for the first time ever—as well as the story of this country’s expansion into the Wild West of Bat Masterson and Billy the Kid, of the great days of the railroad, of a time when a deal could still be made with a handshake and the United States was still uniting. As a young immigrant, Fred Harvey worked his way up from dishwasher to household name: He was Ray Kroc before McDonald’s, J. Willard Marriott before Marriott Hotels, Howard Schultz before Starbucks. His eating houses and hotels along the Atchison, Topeka, and Santa Fe railroad (including historic lodges still in use at the Grand Canyon) were patronized by princes, presidents, and countless ordinary travelers looking for the best cup of coffee in the country. Harvey’s staff of carefully screened single young women—the celebrated Harvey Girls—were the country’s first female workforce and became genuine Americana, even inspiring an MGM musical starring Judy Garland.
With the verve and passion of Fred Harvey himself, Stephen Fried tells the story of how this visionary built his business from a single lunch counter into a family empire whose marketing and innovations we still encounter in myriad ways. Inspiring, instructive, and hugely entertaining, Appetite for America is historical biography that is as richly rewarding as a slice of fresh apple pie—and every bit as satisfying.
*With two photo inserts featuring over 75 images, and an appendix with over fifty Fred Harvey recipes, most of them never-before-published.
From the Hardcover edition.
Ivan Doig grew up in the rugged wilderness of western Montana among the sheepherders and denizens of small-town saloons and valley ranches. What he deciphers from his past with piercing clarity is not only a raw sense of land and how it shapes us but also of the ties to our mothers and fathers, to those who love us, and our inextricable connection to those who shaped our values in our search for intimacy, independence, love, and family. A powerfully told story, This House of Sky is at once especially American and universal in its ability to awaken a longing for an explicable past.
How did Davy Crockett save President Jackson's life only to end up dying at the Alamo? Was the Lone Ranger based on a real lawman-and was he an African American? What amazing detective work led to the capture of Black Bart, the "gentleman bandit" and one of the west's most famous stagecoach robbers? Did Butch Cassidy and the Sundance Kid really die in a hail of bullets in South America? Generations of Americans have grown up on TV shows, movies and books about these western icons. But what really happened in the Wild West? All the stories you think you know, and others that will astonish you, are here--some heroic, some brutal and bloody, all riveting. Included are the ten legends featured in Bill O'Reilly's Legends and Lies docuseries -from Kit Carson to Jesse James, Wild Bill Hickok to Doc Holliday-- accompanied by two bonus chapters on Daniel Boone and Buffalo Bill and Annie Oakley.
Frontier America was a place where instinct mattered more than education, and courage was necessary for survival. It was a place where luck made a difference and legends were made. Heavily illustrated with spectacular artwork that further brings this history to life, and told in fast-paced, immersive narrative, Legends and Lies is an irresistible, adventure-packed ride back into one of the most storied era of our nation's rich history.
When Papa Pilgrim, his wife, and their fifteen children appeared in the Alaska frontier outpost of McCarthy, their new neighbors saw them as a shining example of the homespun Christian ideal. But behind the family's proud piety and beautiful old-timey music lay Pilgrim's dark past: his strange connection to the Kennedy assassination and a trail of chaos and anguish that followed him from Dallas and New Mexico. Pilgrim soon sparked a tense confrontation with the National Park Service fiercely dividing the community over where a citizen’s rights end and the government’s power begins. As the battle grew more intense, the turmoil in his brood made it increasingly difficult to tell whether his children were messianic followers or hostages in desperate need of rescue.
In this powerful piece of Americana, written with uncommon grace and high drama, veteran Alaska journalist, Tom Kizzia uses his unparalleled access to capture an era-defining clash between environmentalists and pioneers ignited by a mesmerizing sociopath who held a town and a family captive.
Today, wildland fire is everybody’s business, from the White House to the fireground. Wildfires have grown bigger, more intense, more destructive—and more expensive. Federal taxpayers, for example, footed most of the $16 million bill for fighting the Esperanza Fire. But the highest cost was the lives of the five-man crew of Engine 57, the first wildland engine crew ever to be wiped out by flames.
On May 2, 1972, 174 miners entered Sunshine Mine on their daily quest for silver. Aboveground, safety engineer Bob Launhardt sat in his office, filing his usual mountain of federal and state paperwork. From his office window he could see the air shafts that fed fresh air into the mine, more than a mile below the surface. The air shafts usually emitted only tiny coughs of exhaust; unlike dangerously combustible coal mines, Sunshine was a fireproof hardrock mine, nothing but cold, dripping wet stone. There were many safety concerns at Sunshine, but fire wasn’t one of them. The men and the company swore the mine was unburnable, so when thick black smoke began pouring from one of the air shafts, Launhardt was as amazed as he was alarmed.
When the alarm sounded, less than half of the dayshift was able to return to the surface. The others were trapped underground, too deep in the mine to escape. Scores of miners died almost immediately, frozen in place as they drilled, ate lunch, napped, or chatted. No one knew what was burning or where the smoke had come from. But in one of the deepest corners of the mine, Ron Flory and Tom Wilkinson were left alone and in total darkness, surviving off a trickle of fresh air from a borehole.
The miners’ families waited and prayed, while Launhardt, reeling from the shock of losing so many men on his watch, refused to close up the mine or give up the search until he could be sure that no one was left underground.
In The Deep Dark, Gregg Olsen looks beyond the intensely suspenseful story of the fire and rescue to the wounded heart of Kellogg, a quintessential company town that has never recovered from its loss. A vivid and haunting chapter in the history of working-class America, this is one of the great rescue stories of the twentieth century.
From the Hardcover edition.
Black Elk met the distinguished poet, writer, and critic John G. Neihardt in 1930 on the Pine Ridge Reservation in South Dakota and asked Neihardt to share his story with the world. Neihardt understood and conveyed Black Elkês experiences in this powerful and inspirational message for all humankind.
This complete edition features a new introduction by¾historian Philip J. Deloria and annotations of Black Elkês story by renowned Lakota scholar Raymond J. DeMallie. Three essays by John G. Neihardt provide background on this landmark work along with pieces by Vine Deloria Jr., Raymond J. DeMallie, Alexis Petri, and Lori Utecht. Maps, original illustrations by Standing Bear, and a set of appendixes rounds out the edition.
In the era of colorblindness, it is no longer socially permissible to use race, explicitly, as a justification for discrimination, exclusion, and social contempt. Yet, as legal star Michelle Alexander reveals, today it is perfectly legal to discriminate against convicted criminals in nearly all the ways that it was once legal to discriminate against African Americans. Once you’re labeled a felon, the old forms of discrimination—employment discrimination, housing discrimination, denial of the right to vote, denial of educational opportunity, denial of food stamps and other public benefits, and exclusion from jury service—are suddenly legal.
Featured on The Tavis Smiley Show, Bill Moyers Journal, Democracy Now, and C-Span’s Washington Journal, The New Jim Crow has become an overnight phenomenon, sparking a much-needed conversation—including a recent mention by Cornel West on Real Time with Bill Maher&mdas;about ways in which our system of mass incarceration has come to resemble systems of racial control from a different era.
Andy Hall, a journalist and son of the park superintendent at the time, was living in the park when the tragedy occurred and spent years tracking down rescuers, survivors, lost documents, and recordings of radio communications. In Denali’s Howl, Hall reveals the full story of the expedition in a powerful retelling that will mesmerize the climbing community as well as anyone interested in mega-storms and man’s sometimes deadly drive to challenge the forces of nature.
Using his "End Poverty in California" movement (more commonly called EPIC) as a springboard, Sinclair ran for governor as a Democrat, equipped with a bold plan to end the Depression in California by taking over idle land and factories and turning them into cooperative ventures for the unemployed. To his surprise, thousands rallied to the idea, converting what he had assumed would be another of his utopian schemes into a mass political movement of extraordinary dimensions. With a loosely knit organization of hundreds of local EPIC clubs, Sinclair overwhelmed the moderate Democratic opposition to capture the primary election. When it came to the general election, however, his opposition employed highly effective campaign tactics: overwhelming media hostility, vicious red-baiting and voter intimidation, high-priced dirty tricks. The result was a resounding defeat in November.
I, Candidate tells the story of Sinclair's campaign while also capturing the turbulent political mood of the 1930s. Employing his trademark muckraking style, Sinclair exposes the conspiracies of power that ensured big-money control over the media and other powerful institutions.
Welcome to Paradise, Now Go to Hell, is surfer and former war reporter Chas Smith’s wild and unflinching look at the high-stakes world of surfing on Oahu’s North Shore—a riveting, often humorous, account of beauty, greed, danger, and crime.
For two months every winter, when Pacific storms make landfall, swarms of mainlanders, Brazilians, Australians, and Europeans flock to Oahu’s paradisiacal North Shore in pursuit of some of the greatest waves on earth for surfing’s Triple Crown competition. Chas Smith reveals how this influx transforms a sleepy, laid-back strip of coast into a lawless, violent, drug-addled, and adrenaline-soaked mecca.
Smith captures this exciting and dangerous place where locals, outsiders, the surf industry, and criminal elements clash in a fascinating look at class, race, power, money, and crime, set within one of the most beautiful places on earth. The result is a breathtaking blend of crime and adventure that captures the allure and wickedness of this idyllic golden world.
Arguing that America’s most populous state has always been blessed with both spectacular natural beauty and astonishing human diversity, Starr unfolds a rapid-fire epic of discovery, innovation, catastrophe, and triumph.
For generations, California’s native peoples basked in the abundance of a climate and topography eminently suited to human habitation. By the time the Spanish arrived in the early sixteenth century, there were scores of autonomous tribes were thriving in the region. Though conquest was rapid, nearly two centuries passed before Spain exerted control over upper California through the chain of missions that stand to this day.
The discovery of gold in January 1848 changed everything. With population increasing exponentially as get-rich-quick dreamers converged from all over the world, California reinvented itself overnight. Starr deftly traces the successive waves of innovation and calamity that have broken over the state since then–the incredible wealth of the Big Four railroad tycoons and the devastating San Francisco earthquake of 1906; the emergence of Hollywood as the world’s entertainment capital and of Silicon Valley as the center of high-tech research and development; the heroic irrigation and transportation projects that have altered the face of the region; the role of labor, both organized and migrant, in key industries from agriculture to aerospace.
Kevin Starr has devoted his career to the history of his beloved state, but he has never lost his sense of wonder over California’s sheer abundance and peerless variety. This one-volume distillation of a lifetime’s work gathers together everything that is most important, most fascinating, and most revealing about our greatest state.
From the Hardcover edition.
In 1851, a war began in what would become Yosemite National Park, a war against the indigenous inhabitants. A century later–in 1951–and a hundred and fifty miles away, another war began when the U.S. government started setting off nuclear bombs at the Nevada Test Site. It was called a nuclear testing program, but functioned as a war against the land and people of the Great Basin.
In this foundational book of landscape theory and environmental thinking, Rebecca Solnit explores our national Eden and Armageddon and offers a pathbreaking history of the west, focusing on the relationship between culture and its implementation as politics. In a new preface, she considers the continuities and changes of these invisible wars in the context of our current climate change crisis, and reveals how the long arm of these histories continue to inspire her writing and hope.
Macías conducted numerous interviews for Mexican American Mojo, and the voices of little-known artists and fans fill its pages. In addition, more famous musicians such as Ritchie Valens and Lalo Guerrero are considered anew in relation to their contemporaries and the city. Macías examines language, fashion, and subcultures to trace the history of hip and cool in Los Angeles as well as the Chicano influence on urban culture. He argues that a grass-roots “multicultural urban civility” that challenged the attempted containment of Mexican Americans and African Americans emerged in the neighborhoods, schools, nightclubs, dance halls, and auditoriums of mid-twentieth-century Los Angeles. So take a little trip with Macías, via streetcar or freeway, to a time when Los Angeles had advanced public high school music programs, segregated musicians’ union locals, a highbrow municipal Bureau of Music, independent R & B labels, and robust rock and roll and Latin music scenes.
Linking paradigmatic events like Japanese American internment and the Black civil rights movement, Kurashige transcends the usual "black/white" dichotomy to explore the multiethnic dimensions of segregation and integration. Racism and sprawl shaped the dominant image of Los Angeles as a "white city." But they simultaneously fostered a shared oppositional consciousness among Black and Japanese Americans living as neighbors within diverse urban communities.
Kurashige demonstrates why African Americans and Japanese Americans joined forces in the battle against discrimination and why the trajectories of the two groups diverged. Connecting local developments to national and international concerns, he reveals how critical shifts in postwar politics were shaped by a multiracial discourse that promoted the acceptance of Japanese Americans as a "model minority" while binding African Americans to the social ills underlying the 1965 Watts Rebellion. Multicultural Los Angeles ultimately encompassed both the new prosperity arising from transpacific commerce and the enduring problem of race and class divisions.
This extraordinarily ambitious book adds new depth and complexity to our understanding of the "urban crisis" and offers a window into America's multiethnic future.
One of Hari's earliest memories is of trying to wake up one of his relatives and not being able to. He didn't understand why then, but as he got older, he realised he had addiction in his family. He wanted to understand what really causes addiction – and how to find our way back from it. So he set off on an epic three-year, thirty-thousand mile journey into the war on drugs and addiction. He discovered that nothing on this subject is what we have been told it is – and the solutions are there, waiting for us, if only we are ready to see them.
Midcentury Los Angeles. A city sold to the world as "the white spot of America," a land of sunshine and orange groves, wholesome Midwestern values and Hollywood stars, protected by the world’s most famous police force, the Dragnet-era LAPD. Behind this public image lies a hidden world of "pleasure girls" and crooked cops, ruthless newspaper tycoons, corrupt politicians, and East Coast gangsters on the make. Into this underworld came two men–one L.A.’s most notorious gangster, the other its most famous police chief–each prepared to battle the other for the soul of the city.
Former street thug turned featherweight boxer Mickey Cohen left the ring for the rackets, first as mobster Benjamin "Bugsy" Siegel’s enforcer, then as his protégé. A fastidious dresser and unrepentant killer, the diminutive Cohen was Hollywood’s favorite gangster–and L.A.’s preeminent underworld boss. Frank Sinatra, Robert Mitchum, and Sammy Davis Jr. palled around with him; TV journalist Mike Wallace wanted his stories; evangelist Billy Graham sought his soul.
William H. Parker was the proud son of a pioneering law-enforcement family from the fabled frontier town of Deadwood. As a rookie patrolman in the Roaring Twenties, he discovered that L.A. was ruled by a shadowy "Combination"–a triumvirate of tycoons, politicians, and underworld figures where alliances were shifting, loyalties uncertain, and politics were practiced with shotguns and dynamite. Parker’s life mission became to topple it–and to create a police force that would never answer to elected officials again.
These two men, one morally unflinching, the other unflinchingly immoral, would soon come head-to-head in a struggle to control the city–a struggle that echoes unforgettably through the fiction of Raymond Chandler and movies such as The Big Sleep, Chinatown, and L.A. Confidential.
For more than three decades, from Prohibition through the Watts Riots, the battle between the underworld and the police played out amid the nightclubs of the Sunset Strip and the mansions of Beverly Hills, from the gritty streets of Boyle Heights to the manicured lawns of Brentwood, intersecting in the process with the agendas and ambitions of J. Edgar Hoover, Robert F. Kennedy, and Malcolm X. The outcome of this decades-long entanglement shaped modern American policing–for better and for worse–and helped create the Los Angeles we know today.
A fascinating examination of Los Angeles’s underbelly, the Mob, and America’s most admired–and reviled–police department, L.A. Noir is an enlightening, entertaining, and richly detailed narrative about the city originally known as El Pueblo de Nuestra Se–ora la Reina de los Angeles, "The Town of Our Lady the Queen of the Angels."
From the Hardcover edition.
Students, faculty, and interested readers will gain an understanding of the different forms of cultural borrowing and exchange that have shaped a terrain through which African Americans and Latinas/os cross paths, intersect, move in parallel tracks, and engage with a whole range of aspects of urban living. Tensions and shared intimacies are recurrent themes that emerge as the contributors seek to integrate artistic and cultural constructs with politics and economics in their goal of extending simple paradigms of conflict, cooperation, or coalition.
The book features essays by historians, economists, and cultural and ethnic studies scholars, alongside contributions by photographers and journalists working in Los Angeles.
For nearly fifty years, she was the common-law wife of Wyatt Earp: hero of the O.K. Corral and the most famous lawman of the Old West. Yet Josephine Sarah Marcus Earp has nearly been erased from Western lore. In this fascinating biography, Ann Kirschner, author of the acclaimed Sala's Gift, brings Josephine out of the shadows of history to tell her tale: a spirited and colorful tale of ambition, adventure, self-invention, and devotion. Reflective of America itself, her story brings us from the post–Civil War years to World War II, and from New York to the Arizona Territory to old Hollywood.
In Lady at the O.K. Corral, you’ll learn how this aspiring actress and dancer—a flamboyant, curvaceous Jewish girl with a persistent New York accent—landed in Tombstone, Arizona, and sustained a lifelong partnership with Wyatt Earp, a man of uncommon charisma and complex heroism.
Less than three months after Japan bombed Pearl Harbor and inflamed the nation, President Roosevelt signed an executive order declaring parts of four western states to be a war zone operating under military rule. The U.S. Army immediately began rounding up thousands of Japanese-Americans, sometimes giving them less than 24 hours to vacate their houses and farms. For the rest of the war, these victims of war hysteria were imprisoned in primitive camps.
In Infamy, the story of this appalling chapter in American history is told more powerfully than ever before. Acclaimed historian Richard Reeves has interviewed survivors, read numerous private letters and memoirs, and combed through archives to deliver a sweeping narrative of this atrocity. Men we usually consider heroes-FDR, Earl Warren, Edward R. Murrow-were in this case villains, but we also learn of many Americans who took great risks to defend the rights of the internees. Most especially, we hear the poignant stories of those who spent years in "war relocation camps," many of whom suffered this terrible injustice with remarkable grace.
Racism, greed, xenophobia, and a thirst for revenge: a dark strand in the American character underlies this story of one of the most shameful episodes in our history. But by recovering the past, Infamy has given voice to those who ultimately helped the nation better understand the true meaning of patriotism.
Contributors. Noa Emmett Aluli, Ibrahim G. Aoudé, Kekuni Blaisdell, Joan Conrow, Noelani Goodyear-Ka'opua, Edward W. Greevy, Ulla Hasager, Pauahi Ho'okano, Micky Huihui, Ikaika Hussey, Manu Ka‘iama, Le‘a Malia Kanehe, J. Kehaulani Kauanui, Anne Keala Kelly, Jacqueline Lasky, Davianna Pomaika'i McGregor, Nalani Minton, Kalamaoka'aina Niheu, Katrina-Ann R. Kapa'anaokalaokeola Nakoa Oliveira, Jonathan Kamakawiwo'ole Osorio, Leon No'eau Peralto, Kekailoa Perry, Puhipau, Noenoe K. Silva, D. Kapua‘ala Sproat, Ty P. Kawika Tengan, Mehana Blaich Vaughan, Kuhio Vogeler, Erin Kahunawaika’ala Wright
Contributors are Brenda D. Arellano, Leo R. Chavez, Yvette G. Flores, Ramón A. Gutiérrez, Aída Hurtado, Olga Nájera-Ramírez, Chon A. Noriega, Manuel Pastor Jr., Armida Ornelas, Russell W. Rumberger, Daniel Solórzano, Enriqueta Valdez Curiel, and Abel Valenzuela Jr.
The scene is Baltimore. Twice every three days another citizen is shot, stabbed, or bludgeoned to death. At the center of this hurricane of crime is the city's homicide unit, a small brotherhood of hard men who fight for whatever justice is possible in a deadly world.
David Simon was the first reporter ever to gain unlimited access to a homicide unit, and this electrifying book tells the true story of a year on the violent streets of an American city. The narrative follows Donald Worden, a veteran investigator; Harry Edgerton, a black detective in a mostly white unit; and Tom Pellegrini, an earnest rookie who takes on the year's most difficult case, the brutal rape and murder of an eleven-year-old girl.
Originally published fifteen years ago, Homicide became the basis for the acclaimed television show of the same name. This new edition—which includes a new introduction, an afterword, and photographs—revives this classic, riveting tale about the men who work on the dark side of the American experience.
The Nez Perce campaign is among the most famous in the brief and bloody history of the Indian wars of the West.a Yellow Wolf was a contemporary of Chief Joseph and a leader among his own men.a His story is one that had never been told and will never be told again.a A first person account, through author L.V. McWhorter of the Nez Perce's ill-fated battle for land and freedom. "
When President James K. Polk compelled a divided Congress to support his war with Mexico, it was the first time that the young American nation would engage another republic in battle. Caught up in the conflict and the political furor surrounding it were Abraham Lincoln, then a new congressman; Polk, the dour president committed to territorial expansion at any cost; and Henry Clay, the aging statesman whose presidential hopes had been frustrated once again, but who still harbored influence and had one last great speech up his sleeve. Beyond these illustrious figures, A Wicked War follows several fascinating and long-neglected characters: Lincoln’s archrival John Hardin, whose death opened the door to Lincoln’s rise; Nicholas Trist, gentleman diplomat and secret negotiator, who broke with his president to negotiate a fair peace; and Polk’s wife, Sarah, whose shrewd politicking was crucial in the Oval Office.
This definitive history of the 1846 conflict paints an intimate portrait of the major players and their world. It is a story of Indian fights, Manifest Destiny, secret military maneuvers, gunshot wounds, and political spin. Along the way it captures a young Lincoln mismatching his clothes, the lasting influence of the Founding Fathers, the birth of the Daughters of the American Revolution, and America’s first national antiwar movement. A key chapter in the creation of the United States, it is the story of a burgeoning nation and an unforgettable conflict that has shaped American history.
Weimar on the Pacific is the first book to examine these artists and intellectuals as a group. Ehrhard Bahr studies selected works of Adorno, Horkheimer, Brecht, Lang, Neutra, Schindler, Döblin, Mann, and Schoenberg, weighing Los Angeles’s influence on them and their impact on German modernism. Touching on such examples as film noir and Thomas Mann’s Doctor Faustus, Bahr shows how this community of exiles reconstituted modernism in the face of the traumatic political and historical changes they were living through.
Re-examining the history of American aviation, Craig S. Harwood and Gary B. Fogel present the story of human efforts to take to the skies. They show that history’s nearly exclusive focus on two brothers resulted from a lengthy public campaign the Wrights waged to profit from their aeroplane patent and create a monopoly in aviation. Countering the aspersions cast on Montgomery and his work, Harwood and Fogel build a solidly documented case for Montgomery’s pioneering role in aeronautical innovation.
As a scientist researching the laws of flight, Montgomery invented basic methods of aircraft control and stability, refined his theories in aerodynamics over decades of research, and brought widespread attention to aviation by staging public demonstrations of his gliders. After his first flights near San Diego in the 1880s, his pursuit continued through a series of glider designs. These experiments culminated in 1905 with controlled flights in Northern California using tandem-wing Montgomery gliders launched from balloons. These flights reached the highest altitudes yet attained, demonstrated the effectiveness of Montgomery’s designs, and helped change society’s attitude toward what was considered “the impossible art” of aerial navigation.
Inventors and aviators working west of the Mississippi at the turn of the twentieth century have not received the recognition they deserve. Harwood and Fogel place Montgomery’s story and his exploits in the broader context of western aviation and science, shedding new light on the reasons that California was the epicenter of the American aviation industry from the very beginning.
As Stevenson recounts in gripping detail, Porter’s life-saving work on the battlefield began immediately, as he assumed the care of nearly sixty soldiers and two Indian scouts, attending to wounds and performing surgeries and amputations. He evacuated the critically wounded soldiers on mules and hand litters, embarking on a hazardous trek of fifteen miles that required two river crossings, the scaling of a steep cliff, and a treacherous descent into the safety of the steamboat Far West, waiting at the mouth of the Little Big Horn River. There began a harrowing 700-mile journey along the Yellowstone and Missouri Rivers to the post hospital at Fort Abraham Lincoln near Bismarck, Dakota Territory.
With its new insights into the role and function of the army medical corps and the evolution of battlefield medicine, this unusual book will take its place both as a contribution to the history of the Great Sioux War and alongside such vivid historical novels as Son of the Morning Star and Little Big Man. It will also ensure that the selfless deeds of a lone “contract” surgeon—unrecognized to this day by the U.S. government—will never be forgotten.
Franciscan missionary friar Junípero Serra (1713–1784), one of the most widely known and influential inhabitants of early California, embodied many of the ideas and practices that animated the Spanish presence in the Americas. In this definitive biography, translators and historians Rose Marie Beebe and Robert M. Senkewicz bring this complex figure to life and illuminate the Spanish period of California and the American Southwest.
In Junípero Serra: California, Indians, and the Transformation of a Missionary, Beebe and Senkewicz focus on Serra’s religious identity and his relations with Native peoples. They intersperse their narrative with new and accessible translations of many of Serra’s letters and sermons, which allows his voice to be heard in a more direct and engaging fashion.
Serra spent thirty-four years as a missionary to Indians in Mexico and California. He believed that paternalistic religious rule offered Indians a better life than their oppressive exploitation by colonial soldiers and settlers, which he deemed the only realistic alternative available to them at that time and place. Serra’s unswerving commitment to his vision embroiled him in frequent conflicts with California’s governors, soldiers, native peoples, and even his fellow missionaries. Yet because he prevailed often enough, he was able to place his unique stamp on the first years of California’s history.
Beebe and Senkewicz interpret Junípero Serra neither as a saint nor as the personification of the Black Legend. They recount his life from his birth in a small farming village on Mallorca. They detail his experiences in central Mexico and Baja California, as well as the tumultuous fifteen years he spent as founder of the California missions. Serra’s Franciscan ideals are analyzed in their eighteenth-century context, which allows readers to understand more fully the differences and similarities between his world and ours. Combining history, culture, and linguistics, this new study conveys the power and nuance of Serra’s voice and, ultimately, his impact on history.
El Narco draws the first definitive portrait of Mexico's drug cartels and how they have radically transformed in the last decade. El Narco is not a gang; it is a movement and an industry drawing in hundreds of thousands from bullet-ridden barrios to marijuana-growing mountains. And it has created paramilitary death squads with tens of thousands of men-at-arms from Guatemala to the Texas border. Journalist Ioan Grillo has spent a decade in Mexico reporting on the drug wars from the front lines. This piercing book joins testimonies from inside the cartels with firsthand dispatches and unsparing analysis. The devastation may be south of the Rio Grande, El Narco shows, but America is knee-deep in this conflict
More than forty years ago Charles Manson and his mostly female commune killed nine people, among them the pregnant actress Sharon Tate. It was the culmination of a criminal career that author Jeff Guinn traces back to Manson’s childhood. Guinn interviewed Manson’s sister and cousin, neither of whom had ever previously cooperated with an author. Childhood friends, cellmates, and even some members of the Manson family have provided new information about Manson’s life. Guinn has made discoveries about the night of the Tate murders, answering unresolved questions, such as why one person near the scene of the crime was spared.
Manson puts the killer in the context of the turbulent late sixties, an era of race riots and street protests when authority in all its forms was under siege. Guinn shows us how Manson created and refined his message to fit the times, persuading confused young women (and a few men) that he had the solutions to their problems. At the same time he used them to pursue his long-standing musical ambitions. His frustrated ambitions, combined with his bizarre race-war obsession, would have lethal consequences.
Guinn’s book is a “tour de force of a biography…Manson stands as a definitive work: important for students of criminology, human behavior, popular culture, music, psychopathology, and sociopathology…and compulsively readable” (Ann Rule, The New York Times Book Review).